EMV Announces Celebratory 50Th Anniversary Season
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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
Handel's Tea Time
Handel’s Tea Time Dorothee Mields Die Freitagsakademie George Frideric Handel (1685–1759) “Venus & Adonis” Cantata for soprano, oboe and basso continuo, HWV 85 Kantate für Sopran, Oboe und Basso continuo, HWV 85 � I. Recitative “Behold, where weeping Venus stands” �:�� � II. Aria “Dear Adonis, beauty’s treasure” �:�� � III. Recitative “Thus, queen of beauty” �:�� � IV. Aria “Transporting joy, tormenting fears” �:�� Concerto à quattro in D Minor for oboe, violin, cello and basso continuo* Concerto à quattro in d-moll für Oboe, Violine, Violoncello und Basso continuo � I. Adagio �:�� � II. Allegro �:�� � III. Largo �:�� � IV. Allegro �:�� From 24 English Songs for soprano, oboe, violin and basso continuo, HWV 228 Aus „24 English Songs“ für Sopran, Oboe, Violine und Basso continuo, HWV 228 � Bacchus �:�� �� The Rapture �:�� Trio Sonata in G Major From 9 German Arias for oboe, violin and basso continuo, HWV 384 for soprano, obligatory instrument and basso continuo Triosonate in G-Dur Aus „9 Deutsche Arien“ für Oboe, Violine und Basso continuo, HWV 384 für Sopran, obligates Instrument und Basso continuo �� I. Adagio �:�� �� “Flammende Rose, Zierde der Erden”, HWV 210 �:�� �� II. Allegro �:�� �� “Süßer Blumen Ambraflocken”, HWV 204 �:�� �� III. Grave �:�� �� “Meine Seele hört im Sehen”, HWV 207 �:�� �� IV. Allegro �:�� “Mi palpita il cor” Henry Purcell (1659–1695) Cantata for soprano, oboe and basso continuo, HWV 132 b Kantate für Sopran, Oboe und Basso continuo, HWV 132 b From the semi-opera “The Fairy Queen”, Z 629 Aus der Semi-Opera „Fairy Queen“, Z 629 �� I. Recitative “Mi palpita il cor” �:�� �� II. Aria “Ho tanti affanni in petto” �:�� �� “O let me weep” (Aria) �:�� �� III. -
Julie Andrijeski's Cabinet of Wonders at Tregoning & Company (Nov
Julie Andrijeski’s Cabinet of Wonders at Tregoning & Company (Nov. 12) by Nicholas Jones Cleveland-based Baroque violinist Julie Andrijeski, well-known to area audiences for her performances with Les Délices and Apollo’s Fire, premiered a new project on Saturday, November 12 in a lively concert at the Tregoning & Company gallery on West 78th Street. Surrounded by Giancarlo Calicchia’s striking sculptures, Andrijeski and friends performed fascinating works by neglected 17th-century European composers. With the support of a 2016 Creative Workforce Fellowship from the Community Partnership for Arts and Culture (funded by Cuyahoga Arts & Culture), Andrijeski is currently on research leave from her teaching and conducting duties at Case Western Reserve University. She is devoting her time to studying the enormous archive of early Baroque music for the violin, collections that are still for the most part unedited, and little performed. Spending time in this treasure trove of music, according to Andrijeski, is like visiting one of the strange cabinets of curiosities that scholars and collectors assembled in that time of scientific and artistic exploration. In such a “Wonder Chamber” — in German, a Wunderkammer — one might encounter such diverse specimens as a stuffed crocodile, a nautilus shell, a neolithic axe, or a cloisonné bowl: things that fascinated and baffled the inquisitive minds of the times. A sense of discovery was evident throughout the evening. While the composers included some familiar names, such as Dieterich Buxtehude and Jan Pieterszoon Sweelinck, we also heard pieces by the little-known German Johann Schop (ca. 1590-1667) and the Austrian violinist Johann Heinrich Schmeltzer (ca. -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
Programme Information
Programme information Saturday 18th April to Friday 24th April 2020 WEEK 17 THE FULL WORKS CONCERT: CELEBRATING HER MAJESTY THE QUEEN’S BIRTHDAY Tuesday 21st April, 8pm to 10pm Jane Jones honours a very special birthday, as Queen Elizabeth II turns 94 years old. We hear from several different Masters of the Queen’s (or King’s) Music, from William Boyce who presided during the reign of King George II, to Judith Weir who was appointed the very first female Master of the Queen’s Music in 2014. The Central Band of the Royal Air Force also plays Nigel Hess’ Lochnagar Suite, inspired by Prince Charles’ book The Old Man of Lochnagar. Her Majesty has also supported classical music throughout her inauguration of The Queen’s Music Medal which is presented annually to an “outstanding individual or group of musicians who have had a major influence on the musical life of the nation”. Tonight, we hear from the 2016 recipient, Nicola Benedetti, who plays Vaughan Williams’ The Lark Ascending. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com, and on the Classic FM and Global Player apps. 1 WEEK 17 SATURDAY 18TH APRIL 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Over Easter weekend, the new Classic FM Hall of Fame was revealed and this afternoon, Moira Stuart begins her first Hall of Fame Concert since the countdown with the snowy mountains in Sibelius’ Finlandia, which fell to its lowest ever position this year, before a whimsically spooky dance by Saint-Saens. -
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557249bk Buxtehude US 7/10/05 5:16 pm Page 8 Dietrich Buxtehude (c.1637–1707): Complete Chamber Music • 2 Seven Trio Sonatas, Op. 2 BUXTEHUDE Sonata No. 1 in B flat major, 8:33 Sonata No. 5 in A major, 9:15 BuxWV 259 BuxWV 263 Seven Trio Sonatas, Op. 2 1 Allegro 1:23 ^ Allegro 1:01 2 Adagio – Allegro 2:23 & Violino solo – Concitato 3:19 John Holloway, Violin 3 Grave 1:34 * Adagio: Viola da gamba solo 1:21 4 Vivace – Lento 1:14 ( Allegro – Adagio 1:19 Jaap ter Linden, Viola da gamba 5 Poco adagio – Presto 1:59 ) 6/4 – Poco presto 2:14 Lars Ulrik Mortensen, Harpsichord Sonata No. 2 in D major, 9:06 Sonata No. 6 in E major, 8:37 BuxWV 260 BuxWV 264 6 Adagio – Allegro – Largo 3:13 ¡ Grave – Vivace 3:23 7 Ariette, Parte I–X 3:40 ™ Adagio – Poco presto – Lento 3:39 8 Largo – Vivace 2:14 £ Allegro 1:34 Sonata No. 3 in G minor, 10:54 Sonata No. 7 in F major, 8:15 BuxWV 261 BuxWV 265 9 Vivace – Lento 3:07 ¢ Adagio – 4/4 3:02 0 Allegro – Lento 1:25 ∞ Lento – Vivace 2:20 ! Andante 3:16 § Largo – Allegro 2:53 @ Grave – Gigue 3:06 This recording has been based on the following editions: Dieterich Buxtehude: VII. Suonate à doi, Sonata No. 4 in C minor, 8:32 Violino & Violadagamba, con Cembalo, Opus. 1, BuxWV 262 Hamburg [1694] – Opus 2, Hamburg 1696. Facsimile # Poco adagio 1:45 edition, vol. 1-2, with an introduction by Kerala J $ Allegro – Lento 2:03 Snyder. -
CAPTURING MUSIC Writing and Singing Music in the Middle Ages THOMAS FORREST KELLY Morton B
CAPTURING MUSIC Writing and Singing Music in the Middle Ages THOMAS FORREST KELLY Morton B. Knafel Professor of Music, Harvard University BLUE HERON Scot Metcalfe, direcor SATURDAY NOVEMBER 15, 2014 3 PM & 8 PM Firs Church in Cambridge, Congregational PROGRAM PART 2 at 8 pm Povre secors / Gaude chorus (Montpellier Codex, early 14th century) BG MB JM Capturing Music Diex qui porroit / En grant dolour (Montpellier Codex) Writing and Singing Music in the Middle Ages JM BG HARP Aucun ont trouvé / Lonc tans (Montpellier Codex) Tomas Forres Kelly Morton B. Knafel Professor of Music, Harvard University JM MB ST Blue Heron Scot Metcalfe, direcor Garrit gallus / In nova fert (Roman de Fauvel, 1314-18) IH MN SM Guillaume de Machaut (c. 1300-1377): Biauté qui toutes autres pere PART I at 3 pm OM JM MB Io son un pellegrin (14th century) Introit Ad te levavi OM ST soloist MB Jacob Senleches (f. 1380s): En atendant, Esperance conforte Introit Resurrexi OM CW SM soloist PT Baude Cordier (f. c. 1400): Belle, bonne, sage, plaisant et gente Alleluya Pascha nostrum MN CW SM soloist PG Johannes Ockeghem (c. 1420-1497): Kyrie, Missa prolationum Hymn Ut queant laxis MN IH JM MB Leoninus (f. 1180s-1200): Alleluya Pascha nostrum soloist JM Perotinus (f. c. 1200): Alleluya Pascha nostrum soloists MB & ST (Alleluya) / OM & JM (Pascha nostrum) Michael Barret, Brian Giebler, Paul Gutry, Ian Howell, Clausula Latus est (Magnus liber organi) Owen McIntosh, Jason McStoots, Martin Near, Mark Sprinkle, soloist MS Sumner Tompson, Paul Max Tipton, voices Motet Immolata paschali victima (Magnus liber organi) Charles Weaver, lute & voice MS JM Scot Metcalfe, director, harp & fddle Sumer is icumen in / Perspice Christicola (c. -
Booklet & CD Design & Typography: David Tayler Cover Art: Adriaen Coorte
Voices of Music An Evening with Bach An Evening with Bach 1. Air on a G string (BWV 1069) Johann Sebastian Bach (1685–1750) 2. Schlummert ein (BWV 82) Susanne Rydén, soprano 3. Badinerie (BWV 1067) Dan Laurin, voice flute 4. Ich folge dir gleichfalls (St. John Passion BWV 245) Susanne Rydén, soprano; Louise Carslake, baroque flute 5. Giga (BWV 1004) Dan Laurin, recorder 6. Schafe können sicher weiden (BWV 208) Susanne Rydén, soprano 7. Prelude in C minor (BWV 871) Hanneke van Proosdij, harpsichord 8. Schlafe mein Liebster (BWV 213) Susanne Rydén, soprano 9. Prelude in G major (BWV 1007) David Tayler, theorbo 10. Es ist vollbracht (St. John Passion BWV 245) Jennifer Lane, alto; William Skeen, viola da gamba 11. Sarabanda (BWV 1004) Elizabeth Blumenstock, baroque violin 12. Kein Arzt ist außer dir zu finden (BWV 103) Jennifer Lane, alto; Hanneke van Proosdij, sixth flute 13. Prelude in E flat major (BWV 998) Hanneke van Proosdij, lautenwerk 14. Bist du bei mir (BWV 508) Susanne Rydén, soprano 15. Passacaglia Mein Freund ist mein J.C. Bach (1642–1703) Susanne Rydén, soprano; Elizabeth Blumenstock, baroque violin Notes The Great Collectors During the 1980s, both Classical & Early Music recordings underwent a profound change due to the advent of the Compact Disc as well as the arrival of larger stores specializing in music. One of the casualties of this change was the recital recording, in which an artist or ensemble would present an interesting arrangement of musical pieces that followed a certain theme or style—much like a live concert. Although recital recordings were of course made, and are perhaps making a comeback, most recordings featured a single composer and were sold in alphabetized bins: B for Bach; V for Vivaldi. -
PMMS Josquin Des Prez Discography June 2021
Josquin des Prez Discography Compiled by Jerome F. Weber This discography of Josquin des Prez (Josquin Lebloitte dit des Prez), who has been indexed as Josquin Desprez, Des Près, and Pres, adopts the format of the Du Fay discography previously posted on this website. It may be noted that at least three book titles since 2000 have named him simply “Josquin,” bypassing the spelling problem. Acknowledgment is due to Pierre-F. Roberge and Todd McComb for an exhaustive list of records containing Josquin’s music in www.medieval.org/emfaq. It incorporates listings from the work of Sydney Robinson Charles in Josquin des Prez: A Guide to Research (Garland Composer Resource Manuals, 1983) and Peter Urquhart in The Josquin Companion (ed. Richard Sherr, Oxford, 2000), which continued where Charles left off. The last two lists each included a title index. This work has also used the following publications already incorporated in the three cited discographies. The 78rpm and early LP eras were covered in discographic format by The Gramophone Shop Encyclopedia of Recorded Music (three editions, 1936, 1942, 1948) and The World’s Encyclopaedia of Recorded Music (three volumes, 1952, 1953, 1957). James Coover and Richard Colvig compiled Medieval and Renaissance Music on Long-Playing Records in two volumes (1964 and 1973), and Trevor Croucher compiled Early Music Discography from Plainsong to the Sons of Bach (Oryx Press, 1981). The Index to Record Reviews compiled by Kurtz Myers (G. K. Hall, 1978) provided useful information. Michael Gray’s classical-discography.org has furnished many details. David Fallows offered many valuable suggestions. -
Rebecca Kellerman Petretta, Soprano Charles Humphries, Counter-Tenor
THE TUESDAY CONCERT SERIES THE CHURCH OF THE EPIPHANY Since Epiphany was founded in 1842, music has played a vital at Metro Center role in the life of the parish. Today, Epiphany has two fine musical instruments which are frequently used in programs and worship. The Steinway D concert grand piano was a gift to the church in 1984, in memory of parishioner and vestry member Paul Shinkman. The 64-rank, 3,467-pipe Æolian- Skinner pipe organ was installed in 1968 and has recently been restored by the Di Gennaro-Hart Co. It was originally given in memory of Adolf Torovsky, Epiphany’s organist and choirmaster for nearly fifty years. HOW YOU CAN HELP SUPPORT THE SERIES 1317 G Street NW Washington, DC 20005 www.epiphanydc.org The Tuesday Concert Series reaches out to the entire [email protected] metropolitan Washington community. Most of today’s free- Tel: 202-347-2635 will offering goes directly to WBC but a small portion helps to defray the cost of administration, advertising, instrument upkeep and the securing of outstanding performers for this concert series. We ask you to consider a minimum of $10. UESDAY ONCERT ERIES However, please do consider being a Sponsor of the Tuesday T C S Concert Series at a giving level that is comfortable for you. 2013 Our series is dependent on your generosity. For more information about supporting or underwriting a complete concert, please contact the Rev. Randolph Charles at 202- 347-2635 ext. 12 or [email protected]. To receive a 15 APRIL 2014 weekly email of the upcoming concert program, email Rev. -
Amherst Early Music Festival Directed by Frances Blaker
Amherst Early Music Festival Directed by Frances Blaker July 8-15, and July 15-22 Connecticut College, New London CT Music of France and the Low Countries Largest recorder program in U.S. Expanded vocal programs Renaissance reeds and brass New London Assembly Festival Concert Series Historical Dance Viol Excelsior www.amherstearlymusic.org Amherst Early Music Festival 2018 Week 1: July 8-15 Week 2: July 15-22 Voice, recorder, viol, violin, cello, lute, Voice, recorder, viol, Renaissance reeds Renaissance reeds, flute, oboe, bassoon, and brass, flute, harpsichord, frame drum, harpsichord, historical dance early notation, New London Assembly Special Auditioned Programs Special Auditioned Programs (see website) (see website) Baroque Academy & Opera Roman de Fauvel Medieval Project Advanced Recorder Intensive Ensemble Singing Intensive Choral Workshop Virtuoso Recorder Seminar AMHERST EARLY MUSIC FESTIVAL FACULTY CENTRAL PROGRAM The Central Program is our largest and most flexible program, with over 100 students each week. RECORDER VIOL AND VIELLE BAROQUE BASSOON* Tom Beets** Nathan Bontrager Wouter Verschuren It offers a wide variety of classes for most early instruments, voice, and historical dance. Play in a Letitia Berlin Sarah Cunningham* PERCUSSION** consort, sing music by a favorite composer, read from early notation, dance a minuet, or begin a Frances Blaker Shira Kammen** Glen Velez** new instrument. Questions? Call us at (781)488-3337. Check www.amherstearlymusic.org for Deborah Booth* Heather Miller Lardin* Karen Cook** Loren Ludwig VOICE AND THEATER a full list of classes by May 15. Saskia Coolen* Paolo Pandolfo* Benjamin Bagby** Maria Diez-Canedo* John Mark Rozendaal** Michael Barrett** New to the Festival? Fear not! Our open and inviting atmosphere will make you feel at home Eric Haas* Mary Springfels** Stephen Biegner* right away. -
Schütz Edition Has Been Published Containing Choral Collection, Loreley, Which Is Published As Part of the Various Individual Works
X | 201X CHCHORCHORALCHORMUSIKOR MUMUSIK MUSICSIK HEUTE HEUTHEUTETODAYE 2 | 2017 CARUSCARUS MagazinMagazine MOZART UNVOLLEN- DET Fragment c-Moll-Messe BACH COMPLETE EDITION GOUNOD GEISTLICH INTEGRATION MUSIKALISCH ChorwerkeThe Complete für die KircheSacred VocalKinderlieder Works für alle MUSICAL CAPITAL PARIS CULTURAL TREASURE Following Rossini and Gounod German folk songs in new arrangements C Carus Gioachino Rossini 1792–1868 150th anniversary of death 2018 Although first and foremost considered an opera composer, the Italian Gioachino Rossini composed an extensive range of sacred and secular vocal music. Well-known are the Stabat Mater and the Petite Messe solennelle. It is also worth discovering his many smaller choral works. Gioachino Rossini ROSSINI Petite Messe solennelle Stabat Mater Nach seinem frühen Abschied von der Opernbühne im Jahre 1829 Stabat Mater komponierte Gioachino Rossini neben Kammermusik nur noch Carus 40.650 größer besetzte Kirchenmusik. Zu dieser gehört das Stabat Mater, das in zwei Arbeitsphasen zwischen 1831 und 1841 entstand und 1842 in Paris uraufgeführt worden ist. Der Text fasst die Schmerzen Marias angesichts des Gekreuzigten in ein Gebet. Immer wieder hat Rossini die bildreiche Sprache der vermutlich aus dem 13. Jahrhundert stam- menden latenischen Dichtung Komponisten zu Vertonungen inspi- riert, darunter große Namen wie Pergolesi, Joseph Haydn und Verdi. In 10 Nummern vereinigt Rossini unterschiedliche Formen wie Arie, CHOIR Chor- und E AP Duett, Quartett und Chor, opernhaft ariose Schreibweise und stren- TH P Stabat Mater gen A-cappella-Stil zu einem der Höhepunkte dieser Gattung. Ensemblemusik Following his early departure from the opera stage in 1829, besides chamber music Gioachino Rossini composed only larger scored works Carus 70.089 of church music.