DOCSLIB.ORG

CHARLIE and the CHOCOLATE FACTORY” by ROALD DAHL

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CHARLIE and the CHOCOLATE FACTORY” by ROALD DAHL presents ROALD DAHL’S Music and Lyrics by LESLIE BRICUSSE and ANTHONY NEWLEY Adapted for the Stage by LESLIE BRICUSSE and TIMOTHY ALLEN MCDONALD Based on the Book “CHARLIE AND THE CHOCOLATE FACTORY” by ROALD DAHL Directed by Erik Austin Musical Directed by Lainie Pahos Choreography, Lighting Design & Stage Managed by Samantha Marie Set Design by Bruce Hunter Costume Design by Keith Wetzel Assistant Stage Managed by Morgan Clemenson e use of video or audio recording device for the purpose of recording this performance is strictly prohibited. Roald Dahl’s Willy Wonka TYA Is presented through special arrangement with Music eatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com THE CAST Willy Wonka/Phineous Trout Matt DeNoto The Candy Man Craig Sherman Charlie Bucket Blythe Walker (Fri. Eve/Sat. Mat.) Katia Peel (Sat. Eve./Sun. Mat.) Mrs. Bucket Denise Bundlie Grandpa Joe Martin Feldman Grandma Georgina/Mrs. Gloop Tiffany Commons Grandma Swing/Mrs. Beauregarde Judy Rosenfeld Grandma Josephina/ Mrs. TeeVee Grace Birkita MacMillan Augustus Gloop Daniel Schwadron Veruca Salt Marley Estrada (Fri. Eve/Sat. Mat.) Journi McGee (Sat. Eve./Sun. Mat.) Violet Beauregarde Alexa Tonkins (Fri. Eve/Sat. Mat.) Asia Aragon (Sat. Eve./Sun. Mat.) Mike TeeVee Aidan Smith CANDY KIDS/OOMPAH LOOMPA Bradley Bundlie, Viktoria Leskiv, Una Panich, Makenzie Tonkins, Taryn Walker PRODUCTION STAFF Director Erik Austin Musical Director Lainie Pahos Choreographer / Stage Manager/Lighting Design Samantha Marie Assistant Stage Manager Morgan Clemenson Costumes Design Keith Wetzel of Costume Capers Wig Styling Debi Hernandez Set Design & Construction Bruce Hunter Prop Master Lester Wilson Scenic Painting Buffy Doran & Erik Austin Poster Design Design to Print Photography GC Photography MUSICAL NUMBERS Pure Imagination Wonka Golden Age of Chocolate Candy Man & Company The Candy Man Candy Man, Charlie & Candy Kids I Eat More Mrs. Gloop, Augustus, Phineous Trout Think Positive Charlie & Mrs. Bucket I See It All on TV Mike, Mrs. TeeVee & Phineous Trout Cheer Up, Charlie Mrs. Bucket Think Positive (Reprise) Charlie (I’ve Got A) Golden Ticket Charlie & Company In This Room Here Wonka, Charlie, Augustus, Violet, Veruca & Mike Factory Reveal Sequence Wonka Oompa-Loompa 1 Oompa-Loompas There’s No Knowing Wonka Chew It Violet, Wonka, Charlie, Veruca & Mike Oompa-Loompa 2 Oompa-Loompas Flying/Burping Song Charlie I Want It Now! Veruca Oompa-Loompa 3 Oompa-Loompas Oompa-Loompa 4 Oompa-Loompas Finale Wonka & Company EL PORTAL THEATRE Originally built in 1926. 5269 Lankershim Blvd. North Hollywood, CA 91601 www.elportaltheatre.com Owners: Bernard Kaufman / Gary Goodgame Management: Jay Irwin / Pegge Forrest Box Office 818-508-4200 DIRECTOR’S NOTES I still remember the excitement I had as a child first reading Charlie and the Chocolate Factory. My sister and I devoured all children’s storybooks as if they were candy, but the mystery, whimsy and fantasy of Roald Dahl was always a special treat! We loved creating amusing voices for the characters or acting them out during long car rides. But as a director of theater, the bold reality of putting Dahl’s fantastical story and whimsical characters on the stage becomes a whole new challenge, or shall I say a whole new treat. When I chose to direct Willy Wonka, I began by breaking the story into the two main worlds Dahl created – the world of Charlie Bucket and the world of Willy Wonka. Charlie’s world is one of exaggerated realism: poverty, humor, com- passion, greed and other raw realities on a heightened scale (a world far too familiar today). Willy Wonka’s world is one of abstract fantasy: amazement, mystery, awe and bewilderment in the form of things only found in dreams. Every director who approaches the Willy Wonka story brings their own artistic interpretation. They’ve either read the book, watched the 1971 movie version implanting an image of the Oompa Loompas in their head forever, or rented the Tim Burton version, loving or hating his Mr. Wonka. The journey to those artistic interpretations is not an easy one. Today we will not present you an imitation of someone else’s depiction. We will take you on our own journey, a journey through shape and color, through character and movement, an adven- ture through exaggerated realism and abstract fantasy. And on that journey we hope to uplift you, offer you a golden ticket to a world found in dreams, and encourage you to share that joy with the rest of the world. -Erik Austin 2015 SPECIAL THANKS TO Peter Finlayson, FootLights, Alex Allan, Jennifer Bloomfield El Portal Theatre, Pegge Forrester, Jay Irwin, Madilyn Clark Rehearsal Studios, Costume Capers, Keith Wetzel, Kathleen Forster, Buffy Doran, Bruce Hunter, Debi Hernandez, Gloria Galetka & All the Parents of Cast Children CORPORATE SPONSORS Central Coast Family News, Costume Capers, SLO Children’s Museum, GC Photography, Ethereal FX, Cheap Thrills, Cortez Photography Many Thanks to Our Generous Sponsors! ANGELS Joan Gellert-Sargen Gloria Galetka The Andris Family Kathleen Forster PRODUCER Dianne N. Long DIRECTOR Liz Douglas Dwyer Family Trust Thomas & Nancy Dwyer DESIGNERS (Your name could be here!) ACTOR/ACTRESS Jessica Baker-Ballantyne Tina Ballantyne Christian and Jessica Carlberg The Hatch Family Cynthia Cooley Vest Krista Frederickson Linda Stuermer Steve Williams Robert and Kathleen Copeland Greg and Zandi Peters Charlotte Baker UNDERSTUDY Pam Ballantyne Satia Widmann Myron Meisel San Luis Obispo Little Theatre David Baumgarten Marinne Kennedy Mindy and Bob Fera Elena Bloom To become a Sponsor check out our website: www.kelrikproductions.org WHO’S WHO CAST Asia Aragon (Violet Sat. Eve./Sun. Mat./Candy Kid & Oompa Loompa) is an actress-singer-dancer-model (SAG Eligible), who has played lead roles in national commercials and music videos, and in the award-winning short film Stealth. Theater credits include: Aladdin Jr. (Princess Jasmine); Annie (Annie and Pepper); White Christmas (Susan Waverly); South Pacific (Ngana); The Big Bad Musical (Sidney Grimm); The Doll (Monica). Asia modeled as American Girl Ivy Ling for the American Girl/Flintridge Guild Fashion Shows for 5 years, and was the lead singer for Le Petit Cirque for which she received the 2013-2014 National Youth Arts Outstanding Group Vocal Performance Award. Asia is an Alumni of Broadway Artists Alliance in New York City, and dances ballet (pointe), hiphop, tap and jazz. Bradley Bundlie (Candy Kid & Oompa Loompa) At age 6, Bradley has appeared in over 80 films, commercials and theatre productions, including A Christmas Carol as Tiny Tim at Glendale Centre Theatre. Most recent commercials include DQ and TMNT. Bradley excels at gymnastics, karate, rollerskating, and baseball, is an awesome big brother, and dreams of someday playing the role of a superhero! Check out his FB page. Big thanks to Erik, Alex, Mom, Dad and Bobo! Denise Bundlie (Mrs. Bucket) theatre credits include 42nd Street (Peggy), Bebe in A Chorus Line, GCT’s The Music Man, and I Do, I Do (Agnes). She entertained aboard Holland America Line, in the European Touring Company of 42nd Street and in Myrtle Beach’s original musical, Summer of ’66. A competitive roller skater, Denise was a featured skater on Glee, Big Bang Theory, Cold Case and That 70s Show. Many thanks to Erik, Hazard, Mike, and her sweet boys, Bradley and Bowie. Tiffany Commons (Mrs. Gloop/Grandma Georgina) has been a performer at heart since an early age. Her vocal style is based in gospel and R&B, but she embraces all music genres. After working with the Trojan Marching Band, Tiffany transitioned into performance singing, expanding her range from tenor/alto to soprano. She is an active member of several Los Angeles-based choirs and has sung background vocals for many gospel artists, including Israel Haughton, Marvin Sapp, Shirley Caesar and Donald Lawrence. Branching out into the acting arena, Tiffany has been involved with multiple theater, TV and film projects. She has fully embraced her comedic side, performing in improv shows at the LA Comedy Connection and with a sketch comedy team at Second City Hollywood. Tiffany can currently be seen in many web series, such as Egan Hall and Spittin Barz. Matt DeNoto (Willy Wonka) is an actor and writer, generally of comedic things. His web series Harry Potter and the Ten Years Later is available on YouTube, and his short film Defense Mechanism recently won Best In Show at the Pensacon Film Festival. Recent performances include The 25th Annual Putnam County Spelling Bee (Charles Stewart Howard Playhouse), The Book of Liz (STAGES Theatre), Picasso At the Lapin Agile (Conejo Players, nominated for Broadway World Award for Best Lead Actor), The Lady From Maxim’s (Hillcrest Center for the Arts) and Avenue Q (Long Beach Playhouse). He thanks you for coming. Martin Feldman (Grandpa Joe) is thrilled to be a part of this memorable production. Previous credits include Tevye in Fiddler on the Roof (Long Beach Playhouse), Lazer Wolf in Fiddler on the Roof (Westchester Playhouse), Pops in Kiss Me Kate (Cabrillo), Mr. Bumble in Oliver and Tom Watson in Parade (Westchester Playhouse) and Dr. Bartolo in Le Nozze di Figaro (Plovdiv, Bulgaria). In addition to performing, Martin is a vocal coach in Culver City. Thanks to friends and family for your continued support. Marley Estrada (Veruca Fri. Eve/Sat. Mat./Candy Kid & Oompa Loompa) is currently in 7th grade at Burbank’s John Muir Middle School and is in the advanced 7th grade choir “Girls Next Door”. Her most recent performance has been with Burbank Community Theater, where she played Little Red Ridinghood in the musical “In to the Woods”. Currently she is working on an audio version of Matilda, playing the character Hortensia.
Load more

Recommended publications
  • FY14 Tappin' Study Guide
    Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is .
    [Show full text]
  • Bio Sammy Davis
    PRESSEINFORMATION NEWS & TERMINE DER SEMMEL CONCERTS VERANSTALTUNGS GMBH SAMMY DAVIS JR. – TABELLARISCHER LEBENSLAUF Name: Sammy Davis Jr. Beruf: Sänger, Tänzer, Entertainer, Schauspieler Geburtstag: 08. Dezember 1925 Geburtsort: Harlem, New York City, USA Gestorben: 16. Mai 1990 Beverly Hills, Kalifornien Frauen: Mai Britt Altovise Davis Kinder: Jeff Mark Tracy Manny 1925 Sammy wird als Sohn des Tänzers Sammy Davis und der Showtänzerin Elvera „Baby“ Sanchez geboren 1928 Mit 3 Jahren erste Auftritte zusammen mit seinem Vater und seinem Onkel Will Mastin in Nachtclubs und Bars (er wurde seit seinem 2.Lebensjahr - nach der Trennung der Eltern - von seinem Vater aufgezogen); das Stepptanzen erlernt er schon im Kindesalter; erste Mitwirkung in einem Werbefilm bis 1940 bereits mehrere Tourneen durch die USA absolviert 1941 Frank Sinatra und Sammy lernen sich kennen – eine lebenslange Freundschaft beginnt 1943 Er wird in die Army eingezogen und lernt, was Rassismus bedeutet; seine „demolierte“ Nase holte er sich durch mehrere Schlägereien aus dieser Zei 1945 Nach dem Krieg weitere Auftritte mit seinem Vater und Onkel als Will Mastin Trio; er begann weiße Stars wie Jimmy Durante, James Stewart und Jimmy Cagney zu imitieren, was ihm Schwierigkeiten bei einem oft rassistisch eingestellten Publikum brachte; er kann viele Instrument spielen und ist ein begnadeter Stimmimitator 1948 Plattenvertrag bei Capitol Records, den er seinem Freund Frank Sinatra zu verdanken hat, der ihn zu seinen Engagements einlud und Aufträge verschaffte; bis 1950 Aufnahmen von 20 Songs, die bis zu seinem Tod nur als Singles veröffentlicht waren Ende der 40er Frank Sinatra engagierte Will Mastin Trio feat. Sammy Davis Jr. für seine Auftritte im Capitol-Theater in New York als Vorgruppe.
    [Show full text]
  • Wonka Script V3
    !1 Prologue: Wonka’s Factory (The actor playing Wonka enters the stage, he peers at the audience. CANDY KIDS carry high powered flash lights and illuminate WONKA as he invites the audience to enter a world of pure imagination. SONG: PURE IMAGAINATION !2 !3 SCENE 1: OUTSIDE THE BUCKET SHACK (WONKA narrates as children gather anticipating the arrival of the CANDY MAN) WONKA See these Kids? They meet outside Charlie’s house every day after lunch, with a shiny nickel apiece to buy a Wonka bar from the local Candy man. The only kid with no nickel is Charlie. ALL THE KIDS It’s the Candy Man! MATILDA What are you going to get? JAMEY (slurping a lollypop) Hey Charlie, help me pick something out. I got a nickel. MATILDA You’ve already got a lollipop. Shouldn’t you finish it first? JAMEY I can’t help it. I love candy! All candy! CHARLIE Stop it! You’re making my mouth water! SONG: THE CANDY MAN !4 !5 !6 !7 !8 !9 SCENE 2: THE BUCKET SHACK (Charlie’s grandparents are set on stage) MRS. BUCKET Charlie, come….eat. CHARLIE Here’s the paper, Dad. MR.BUCKET (looks at the front page) Well, I’ll be a chocolate crispy! Will you look at this? “Wonka factory to be opened to a lucky few.” GRANDMA JOSEPHINE Do you mean people are actually going to be allowed inside the factory? MRS. BUCKET Read what it says! GRANDMA GEORGINA “Mr. Willy Wonka has decided to allow five children to visit his factory. The lucky five will tour the factory and receive a lifetime supply of Wonka Chocolate.” GRANDPA JOE Tour the factory? CHARLIE A lifetime supply of chocolate? EVERYONE EXCEPT CHARLIE Read on! GRANDMA GEORGINA “Five golden tickets have been hidden among five million ordinary candy bars.
    [Show full text]
  • Brooklyn College Program
    Brooklyn College and Passport to Broadway Present the Premiere Musical Theatre Intensive Final Workshop Showcase Thursday June 25, 2015 – 2:00pm to 4:00pm - Roosevelt Hall Rehearsal Studios Students Adama Jackson – BFA Student Jacob Merwin – BA Student Adolfo "Fito" Alvarado – BFA Student Joseph Masi – MFA Student Alexandra Slater – BFA Student Katherine George – BA Student Carolyn Coppege – MFA Graduate Lisa Campbell – MFA Student Cassandra Borgella – BA Student Natalia Laspina – BA Graduate Chrissy Brinkman – MFA Student Rebecca Shumel – BA Student Conner James Sheridan – BFA Student Stefaniya Makarova – BA Graduate Director/Producer: Amy Weinstein is producer, director, published writer and Adjunct Professor of Acting. Amy is the President, CEO and Founder of StudentsLive, A Global Broadway Education Company for the past 14 years and more recently Artistic Director of Sister Company, Passport to Broadway International. Starting literally with just an idea, StudentsLive grew into one of the world’s most significant theater education programs with an annual budget of over 1 million dollars and annual international programs engaging groups from Brazil, South Korea, Italy, China, Guatemala and Japan. After 15 years of growth, it now boasts partnerships with virtually every single hit Broadway show, endorsements from America’s political, cultural, and artistic leaders, alliances with foreign governments and the highest standards of theater arts education on Broadway today. Most importantly, tens of thousands of young people across the globe have been transformed by StudentsLive programs. Choreographer/Assistant Director: Stephen Brotebeck recently served as the Movement Associate on the Tony Award winning Broadway production of Peter and the Starcatcher both on Broadway and at New World Stages.
    [Show full text]
  • 100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
    100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No.
    [Show full text]
  • Sammy Davis Jr
    Famous New Yorker Sammy Davis Jr. Sammy Davis Jr. struggled with racism for much of his career, but his success as a performer and celebrity helped Americans envision racial equality in the world of entertainment. Samuel George Davis Jr. was born in Harlem, New York City, on December 8, 1925. Sammy Davis Sr. was a dancer in a touring troupe led by Will Mastin. When his marriage broke up, Davis took Sammy Jr. on the road with the Mastin troupe. Junior was a precocious mimic of his father’s and Mastin’s dance moves and became their partner in the Will Mastin Trio. To dodge child labor laws, Mastin sometimes claimed that Junior was an adult midget. In 1933, Mastin and Davis took the seven year old to a Brooklyn movie studio to make his fi lm debut in the short subject Rufus Jones for President. Davis Sr. tried to shield his son as much as possible Sammy Davis Jr. with President from the bigotry of his time. Sammy Davis Jr. later Richard Nixon. Library of Congress, Prints and claimed that he never experienced real race hatred until Photographs Division [reproduction he joined the Army during World War II. Conditions number improved when he was transferred to a racially integrated LC-DIG-ppmsca-31145] entertainment unit. After the war, Sammy Davis Jr. rejoined the Will Mastin Trio and became its real star. A great singer as well as a great dancer, he recorded hit records and appeared on early TV variety shows. He received sympathy nationwide after losing an eye in a 1954 car accident, and came back to star in the Broadway musical Mr.
    [Show full text]
  • Trump the Candy Man - Lucky Peach 4/11/17, 1046 AM
    Trump The Candy Man - Lucky Peach 4/11/17, 1046 AM COLUMNS EDIBLE TRUMP Trump The Candy Man Like Willy Wonka, Trump exists in a world of pure imagination. By LAUREN GARFINKEL Art by LAUREN GARFINKEL Who can take tomorrow Dip it in a dream Separate the sorrow and collect up all the cream? The Candy Man —”The Candy Man” by Leslie Bricusse and Anthony Newley for the 1971 movie Willy Wonka & the Chocolate Factory. Willy Wonka & the Chocolate Factory tells the story a boy whose golden ticket http://luckypeach.com/the-candy-man/ Page 1 of 2 Trump The Candy Man - Lucky Peach 4/11/17, 1046 AM earns he and his grandpa a magical day inside the confectionary utopia of Willy Wonka. Willy Wonka is a larger than life, if socially challenged, businessman. His workplace is lavishly decorated. He wears a conspicuous hat. He invites children to witness his presentations, then asks them to leave when they misbehave. I’ve been thinking about Willy Wonka a lot while following the campaign of Donald Trump. Like Wonka, Trump exists in a world of pure imagination. On the campaign trail, America’s would-be sugar daddy has made some whoppers of pledges— from tearing up trade deals to strong-arming NATO to enacting massive tax cuts, all the while improving our way of life, should he be elected in November. Trump’s signature campaign promise has been to build a wall to keep away illegal Mexican immigrants, whom he has described as “criminals, drug dealers, rapists.” In his opening speech as candidate for president on June 16, 2015, he said, “I would build a great wall.
    [Show full text]
  • [email protected]
    WWW.BRENDAHOPKINSMUSIC.COM [email protected] “Puentes” is Puerto Rican pianist and composer Brenda Hopkins Miranda’s sixth album. It offers a fresh blend of Latin, Soul, Blues, Funk and Jazz, giving it a contemporary vibe with world music appeal. “Puentes” features eight of the islands best vocalists performing modernized versions of Puerto Rican and American classics like Cumbanchero, Feelin’ Good, Preciosa, People Get Ready and Lamento Borincano. Every track ends with a collective jam filled with all the excitement that only the most daring improvisers can deliver. GUEST WWW.BRENDAHOPKINSMUSIC.COM [email protected] ARTISTS Fofé: voice (1) SONGS Jeanne d’Arc Casas: footwork and claps (2, 6) 1. Cumbanchero (Rafael Hernández) feat. Fofé SPANISH Cheryl Rivera: voice (3, 8) 2. Muéveme el Cafecito (Jesús Sánchez Erazo “Don Chuito”) feat. Emily Gómez: voice (4) Jeanne d’Arc Casas INSTRUMENTAL Lizbeth Román: voice, 3. Feelin’ Good (Anthony Newley & Leslie Bricusse) feat. Cheryl guitar (6) Rivera ENGLISH Javier Gómez: voice, harmónica (8), guitar (3) 4. Black Coffee (Sonny Burke & Paul Francis Webster) feat. Emily Ana del Rocío: voice (9) Gómez ENGLISH Eduardo Alegría: voice (10) 5. Preciosa (Rafael Hernández) INSTRUMENTAL Tito Auger: voice (11) 6. Verde Luz (Antonio Cabán Vale) feat. Lizbeth Román SPANISH 7. Lamento Borincano (Rafael Hernández) PIANO SOLO 8. Romance del Campesino (Roberto Cole) feat. Javier Gómez and MUSICIANS Cheryl Rivera SPANISH Brenda Hopkins Miranda: 9. People Get Ready (Curtis Mayfield) feat. Ana del Rocío piano, claps ENGLISH Manuel Martínez: drums 10. Sal a Caminar (Roy Brown) feat. Eduardo Alegría SPANISH David de León: bass 11. Donde Yo Nací (Claudio Ferrer) feat.
    [Show full text]
  • 1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 A.M
    Title 1999 Prince (I've Had) the Time of My Life Dirty Dancing 3 a.m. Matchbox 20 A Lot of Lovin' to Do Charles Strouss Bye, Bye Birdie A Thousand Miles Vanessa Carlton A Whole New World Aladdin Aladdin A Wonderul Guy Rodgers & Hammerstein South Pacific All I Ask of You Andrew Lloyd Webber Phantom of the Opera Duet Another Suitcase in Another Hall Andrew Lloyd Webber Evita Anthem Chess Chess Anything You Can Do Irving Berlin Annie Get Your Gun Duet Apologize One Republic Bad Michael Jackson Bali Hai Rodgers & Hammerstein South Pacific Barnum (Complete Score) Cy Coleman Barnum Beautiful Christina Aguilera Beauty and the Beast Beauty and the Beast Beauty and the Beast Beauty School Dropout Grease Grease Beethoven Day You're a Good Man Charlie Brown You're a Good Man Charlie Brown Before I Gaze at You Again Lerner & Loewe Camelot Believe Cher Bennie & the Jets Elton John Best of Beyonce (Anthology) Beyonce Better Edward Kleban A Class Act Bewtiched Ella Fitzgerald Pal Joey Beyond the Sea Bobby Darin Black Coffee Ella Fitzgerald Blackbird The Beatles Blue Christmas Elvis Presley Blue Moon Elvis Presley Bohemian Rhapsody Queen Bombshell (music from SMASH) Marc Shaiman Bombshell Born this Way Lady Gaga Bosom Buddies Jerry Herman Mame Duet Both Sides Now Joni Mitchell Brand New You Jason Robert Brown 13, the Musical Breeze Off the River The Full Monty The Full Monty Bring Him Home Boublil & Schoenberg Les Miserables Bring On the Men Leslie Bricusse Jekyll & Hyde Broadway Baby Stephen Sondheim Follies Broadway, Here I Come Smash Smash Brown-Eyed
    [Show full text]
  • WDAM Radio's History of Dionne Warwick
    WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S.
    [Show full text]
  • Tonight/Somewhere from West Side Story Words by Stephen Sondheim/ Music by Leonard Bernstein/Arr
    A Few Words About the Rest of the Program: Tonight/Somewhere from West Side Story Words by Stephen Sondheim/ Music by Leonard Bernstein/arr. Terry Winch & Bob Krogstad Set as a mid-century, urban Romeo and Juliet, West Side Story explores the rivalry between two New York street gangs and the forbidden romance that blossoms in spite of it. Bernstein wrote the work in 1957 and it was nominated for 6 Tony Awards that year. If not for The Music Man, it might have won them all. This is the Moment from Jekyll & Hyde Words by Leslie Bricusse/Music by Frank Wildhorn/arr. Bob Krogstad The musical version of the legend of Dr. Jekyll and Mr. Hyde was premiered in 1997. Frank Wildhorn composed the score and the book was taken from the original Robert Louis Stevenson by Leslie Bricusse. “This is the Moment” comes at the crucial point in the story when Dr. Jekyll is about to test the fateful formula on himself. Into the Fire from The Scarlet Pimpernel Words by Nan Knighthorn/Music by Frank Wildhorn/arr. JAC Redford Also from the pen of Frank Wildhorn and also from the year 1997, The Scarlet Pimpernel depicts the Reign of Terror and the French Revolution. “Into the Fire” comes early in Act I when Percy, Armand and others make plans to rescue some of the doomed aristocrats from the guillotine. The Prayer from Quest for Camelot Words & Music by Carole Bayer-Sager & David Foster/arr. Bob Krogstad Quest for Camelot was an animated feature film from 1998 which was based on the Arthurian novel by Vera Chapman called The King’s Damosel.
    [Show full text]
  • Famous New Yorkers Series Teacher's Guide
    Celebrating Black History Month Teaching Guide/Student Worksheets This guide supports the use of the profiles Celebrating Black History Month. It offers vocabulary words from the text and several short answer questions based on the content of each profile. In some cases, references to related websites are included with additional materials about the person or their pursuits. Lastly, the guide includes two or three activities per profile called “Newspaper Tie-ins.” These activities suggest how to bring the lessons of these historical figures into the present, to make their lives relevant and apply the lessons to today’s news. These graphic organizers were created for students in grades 4-8 and can be narrowed or expanded to accommodate the needs of each instructor’s class. Feel free to modify these activities or create your own. Written by Mary Hadigan Miller, Educational Services Director for the New York News Publishers Association – News Media Literacy/Newspaper In Education Program All rights reserved, 2019 Any questions contact Mary at [email protected] or call 518-449-1667 Florida Standards The Florida Department of Education defines that the Florida Standards provide a robust set of goals for every grade. Emphasizing analytical thinking rather than rote memorization, the Florida Standards will prepare our students for success in college, career and life. The Florida Standards will reflect the knowledge and skills that our young people need for success in college and careers. Building on the foundation of success that has made Florida a national model, The Florida Standards provide a clear set of goals for every student, parent, and teacher.
    [Show full text]