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Home , Algerian (typeface), Antique Olive, Ascender Corporation, Bell Centennial, Belwe Roman, Bulmer (typeface)

A Alleys, 343 Arcadia , 132 Avant Garde font, 174 Old Face font, 259 AA, 343 Alleys, layout Arcana , 152 Avant Garde Gothic Book considerations, 237 Arc of the Stem, 343 font, 260 Baskerville , 171, Abbreviations, 345 of, 205–206 An Alphabet, 91, 92 Arm, letterform, 343 Avant Garde magazine, 260 Basketcase font, 261 , 343 Alphabet, 343 Arms, letterforms, 150 Avant Garde typeface, 116 , 168 Abstract Expressionism, Alphabets Arnold Böcklin Standard 96, 118 Etruscan, 11 font, 255 Bauer Classic typeface, Greek, 17 B 171 Academy Engraved Arnold Böcklin typeface, , 142, 144 BCE, 344 Bauhaus, 345 typeface, 249 oral language 175 Bach, Johann Sebastian, Accents, 56 transcription, 5 Arrighi, Ludovico degli, 337 Bauhaus style, 90–91, 93, Phoenician, 13, 17 61 113, 173 Accordian fold, 343 Art Deco style, 89–90, 173, Roman, 24 Background value, color, Bayer, Herbert, 91, 371 Acronyms, typesetting 311, 344 Alternate character, 343 and contrast, 197–205 of, 206 Artistik typeface, 175 Beak, 345 American Civil War, 73 Back matter, 344 Adobe Minion Pro font, 321 Art Nouveau movement, Beaked , letterforms, American , use of, 209 151 Adobe Pro font, 81–82, 90, 174–175, 256, , 119 Bacon, Roger, 12 325 257, 269, 332, 344 Beall, Lester, 96 American Founders Bad break, 344 Adobe PageMaker, 120, Artone typeface, 116 Beckett font, 262 (ATF), 82, 168, 343 134 Arts and Crafts movement, Baker, Arthur, 174, 175 Beesknees typeface, 175 Adobe Professional , 78, 79, 81, 91, 344 Baker, Robert, 63, 371 defined, 343 Behrens, Peter, 82, 90, 371 285 typesetting of, 206 Art Workers Guild, 78, 344 Balla, Giacomo, 85 Behrens Roman, 82 Adobe Systems, 127, 128, use of, 209 , 145, 149, 161, Ballet, 78 , Jill, 131 133–135 Ancient, 1, 343 163, 179, 185, 344 Balmoral font, 152 Bell Centennial font, 132 Adrian Williams Design Ancient writing systems, , 95 Limited, 185 Balmoral Script font, 258 font, 132, 174 1–22 Ascender line, 144, 344 Advert font, 131 Banner, 344 Bell Gothic Standard font, Andale Mono Regular font, Ascenders, 28, 30, 32, 36, 263 Advertisements 254 95, 144, 148, 160, 162, Bar, 344 Bell typeface, 171 decorative , Anderton, Bob, 270 170, 171, 179, 184–185, Barb, 344 174–175 187, 189, 193, 195 Belwe, George, 264 Angle , 343 Barbed serif, letterforms, innovations, 68, 69–71, 82 Assembly-line book 151 Belwe Medium font, 264 Angle brackets, use of, 207 production, 49–50 Neon sign technology, 80 Barnhart Brothers & , Cardinal, 265 AnteCOPYRIGHTED Meridiem, 343 , MATERIALSpindler, 168 Aesthetics, revolution in, defined, 344 Bembo font, 170 Anthony, Earle, 80 Barnum, P. T., 71 83–85 use of, 209 Bembo Regular font, 265 font, 174 Baronial envelope, 344 Agency FB font, 250 Astrological font, 252 Benguiat, Edward, 115, 266, Apex, 343 Baroque, 345 Agfa Monotype fonts, 255, A-style envelope, 235, 344 275, 336, 371 311 Apices, letterforms, 152 Baroque style, 61, 62 ATF, 344 Benton, Linn Boyd, 172, Agincourt font, 168 , 343 Barrel fold, 345 284 ATF Agency Gothic font, Albers, Josef, 90, 371 , 56, 206–210 250 Bars, type enclosed in, 205 Benton, Morris Fuller, 82, 168, 170, 250, 272, 277, Alcuin of York, 31, 371 Apple Computer, 120 ATF Bondoni font, 277 Bartarde, 23, 51, 345 284, 288, 298, 305, 336, Aldine-French font, 168 Apple ImageWriter, At , use of, 209, 210 Base, 345 371 125–126 Aldine-French Old Style Attic Antique font, 256 , 345 Beowolf font, 130, 131 font, 170, 343 Apple LaserWriter, 134 ATyI , 168 Basis weight, paper, 230, Berkeley Old Style Book Aldus desktop , Apple 345 font, 270 134 computer, 123, 124, 133, ATyp1-Vox system, 344 Baskerville, John, 66–67, Berlin Sans & Berlin Sans 136, 343 Augereau, Antoine, 56, 371 Aldus Roman face, 56–57 171, 260, 371 Demi fonts, 271 Arabic number, 343 Austin, Richard, 171 font, 251 Baskerville font, 66–67, Berlow, David, 250, 268, Arboret font, 70 Author’s alterations, 343 95, 263 298

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Bermuda typeface, 175 Bonaparte, Napoleon Bullets, 209, 239, 346 Captions, Centered type alignment, Bernhard, Lucian, 268, 269 (emperor of France), typeface, 171 defined, 347 159 65, 68–69 Bernhard Modern font, 269 Bunyan typeface, 88 Central Record, Bond weight, 346 considerations, 245 176 Berthold font, 286 Bureau Grotesque Carnase, Tom, 174, 260 Book font, 279 typeface, 95 Central , 168 Bible, 30–31, 47, 48–49 Caroline miniscules, 142 Booklet envelope, 234 Burgess, Starling, 171 Century Old Style font, 283 Bickham , Carolingian hand, 23, 33, 152, 174 Bookmaking, as artform, Burgundians, 29, 372 Century Old Style 56 347 typeface, 95 Bigelow, Charles, 125, 313, Burns, Aaron, 114, 372 Carolingian style, 23, 31, 371 Oldstyle font, Century typeface, 172 275 Burt, William Austin, 71, 32, 33, 38, 39, 50, 141, Binny & Ronaldson, 168 372 142 Cerasoli, Genevieve, 131 Book of Hours, 51–52, 56, Chagall, Marc, 92 Birch typeface, 175 346 Business announcement Carra, Carlo, 85 envelope, 235 Champollion, Jean- Bismark, Otto von, 69 Book of Kells, 30 Carter, Jimmy, 118 Butterick, Matthew, 268 François, 18 Bitmap, 345 Book weight, 346 Carter, Matthew, 132, 174, Butti, Alessandro, 114, 263, 301, 372 Chansler, Kim Buker, 175 Bitmaps, 135 Booklet envelope, 346 317, 372 Cartouche, 1, 347 Character, 347 Black death, 345 Boston Type Foundry, 168 Bylines, Caruso, Victor, 288, 298 Character counting, 102, Black letter, 23, 37, 39, 168, Boton, Albert, 295 defined, 346 347 169, 345 page layout , William, 65–66, 69, Boustrephedon, 1, 17, 346 280, 272 Characters per (cpp), Blackoak font, 175, 271 considerations, 102, 105, 347 Bowls, letterforms, 151– 245–246 Caslon IV, William, 272 Black Panther Party, 118 152, 346 Charlemagne, 23, 31–33, Caslon 3 Roman font, 280 Blake, Stephenson, 69, Boxes, type enclosed in, 372 306, 341 205 C Caslon 540 font, 171, 281 Charles VII (king of Bleed, paper, 230, 345 Braces, use of, 207 CE, 346 Caslon 540 Roman font, France), 50 281 Blimp typeface, 116 Bracketed serif, 346 Cabarga, Leslie, 315 Charme typeface, 174 Caslon Antique typeface, , 46, 48, 348 Blue Island typeface, 175 Bracketing, 51, 346 Caflisch, Max, 284 171 Chaucer typeface, 79 Blur font, 132 Brackets, letterforms, Calcite Pro font, 278 Caslon italic, 151 150–151, 346 font, 173 Böcklin, Arnold, 257 font, 172 Caslon Old Face, 65–66, Bold, 111 Brady, Fred, 174, 325 Caledonia typeface, 171 170 Cheltenham typeface, 82, 83, 171 Bodoni font, 151, 272, 345 Braque, Georges, 83 Calendered, 347 Caslon typeface, 249, 263 Chevrons, use of, 207 Bodoni, Giambattista, 67– Break, 346 Calendering, 347 Cassandre, A. M. (Adolphe 68, 172, 272, 273, 371 Brignall, Colin, 175 Jean-Marie Mouron), font, 125 California job case, 64, 89–90, 372 Bodoni Poster font, 273 Bringhurst, Robert, 235, 99, 347 Children, font selection, Cast-coated paper, 231, 215–216 Bodoni typeface, 71 371 Californian font, 170 347 China (ancient), 4, 36 Body copy, British Standards system, Callouts, 168, 346 Casting off, 105 Chinese writing system, 5 defined, 345 defined, 347 font, 277 page layout Catalog envelope, 235, 347 Christianity, 26–29 page layout considerations, 239 Caxton, William, 51, 372 considerations, 238– Broadway typeface, 89 Chwast, Seymour, 116, 372 Candida font, 173 239 Brody, Neville, 132, 371 Cedilla, 56, 347 , type measurement, , 347 Body line, 345 Broken, 346 Celtic,23, 30–33, 36, 347 144 Cap line, 347 Body text, 345 Bruce Type Foundry, 168 Celtic lettering, 23, 28–29, Circle, typeface design, Capital letters, 38, 55, 347 30 145–146 Boge, Garrett, 175 Bubble jet printer, 346 Capitalis Quadrata, 23, 26, Celtic round uncials, 30, 32 Cities, 43 Bohn, Hans, 174 Bubble jet technology, 126 27, 29, 347 font, 170 Citizen font, 127 Bold face, 346 Buffalo typeface, 116 Centaur Regular font, 169 City Medium font, 286 Bolshevism, 86, 92 Bullen, Henry Lewis, 168, 169, 371 Centered, 347 Civilité font, 57, 348

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Civil War (U.S.), 73 Commercialism, 77 Coptic, 349 , 142 Diagonally stacked Clairvaux, 168 Commercial/official Copy, 349 Cursive typefaces, 174 text, compositional importance, 225 font, 287 envelope, 234, 348 Copy fit, 349 Cutline, 349 Communication Dickinson Type Foundry, Classification, of type, Copy fitting, 101–105, 111 Cylinder seals, 4 175 167–182 improvements, 77 Cornelia font, 286 font, 277 Claude, Georges, 80, 372 font, 289 Corporate design, 120 D , 350 Claude Neon, 80 Comp, 348 Cosgrove, Carl, 175 Dada, 349 Didot, Firmin, 67–68, 373 Black, 168 Composition, text type arrangement, 195–197 Coster, Laurens, 46, 58, Dadaist style, 64, 89, 92, Didot, Françoise Ambroise, Cloister Old Style font, 372 120 143, 172, 373 170, 348 Compositional importance, determination of, 217 Cotton gin, 65 da Gama, Vasco, 39 Die neue typographie (The Cloister Old Style typeface, Concave, 348 Council of Trent (1545), 51 New Typography), 93, 51 350 Concave type alignment, , letterforms, 152 defined, 350 Coated, 348 use of, 209 Digital font technology, 158 Counter-Reformation, Coated paper, 231 133–138 Condensed type, 348 51, 62 Daisy wheel printer, 350 Digital typography, 120, Cobden-Sanderson, T. ., Counter, 349 Daisy wheel printing, 126 170 Conceptual artists, 118 123 Counters, letterforms, Darwin, Charles, 77 Codex, 23, 27–29, 31, 348 Condensed letterform , 351 proportions, 187–188 151–152 Data Seventy font, 293 Coin envelope, 348 Dingbat fonts, 148–149, Connotation, 216–217 Standard font, 292 da Vinci, Leonardo, 331, 239, 242, 355 Cold type, 100–101, 348 Connotative evaluation, Cover weight, 349 373 DIN system, 168, 350 Cold War, 95, 96 348 Cranbrook Academy of Deck, Barry, 138, 139, 340, DiSpigna, Tony, 312 Colines, Simon de, 52, Constantine (emperor of Art, 119 373 Display sizes, 159–162 53, 56 Rome), 26–27, 372 Craw, Freeman, 114, 115, de Colines, Simon, 373 , use of, 207, 348 Construction, 348 372 Display typefaces, 174– Decoration, 350 175, 351 Colonial era, 61–68 Constructivism, 83, 92, Craw Clarendon typeface, Decorative typefaces, 132, 348 114, 115 Dixon, Catherine, 169, 176, Colophons, 48, 348 174–175, 350 177, 178, 373 Color Constructivist Craw Modern typeface, font, 170 composition, 90, 91, 93 114 Domesticated animals, background value, de´ Medici family, 39 3–4 color, and contrast, Continuous, 349 Credit, 349 197–205 Demography, 350 output, 125–126 Continuous-roll Credits, page layout Celtic lettering, 28–29 considerations, 246 Demotic script, 1, 10, 12,13, Dot matrix printer, 351 compositional papermaking machine, 69 18, 350 Double dagger importance, 222–223 Crete, 10–11 illumination, 31 Contrast Denotation, 216–217, 350 defined, 351 Crop marks, 349 use of, 209 The New Typography defined, 348 , 350 (Die Neue background value, bar, letterforms, Double , use of, 209 149–150, 349 Descender line, 144, 350 Typographie), 93 color, and contrast, Dove font, 170 Op art, 116 197–205 Cross stroke, 349 , 28, 184–185 Soviet Constructivism, font design Dravidian Language, 11 Crotch, 349 Desdemona typeface, 175 92 characteristics, 187 Drop cap Crotches, letterforms, 152 Designer’s role, 101 Color bar, 348 Convex, 349 defined 351 Crusades, 23, 33, 37, 349 , 130 Colored paper, 231, 233 Convex type alignment, Dull-coated paper, 231, 158 Cubism, 78, 83, 92, 349 de Stijl movement, 91–92, defined 351 Columbus, Christopher, 39 173, 350 Cuneiform, 1, 4, 5, 8–10, Dürer, Albrecht, 54, 55, rule, 348 Cooper, Oswald Bruce, 290 141, 349 Deutscher Werkbund, 93 56, 373 font, 290 Curly braces, 349 deVinne, Theodore L., 168, Dutch-English font, 168 defined, 348 Copperplate engraving, 169, 172, 373 use of, 207 57–58, 64, 349 Curly brackets, use of, 207 Dutch-English Old Style, 351 Commercial at, use of, 209, font, Cursive, 349 210 82, 83, 291

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Dutch-English Old Style defined, 351 Fenice Regular, 111 Ford, Henry, 77 G font, 170–171 England, 51 Feudalism, 23, 29–30 Formal attributes, 352 Galadriel typeface, 175 Dwiggins, William A., 171, defined, 352 English style, Forms Galley, 48, 353 172, 279 300 Figure , use of, 207 defined, 352 font, 132 Dyslexic readers, 184–185 , defined, 351 Fillet, defined, 352 page layout considerations, , Claude, 52, En quad, 154 Filmsense typeface, 116 242–243 56–57, 58, 170, 374 E Envelope converter, Finial, letterforms, 151, 42-Line Bible, 47, 48–49 Garamond typeface, 66, defined 352 defined, 352 Ear, letterforms, 351 Forum font, 170 147, 156–159, 186 Envelopes, 233–235 Fitting, font design Eccentric font, 294 Forward , use of, 208 Garish Monde font, 300 Environmental artists, 118 characteristics, 187 Eckmann, Otto, 81, 82, 373 Foundry set, 352 Gate fold, 353 , Jakob, 173 Fitting copy, 101–105, 111 Egyptian, letterforms Fourdrinier, Henry, 69, 374 Gazette typeface, 187 defined 351 Estienne, Charles, 53, 373 Flags, letterforms, 152–153, Fournier Le Jeune, Pierre, General Bulls-Eye, 87 Egyptian fonts, 71 Estienne, Henri, 52, 53, defined, 352 142–143, 374 font, 133, 301 56, 373 Egyptian hieroglyphics, 12, Flash typeface, 187 , 352 Geschke, Chuck, 133, 374 13, 18, 141 Estienne, Robert, 52–53, 373 Flat apex, letterforms, 152 Francis I (king of France), Giddyup typeface, 174 Egyptian typefaces, 173 56 Estienne family, 170 , defined, 352 Gill, Eric, 88, 333, 374 Egyptienne F font, 173 Franco, Francisco, 95 Etruscan script, 11, 26 Flush left type alignment, font, 88, 302 Eidenbenz, Hermann, 287 157–158, 352 typeface, Gloss-coated paper, 231, font, 114 82, 83, 95 Eisenhower, Dwight D., Flush right type alignment, 353 96, 115 Eurostile Medium font, 296 158, 352 Franks, 29, 374 Glypha font, 173 Elderly populations, font Eva Antiqua font, 85 Folded papers, 233 French Academy of selection, 215–216 Golden typeface, 78, 79 , 352 Sciences, 63 font, 172 defined, 352 font, 170 Font availability/ French fold, 353 use of, 208 Gold leaf, illumination, 31 Electric light, 77 distribution, 139 French Impressionists, 77 Excoffon, Roger, 174, 322 Goldsmith, Holly, 131 Elite, letterforms defined, Font Bureau Agency, 250 French Revolution, 64, 65 351 Ex Ponto typeface, 174 Goodhue, Bertram, 82, Fontographer, 128 Frere-Jones, Tobias, 327 Ellington, Duke, 304 Extended, 352 285, 374 Fonts. See also specific Freud, Sigmund, 77 , 210 Extended apex, Gothic-Antique font, 168 fonts and typefaces Friedman, Dan, 119, 374 defined, 351 letterforms, 152 defined, 145, 352 Gothic, 23, 33, 37, 39 use of, 207 Extended letterform design characteristics, Friz, Ernst, 299 quotations, 210 defined, 353 proportions, 187–188 185–187 Friz Quadrata font, 299 Else font, 172 distinguishing Gothic font, 132 Eye , Adrian, 112, 172, characteristics, Gothic lettering, 23, 32, 36, , defined 351 defined, 352 173, 174, 282, 292, 374 144–145 51, 54 Em dash, 153, 207, letterforms, 152 popular forms of, 184 , use of, 208 defined, 351 selection Gothic Textura lettering, , 64, 353 considerations, 32, 36–38, 51 Em space, defined 351 F 215–216 Furniture design, 79 Gotisch, Wilhelm Émigré font, 125, 127 Familiarity, font design variation in structure Fust, Johann, 46, 48, 49, Klingspor, 168 and style, 226–227 Émigré magazine, 124–125, characteristics, 187 50, 374 Goudy, Frederic W., 82, variations in design, 128, 184, 351 85–87, 168, 170, 267, Family of type, defined, 147–148 Book font, 111 Emperor font, 125, 126, 127 145, 352 291, 304, 374 FontShop International Futura family, 145 Employment application, Farey, David, 175 Goudy fonts, 86, 133, 303 (Berlin), 129 Futura fonts, 93–95, 174, 244 font, 87, Farmer, Little & Co., 168 Footers, page layout 186, 198–203 Em quad, 153 111, 169, 170 Fawkes, Guy, 274 considerations, 237, Futura Script typeface, 187 En, defined 351 238 font, 304 Federal font, 131 Futurism, 83, 85, 92, 353 Force justified, 352 Goudy Text, 168 En dash, 153–154, 207, Feininger, Lyonel, 90, 374

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Grain, paper, 231, 353 Half uncial, defined, 353 Hieroglyphic, defined, 354 Ideograph, 1, 9 Interpress (page Grandjean, Philippe, 63, Half uncials, 30, 31, 142 Hieroglyphics, 1, 5, 12, 13, defined, 355 description language), writing systems, 7–8 133 374 Handcrafted lettering, 87 18, 141 IFC, defined, 355 , use of, 209 Granjon, Robert, 57, 58, Hand lettering, 81 Higonnet, René, 100, 375 132, 170, 375 Hinting, defined, 354 Illumination, 23, 31 (punctuation), Handwriting style, 57–58, defined, 355 206, 208 Granjon typeface, 170 64, 142 Hitler, Adolf, 95, 96 gold leaf, 31 Interstate typeface, 95 Graphic arts, formal Handy, John, 66, 375 Hobo Medium font, 305 education in, 101 Imagesetter, defined, 355 Intertype Garamond, 170 Hanging cap Höefler, Jonathan, 169, 175 font, 306 Gravure, 353 defined, 353 Intertype machine, 81, 355 Hoffman, Armin, 118, 119, Imperial typeface, 187 Great Depression, 95 page layout 375 Ireland, 28–29 considerations, 246 Shadow font, 307 Greece (ancient), 18 Hollenstein, Albert, 295 Ironwood typeface, 175 Hanging indent Improved type, 66 , 11, 17–18 Hollowed apex, Isbell, Richard, 253 defined, 354 Incunabula, defined, 355 , 353 page layout letterforms, 152 Ishi, Bob, 338 Greiman, April, 119, 123, considerations, 242 Holmes, Chris, 313 Indent, defined, 355 ISO, See International 375 Hanging , See Hooked serif, letterforms, Industria font, 132 Standards Grey, Gregory, 317 Hanging Cap 151 Industrial Age, defined, Organization defined, 354 Grid, defined, 353 Horizontal bar, use of, 207 355 Italian running hand, 142 , Industrialization, 68–73, 77 Italic, defined, 355 Grid establishment, page defined 354 Horizontal proportions, layout considerations, typeface design, 145 Inferior character, defined, Italic font, 53, 54, 65 Harappa script, 11 236–237 Horizontal spacing, 355 design, 147 Griffith, Chauncey H., 174, Hard Times Regular font, measurement and, Initial cap, defined, 355 distinguishing 263, 273 129 letterforms, 153–156 characteristics, Initial capitals 144–145 Griffo, Francesco, 53, 54, Harlem font, 132 Hot type, 80–81, 100–101 generally, 33, 34–35 Italy, 50–51 170, 265, 375 Hawley-Smoot Tariff Act, Humanism, defined, 354 page layout 95 ITC, defined 355 Griffo’s Humanistic script, Humanistic, defined, 354 considerations, 246 142 Header, defined, 354 ITC Americana font, 253 Humanistic hand, 23, 39 Ink jet printing, defined, Gripper, defined, 353 Headers, page layout defined 354 355 ITC American considerations, 238 font, 252, 267 Gropius, Walter, 90, 375 Humanistic philosophy, 52 Ink jet technology, 126 Headline, defined, 354 ITC Anna font, 174 Grotesque font, 69 Humanistic styles, 23, 38, Inks defined, 353 Headline copy, 159–163 50, 54, 88, 142 Baskerville font, 66–67 ITC Anna typeface, 175 Gutenberg, 46, 47–48 Gutenberg, Johann, 45, Headlines, page layout , 153 ITC Avant Garde font, 117 46–50, 58, 80, 123, 375 considerations, 237 defined, 354 , 168 ITC Avant Garde Gothic Gutter, defined, 353 Head , defined, 354 misuse of, 212 Inline, defined, 355 Book font, 257 use of, 208 Gutters, page layout Heather Lightface font, 70 Insignia font, 132 ITC Benguiat Book font, considerations, 237 Hyphenation Instant Types font, 130 269 Heiderhoff, Horst, 308 defined, 354 Intaglio, defined, 355 ITC Benguiat fonts, 115, font, 174 justification and, 211 117 H International Standards Helvetica typeface, 95, ITC Berkeley font, 170 H & J, See hyphenation 113, 129 Organization (ISO), I 230, 355 ITC Blackadder font, 270 and justification Henry VIII (king of defined, 353 England), 51 IBC, defined, 354 International Style, 118, ITC Bookman font, 115, 117 236 Haber, Bernard, 300 Hierarchy IBM, 120 ITC Bookman Light font, Hairline serif, letterforms, compositional Icon, defined 354 International Typeface 276 151 importance, 217 Corporation (ITC), ITC Century font, 267 defined, 354 Iconography, 1, 4 114–115, 355 Hairline stroke defined, 354 ITC Cheltenham font, 267, Hieratic script, 1, 12–14, Internet, font availability/ defined, 353 Ideogram, defined, 355 285 letterforms, 149 354 distribution, 139

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ITC Regular font, Jump head, defined, 355 Kloos-Rau, Rosemarie, 174 Legs, letterforms, 150 Ligatures, defined, 155 288 Justification, hyphenation Kobayashi, Akira, 278 Lenin, V. I., 86 Light face, defined, 356 ITC Medium font, 295 and, 211 Koch, Rudolf, 85–86, 88, Leo III (pope of Rome), 32 Light value, compositional ITC Fenice font, 114, 172 Justified type alignment, 168, 174, 343, 376 Letterform(s) importance, 222–223 ITC Fenice Regular font, 158–159 Koch Antiqua font, 85 apices, crotches and Lind, Barbara, 131, 271, 314 defined, 355 297 Koenig, Friedrich, 69, 376 vertices, 152 Linear A script, 11 Justinian (eastern emperor arms and tails, 150 ITC Franklin Gothic font, Kosmik font, 131 Linear B script, 11 298 of Rome), 29 Celtic lettering, 29 Kraft, (paper) defined 356 counters and bowls, , defined, 356 ITC Garamond, 170, 267 151–152 Küpper, Christian Emil Line spacing, 191–195 ITC Garamond Book, 111 K ear, 351 Marie (Theo Van eye, 152, 352 compositional ITC Korinna font, 115 font, 85, 86, 88, 174 Doesburg), 91, 92 horizontal spacing and importance, 217 ITC Matisse font, 349 Kaden, Joel, 252, 267 measurement, 153–156 defined, 356 leg, 150, 356 display sizes, 159–162 ITC New Baskerville font, Kahan, Teri Marie, 131 L serifs, brackets, vertical spacing, 260 156–157 Kahn, Emil, 268 La Bamba font, 310 terminals and finials, ITC Officina Serif font, 173 150–151 Lining figures, 148–149, Kandinsky, Wassily, 90, 91, Laid paper, defined, 356 ITC Panache font, 115 92, 375 spine and shoulder, 150 356 stroke, 149–150 Lambada font, 73 Link, letterforms, 149–150, ITC Slimbach typeface, 171 Karmac font, 70 swashes and flags, Lambert, Fred, 289 357 ITC font, 115, 117 Keedy, Jeffery, 128–129, 152–153 375 Lardent, Victor, 96, 171 type alignment, Linoscript typeface, 174 ITC Stone Sans font, 337 157–159 Keedy Sans font, 129 Large stacked text, Linotext, 168 ITC Stone Serif font, 338 compositional vertical spacing, Kelly, Phillip, 251 156–157 Linotype Centennial font, ITC Tiffany font, 115 importance, 224 282 Kelmscott Press, 78–80, Letterform proportions, Laser printing, defined, Linotype Didot font, 172 85, 170, 356 356 187–191 J Kemp, Carol, 131 condensed and Linotype Garamond No. Laser printing technology, extended, 187–188 3, 170 Jackson, Ernest, 307 Kennedy, John F., 115, 118 127–128 serif and sans serif , 80–81, , Anton, 171, 308 letterforms, 190–191 Kennerley font, 170 Latin alphabet, 142, 144 100, 168 Janson Text 55 font, 308 Keppler font, 172 Lawson, Alexander, 168, uppercase and defined, 357 lowercase, 188–190 Janson typeface, 170–171 Kern, 46 169, 170, 376 Linotype font, 331 Letter Gothic font, 311 Jaque Slim font, 129 Kerned pairs, 46 Layout thumbnails, page Link, letterforms layout considerations, , Jenson, Nicholas, 50–51, defined, 357 , 47, 80 241 64–65 52, 58, 78–79, 170, 337, defined, 154, 356 Linseed oil, 48 375 Leader, defined, 356 LettError, 130–131 Kerning pairs, 153, Lipton, Richard, 152, 174 Jimbo font, 309 154–155 Letterpress, defined, 356 compositional Lissitzky, El, 92, 376 typeface, 88 Letter spaced, 23, 29 Kettler, Howard, 292 importance, 217 Lists Johnson, Alfred Forbes, Key characters, defined, defined, 356 Letter-space letterforms defined, 357 168 356 line spacing, 193–195 defined, 356 page layout vertical spacing, Celtic lettering, 29 , Edward, 87–88, considerations, 239, Keyline, defined, 356 156–157 307, 375 Letter spacing, 191–195 242 King, Martin Luther, Jr., Lead type casting, 47 compositional Johnston Sans, 87 Literacy, 45, 51 118 importance, 217 Leaflet, defined, 356 Lithographic printing, 72, Joined strokes, typeface Kis, Miklós, 171, 308 defined, 356 design, 146 Lee, Geoffrey, 306 357 Kisman, Max, 129–130, Licko, Zuzana, 123, Lithography, defined, 357 Jones, George W., 170 131, 375 Leg, letterforms, defined, 124–125, 126–127, 139, 356 184, 376 Littera Antiqua, 23, 38, 39, Jugendstil movement (Art Klee, Paul, 90, 376 Nouveau movement), Legibility, 184–185, 194, Lieberman, J. Ben, 151 50, 357 81–82, 257, 355 Klingspor type foundry, 85 356 , 23, 28, 46, 356 Locarno font, 85 Kllingspor foundry, 81–82

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Logogram, 1 Main stem, letterforms, Mekanik font, 318 Mojo font, 324 N cuneiform writing, defined, 357 Melior Medium font, 319 Monastic orders, 29–30, 9–10 Majuscule, 23, 33, 37 31, 37–38, 51–52 Nadall, Berne, 289 defined, 8, 357 Meloir typeface, 171 defined, 357 Mondrian, Piet, 91, 377 Nameplate, defined, 358 Logotype, defined, 357 letterforms, 30, 36 font, 173 Monospacing Nazi Party, 93 Lombardic letters, 36 Mantius, Aldus, 53–54, Memphis style, 120 defined, 358 Negative areas, 142, 170, 260, 376 Lombards, 29, 376 Mergenthaler, Otto, 80, typewriter, 71–72 compositional 81, 377 Loop, bowl, 151, 357 Marconi, Guglielmo, 77 Monotone, defined, 358 importance, 222–223 Marder, Clarence C., 291 Meroitic language, 11 Louis XIV (king of France), Monotype machine, 81 Negative leading, defined, Mesopotamia, 4, 8 359 63 Margin, defined, 357 Morison, Stanley, 170, 171 Louis XVI (king of France), Mesquite font, 320 Neon Margins, page layout Morris, William, 78–79, 85, 65 considerations, 237 defined, 359 Mesquite typeface, 175 170, 377 sign technology, 80 Lowercase, defined, 357 Marie Antoinette, 65 Metal clasp, envelope, Morrison, Stanley, 96, 168, Neuland font, 85 Lowercase letters, Marinetti, Filippo, 85, 376 defined, 358 377 Neuland typeface, 85 141–142 Maring, Herbert, 168 Meynell, Gerald, 307 Morris Roman typeface, letterform proportions, 78–79 New Baskerville font, 133 188–190 Markup, defined, 357 font, 114 Mouron, Adolphe Jean- New Caledonia font, 279 mixed upper- and Mason, J. H., 307 Middle Ages, 23, 29–38, lowercase versus, 30 79, 358 Marie (Cassandre, A. New Century Schoolbook uncials, 30, 32 Mass production, 82 M.), 89–90 font, 284 Middleton, R. Hunter, 175 Lowercase numerals, Masters, 100 Moveable, reusable type, New Deal, 95 typeface, 95 46–47 defined, 357 Masthead, defined, 357 Newman, Bob, 293 Minimal artists, 118 defined, 358 Lubalin, Herb, 114, 115, 116, Mastheads, page layout font, 362 117, 173, 174, 257, 266, considerations, 237 Minimal typographic Moyroud, Louis Marius, 312, 376 design, 93 100, 377 Newsprint, paper, defined, Matheis, Helmut, 174 359 Lubalin Graph font, 173, Minion Pro, outline fonts, MT Old English, 177 Matisse font, 317 Newspapers, 80–81, 83, 95 312 147 Mucha, Alphonse, 81 Matrices, 80–81 The New Typography (die Lubalin Graph typeface, Minoan writing, 10–11 Müller-Brockman, Josef, neue typographie), 93 116, 117 Matte finish, paper, Minus, use of, 208 236, 377 defined, 357 Niagara Solid & Niagara font, 313 Minuscule, 23, 31, 37 Müller-Lancé, Joachim, Matteson, Steve, 252, 255 Engraved fonts, 327 Ludlow machine, 81, 357 defined, 358 175 Nicholas II (czar of Russia), Matrices, defined, 357 letters, 30 Multiple Master (MM) Lun, Ts’ai, 376 86 Matrix, defined, 358 Minusing, defined, 358 defined, 358 Lunatix font, 127 Nimrod typeface, 95 Maximus typeface, 171 Mistral font, 322 font technology, 135– Luther, Martin, 51 Nixon, Richard M., 118 , defined, 358 Mnemonic, defined, 358 136 Non-repro blue, defined, Muslims, 36–37 Mechanical, defined, 358 Mnemonics, 1, 4 359 M Mussolini, Benito, 95 Measurement Modeling, defined, 358 Noordzij, Gerrit, 130 Machine-calendered horizontal spacing and, Modern classification Mutt defined, 357 letterforms, 153–156 Norton, Robert, 172 systems, 175–179 dash, 153, 358 paper, 231 of type, 142–144 Novarese, Aldo, 114, 172, Modern No. 20 font, 323 Macintosh computer. See Meave, Gabriel Martínez, defined, 358 296, 297, 328, 377 Apple Macintosh 152 Modern Style Mutton quad, defined, 358 Novarese font, 114, 328 computer defined, 358 Medici family, See de´ Myopic typeface, 116 Novels, 63 MacPaint software, 124 Medici family typefaces, 67–68, 172 Myriad font, 135, 174 Nueva font, 329 Madrone font, 314 Medieval etchings, 23 Modified-Transitional, defined, 358 Mythos font, 326 Magneto Bold font, 315 Meeks, Alan, 175 defined, 359 Modula font, 127 Maiandra font, 316 Meidinger, Max, 113, 174, use of, 209 376 Moholy-Nagy, Laszlo, 90, 91, 377

index.indd 389 6/24/2005 10:09:48 AM 390 A TYPOGRAPHIC WORKBOOK

Nuptua Script typeface, Oral communication, 2–5 Paper, 230–233 Phonemes, 1, 360 Policy enveloped, defined, 187 Orientation, compositional grades of, 231 cuneiform writing, 9 361 types of, 231, 232 Nut, 154 importance, 223–226 defined, 360 Pop Art, 118 dash, 153, 359 Papermaking Ornament, defined, 359 Phoenician alphabet, 13, Pop font, 132 defined, 359 China, 36 17, 30 quad, defined, 359 Orphans, 211–212, 359 continuous-roll Position, compositional Phonetic, 1, 12 importance, 223–226 Ostrogoths, 29, 377 papermaking machine, defined, 360 69 Positive areas, Outline fonts, 147, 148, 153, Phonogram, 1 187, 226 Europe, 37 compositional defined, 360 importance, 222–223 O Paper sheet sizes, North Phonograms, cuneiform American, 230 Posters OBC, defined, 359 writing, 9 P Art Nouveau movement, Oakland font, 125, 127 , 1, 3, 12–13, 18, Photocomposition, defined, Page, William, 273 360 81–82 Oblique font, 360 distinguishing Page composition, 48 Papyrus scrolls, 2 decorative typefaces, Photographic negative, 174–175 characteristics, 144 Page description language, mark, defined, 100, 360 Oblong 133 360 Post meridiem, defined, Photography, offset 361 binding, defined, 359 Page layout Paraphrase, defined, 360 lithography, 82–83 font, 127 Postmodern style, 120 anatomy of, 238 Parchment, 1, 2, 27–28, 29, Photon, 100, 360 OE, defined, 359 basics of, 235 30, 359 PostScript body copy, 238–239 Photosensitive defined, 361 OFC, defined, 359 Parentheses, use of, 207 callouts and pull defined, 360 technology, 127, 128, Official envelope, defined, quotes, 239 Park Avenue font, 332 130, 131, 133–138 359 captions, bylines and paper, 100 Parker, Wadsworth A., 275 Poynter typeface, 95 Offset lithography, 82–83, credits, 242–246 Phototypeset letterforms, 359 considerations, Parkinson, Jim, 309, 324 typeface design, 146 PPI, defined, 361 230–248 Pasternak, Dennis, 316 , 100, 360 Precision mold, 46–47, 361 Old Elamite script, 11 envelopes, 233–235 Old English, 168, 359 forms, 242–243 Paste-up, defined, 360 Phrasing, defined, 361 Prehistoric grid establishment, defined, 361 Old European (Vinca) Patrick, Saint, 28 Pica 236–237 defined, 361 societies, 2 language, 11 headers and footers, Patterns defined, 360 type measurement, 144 Press bed, 46, 361 Olde World Bold, 169 238 typewriter, 72 initial caps, 246 type description Press type, 361 Old Face, 65–66 framework, 179 lists, 239, 242 Picasso, Pablo, 83 Pressure presses, 64 Old Style fonts, 168, margins, gutters and PDL, defined, 360 Pick, Frank, 87 Prime, use of, 209 169–171 alleys, 237 PE, defined, 360 Pictograph, 1, 4, 6, 8, 12 mastheads, headlines Prime mark Old Style defined, 361 figures, defined, 359 and subheads, 237 foundry, 168 definition, 361 typeface, 51, 57, 58, 66 paper, 230–233 Peignot typeface, 89–90 Pictographs, 4, 5–7 use of, 206–210 sidebars, 246 Op Art, 116, 118 Pelavin, Daniel, 174, 175 Pipe Printability, font design tables, 239 defined, 361 characteristics, 187 Open leader, defined, 359 Pelican typeface, 174 Paginiation, defined, 359 use of, 209 Printing OpenType Palatino, Battista, 54, 331 Penguin Books, 93 China, 36 defined, 359 Pepita typeface, 174 defined, 361 spread of, 50–51 font, 133, 137 Palatino font, 113 press, 43, 64 Palatino typeface, 170 Pepperwood typeface, 175 Optical character Platform, defined, 361 origin of, 45–47 alignment, 162–163 Paleography, defined, 360 Period, use of, 208 Pointed apex, letterforms, steam engine, 69 Optically corrected, Palo Alto Research Center fonts, 88, 333 152 Pristina font, 372 defined, 359 (PARC) Corporation Personal computer, 99, (Xerox), 133 Proof, defined, 361 Optical correction, font 120, 123 defined, 361 design characteristics, Papal Chancery, 53, 360 Petroglyph, defined, 360 size, defined, 361 Proofreading marks, 187 type measurement, 106–110 Phaistos Disk, 10–11 font, 113, 330 142–144 Proofreading tips, 105–107

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Proofreader Rapa Nui language, 11 Roman alphabet, 24 Runover Seals, cylinder, 4 defined, 362 Rasterization, 137 Roman Empire, 23–28 defined, 364 marks, defined, 362 lists, 239, 242 Rasterize, defined, 362 Romanesque defined, 364 Proportion Russian ballet, 78 use of, 208 Readability, 184–185, 362 defined, 363 compositional Roman face, defined, Russian Constructivism, Semitic languages, 1, 8, importance, 218 Reagan, Ronald, 120 363 92, 132 17, 364 defined, 362 Ream, defined, 362 Roman font, distinguishing Russian Revolution, 86 Senator font, 127 spacing, defined, 362 Ream weight, paper, 230 characteristics, Rustica, 26, 364 Senefelder, Aloys, 72, 378 Protestantism, 51 144–145 Rebus, 1, 12, 14 Rustic capitals, 142 Serif, defined, 364 Proto-Elamite script, 11 Roman lettering, 26, 27 Serifa font, 173, 188 , defined, 362 defined, 11, 362 Roman numerals, defined 363 S Serif fonts Pull quotes, page layout Recto legibility, 190–191 considerations, 239 defined, 362 Roman script, 28 font, 170, 335 uppercase and Punctuatio, optical page, 28, 29 Roman triumphal arches, Saddle stitch, defined, 364 lowercase, 188 character alignment, Redick, Joy, 175, 271 24–26 Serif Gothic typeface, 116 163 Sanskrit, 5 Reed brushes, 12–13 Roman typeface, 50–51, Serifs Punctuation 56–57, 65 Sans serif Reed pens, 28 advertising, 71 letterforms, 150, 151 display sizes, 159–162 Romance languages, Behrens, 82 Roman capitals, 25, 26 , defined, defined, 363 defined, 364 spacing following, 205 362 Set-in initial, defined, 364 elderly populations, Puyfoulhoux, Thierry, 323 Roman Rustica, defined, Set solid, defined, 364 Reformation, 51, 362 363 216 Registration, 46, 362 fonts, 173–174 Set width, 47 Rondthaler, Ed, 114, 377 introduction of, 69 defined, 154, 364 Q Reiner, Imre, 174 Johnston, 87 Rongo Rong script, 11 Severini, Gino, 85 legibility, 190–191 Quark XPress, 120, 136 Relief, defined, 362 Roosevelt, Franklin D., 95 uppercase and Shaar, Edwin, 187 Remittance envelope, Quay, David, 168, 310, 318 Rosetta Stone, 1, 18, 363 lowercase, 188 defined, 363 Shakespeare, William, 61 , use of, 208 Rosewood typeface, 175 Sassafras typeface, 175 Renaissance, 39, 43–60, Shape, descriptive Quixley font, 334 87, 363 Rotary offset lithography, Sassoon Four, 185 framework Quotation dash, use of, 207 77 defined, 364 Renner, Paul, 93–95, 174, Sassoon One, 185 Rotolus, defined, 363 Shaw, Paul, 175 377 Sassoon Primary Type, defined, 362 Resonance, 216–217, 363 184–185 Shenu (cartouche), 1 use of, 206–210 defined, 363 Retro movement, 120 Scaling, defined, 364 Short fold, defined, 365 Quotations, punctuation, style, 23, 37, 38–39, 50, 210 Reverse, defined, 363 51, 168 Scanner, defined, 364 Shoulder, letterforms, 150, 365 Reversed text, Rough, defined, 363 Schäfer, Ole, 173, 367 Shuriken Boy typeface, compositional Rounded apex, letterforms, Schöffer, Peter, 48, 49, 378 R importance, 223 175 152 Schroeder, Gustav F., 294 Radio, 77 Revised proof, defined, Sidebar Round Gothic, 168 Schwitters, Kurt, 92, 378 defined, 365 Rag linen paper, 79 363 , 363 typeface, page layout Ragged center, defined, Rickner, Tom, 328 Rubel, Ira, 77, 82, 377 171 considerations, 246 362 , defined, 363 Ruder, Emil, 118–119, 377 Screen, (halftone) defined, Side head, defined, 365 Ragged right, defined, 362 Roberson, Roger, 342 364 Rule, defined, 363 Signature Ragged left, defined, 362 Rococo era, 61, 63–64 Script fonts, uppercase defined, 365 Run-around, defined, 364 paper sections, 230 Raised cap Rogers, Bruce, 170 and lowercase, 188 defined, 362 Running hand, 142 Script Signer, defined, 365 page layout Rolled fold, See Barrel fold Running head defined, 364 Silhouette, defined, 365 considerations, 246 defined, 363 defined, 364 typefaces, 57, 174 Simple fold, defined, 365 Ranging figure, defined, Romain du Roi font, 63, 65, page layout Scrolls, 27, 364 362 66, 363 considerations, 237

index.indd 391 6/24/2005 10:09:49 AM 392 A TYPOGRAPHIC WORKBOOK

Sinaitic Script, defined, Square brackets , defined, 366 Type alignment, 157–159, 365 quotations, 210 Szujewska, Laurie, 174 defined, 367 187 Single quotation mark, use use of, 207 use of, 209 Type classification, of, 208 Square capitals, 142 font, defined, 268 Sink, defined, 365 Square serif, defined, 365 T 339 Typeface(s). See also , 71 Square serif typefaces, Table Times New Roman Fonts; specific fonts definition, 365 172–173 defined, 366 typeface, 96, 171 and typefaces page layout defined, 145, 368 letterforms, 151 Squeeze, defined, 365 Times Roman typeface, 171 typefaces, 172–173 considerations, 239 design, 145–146 Stalin, Josef, 86, 95 Times typeface, 95, developmental timeline, Slash Tabloid, defined, 367 198–203 24–25, 44–45, 62, 84 Stan, Tony, 173, 252, 267, definition, 365 font, 133 Tinker, Miles, 185, 187 early, 50 use of, 208 285 weights, 146–147 Tails, letterforms, 150, 367 Tip-in, defined, 367 Slimbach, Robert, 135, 153, Stand-up cap, page layout Type family, defined, 145, Tankard, Jeremy, 175 171, 172, 174, 321, 325, considerations, 246 Title page, defined, 367 368 378 Target Stand-up Initial, See stand- , defined, 367 Type Founders Garamond, defined, 367 , defined, 365 up cap 170 font selection, 215–216 TOC, defined, 367 Slye, Christopher, 174, 325 Steam engine, 65, 69 Type height, 64, 65 Tegentonen font, 129 Tombola font, 73 , 148–149, 365 Stempel Kabel font, 85 Type high, 368 Telegraph, 77 Tool making, 4 Snell Roundhand typeface, Stem stroke, letterforms, Type identification and Television, 96 Tory, Geofroy, 52, 56, 170, 174 149 378 classification, 167–182 Soffici, Ardengo, 85 Stone, Sumner, 173, 338 Type measurement, attributes, 367 TR, defined, 367 142–144 Soft hyphen, use of, 208 Stone chromolithography defined, 367 Tracking, defined, 154, 367 printing, 72 letterforms, 151 Type size Sources, descriptive ’s column (Rome), 25, defined, 368 framework, defined, Stone Informal font, 173 Text 26, 141 compositional 365 Stress, letters, 28 defined, 367 Transitional Old Style font, importance, 218 type arrangement, Southward, John, 168, 169, Stroke, letterforms, 171–172 378 195–197 Type specification, 105 149–150 Transitional Style weight (paper) defined, Type 3 font, 137 Souvenir Light font, 336 Subheads, page layout 367 defined, 367 considerations, 237 type, 66 Typewriter, 71–72, 102, 368 Soviet Union, Textura Constructivism, 92 Subscript, 148–149, 366 defined, 367 Traveller font, 129 Typo, defined, 368 Spacing Sumerian cuneiform, 8–10, style, 23, 82, 168 Triangle, typeface design, Typography, 1 compositional 141 Texture, compositional 145–146 defined, 3, 368 importance, 217 importance, 218, 222 font selection, 216 Supercalendered paper, Triplex font, 127 Typographic personality, 216–217, 221 punctuation, 205 231 Thermal bubble jet Triumphal arches, Roman, technology, 126 Spacing type, display sizes, Superscript, 148–149, 366 24–26 159–162 Suprematism, 83, 92, 366 Thibaudeau, Francis, 168, Trixie font, 130 169, 378 U Speckter, Martin K., 187, Surrealism, 78, 366 Troy typeface, 79 U&lc 206 , defined, 367 Swashes, letterforms, TrueType defined, 368 Spiece, Jim, 175 152–153, 366 Thompson, Bradbury, 96 defined, 368 newsletter, 115, 269, 368 Spiekerman, Erik, 173 Swiss style, 236 Three Islands Press, 258 font, 133, 136 Umbra typeface, 175 Spine, letterforms, 150, Syllable, 1 Thumbnail, defined, 367 Truman, Harry S., 96 365 defined, 366 Ticket envelope, defined, Trump, Georg, 299 Uncalendered paper, 231 Spur, defined, 365 Syllables, cuneiform 367 Ts’ai Lun, 36, 376 Uncia, defined, 368 writing, 9 Spur serif, letterforms, 151 Tied letters, defined, 367 Tschichold, Jan, 93, 170, Uncial defined, 368 Square, typeface design, Symbol identification, font Tight-not-touching (TNT) 335, 378 design characteristics, lettering, 28, 30, 32, 50, 145–146 approach, 154 Twombly, Carol, 131, 135, 141, 142 187 174, 175, 325, 329, 378

index.indd 392 6/24/2005 10:09:50 AM C O L O P H O N 3 9 3

Uncoated Verbal communication. See Oral Washout font, 340 Writing systems defined, 368 communication Watermark, defined, 369 early, 5 paper, 231 font, 133 ideograph, 7–8 Watermarks, papermaking, 37 pictograph-based, 5–7 Verso Wedge serif, letterforms, 151 defined, 368 defined, 369 WYSIWYG, defined, 369 use of, 209 page, 28, 29 Weight of character compositional importance, Uniform proportions, font design Vertex, defined, 369 characteristics, 187 217–218 X defined, 369 X-height 57 font, 379 defined, 369 font styles, 145 defined, 370 Universal font, 126–127 use of, 209 typeface design, 146–147 font design characteristics, Universal type, 91 Vertically stacked text, Weight (paper) defined, 369 187 compositional importance, type measurement, 144 Univers fonts, 112, 113, 174 Weingart, Wolfgang, 118–119, 379 224–225 x-height line, defined, 370 Universities, 37, 43 Weisert, Otto, 175, 255 Vertical proportions, typeface Updike, D. B., 168 design, 145 Wells, Darius, 70, 379 Uppercase letters, 141–142 Vertical spacing, letterforms, We Love Your font, 130, 131 Y defined, 368 156–157 West font, 173 Young readers, 184–185 letterform proportions, 188–190 Vertices, letterforms, 152 WF, defined, 369 mixed uppercase and Victorian era, 72–73, 81, 87, 369 Whitlock, Vince, 249, 334 Z lowercase versus, 30 Victorian typeface, 175 uncials, 30 Whitney, Eli, 65 Zapf, Hermann, 113, 170, 308, 319, Victoria (queen of England), 72 330, 331, 342, 379 Uppercase numerals, 148–149, Wide Latin font, 381 368 Vikings, 32–33 Widows, 211–212, 369 Zapf Chancery font, 342 Utopia typeface, 95 Vinca (Old European) language, Width of character, font styles, Zebrawood typeface, 175 11 145, 369 V Vinci, Leonardo da, 54, 369 Wiesbaden Swing typeface, 174 Value Virgil, 66 Wilhelm Klingspor Gotisch font, background value, color, and Virgule, 210–211, 369 85 contrast, 197–205 compositional importance, Visigoths, 27, 29, 379 Williams, Adrian, 187 218, 222 Vitebsk school, 92 Willson, Brian, 256 van Blokland, Erik, 130–131, 139, Vivaldi, Antonio Lucio, 61 Window envelope, 235, 369 378 Vkhutemas school, 92 Wolf, Rudolph, 173 Vandals, 29, 378 Vortex font, 129 Wood type, 70, 81, 156, 370 VanderLans, Rudy, 123, 124, 127, 379 Vox system, 168, 369 Word processing software, copy fitting, 102 Van de Velde, Henry, 90, 379 Voynich, Wilfred M., 11 Word space, defined, 155–156, Voynich Manuscript, 11–12 Van Doesburg, Theo (Christian 370 Emil Marie Küpper), 91, 92, 379 Word-space letterforms, Celtic lettering, 29 van Rossum, Just, 130, 131, 139, W 379 Waist line, defined, 369 Word spacing, 191–195 Variex font, 127 Wait, Martin, 152, 258 World War I, 86 Vector graphicd, defined, 368 Walker typeface, 132 World War II, 95–96 Vellum, defined, 369 Wallet flap Wove (paper) defined, 370 defined, 369 Veljovic, Jovica, 174 Wrap-around, defined, 370 envelope, 235 Venetian category, 168 Wright Brothers, 77 Wang, Min, 326 Venetian Old Style Warnock, John, 133, 379 defined, 369 font, 169–170 Wasco, Jim, 326

index.indd 393 6/24/2005 10:09:50 AM Colophon

All Chapters Captions: 7/11 News Gothic Medium Key Concepts: 8/12 News Gothic Medium Key Players: 8/12 News Gothic Medium Sidebars: 9/13 News Gothic Medium Subheads: 10/14 News Gothic Bold

Chapter 1: 10/14 Bodoni Chapter 2: 10/14 Adobe Garamond Pro Chapter 3: 9/14 New Century Schoolbook Chapter 4: 10/14 ITC New Baskerville Chapter 5: 10/14 Gill Sans Light Chapter 6: 9/13 ITC Fenice Chapter 7: 10/14 Adobe Myriad Pro Chapter 8: 10/14 ITC Officina Serif Book Chapter 9: 10/14 Pro Chapter 10: 13/14 Sassoon One Chapter 11: 9/14 ITC Stone Sans Medium Chapter 12: 10/14 Adobe Chaparral Pro Appendix A: Various as shown Appendix B: 8/11 ITC Franklin Gothic Medium Appendix C: 8/11 ITC Clearface Credits: 7/8.4 Lucida Roman Bibliography: 7/8.4 Lucida Roman Index: 8/9.6 Univers 57 Condensed Colophon: 9/10.8 City BQ

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