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Symphonic Band
Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-9-1994 Symphonic Band Daniel J. Farris Conductor Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Farris, Daniel J. Conductor, "Symphonic Band" (1994). School of Music Programs. 1113. https://ir.library.illinoisstate.edu/somp/1113 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I Music Department 1 Illinois State University I ·I SYMPHONIC BAND I Daniel J. Farris, Conductor I I Graduate Assista,nts Thomas Merrill Bret Parker 'Iraci Typlin I I I I Braden Auditorium I Wednesday Evening March 9 I Ninety-third program of the 1993-94 season. 8:00p.m. I Program I I Program Notes Cenotaph (19'J2) Jack Stamp A cenotaph is a "statue or monmnent to a person not buried there." 1be Lincoln (born 1954) Memorial and Washington Monmnents are familiar examples of cenotaphs. After ac I I explosive percussion introduction, Stamp's Cenotaph begins with a five-part fugue. An accelerando leads to a layering of ostinatos including a 7/8 hemiola in the woodwinds. 1be fugue subject retwns in augmentation and is harmonized in a chorale Children's March, ''Over the Hills and Far Away" (1919) Percy Alchidge Grainger style. Cenotaph was commissioned by Mitchell Fennell and the California State I I University at Fullerton Bands for the 1992 Southern California All-State Band. -
Wallingford Riegger
WALLINGFORD RIEGGER: Romanza — Music for Orchestra Alfredo Antonini conducting the Orchestra of the “Accademia Nazionale di Santa Cecilia-Roma” Dance Rhythms Alfredo Antonini conducting the Oslo Philharmonic Orchestra THIS RELEASE is but further evidence of the growing and gratifying tendency of recent years to recognize Wallingford Riegger as one of the leading and most influential figures in twentieth century American composition, in fact as the dean of American composers. Herbert Elwell, music critic of the Cleveland Plain Dealer, said it in April, 1956: “I am coming more and more to the conclusion that it is Riegger who has been the real leader and pathfinder in contemporary American music . not only a master of his craft but in some ways a prophet and a seer.” In the same month, in Musical America, Robert Sabin wrote: “I firmly believe that his work will outlast that of many an American composer who has enjoyed far greater momentary fame.” Riegger was born in Albany, Georgia, on April 29, 1885. Both his parents were amateur musicians and were determined to encourage their children in musical study. When the family moved to New York in 1900, the young Wallingford was enrolled at the Institute of Musical Art where he studied the cello and composition. Graduating from there in 1907 Riegger then went to Germany to study at the Hochschule für Musik in Berlin with Max Bruch. In 1915-1916 he conducted opera in Würzburg and Königsberg and the following season he led the Blüthner Orchestra in Berlin. Since his return to the United States in 1917, he has been active in many phases of our musical life. -
LCC Symphonic Band March 9, 2012 Concert Program
Acknowledgements Dr. Chris Collins--sectionals and seating Dick Uthmann--Grand Canyon pictures. Associated Students of Lower Columbia College Jackson Gillihan, Music Librarian Robert Cochran, Technical Director JoAnne Booth, Poster, Programs, Advertising LCC Office of Instruction Melissa Mullins, House Manager Diane Bartlett, Rose Center for the Arts Facility Manager Perry Calabrese and Stage Crafts, Recording Engineers LCC College Relations and Marketing The Daily News The Clatskanie Chief The Wahkiakum County Eagle The Columbia River Reader The Stanley B. & June L. Rose Music Scholarship Endowment Kenneth and Patricia Hanson Music Department Endowment Happy Birthday, Dad! Contributions in support of the LCC Symphonic Band and LCC’s Rose Center for the Arts are welcome, and enhance our community’s musical life. To contribute, please contact: Margit Brumbaugh, Executive Director of the LCC Foundation 360.442.2131 or [email protected] More information about the LCC Symphonic Band and other LCC cultural events is online at lowercolumbia.edu/aande Performing Arts Reviews Read Reviews of locally-produced plays and concerts of regularly-performing local groups . posted the next day at www.crreader.com 7:30 p.m. Wollenberg Auditorium Rose Center for the Arts Kurt Harbaugh, Director Madurodam was commissioned by the NIB (Dutch Wind Music Institute) with financial support of the Composition Trust “Fonds voor de Scheppende Kurt Harbaugh, director of the LCC Jazz Ensemble and LCC Symphonic Band, Toonkunst.” was raised in Kalama, where he began his musical studies at a very early age. He received his Bachelor of Arts in Music from Central Washington University Superman in 1991. John Williams wrote Superman for the same titled movie. -
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST and PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected]
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST AND PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected] LONG YU TO CONDUCT CHINA PHILHARMONIC ORCHESTRA, PRESENTED BY THE NEW YORK PHILHARMONIC PROKOFIEV’s Violin Concerto No. 2 with JULIAN RACHLIN SHOSTAKOVICH’s Symphony No. 5 December 11, 2016 NEW YORK PHILHARMONIC IN SIXTH ANNUAL CHINESE NEW YEAR CONCERT and GALA U.S. PREMIERE of CHEN Qigang’s Joie Éternelle with Trumpet Player ALISON BALSOM PUCCINI’s Selection from Turandot and Traditional Chinese Folk Songs with Soprano SUMI JO SAINT-SAËNS’s Introduction and Rondo Capriccioso with Concertmaster FRANK HUANG January 31, 2017 The New York Philharmonic will present two programs honoring its strong ties to China, both led by Long Yu: the China Philharmonic Orchestra will perform at David Geffen Hall on December 11, 2016, and the New York Philharmonic will perform its sixth annual Chinese New Year Concert and Gala, January 31, 2017. Both programs celebrate the cultural exchange between China and the U.S., particularly the Philharmonic’s connections to China. China Philharmonic Orchestra The New York Philharmonic will present the China Philharmonic Orchestra, led by Long Yu, its Music Director, at David Geffen Hall on December 11, 2016, at 3:00 p.m. The program will feature Prokofiev’s Violin Concerto No. 2, with Julian Rachlin as soloist, and Shostakovich’s Symphony No. 5. Long Yu co-founded the China Philharmonic Orchestra in 2000, and has since served as its artistic director and chief conductor. The orchestra’s appearance at David Geffen Hall, presented by the New York Philharmonic, is part of its 2016 Tour of the Americas. -
Volume 66, Number 07 (July 1948) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1948 Volume 66, Number 07 (July 1948) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 66, Number 07 (July 1948)." , (1948). https://digitalcommons.gardner-webb.edu/etude/171 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. utTL II Lh > r tMii.L gmm THEODORE PRESSER Educator - Publisher - Philanthropist 1848-1925 ONE HUNDREDTH ANNIVERSARY Founder of The Music Teachers National Association, The Etude Music Magazine — Theodore Presser Company The Presser Foundation . Hans Schweiger, who since 1944 has the Fort Bayne of the seventy-fifth been conductor of The Music Season has In- (Indiana) Philharmonic Orchestra, i annual assembly of the Chatauqua conductorship of the Kansas stitution will open at Lake Chautauqua accepted the a position vacated by on July 16 with an operatic performance City Philharmonic, he became conductor conducted by Alfredo A alenti. On July Efrem Kurtz when (Texas) Symphony 17 the Chautauqua Symphony Orchestra, of the Houston under the baton of Franco Autori, will Orchestra. open a series of twenty-four concerts. Prof. Paul Stoye, concert pianist and twenty-seven years head of The Goldman Band, on June 18. -
TV Club Newsletter; April 25
COVERING THE TV BEAT: "HAMLET", Starring Maurice Evans, the internationally ac- claimed Shakespearean interpreter in the title role will be seen and heard this Sunday at 3:30 over all NBC stations in the area . .. .. WBEN-TV, WSYR-TV and WHAM-TV have made way to carry this special two hour production which will be presented by the HALLMARK HALL OF FAME . May we suggest that you check last weeks TVC NEWSLETTER for more detailed informa tion conce rning this show and its host of stars . ... Small-fry who have been unhappy about the departure of HOPALONG CASSIDY f r om their living rooms will be somwh a t appeased by the anoouneement that while they have l ost "Hoppy", he will be replaced by another of their favorites SKY KING , starting April 25th at 11 :30 a .m. over WHAM- TV . Also , starting Ma y 16, WHAM-TV plans to carr y t he TV ver - sion of THE LONE RANGER. So there . .. kids .. .. you ' ve got two for one. .. .. The summe r replacement for the SHOW OF SHOWS is expected to to be the new Hoagy Garmichael show , SATURDAY NIGHT REVUE JACK BENNY , who is seen only once a month is planning to appear once every third week next season ... .. Frank Wisbar, producer -director of NBC-TV's "FIRESI DE THEATER" gave an opinion in a r ecent i nterview that makes sense to us and will do the s ame to you. He believes that daytime television shows should be geared to the radio audience. Wisbar f eels tha t it is i mpo ssibl e to get a mass audience dur ing the dayt i me when t he majority of housewives have too many househol d chores to be able to sit and watch a series of TV shows. -
University Band & Maryland Community Band in Concert
UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT UMD School of Music presents UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT Wednesday, November 4, 2015 . 8PM Elsie & Marvin Dekelboum Concert Hall University Band, Craig G. Potter, conductor Maryland Community Band, Bill Sturgis, conductor 35 UNIVERSITY BAND & MARYLAND COMMUNITY BAND IN CONCERT: PROGRAM UNIVERSITY BAND Craig G. Potter, conductor CLIFTON WILLIAMS The Ramparts (1965) PETER WARLOCK Capriol Suite (1926) 1. Basse-Danse 2. Pavane 3. Tordion 4. Bransles 5. Pieds-en-l’air 6. Mattachins RICHARD WAGNER Procession of the Knights of the Holy Grail from Parsifal (1882) JULIUS FUCˇÍK Florentiner March, Op. 214 (1907) MARYLAND COMMUNITY BAND Bill Sturgis, conductor GUSTAV HOLST Moorside March from A Moorside Suite (1928) JOSEPH WILLCOX JENKINS American Overture (1955) ERIC WHITACRE October (2000) ALFRED REED The Hounds of Spring (1980) This performance will last approximately 1 hour and 20 minutes with one 10-minute intermission. Video or audio recording of the production is strictly prohibited. 36 PROGRAM NOTES The Ramparts describes the history, steps and musical details of CLIFTON WILLIAMS various dances of the time. For the 1925 translation, Born March 26, 1923 in Traskwood, Arkansas Warlock edited Arbeau’s music examples to fit in a Died February 12, 1976 in Miami, Florida more modern notation. Warlock must have found Instrumentation: Concert Band the experience of editing the old book inspirational; Duration: 7 minutes the music examples in the book serve as the basis Composed: 1965 for the themes in his Capriol Suite. The Ramparts, Concert Overture for Band, was The Basse-Danse is a dance in triple time that was commissioned by the United States Air Force most popular in the mid-16th century. -
ISU Red: Research and Edata
Illinois State University ISU ReD: Research and eData School of Music Programs Music 11-12-2006 University Band Symphonic Band Symphonic Winds Joe Van Riper Conductor Illinois State University Kent Krause Conductor Daniel A. Belongia Conductor Stephen K. Steele Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Riper, Joe Van Conductor; Krause, Kent Conductor; Belongia, Daniel A. Conductor; and Steele, Stephen K. Conductor, "University Band Symphonic Band Symphonic Winds" (2006). School of Music Programs. 3065. https://ir.library.illinoisstate.edu/somp/3065 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. .1 lllinois State University College of Fine Arts I School of Music I I I UNIVERSITY BAND I Joe Van Riper and Kent Krause, Conductors I SYMPHONIC BAND I Daniel A. Belongia, Conductor I SYMPHONIC WINDS I Stephen K. Steele, Conductor I David Maslanka, special guest I Center for the Performing Arts Sunday Afternoon November 12, 2006 This is the sixty-second program of the 2006-2007 Season I 2oopm Program I I Program Notes Jack Stamp is Professor of Music and Director of Band Studies at Indiana University Band I I University of Pennsylvania where he conducts the Wind Ensemble, Symphony Joe Van Riper and Kent Krause, Conductors Band, and teaches courses in undergraduate and graduate conducting. -
A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N. -
TEM Supplement 78 Cover and Back Matter
BOOSEY & HAWKES MUSIC BULLETIN Introduction Autumn 1966 It was unfortunate that Igor Stravinsky who had spring. The following headlines are typical of the been appointed President of the English Bach enthusiastic tributes: Festival in succession to the late Albert Schweitzer was prevented through illness from attending "New York Opera finds a winner"—The Times. when he was to have conducted among other "Dazzling U.S. premiere of Don Rodrigo" works a performance of Oedipus Rex. The British —New York World Telegram & Sun. public was however given the opportunity for the first time of evaluating the music of the 44-year- In London Richard Strauss's opera Die Frau ohne old Greek-born composer lannis Xenakis. He had Schatten was heard for the first time, when the already attracted considerable attention in Europe Hamburg State Opera gave two performances in and first performances of his works had been May at Sadler's Wells. The opera was enthu- given under such conductors as Rosbaud, Boulez, siastically received and all tickets were sold out Madema and Scherchen who described Xenakis soon after booking opened. This augurs well for as "a musician of profound reception, pure and the success of the Covent Garden production struck by the fire of creation". All the works scheduled for next season. heard in Oxford in June were new to this country It might be interesting to note here that Boosey & and one, Akrata was receiving its world premiere. Hawkes in 1965 and 1966 have been celebrating two In general the press and public alike admitted to important anniversaries. -
BROOKLYN ACADEMY of MUSIC 'L
9S.c2. PROGRAMTuesday Evening, February 5, 1952 #41 THE .; OF ARTS AND SCIENCES fktiv 'l RICHARD TUCKER BROOKLYN ACADEMY OF MUSIC AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA 41 CI A PRESENTATION OF THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES 0 FIRE NOTICE: The exit indicated by a red light gyp+ and sign nearest to the seat you occupy is the the street. U`qS shortest route to In the event of fire please do not run -WALK TO THAT EXIT. 4 TUESDAY EVENING, FEBRUARY 5, 1952 JACOB GRUMET, Fire Commissioner IV f- CI It is urgent for the comfort and safety of all q'p that patrons refrain from lighting matches in this theatre. Two Israeli Songs: qgd'¢ d' 4 ' / , . S / ` b'daird 7cede/ V _ Ma Yafem Halelot (How Beautiful Are the Nights D O TENOR in Canaan) - - - Julius Chajes fD ¢ ORCHESTRA Shir Hacherut (Song of Liberation) - - arr. Secunda °' JOSEPH GARNETT AT THE PIANO D CI D s L Barcarolle Gounod `l')5 SEVENTH IN THE MAJOR CONCERT SERIES S o"" , , D 5 k', .. Tell mc, pretty maid, where would you like to go? The sail opens its O I' ?d' j S wings. "Take me to that shore where love endures forever." Alas! I D O L f a 1_ il:, that shore is unknown in the land of love. rEi Scene (recitative and aria) from the opera, "Joseph" - Méhul - =G3 Amid the honors and magnificence showered upon him by Pharaoh, Ú/f Aria: Rachel, quand du Seigneur, from "La Juive" - Halévy y Joseph recalls his childhood home, his beloved father, Jacob, and the u. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.