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Copyrighted Material Index A Alleys, 343 Arcadia font, 132 Avant Garde font, 174 Baskerville Old Face font, 259 AA, 343 Alleys, page layout Arcana Script, 152 Avant Garde Gothic Book considerations, 237 Arc of the Stem, 343 font, 260 Baskerville typeface, 171, Abbreviations, typesetting 345 of, 205–206 An Alphabet, 91, 92 Arm, letterform, 343 Avant Garde magazine, 260 Basketcase font, 261 abjads, 343 Alphabet, 343 Arms, letterforms, 150 Avant Garde typeface, 116 Bastarda, 168 Abstract Expressionism, Alphabets Arnold Böcklin Standard 96, 118 Etruscan, 11 font, 255 Bauer Classic typeface, Greek, 17 B 171 Academy Engraved Arnold Böcklin typeface, Latin, 142, 144 BCE, 344 Bauhaus, 345 typeface, 249 oral language 175 Bach, Johann Sebastian, Accents, 56 transcription, 5 Arrighi, Ludovico degli, 337 Bauhaus style, 90–91, 93, Phoenician, 13, 17 61 113, 173 Accordian fold, 343 Art Deco style, 89–90, 173, Roman, 24 Background value, color, Bayer, Herbert, 91, 371 Acronyms, typesetting 311, 344 Alternate character, 343 and contrast, 197–205 of, 206 Artistik typeface, 175 Beak, 345 American Civil War, 73 Back matter, 344 Adobe Minion Pro font, 321 Art Nouveau movement, Beaked serif, letterforms, American New Wave Backslash, use of, 209 151 Adobe Myriad Pro font, 81–82, 90, 174–175, 256, typography, 119 Bacon, Roger, 12 325 257, 269, 332, 344 Beall, Lester, 96 American Type Founders Bad break, 344 Adobe PageMaker, 120, Artone typeface, 116 Beckett font, 262 (ATF), 82, 168, 343 134 Arts and Crafts movement, Baker, Arthur, 174, 175 Beesknees typeface, 175 Ampersand Adobe Professional fonts, 78, 79, 81, 91, 344 Baker, Robert, 63, 371 defined, 343 Behrens, Peter, 82, 90, 371 285 typesetting of, 206 Art Workers Guild, 78, 344 Balla, Giacomo, 85 Behrens Roman, 82 Adobe Systems, 127, 128, use of, 209 Ascender, 145, 149, 161, Ballet, 78 Bell, Jill, 131 133–135 Ancient, 1, 343 163, 179, 185, 344 Balmoral font, 152 Bell Centennial font, 132 Adrian Williams Design Ancient writing systems, Ascender Corporation, 95 Limited, 185 Balmoral Script font, 258 Bell Gothic font, 132, 174 1–22 Ascender line, 144, 344 Advert font, 131 Banner, 344 Bell Gothic Standard font, Andale Mono Regular font, Ascenders, 28, 30, 32, 36, 263 Advertisements 254 95, 144, 148, 160, 162, Bar, 344 Bell typeface, 171 decorative typefaces, Anderton, Bob, 270 170, 171, 179, 184–185, Barb, 344 174–175 187, 189, 193, 195 Belwe, George, 264 Angle brackets, 343 Barbed serif, letterforms, innovations, 68, 69–71, 82 Assembly-line book 151 Belwe Medium font, 264 Angle brackets, use of, 207 production, 49–50 Neon sign technology, 80 Barnhart Brothers & Bembo, Cardinal, 265 AnteCOPYRIGHTED Meridiem, 343 Asterisk, MATERIALSpindler, 168 Aesthetics, revolution in, defined, 344 Bembo font, 170 Anthony, Earle, 80 Barnum, P. T., 71 83–85 use of, 209 Bembo Regular font, 265 Antique Olive font, 174 Baronial envelope, 344 Agency FB font, 250 Astrological font, 252 Benguiat, Edward, 115, 266, Apex, 343 Baroque, 345 Agfa Monotype fonts, 255, A-style envelope, 235, 344 275, 336, 371 311 Apices, letterforms, 152 Baroque style, 61, 62 ATF, 344 Benton, Linn Boyd, 172, Agincourt font, 168 Apostrophe, 343 Barrel fold, 345 284 ATF Agency Gothic font, Albers, Josef, 90, 371 Apostrophes, 56, 206–210 250 Bars, type enclosed in, 205 Benton, Morris Fuller, 82, 168, 170, 250, 272, 277, Alcuin of York, 31, 371 Apple Computer, 120 ATF Bondoni font, 277 Bartarde, 23, 51, 345 284, 288, 298, 305, 336, Aldine-French font, 168 Apple ImageWriter, At symbol, use of, 209, 210 Base, 345 371 125–126 Aldine-French Old Style Attic Antique font, 256 Baseline, 345 Beowolf font, 130, 131 font, 170, 343 Apple LaserWriter, 134 ATyI system, 168 Basis weight, paper, 230, Berkeley Old Style Book Aldus desktop software, Apple Macintosh 345 font, 270 134 computer, 123, 124, 133, ATyp1-Vox system, 344 Baskerville, John, 66–67, Berlin Sans & Berlin Sans 136, 343 Augereau, Antoine, 56, 371 Aldus Roman face, 56–57 171, 260, 371 Demi fonts, 271 Arabic number, 343 Austin, Richard, 171 Algerian font, 251 Baskerville font, 66–67, Berlow, David, 250, 268, Arboret font, 70 Author’s alterations, 343 95, 263 298 index.indd 383 6/24/2005 10:09:44 AM 384 A TYPOGRAPHIC WORKBOOK Bermuda typeface, 175 Bonaparte, Napoleon Bullets, 209, 239, 346 Captions, Centered type alignment, Bernhard, Lucian, 268, 269 (emperor of France), Bulmer typeface, 171 defined, 347 159 65, 68–69 page layout Bernhard Modern font, 269 Bunyan typeface, 88 Central Lettering Record, Bond weight, 346 considerations, 245 176 Berthold City font, 286 Bureau Grotesque Carnase, Tom, 174, 260 Book Antiqua font, 279 typeface, 95 Central Type Foundry, 168 Bible, 30–31, 47, 48–49 Caroline miniscules, 142 Booklet envelope, 234 Burgess, Starling, 171 Century Old Style font, 283 Bickham Script typeface, Carolingian hand, 23, 33, 152, 174 Bookmaking, as artform, Burgundians, 29, 372 Century Old Style 56 347 typeface, 95 Bigelow, Charles, 125, 313, Burns, Aaron, 114, 372 Carolingian style, 23, 31, 371 Bookman Oldstyle font, Century typeface, 172 275 Burt, William Austin, 71, 32, 33, 38, 39, 50, 141, Binny & Ronaldson, 168 372 142 Cerasoli, Genevieve, 131 Book of Hours, 51–52, 56, Chagall, Marc, 92 Birch typeface, 175 346 Business announcement Carra, Carlo, 85 envelope, 235 Champollion, Jean- Bismark, Otto von, 69 Book of Kells, 30 Carter, Jimmy, 118 Butterick, Matthew, 268 François, 18 Bitmap, 345 Book weight, 346 Carter, Matthew, 132, 174, Butti, Alessandro, 114, 263, 301, 372 Chansler, Kim Buker, 175 Bitmaps, 135 Booklet envelope, 346 317, 372 Cartouche, 1, 347 Character, 347 Black death, 345 Boston Type Foundry, 168 Bylines, Caruso, Victor, 288, 298 Character counting, 102, Black letter, 23, 37, 39, 168, Boton, Albert, 295 defined, 346 347 169, 345 page layout Caslon, William, 65–66, 69, Boustrephedon, 1, 17, 346 280, 272 Characters per pica (cpp), Blackoak font, 175, 271 considerations, 102, 105, 347 Bowls, letterforms, 151– 245–246 Caslon IV, William, 272 Black Panther Party, 118 152, 346 Charlemagne, 23, 31–33, Caslon 3 Roman font, 280 Blake, Stephenson, 69, Boxes, type enclosed in, 372 306, 341 205 C Caslon 540 font, 171, 281 Charles VII (king of Bleed, paper, 230, 345 Braces, use of, 207 CE, 346 Caslon 540 Roman font, France), 50 281 Blimp typeface, 116 Bracketed serif, 346 Cabarga, Leslie, 315 Charme typeface, 174 Caslon Antique typeface, Chase, 46, 48, 348 Blue Island typeface, 175 Bracketing, 51, 346 Caflisch, Max, 284 171 Chaucer typeface, 79 Blur font, 132 Brackets, letterforms, Calcite Pro font, 278 Caslon italic, 151 150–151, 346 Cheltenham font, 173 Böcklin, Arnold, 257 Caledonia font, 172 Caslon Old Face, 65–66, Bodoni Bold, 111 Brady, Fred, 174, 325 Caledonia typeface, 171 170 Cheltenham typeface, 82, 83, 171 Bodoni font, 151, 272, 345 Braque, Georges, 83 Calendered, 347 Caslon typeface, 249, 263 Chevrons, use of, 207 Bodoni, Giambattista, 67– Break, 346 Calendering, 347 Cassandre, A. M. (Adolphe 68, 172, 272, 273, 371 Brignall, Colin, 175 Jean-Marie Mouron), Chicago font, 125 California job case, 64, 89–90, 372 Bodoni Poster font, 273 Bringhurst, Robert, 235, 99, 347 Children, font selection, Cast-coated paper, 231, 215–216 Bodoni typeface, 71 371 Californian font, 170 347 China (ancient), 4, 36 Body copy, British Standards system, Callouts, 168, 346 Casting off, 105 Chinese writing system, 5 defined, 345 defined, 347 Broadway font, 277 page layout Catalog envelope, 235, 347 Christianity, 26–29 page layout considerations, 239 Caxton, William, 51, 372 considerations, 238– Broadway typeface, 89 Chwast, Seymour, 116, 372 Candida font, 173 239 Brody, Neville, 132, 371 Cedilla, 56, 347 Cicero, type measurement, Cap height, 347 Body line, 345 Broken, 346 Celtic,23, 30–33, 36, 347 144 Cap line, 347 Body text, 345 Bruce Type Foundry, 168 Celtic lettering, 23, 28–29, Circle, typeface design, Capital letters, 38, 55, 347 30 145–146 Boge, Garrett, 175 Bubble jet printer, 346 Capitalis Quadrata, 23, 26, Celtic round uncials, 30, 32 Cities, 43 Bohn, Hans, 174 Bubble jet technology, 126 27, 29, 347 Centaur font, 170 Citizen font, 127 Bold face, 346 Buffalo typeface, 116 Centaur Regular font, 169 City Medium font, 286 Bolshevism, 86, 92 Bullen, Henry Lewis, 168, 169, 371 Centered, 347 Civilité font, 57, 348 index.indd 384 6/24/2005 10:09:45 AM I nde X 3 8 5 Civil War (U.S.), 73 Commercialism, 77 Coptic, 349 Cursive handwriting, 142 Diagonally stacked Clairvaux, 168 Commercial/official Copy, 349 Cursive typefaces, 174 text, compositional importance, 225 Clarendon font, 287 envelope, 234, 348 Copy fit, 349 Cutline, 349 Communication Dickinson Type Foundry, Classification, of type, Copy fitting, 101–105, 111 Cylinder seals, 4 175 167–182 improvements, 77 Cornelia font, 286 Didone font, 277 Claude, Georges, 80, 372 Compacta font, 289 Corporate design, 120 D Didot, 350 Claude Neon, 80 Comp, 348 Cosgrove, Carl, 175 Dada, 349 Didot, Firmin, 67–68, 373 Cloister Black, 168 Composition, text type arrangement, 195–197 Coster, Laurens, 46, 58, Dadaist style, 64, 89, 92, Didot, Françoise Ambroise, Cloister Old Style font, 372 120 143, 172, 373 170, 348 Compositional importance, determination of, 217 Cotton gin, 65 da Gama, Vasco, 39 Die neue typographie (The Cloister Old Style typeface, Concave, 348 Council of Trent (1545), 51 New Typography), 93, 51 Dagger 350 Concave type alignment, Counter, letterforms, 152 defined, 350 Coated, 348 use of, 209 Digital font technology, 158 Counter-Reformation, Coated paper, 231 133–138 Condensed type, 348 51, 62 Daisy wheel printer, 350 Digital typography, 120, Cobden-Sanderson, T.
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