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Symphonic Band
Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-9-1994 Symphonic Band Daniel J. Farris Conductor Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Farris, Daniel J. Conductor, "Symphonic Band" (1994). School of Music Programs. 1113. https://ir.library.illinoisstate.edu/somp/1113 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I Music Department 1 Illinois State University I ·I SYMPHONIC BAND I Daniel J. Farris, Conductor I I Graduate Assista,nts Thomas Merrill Bret Parker 'Iraci Typlin I I I I Braden Auditorium I Wednesday Evening March 9 I Ninety-third program of the 1993-94 season. 8:00p.m. I Program I I Program Notes Cenotaph (19'J2) Jack Stamp A cenotaph is a "statue or monmnent to a person not buried there." 1be Lincoln (born 1954) Memorial and Washington Monmnents are familiar examples of cenotaphs. After ac I I explosive percussion introduction, Stamp's Cenotaph begins with a five-part fugue. An accelerando leads to a layering of ostinatos including a 7/8 hemiola in the woodwinds. 1be fugue subject retwns in augmentation and is harmonized in a chorale Children's March, ''Over the Hills and Far Away" (1919) Percy Alchidge Grainger style. Cenotaph was commissioned by Mitchell Fennell and the California State I I University at Fullerton Bands for the 1992 Southern California All-State Band. -
LCC Symphonic Band March 9, 2012 Concert Program
Acknowledgements Dr. Chris Collins--sectionals and seating Dick Uthmann--Grand Canyon pictures. Associated Students of Lower Columbia College Jackson Gillihan, Music Librarian Robert Cochran, Technical Director JoAnne Booth, Poster, Programs, Advertising LCC Office of Instruction Melissa Mullins, House Manager Diane Bartlett, Rose Center for the Arts Facility Manager Perry Calabrese and Stage Crafts, Recording Engineers LCC College Relations and Marketing The Daily News The Clatskanie Chief The Wahkiakum County Eagle The Columbia River Reader The Stanley B. & June L. Rose Music Scholarship Endowment Kenneth and Patricia Hanson Music Department Endowment Happy Birthday, Dad! Contributions in support of the LCC Symphonic Band and LCC’s Rose Center for the Arts are welcome, and enhance our community’s musical life. To contribute, please contact: Margit Brumbaugh, Executive Director of the LCC Foundation 360.442.2131 or [email protected] More information about the LCC Symphonic Band and other LCC cultural events is online at lowercolumbia.edu/aande Performing Arts Reviews Read Reviews of locally-produced plays and concerts of regularly-performing local groups . posted the next day at www.crreader.com 7:30 p.m. Wollenberg Auditorium Rose Center for the Arts Kurt Harbaugh, Director Madurodam was commissioned by the NIB (Dutch Wind Music Institute) with financial support of the Composition Trust “Fonds voor de Scheppende Kurt Harbaugh, director of the LCC Jazz Ensemble and LCC Symphonic Band, Toonkunst.” was raised in Kalama, where he began his musical studies at a very early age. He received his Bachelor of Arts in Music from Central Washington University Superman in 1991. John Williams wrote Superman for the same titled movie. -
Sousa Cover the ONE.Qxd 24/7/08 2:38 Pm Page 1
Sousa cover THE ONE.qxd 24/7/08 2:38 pm Page 1 Chan 4535 CHANDOS BRASS FROM MAINE TO OREGON THE WILLIAMS FAIREY BAND PLAYS SOUSA MARCHES CONDUCTED BY MAJOR PETER PARKES CHAN 4535 BOOK.qxd 24/7/08 2:41 pm Page 2 Sousa Marches 1 Semper Fidelis arr. C.W. Hewitt 2:55 2 The Crusader arr. Peter Parkes 3:36 3 El Capitan March 2:33 4 The Invincible Eagle arr. Peter Parkes 3:47 5 King Cotton 2:58 6 Hands across the Sea arr. Peter Parkes 2:57 7 Manhattan Beach arr. C.W. Hewitt 2:25 8 Our Flirtations arr. James Howe 2:43 9 The Picadore arr. Peter Parkes 2:58 10 The Gladiator March 2:58 11 The Free Lance arr. Norman Richardson 4:33 12 The Washington Post arr. C.W. Hewitt 2:46 13 The Beau Ideal arr. Peter Parkes 3:36 14 The High School Cadets arr. John Hartmann 2:45 15 The Fairest of the Fair arr. Norman Richardson 3:50 16 The Thunderer arr. Harry Mortimer 2:57 17 The Occidental arr. Peter Parkes 2:55 18 The Liberty Bell arr. J. Ord Hume 3:49 19 The Corcoran Cadets arr. Peter Parkes 3:15 John Philip Sousa (1854–1932) 20 National Fencibles March arr. Norman Richardson 3:36 Royal College of Music 21 The Black Horse Troop arr. Peter Parkes 3:34 22 The Gridiron Club March arr. James Howe 3:38 23 The Directorate arr. Norman Richardson 2:38 24 The Belle of Chicago arr. -
Symphony for Brass and Percussion
CLASSIC BAND Grade 5 Symphony for Brass and Percussion ALFRED REED INSTRUMENTATION 1 Conductor 1 1st Horn in F 1 1st Baritone 1 1st B Trumpet 1 2nd Horn in F 1 2nd Baritone 1 2nd B Trumpet 1 3rd Horn in F 1 1st Tuba 1 3rd B Trumpet 1 4th Horn in F 1 2nd Tuba 1 4th B Trumpet 1 1st Trombone 1 Timpani 1 1st B Cornet 1 2nd Trombone 1 Tom-Toms 1 2nd B Cornet 1 3rd Trombone 5 Percussion 1 4th Trombone (Bass) (Snare Drum, Bass Drum, Crash Cymbals, Suspended Cymbal, Woodblock, Bells, Xylophone, Vibraphone, Gong, Chimes) ABOUT THE COMPOSER A native of Manhattan, New York, Alfred Reed (1921–2005) was brought up in a musical family. His formal music education began at age 10. As a trumpet player, he was active as a professional musician at a very early age. He was educated at Baylor University and the Juilliard School of Music where he studied with Vittorio Gianninni. His passion for band music grew while he was a member of the 529th Army Air Force Band during the second World War. Following the war, he began composing and arranging for radio, fi lm and television, including NBC and ABC. Alfred Reed has over 200 published works for band, orchestra, chorus and various chamber groups. Two of his most performed works are Armenian Dances and Russian Christmas Music, both of which are standard repertoire for concert bands and orchestras. Following his retirement from the University of Miami, Dr. Reed remained active as a clinician and guest conductor globally. -
University Band & Maryland Community Band in Concert
UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT UMD School of Music presents UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT Wednesday, November 4, 2015 . 8PM Elsie & Marvin Dekelboum Concert Hall University Band, Craig G. Potter, conductor Maryland Community Band, Bill Sturgis, conductor 35 UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT: PROGRAM UNIVERSITY BAND Craig G. Potter, conductor CLIFTON WILLIAMS The Ramparts (1965) PETER WARLOCK Capriol Suite (1926) 1. Basse-Danse 2. Pavane 3. Tordion 4. Bransles 5. Pieds-en-l’air 6. Mattachins RICHARD WAGNER Procession of the Knights of the Holy Grail from Parsifal (1882) JULIUS FUCˇÍK Florentiner March, Op. 214 (1907) MARYLAND COMMUNITY BAND Bill Sturgis, conductor GUSTAV HOLST Moorside March from A Moorside Suite (1928) JOSEPH WILLCOX JENKINS American Overture (1955) ERIC WHITACRE October (2000) ALFRED REED The Hounds of Spring (1980) This performance will last approximately 1 hour and 20 minutes with one 10-minute intermission. Video or audio recording of the production is strictly prohibited. 36 PROGRAM NOTES The Ramparts describes the history, steps and musical details of CLIFTON WILLIAMS various dances of the time. For the 1925 translation, Born March 26, 1923 in Traskwood, Arkansas Warlock edited Arbeau’s music examples to fit in a Died February 12, 1976 in Miami, Florida more modern notation. Warlock must have found Instrumentation: Concert Band the experience of editing the old book inspirational; Duration: 7 minutes the music examples in the book serve as the basis Composed: 1965 for the themes in his Capriol Suite. The Ramparts, Concert Overture for Band, was The Basse-Danse is a dance in triple time that was commissioned by the United States Air Force most popular in the mid-16th century. -
ISU Red: Research and Edata
Illinois State University ISU ReD: Research and eData School of Music Programs Music 11-12-2006 University Band Symphonic Band Symphonic Winds Joe Van Riper Conductor Illinois State University Kent Krause Conductor Daniel A. Belongia Conductor Stephen K. Steele Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Riper, Joe Van Conductor; Krause, Kent Conductor; Belongia, Daniel A. Conductor; and Steele, Stephen K. Conductor, "University Band Symphonic Band Symphonic Winds" (2006). School of Music Programs. 3065. https://ir.library.illinoisstate.edu/somp/3065 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. .1 lllinois State University College of Fine Arts I School of Music I I I UNIVERSITY BAND I Joe Van Riper and Kent Krause, Conductors I SYMPHONIC BAND I Daniel A. Belongia, Conductor I SYMPHONIC WINDS I Stephen K. Steele, Conductor I David Maslanka, special guest I Center for the Performing Arts Sunday Afternoon November 12, 2006 This is the sixty-second program of the 2006-2007 Season I 2oopm Program I I Program Notes Jack Stamp is Professor of Music and Director of Band Studies at Indiana University Band I I University of Pennsylvania where he conducts the Wind Ensemble, Symphony Joe Van Riper and Kent Krause, Conductors Band, and teaches courses in undergraduate and graduate conducting. -
John Philip Sousa (1854-1932)
Composer Fact Sheets John Philip Sousa (1854-1932) FAST FACTS • Known as “The March King” • Played many different instruments, but his dad forced him to join the Marines • Became conductor of “The President’s Own” Marine Band • Wrote 136 marches and 15 operettas • Toured Europe many times with his band Born: 1854 (Washington, DC) Died: 1932 (Reading, PA) John Philip Sousa was a famous American composer and conductor who became known as the “March King” for the amount of patriotic and inspiring pieces he wrote for professional bands. Sousa began studying and playing piano, stringed instruments, woodwinds, and brass. When he tried to join a circus band at age 13, however, his father forced him to join the Marines. Sousa was only with the Marines eight years before he was discharged so he could perform violin professionally. He also began conducting theater orchestras at this time. Inspired by this kind of music, he began to write operettas (light-hearted shows much like musical theater of today). For 12 years, Sousa was appointed conductor of “The President’s Own”, which is the official music organization of the U.S. Marines. Sousa served five different presidents while he was the conductor of “The President’s Own”: presidents Hayes, Garfield, Arthur, Cleveland, and Harrison. He composed pieces for the band that gave people a sense of excitement and pride, called “marches”. In 1889, Sousa composed The Washington Post march , for which he received international fame. After the band took two separate tours, Sousa resigned to start his own community band. His band performed in New Jersey, but also performed at the World’s Columbian Exposition, also known as The Chicago World’s Fair in 1893. -
University Wind Symphony 10Th Season Chapman University Wind Symphony
Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 11-20-2004 University Wind Symphony 10th Season Chapman University Wind Symphony Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Chapman University Wind Symphony, "University Wind Symphony 10th Season" (2004). Printed Performance Programs (PDF Format). Paper 1177. http://digitalcommons.chapman.edu/music_programs/1177 This Other Concert or Performance is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPMAN UNIVERSITY WIND SYMPHONY CHAPMAN UNIVERSITY The Wind Symphony at Chapman University has earned a reputation for its breadth of musicality and consistently high level of performance. Since its formation in School ofMusic 1995, the ensemble has presented featured performances for the state conference of the California Music Educators Association (1997, 1999, 2001, 2003), the Invitational Band Festival at the Orange County Performing Arts Center, and the Orange County Millennium. The 2004-2005 season of the Wind Symphony presents the includes a 14-day perfonnance tour through Washington, Oregon, and California, and an invitation to performin the famed Carnegie Hall in New York. While the ensemble is comprised of primarily music majors, students from all disciplines are invited to participate in the Wind and Percussion Program at University Wino Symphony Chapman University. Goals of the Wind Symphony include the development of 10th Season musical expression and individual and ensemble skills through the identification, rehearsal, and performance of the finest wind literature. -
American Music Research Center Journal
Volume 15 2005 UNIVERSITY OF COLORADO AT BOULDER AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 15 2005 Laurie J. Sampsel, Guest Editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado at Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Cassandra M. Volpe, Archivist Sister Mary Dominic Ray, O. P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music Joice Waterhouse Gibson, Research Assistant, 2004–2006 Ross Hagen, Research Assistant, 2005–2007 EDITORIAL BOARD Alan Cass Portia Maultsby Susan Cook Tom C. Owens Robert R. Fink Katherine Preston William Kearns Catherine Parsons Smith Karl Kroeger Helen Smith Victoria Lindsay Levine Jessica Sternfeld Kip Lornell Joanne Swenson-Eldridge Jeffrey Magee The American Music Research Center Journal is published annually. Subscription rate is $14.50 per issue ($16.50 outside U.S.). Please address all inquiries to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. ISSN 1058-3572 © 2005 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro - posals from the scholarly community. All articles should be addressed to Laurie J. Sampsel, College of Music, University of Colorado at Boulder, 301 UCB, Boulder, CO 80309-0301. Each separate article should be submitted in two copies, on 81/2-by-11-inch paper, double-spaced, with 1" margins. -
NORTHWESTERN UNIVERSITY an Annotated Catalog of Marimba
NORTHWESTERN UNIVERSITY An Annotated Catalog of Marimba Concertos with Winds A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF MUSICAL ARTS Field of Percussion Performance By Anthony Joseph Calabrese EVANSTON, ILLINOIS June 2014 2 © Copyright by Anthony Joseph Calabrese 2014 All Rights Reserved 3 ABSTRACT An Annotated Catalog of Marimba Concertos with Winds Anthony J. Calabrese This document is a musical catalog of concertos for one or two solo marimbas originally written with wind accompaniment. Chapter One summarizes the development of the marimba since the early 1900s. Chapter Two presents charts and descriptions of 45 works in this genre, based on works written between 1974 and 2013. Composers of these works are based in Australia, Belgium, England, Germany, Japan, the Netherlands, Norway, Spain, Taiwan, and across the United States. The descriptions address composition dates, instrumentation and timing, solo instrument range and technical requirements, including cadenzas, publishers, arrangements, recordings, commissions and premieres, style, and other details in the scores. Musical incipits are provided where available. Sixteen works are detailed here for the first time, including the first known works in the genre. Readers should also see Andrew Lance Dancy’s document (2008) for complementary information on certain works. Chapter Three examines similarities and differences, and trends among all 45 works in the genre based on the catalog’s details. Ideas on how to solicit new works are identified from past studies and applied to the wind ensemble idiom. This study informs percussionists and conductors as they select concertos for performance, it informs composers of past works, and identifies trends. -
Sousa US 22/11/10 17:07 Page 8
572651-52 bk Sousa US 22/11/10 17:07 Page 8 the 150th anniversary of the signing of the Declaration % The National Game (1925) of Independence, the Sesqui-Centennial Exposition Composed at the request of Judge Kenesaw Mountain WIND BAND CLASSICS march is also particularly appropriate for the celebration Landis, major league baseball’s first high commissioner, of Sousa’s own sesqui-centennial of his birth in 1854. It Sousa’s unique The National Game featured four features a chime solo evocative of the Liberty Bell. baseball bat solos. (Track 2 from 8.559093) (Track $ from 8.559092) SOUSA’S # La Flor di Sevilla (1929) ^ Bullets and Bayonets (1918) Composed for the 1929 Ibero-American Exposition in Bullets and Bayonets, another First World War rouser, Seville, the march La Flor di Sevilla was ‘written and was dedicated ‘To the officers and men of the U.S. GREATEST dedicated to the people of Spain’. The soaring trio tune Infantry’. is one of Sousa’s most flowering melodies. (Track # from 8.559059) (Track 5 from 8.559092) MARCHES & The Naval Reserve March (1917) $ The Corcoran Cadets (1890) The 1917 Naval Reserve March was composed for the The march The Corcoran Cadets was composed for a 300-piece naval band Sousa led at Great Lakes Navy crack Washington D.C. teenage drill team. Their Training Center during World War I. It was dedicated The Liberty Bell organization performed with colorful uniforms and “To the Officers and Men of the U.S. Naval Reserve”. bearing wooden rifles. The march was most likely The trio incorporates a popular Sousa song of the time: written for the band that accompanied their drill Blue Ridge I’m Coming Back to You. -
To Download a PDF of the Concert Program
Austin Symphonic Band presents MUSIC OF THE Sunday, April 3 • 4 PM AISD Performing Arts Center Richard Floyd, Music Director ASB Board of Directors and Officers Music Director: Richard Floyd Assistant Music Director: Bill Haehnel Executive Director: Amanda Turley President: Erin Knight Past-President: Sally Grant President-Elect: Al Martin Board of Directors: Susan Abbott Keith Chenoweth Elizabeth Rosinbum Faith Weaver Secretary: Gabriel Gallegos Treasurer: Sharon Kojzarek Librarian: Karen VanHooser Concert Coordinator: Kevin Jedele Transportation Manager: Chuck Ellis Marketing Director: Thomas Edwards Art & Design: Karen Cross Webmaster: David Jones Archivist: Tim DeFries Austin Symphonic Band PO Box 6472 Austin, Texas 78762 (512) 956-7420 [email protected] austinsymphonicband.org facebook.com/ATXSymphonicBand twitter.com/AustinSymphBand instagram.com/ATXSymphonicBand This project is supported in part by the Cultural Arts Division of the CITY OF AUSTIN City of Austin Economic Development Department. Richard Floyd, Music Director RICHARD FLOYD is in his 54th year of active involvement as a conductor, music educator, and administrator. He has enjoyed a distinguished and highly successful career at virtually every level of wind band performance from beginning band programs through high school and university wind ensembles as well as adult community bands. Floyd recently retired as State Director of Music at The University of Texas at Austin. He now holds the title Texas State Director of Music Emeritus. He has served as Music Director and Conductor of the Austin Symphonic Band since 1985. Floyd is a recognized authority on conducting, the art of wind band rehearsing, concert band repertoire, and music advocacy. As such, he has toured extensively throughout the United States, Canada, Australia, and Europe as a clinician, adjudicator, and conductor including appearances in 42 American states and in nine other countries.