Autofocus Speedlight (En)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nikon F6 Vs Canon EOS-1V Vs Leica R9
Battle of the Titans: NIKON F6 vs. CANON EOS-1v vs. LEICA R9 Shutter Release, April 2005 Revised March 2007 Canon got the better of Nikon and Leica on Internet forums in 2004 with regard to film cameras. If ad hoc quips about the world’s leading 35mm SLR cameras were to be believed, Canon had pulled ahead in optics and overall speed of operation. As to Leica, well, the legendary mark had already had its day and is a stodgy if reliable instrument years behind Canon and Nikon. The stereotypes were flat-out wrong, even before the introduction of the new Nikon F6 in late 2004. The reality is that each manufacturer has selectively invested in features for different users. Canon has led in technology to steady hand-held telephoto lenses. The Leica R9 provides ultimate finessing of manual with automatic controls to a precision of 0.1 f-stop (in multi-pattern metering), and is arguably the most user-friendly of the three cameras. The Nikon F6 is a more versatile and lighter redesign of the F5 that pioneered the most advanced autoexposure system available, engineered for accuracy in extreme or peculiar lighting conditions where other cameras would fall short. Features in Common The three flagship models are equipped to enable excellence in most photographic situations. Together with their abundant selections of optics and all manner of gadgetry, the top-of-line Nikon, Canon and Leica cameras have been widely considered the best in 35mm film photography. The Nikon F6, Canon EOS-1v and Leica R9 offer: Evaluative autoexposure: The microcomputer in the camera assesses a scene through an array of sensors, and applies an ideal aperture and/or shutter speed as fast as 1/8000 sec. -
Used Equipment 35Mm Cameras & Accessories
Used Equipment 35mm Cameras & Accessories Leica M6 Classic MF Camera Minolta Maxxum7xi AF Camera Nikon N8008S AF Camera Nikon N90s AF Camera Nikon SB-28 AF Speedlight Flash • Body Only • Auto Focus • Auto Focus • Auto Focus • Dedicated TTL • Manual Focus • Body Only • Body Only • Body Only Shoe Mount • Black Color • Guide No. 13 • Bounce, Swivel & Zoom Head Condition 9 Condition 8+ Condition 8+ Condition 8+ Condition 9 $1,699 $149 $185 $259 $129 Leica M6 Wetzlar MF Camera Minolta Maxxum 700si AF Camera Nikon N6006 AF Camera Nikon F5 AF Camera Kodak 80-210mm AF SLR Lens • Body Only • Auto Focus • Auto Focus • Auto Focus • For Nikon AF • Manual Focus • Body Only Body • Body Only • Auto Focus • Black Color • f/.-.6 Condition 9 Condition 8+ Condition 8+ Condition 8+ New $1,649 $179 $99 $799 $59.95 35mm SLR Cameras Bodies, Lenses, Flashes, Accessories CANON Canon FD Breech MT Lenses MINOLTA MD Lenses MT-2 Intervalometer (No cord) .................399 EOS Bodies 24/2.8 ..............................................9 ......199 Maxxum Bodies 24/2.8 ..............................................9 ......239 MH-2 ...............................................8+ .....49 620...................................................9 ......129 28/2.8 ..............................................8+ .....69 XTsi QD ............................................8+ .....79 28/3.5 Celtic ....................................8+ .....49 AC-1E ..............................................9 ........49 630 QD ............................................8+ ...139 28/3.5 -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
How to Shoot Fireworks – Capture the Nighttime Celebration
cover story How to Shoot Fireworks – capture the nighttime celebration Text and Photography By Robert Berdan Capturing fireworks with your camera may seem dif- ficult, but it’s easy if you use a tripod. There are plenty of opportunities and places to photograph fireworks. Look for special events around your area such as Canada Day celebrations, festivals, fairs and exhib- itions. A quick search of the internet will give you all the information you need. You can photograph fire- works with film or a digital camera. The methods are the same for both, though they’re easier to capture with digital cameras. Here are some tips to help you capture fireworks this summer. 38 Summer/Fall 2008 era has a double exposure mode you can 9 Bring a Photo pages 38-39: Calgary Stampede. try exposing several firework explosions Photographed with 20-35mm zoom lens, small flashlight ƒ8@8 sec., composite of two exposures. onto a single frame. A small pocket flashlight is essential if Nikon F5,Velvia IS0 50, tripod. you want to see your camera controls or Photo top of page 40: Olympic Plaza 4 Lens choice and change a lens in the dark — don’t leave Downtown Calgary. ƒ5.6@2 sec. exposure, F-stop setting home without one in your camera bag. Kodachrome ISO 64 film, Olympus OM-4 I like to use a wide angle zoom (F2.8 camera, 24mm lens, tripod set up in the crowd during the celebrations downtown. 20-35mm) and a telephoto zoom lens 10 Focus (F2.8 70-200mm) for firework photog- Start with your camera focused at infinity Photo bottom of page 40: Canada Day Canada Olympic Park in Calgary. -
Expand Your Creative Playground Contents
Expand your creative playground Contents Superior performance in diverse scenes. 6-7 FX-Format image sensor and NIKKOR lenses ISO 100-51200. © ful.fi lled © Mattia Bonavida © Mattia Bonavida 8-9 273-point AF system. Eye-detection AF & Animal-detection AF. 5.0-stop in-camera VR. 10-11 NIKKOR Z 24-50mm f/4-6.3. NIKKOR Z 24-70mm f/4 S. NIKKOR Z 24-200mm f/4-6.3 VR. Intuitive operation your style. 12-13 Creative picture controls. Multiple exposure. © ful.fi lled Silent photography function. © Mattia Bonavida 14-15 Electronic viewfi nder. Tilting touch screen monitor. P menu. 16-17 Nikon’s ergonomics. Robustness with anti-weather / dust sealing. Long battery life & USB power delivery. Snapbridge. © Jordi Koalitic © Jordi Koalitic Wide-ranging options to go further. 18-19 4K UHD videos. 4K UHD time-lapse movie. Accessories. 20 Nomenclature. 21 System chart. 22 Specifi cations. © John Wingfi eld © John Wingfi eld © Shohki Eno © Shohki Eno The FX sensor and NIKKOR® Z combo unlocks your hidden potential. Why do you create? Whatever your reasons, do full justice to your creative voice with new range of possibilities from impressive portraits with beautiful bokeh to richly striking, high-quality images brought by the combination of a full-frame sensor and colored landscape shots – all from a portable, tough, easy-to-handle body. City or superb NIKKOR® Z lenses. An ode to every kind of creator, the Z 5 gives you a whole nature, day or night, wherever inspiration strikes – the world is your playground. 4 5 Eye-catching bokeh and remarkable low-light performance. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
User's Manual
Autofocus Speedlight User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. AMA14349 Nikon Manual Viewer 2 Install the Nikon Manual Viewer 2 app on Printed in Europe your smartphone or tablet to view Nikon digital camera manuals, anytime, anywhere. Nikon TT5E05(11) En Manual Viewer 2 can be downloaded free of charge 8MSA4511-05 from the App Store and Google Play. En About the SB-910 and This User’s Manual Thank you for purchasing the Nikon Speedlight SB-910. To get the most out of your A Speedlight, please read this user’s manual thoroughly before use. Keep this manual handy for quick reference. How to find what you are looking for i Table of contents (0A-11) Preparation You can search by item, such as operation method, fl ash mode or function. i Q&A index (0A-9) You can search according to objective without knowing the specifi c name or term of an item. i Index (0H-22) You can search using the alphabetical index. i Troubleshooting (0H-1) This is handy when there is a problem with your Speedlight. For your safety Before using the Speedlight for the fi rst time, read the safety instructions in “For Your Safety” (0A-14 – A-18). A–2 Included items A Check that all items listed below are included with the SB-910. If any items are missing, inform the store where the SB-910 was purchased or the seller immediately. -
Additional Information on 10Mm F5.6 OP-Fisheye Nikkor Lens
Additional Information on 10mm f5.6 OP-Fisheye Nikkor Lens 10mm f/5.6 OP FISHEYE-NIKKOR Originally introduced in 1968 and was discontinued eight years later in the mid of 1976. This is a highly specialized lens that offers unique orthographic projection (OP) characteristics producing a circular image of 180 degree . The image reproduced, however, is larger in the center and gradually becomes more compressed toward the periphery than the images produced by other Fisheye-Nikkors. To meet the exacting OP requirements, an aspherical front lens is employed. This projection formula provides a special configuration through which the luminance of a place is measured. When the light source is photographed with the OP Fisheye-Nikkor, the proportion of the image area of the light source to the total area represents the luminance or brightness of the place. This proportion is called the "configuration factor" or "sky factor" when the light source is the sky. This feature is effectively applied to architectural design, civic improvement, street lighting, fire safety studies and other specialized applications. The lens is also useful in advertising photography to emphasize the main subject by taking advantage of the OP characteristics. Another characteristic of the OP design is that subjects of the same brightness are reproduced with equal density, no matter where they are positioned in the picture. Therefore, even with the use of narrow latitude color film, uniform image brightness is obtained over the entire circular field. A fixed-focus lens, it requires the mirror to be in the "up" locked position before mounting. An accessory viewfinder, which can also be used on the 6mm f/5.6 Fisheye- Nikkor, is available. -
Nikon F5 User Manual.Pdf
Nikon F5 User Manual View and Download Nikon F5 instruction manual online. Choice of two modes for Nikon's exclusive five-area autofocus operation—Dynamic AF for moving. Performance and operation of available features will vary when used with Nikon lenses other than D-type AF Nikkor. The F5 features an all-metal, die-cast. If you've left the ISO setting in DX, the ISO shows on the rear LCD when film is in the F5, and it's blank with no film. If you set ISO manually (press ISO and turn. Nikon F5 was placed on the market October 1996 with the catchword of " The new standard in professional photography", at 325,000 yen (consumption tax. Nikon F5 User Manual --> Click For Download --> Get the best deals on Nikon F5 Film Cameras when you shop the largest NIKON F5 SLR Film Camera Body w/ Strap,Manual from Japan. I use manual focus lenses on the Nikon F5 too so it is great to confirm if I have a subject in focus and can see accurately enough with just my. Nikon F5 Instruction Manual. The next page contains information on this camera. If the image below looks like your camera, click below to see the full manual. Nikon F5 User Manual Download :: epub free for Kindle online guide. Nikon Rumors - where there's smoke there's fire. Nikon Camera Manuals Nikon Nikon. 1 A dream come true, 2 Shooting the Nikon F5, 3 The Nikon F5 Body and that allowed the user to fine tune various functions regarding the use of flash, Manual focus lenses can only be used with average or spot metering. -
The DCS Story 17 Years of Kodak Professional Digital Camera Systems 1987-2004
The DCS Story 17 years of Kodak Professional digital camera systems 1987-2004 Jim McGarvey June 2004 Electro-Optic Camera (1988) By 1987, Kodak had developed the world's first megapixel CCD imager, the M1. A US Government customer contracted with the Federal Systems Division (FSD) to incorporate the M1 into a standard 35 mm camera body to create the first megapixel portable digital camera, truly the prototype of the digital camera system (DCS) product line. It was designed for covert use, with the black box in a camera bag and the ribbon cable to the camera body concealed inside the neck strap. Images were downloaded from the internal hard drive by docking the black box on an Exabyte tape archive unit. (The first digital camera dock!) The Canon F1 film camera body had no electronic interface, so the shutter release was detected by monitoring the battery current. The imager package was mounted to a TE cooler to reduce noise, but cooling was limited to prevent fogging the cover glass and was not very effective. Only one unit was built. The black box electronics were wire wrapped. • Stock Canon F1 body with motor drive • Monochrome KAF-1400 (M1) imager (1320 x 1035, 6.8 µm) with thermoelectric cooler • 10bit A/D Logarithmic amplifier • 10-Mbyte buffer for 6-image burst; buffer image count display • Internal 100-Mbyte SCSI hard drive holds 60 images; disk image count display • Docking archive unit with 2000-MByte Exabyte 8 mm SCSI tape drive and battery charger • Raw image files in Unix TAR format; Time/Date stamp • Intervalometer; log histogram. -
Wireless Speedlight Commander SU-800
TOTAL DIGITAL IMAGING SYSTEM We’ve Got You Covered Make Your Photography Matter with the Nikon Total Digital Imaging System So you have a digital SLR and an idea — a GREAT idea — for a photograph. Do you have all you need to make that idea hap- pen? A quick look through these pages and you’ll know. Here you’ll find all the accessories available for the Nikon D-SLR lineup: everything you need to realize your present ideas, and inspire new ones. Whether you are a seasoned pro- fessional or a passionate weekend shooter, we’re sure you’ll find something in this brochure that can help you craft better images. Every item found within is designed specifically for Nikon cameras, giving you seamless performance that truly brings out the best in you and your Nikon D-SLR. Got an idea? Make it happen. Here’s where you start. CONTENTS See what one Nikon Make lighting work for Speedlight can do you with wireless Easy, intelligent, amazing: multiple Speedlights The Nikon Creative Lighting Turn good shots into great System shots with Advanced Wireless Lighting pp4-5 pp6-7 Your file, your vision Dramatic close-up lighting made easy Capture NX 2 Software: master post-production Explore fine details with flexible, wireless control pp8-9 pp13-15 Which Speedlight is right for you? Nikon Creative Lighting System compatible pp10-11 Speedlights Flash Accessories p12 Power when you need it View with clarity and comfort Battery packs and power Viewing attachments management p16 p18 Communication technology Close in on every subject for any location Close-up accessories GPS accessories/wireless transmitters p16 p19 Steady shots — night or day pp20-21 Remote control accessories System diagram NIKKOR lens lineup p22 p17 Nikon digital SLRs p23 See what one Nikon Speedlight can do © Gordon Nash Easy, intelligent, amazing: The Nikon Gordon Nash — Wedding photographer (U.S.A.) I shoot about 50 weddings a month, and nearly half of my images Creative Lighting System need a Nikon Speedlight. -
User's Manual
DIGITAL CAMERA User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. En Printed in Thailand En 6MB01311-01 Trademark Information • Microsoft and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. • Macintosh, Mac OS, and QuickTime are trademarks of Apple Inc. • Adobe and Acrobat are registered trademarks of Adobe Systems Inc. • The SD logo is a trademark of the SD Card Association. • The SDHC logo is a trademark. • PictBridge is a trademark. • All other trade names mentioned in this manual or the other documentation provided with your Nikon product are trademarks or registered trademarks of their respective holders. Introduction First Steps Basic Photography a, b, c, and d Modes Changing Shooting Settings More on Playback Connecting to a Computer, Printer, or TV Menu Guide Optional Accessories Maximizing the Life of the Camera Technical Notes i For Your Safety To prevent damage to your Nikon product or injury to yourself or to others, read the following safety precautions in their entirety before using this equipment. Keep these safety instructions where all those who use the product will read them. The consequences that could result from failure to observe the precautions listed in this section are indicated by the following symbol: This icon marks warnings. To prevent possible injury, read all warnings before using this Nikon product. WARNINGS Keep the sun out of the frame Do not place the strap around the neck of Keep the sun well out of the frame when an infant or child shooting backlit subjects.