The French Communist Party and the Algerian

Total Page:16

File Type:pdf, Size:1020Kb

The French Communist Party and the Algerian THE FRENCH COMMUNIST PARTY AND THE ALGERIAN WAR Also by Daniele Joly IMMIGRANT ASSOCIATIONS IN EUROPE (editor with John Rex and Czarina Witpert) RELUCTANT HOSTS: EUROPE AND ITS REFUGEES (editor with Rnbin Cohen) The French COlDlDunist Party and the Algerian War Daniele J oly Senior Research Fellow University of Warwick Palgrave Macmillan ISBN 978-1-349-21289-7 ISBN 978-1-349-21287-3 (eBook) DOI 10.1007/978-1-349-21287-3 All rights reserved. For information, write: Scholarly and Reference Division, St. Martin's Press, Inc., 175 Fifth Avenue, New York, N.Y. 10010 Softcover reprint of the hardcover 1st edition 1991 First published in the United States of America in 1991 Phototypeset by Input Typesetting Ltd, London Library of Congress Cataloging-in-Publication Data Joly, Daniele The French Communist Party and the Algerian War/Daniele Joly. p. em. Includes bibliographical references. ISBN 978-0-312-04211-0 I. Algeria-History-Revolution, 1954--1962-Public opinion. 2. Parti communiste fran<;;ais. 3. Communists-France-Attitudes. 4. Public opinion-France. I. Title. DT295.J63 1991 90-34612 965' .04-dc20 CIP Contents Glossary vi Preface IX Acknowledgements xiv Introduction xv Algeria under French Colonisation 1 2 The PCF and the Colonial Question: A Historical Perspective 20 3 The PCF, the International Situation and the Algerian War 42 4 The French Nation 55 5 The PCF and the Algerian Nation 68 6 France's Military Involvement in Algeria: The PCF and the Oppositionnels 100 7 Synthesis on the Opposition 130 Conclusion Notes and References 149 Bibliography 165 Index 176 v Glossary VOCABULARY Appeles The French army is composed of conscripts and professionals. The conscripts are called up for their national service, hence their designation as 'appeICs'; they may be recalled for a further period of service after they have completed their time, they are then 'rappelis'. The 'Movement des appeles et rappeles' was a protest movement among conscripts against being sent to fight in North Africa in 1955 and 1956. Arab-Berber The Algerian population prior to the French colonisation was mainly composed of Arabs and Berbers who as one group are called Arab­ Berbers. This term is preferable to the term Algerians, which leads to confusion as it could be taken to include the settlers. Another word was sometimes used to designate Arab-Berbers: les Musulmans, as most of them were Muslims. Autochtone Native of the territory. This was the name given to the deput­ ies from the empire in the National Assembly in 1946: Ie groupe autochtone. This term is also sometimes used instead of indigene, which had become derogatory in the colonies. Code de l'indigenat See indigene. Le contingent This is the collective noun to designate all the conscripts serving in the army to fulfil their obligation to national service. Indigene Literally translated as 'native'; the term assumed a specific sig­ nificance in French colonies as it implied a legal status. The indigenes did not benefit from the same jurisdiction as the French citizens. They were far from enjoying the same rights, and were treated under a special code (in Algeria since 1881), Ie code de I'indigenat, which restricted and controlled all aspects of the life and activities of the indigenes. Infringements of this code, entailing various punishments (fines, gaol sentences), included 'offending words' against any representative of the authorities, travelling without authorisation, or holding a public meal without authorisation, etc. Insoumis, insoumission The insoumis was the soldier who refused to go and fight in Algeria, performing the act of insoumission. The movement as a whole was sometimes called Ie refus. Muslim See Arab-Berber. Mouvement des appeles et rappeles See appelis. Oppositionnels Members of the PCF who criticised its policies in one or several points, sufficiently consistently or strongly to have become notice­ able as an opposition force within the Party. The term came to have a clear meaning during the Algerian war. Rappeles See appeles. Ultras The ultras were ultra-colonialists in Algiers, extreme right-wing set­ tlers who wanted to keep Algeria French at all costs. VI Glossary Vll MAIN ORGANISATIONS AND THEIR LEADERS Association des Oulema See oulema. Association des Amis du Manifeste et de la liberte See Ferhat Abbas. eRUA See FLN. ENA See Messali Hadj. Federation des Elus See Ferhat Abbas. Ferhat Abbas Born in Taher (1899), doctorate in Pharmacy, President of the Association des Etudiants Musulmans d'Afrique du Nord (AEMAN), 1924--9). He founded in 1927, together with Dr Bendjelloul the Federation des Elus Indigenes. He was at first a supporter of assimilation. During the Second World War he wrote the Manifeste du Peuple algerien, which was signed by 56 Muslim notables and was presented to the French authorit­ ies (a programme of reforms rejecting assimilation). He founded the Associ­ ation des Amis du Manifeste et de la Liberte (1944), banned in 1945. Arrested in the aftermath of the May 1945 events, he founded the Union Democratique du Manifeste algerien (UDMA) in 1946. He joined the FLN (May/June 1955). He became the first president of the Gouvernement Provisoire de la Republique algerienne (GPRA) in 1958 and president of the Constituent Assembly after independence in 1963. FLN The Front de Liberation Nationale was founded as a result of a crisis within the Mouvement pour Ie Triomphe des Libertes Democratique (MTLD), which split into Messali Hadj's followers and the 'Centralistes', supporters of the Central Committee (1954). A third organisation was also created, the Comite revolutionnaire d'Unite et d'Action (CRUA). It was led by nine MTLD members, most of whom had participated in the Organisation Speciale (OS), a para-military organisation founded by the MTLD (1947-8). They decided to prepare the insurrection and set up the Armee de Liberation Nationale (ALN). They proclaimed the creation of the Front de Liberation Nationale (FLN). Messali Hadj Born in May 1898 in Tlemcen, Messali Hadj emigrated to France in 1923 and worked in various factories including Renault. He joined the PCF which he left to take over the leadership of the Etoile Nord Africaine (ENA) in June 1926. After the ENA was banned, Messali founded the Parti du Peuple algerien (PPA) in March 1937. Arrested several times and exiled in Brazzaville (Equatorial Africa), he returned to Algeria to create the Mouvement pour Ie Triomphe des Libertes Democra­ tiques (MTLD) after the PPA was banned (1945). He never accepted the leadership of the FLN and created the Mouvement National Algerien (MNA) at the end of 1954. MNA See Messali Hadj. MTLD See Messali Hadj. Oulema Literally, the word means learned men of the faith (singular, alim). An association of oulema was formed in 1931, with the aim of preserving viii Glossary Islam, the Arabic language and Algeria against French colonialism. Sheikh Ben Badis was one of their leaders. Tewfik El Madani became the general secretary of the association. PP A See Messali Hadj. Sheikh Ben Badis See oulema. Tewfik EI Madani See oulema. UDMA See Ferhat Abbas. Preface The general aim of this work is to evaluate the evolution of peF policies towards the question of Algeria during the Algerian war. The more specific object of the research will be the 'debate' on Algeria within the peF, or, to be more accur­ ate, the divergences between the Party's official political line and a possible 'opposition'. The corpus of the study was relatively easy to circumscribe, at least with respect to the official position of the peF. There is abundant literature to choose from and a vast range of Party publications have been reviewed, starting with Party congresses which crystallise the programme of the peF. Other publi­ cations were also studied: among the main ones, I'Humaniti, which is read by the largest number of members and sympath­ isers; more theoretical publications such as the Cahiers du Com­ munisme, Economie et Politique and Nouvelle Critique, which have a more limited circulation, and France Nouvelle, mainly read by Party members. I also surveyed the speeches of peF members in the National Assembly and occasional publications such as pamphlets, course texts and books. The problem encountered was much greater when I attempted to investigate the debate within the Party, as the peF still preserved organisational principles dating back to its creation, inspired by Lenin's Party of a new type. l According to this model, any debate must take place strictly inside the Party through the correct channels permitted by democratic centralism;2 this rules out factions and forbids the voicing of differences outside the Party. The official position, agreed upon by the highest echelons of the Party, its congress, is the only one to be known to the public and must be defended by all the Party members, even if they have or have had any reser­ vations on it, or frankly disagreed. The monolithic nature of the organisation as described above makes it plain that the expression of divergences or disagreements will be difficult to locate. These may nevertheless be gathered from varied sources. Prior to each congress, a forum is opened in I'Humaniti, the Tribune de Discussion, for the publication of letters on the IX x Priface proposed congress theses. The debate is then officially allowed in the open though in practice limited, because the editorial board carefully selects these letters. On the whole they present a mild version of the criticisms that may be expressed within the Party and an immediate answer to these letters is often provided on the same page, through another letter, or a state­ ment by a PCF official. Sometimes official answers and expla­ nations on a point of policy reveal the existence of substantial criticisms on the issue.
Recommended publications
  • Cloud Fonts in Microsoft Office
    APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ
    [Show full text]
  • The Example of the Algerian War
    L2 Journal, Volume 4 (2012), pp. 83-101 Teaching Difficult Topics: The Example of the Algerian War ELIZABETH KNUTSON United States Naval Academy E-mail: [email protected] While history as critical discourse differs importantly from the more subjective narratives of collective memory, even historians vary in their accounts and analyses of past events. This article argues for the need to include a spectrum of voices and text types when teaching history in the context of foreign language study, taking the example of “official stories,” collective memories, and historical accounts of the Algerian War of 1954-62. In addition to presenting varied views and text genres, the argument is made for the importance of teaching the controversies that arise around difficult topics, even many years after the fact. Teaching different sides of a difficult story and its unresolved conflicts is a form of realism that respects students’ intelligence and fosters their self-awareness as cultural subjects. Examples of a multiple perspectives approach are drawn from two textbooks published in France, with additional suggestions for classroom materials and activities at various instructional levels. _______________ INTRODUCTION In the words of Fréderic Abécassis, co-author of Pour une histoire franco-algérienne, “l’histoire est polyphonique” [history is polyphonic] (cited by Nuyten 2010, p. 57). While history as critical, reflective discourse differs importantly from the more subjective narratives of collective memory, which reflect the perspective of a particular group (Wertsch, p. 127), even historians themselves vary in their accounts and analyses of past events. This paper argues for the need to include a spectrum of voices and text types when teaching difficult historical topics in the context of foreign language study.
    [Show full text]
  • TEX Support for the Fontsite 500 Cd 30 May 2003 · Version 1.1
    TEX support for the FontSite 500 cd 30 May 2003 · Version 1.1 Christopher League Here is how much of TeX’s memory you used: 3474 strings out of 12477 34936 string characters out of 89681 55201 words of memory out of 263001 3098 multiletter control sequences out of 10000+0 1137577 words of font info for 1647 fonts, out of 2000000 for 2000 Copyright © 2002 Christopher League [email protected] Permission is granted to make and distribute verbatim copies of this manual provided the copyright notice and this permission notice are preserved on all copies. The FontSite and The FontSite 500 cd are trademarks of Title Wave Studios, 3841 Fourth Avenue, Suite 126, San Diego, ca 92103. i Table of Contents 1 Copying ........................................ 1 2 Announcing .................................... 2 User-visible changes ..................................... 3 3 Installing....................................... 5 3.1 Find a suitable texmf tree............................. 5 3.2 Copy files into the tree .............................. 5 3.3 Tell drivers how to use the fonts ...................... 6 3.4 Test your installation ................................ 7 3.5 Other applications .................................. 8 3.6 Notes for Windows users ............................ 9 3.7 Notes for Mac users................................. 9 4 Using ......................................... 10 4.1 With TeX ........................................ 10 4.2 Accessing expert sets ............................... 11 4.3 Using CombiNumerals ............................
    [Show full text]
  • The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason Timothy Scott Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1424 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE FRENCH REVOLUTION IN THE FRENCH-ALGERIAN WAR (1954-1962): HISTORICAL ANALOGY AND THE LIMITS OF FRENCH HISTORICAL REASON By Timothy Scott Johnson A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 TIMOTHY SCOTT JOHNSON All Rights Reserved ii The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason by Timothy Scott Johnson This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Richard Wolin, Distinguished Professor of History, The Graduate Center, CUNY _______________________ _______________________________________________ Date Chair of Examining Committee _______________________
    [Show full text]
  • RHYTHM TYPOLOGY: ACOUSTIC and PERCEPTIVE STUDIES Paolo Mairano
    RHYTHM TYPOLOGY: ACOUSTIC AND PERCEPTIVE STUDIES Paolo Mairano To cite this version: Paolo Mairano. RHYTHM TYPOLOGY: ACOUSTIC AND PERCEPTIVE STUDIES. Linguistics. Università degli studi di Torino, 2011. English. tel-00654261 HAL Id: tel-00654261 https://tel.archives-ouvertes.fr/tel-00654261 Submitted on 21 Dec 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Università degli Studi di Torino Dipartimento di Scienze Letterarie e Filologiche Scuola di Dottorato in Studi euro-asiatici: indologia, linguistica, onomastica Curriculum in Linguistica, Linguistica Applicata e Ingegneria Linguistica XXIII ciclo RHYTHM TYPOLOGY: ACOUSTIC AND PERCEPTIVE STUDIES Tesi presentata da: Paolo Mairano Tutor: Antonio Romano Coordinatore della scuola di dottorato: Alda Rossebastiano Coordinatore del curriculum: Carla Marello Anni accademici: 2007-2008 / 2008-2009 / 2009-2010 Settore scientifico-disciplinare di afferenza: L-LIN/01 Table of contents Acknowledgments................................................................................................... 6 1.
    [Show full text]
  • Quick Reference Booklet 11 August 2020
    Quick Reference Booklet 11 August 2020 QR Summary of Changes, 11 August 2020 Summary of Changes, 11 August 2020 This document reflects updates effective since the 15 October 2019 version. Table 1: Descriptions of Changes Description of Change Where to Look Chapter 3—Card Acceptor Business Codes Card Acceptor Business (CAB) Programs and (MCCs) Descriptions Updated country-specific CAB program to include Throughout AUS4, Australia transit 4. Added Macedonia to MCC 9406. MCC 9406—Government-owned Lottery (Specific Countries) Added MCC 9406 Government-owned Lottery Card Acceptor Business Codes (MCCs)— (Specific Countries) to All Transaction Category Transaction Category Codes Codes. Removed vending machines from MCC 5499. MCC 5499—Miscellaneous Food Stores— Convenience Stores, Markets, Specialty Stores Added P for MCC 9399 and MCC 7800. Removed Card Acceptor Business Codes (MCCs)— note in MCC Description. Abbreviated Removed sentence: “This MCC may also be used MCC 9399—Government Services—not to identify U.S. state lottery ticket sales by elsewhere classified merchants properly registered with Mastercard as set forth in section 9.4.5 of the Security Rules and Proceduresmanual.” Added MCC—Electric Vehicle Charging. MCC 5552—Electric Vehicle Charging Added Card Acceptor Business Segment codes for Card Acceptor Business (CAB) Programs and Uruguay. Descriptions Added Card Acceptor Business program, MON2, Throughout to MCC 4829 and MCC 6540. Added 2021 holiday schedule Holiday Processing Schedule ©1990–©2020 Mastercard. Proprietary. All rights reserved. Quick Reference Booklet • 11 August 2020 2 Contents Contents Summary of Changes, 11 August 2020.............................................................2 Chapter 1: Holiday Processing Schedule........................................................ 12 Overview Settlement U.S. Dollar Holiday Schedule............................................................13 Settlement Holidays........................................................................................................
    [Show full text]
  • Standard Fonts List Used for Poster Creation
    Standard Fonts List used for Poster Creation Please use any of the fonts listed below when designing your poster. These are the standard fonts. Failure to comply with using a standard font, will result in your poster not printing correctly. 13 Misa Arial Rounded MT Bold Bodoni MT 2 Tech Arial Unicode MS Bodoni MT Black 39 Smooth Arno Pro Bodoni MT Condensed 4 My Lover Arno Pro Caption Bodoni Poster MT Poster Compressed Abadi Condensed Light Arno Pro Display Book Antiqua ABCTech Bodoni Cactus Arno Pro Light Display Bookman Old Style ABSOLOM Arno Pro Smdb Bookshelf Symbol 7 Adobe Calson Pro Arno Pro Smdb Caption Bradley Hand ITC Adobe Calson Pro Bold Arno Pro Smdb Display Britannic Bold Adobe Fangsong Std R Arno Pro Smdb SmText Broadway Adobe Garamond Pro Arno Pro Smdb Subhead Brush Script MT Adobe Garamond Pro Bold Arno Pro SmTest Brush Script Std Adobe Heiti Std R Arno Pro Subhead Calibri Adobe Kaiti Std R Baskerville Old Face Californian FB Adobe Ming Std L Bauhous 93 Calisto MT Adobe Myungjo Std M Bell Gothic Std Black Cambria Adobe Song Std L Bell Gothic Std Light Cambria Math Agency FB Bell MT Candara Albertus Extra Bold Berlin Sans FB Castellar Albertus Medium Berlin Sans FB Demi Centaur Algerian Bernard MT Condensed Century AlphabetTrain Bickham Script Pro Regular Century Gothic Antique Olive Bickham Script Pro Semibold Century Schoolbook Arial Birch Std CG Omega Arial Black Blackadder ITC CG Times Arial Narrow Blackoak Std 1 Standard Fonts List used for Poster Creation Please use any of the fonts listed below when designing your poster.
    [Show full text]
  • Best Font Style to Use for Resume
    Best Font Style To Use For Resume acridUnrepugnant Ruben gripes Brandy glissando. singularizing Dieter that is ideographsfree-and-easy: aims she shakily bestriding and alkalifies depreciatingly tenaciously. and begirding Oncogenic her Tylerdiversion. chimneyed some bands after Pick one font for your capture and section headings and another, complementary font for the rest alongside your content, Yurovsky says. Our default font but today is professional resume best font to use for style, interests section titles of hiring professionals. Corporate brand logos often use Helvetica. PDF files, MS Word documents, text files, parsing software, etc. My resume because now one old long, the three. The first application, who have to use font to for best style resume builder and do have to? Pairing fonts together which help desk cover letter like resume on shine. It a hard to best font to use for resume style, noting that you! Serif has traditionally been often most recommended font family for creating resumes. Arial: A popular and warm choice only a modern sans serif font, Arial is applauded for clean lines and good legibility. The lines in Arial are cleaner and straighter, with no tails. As with font type, the rod here by for get resume still be readable. They even cause scanning software often make errors and talk your resume. Then police might want to scorn it. By war looking again it on paper, you may i able to request it event at precious glance. Atque ipsum quas quis repellat voluptate. They sink that rule most professional font for resume states itself nor a unique, authoritative and modern tool for benefiting an outline.
    [Show full text]
  • Free Victorian Style Typefaces
    Free victorian style typefaces Instant downloads for free victorian fonts. For you professionals, 49 are % free for commercial-use!​Free victorian Fonts · ​Victorian Parlor · ​Hustlers Rough Demo. Download these Free Fonts to match your Vintage Designs. We've selected the best fonts inspired by the 's and Victorian era. 1 Aka Posse 2 Ifc Insane. Find and save ideas about Victorian fonts on Pinterest. | See more ideas about Types of font styles, What this font and Free letterhead design. We have free vintage fonts to offer for direct downloading · Fonts is your favorite site for free fonts since ​Headlines · ​Team Spirit NF Font · ​Calligraphy · ​Cursive. As you'll see, some of the retro and vintage fonts are free for personal use but an all-caps vintage- style custom typeface that works particularly well for vintage. vintage retro authentic fonts era victorian victoriana 19th century de vinne Inspired by Didot-style typefaces, Soria font features teardrop serifs and curved bridges that are You can download the Italic weight for free here. In this post, we've rounded up 30 excellent retro and vintage fonts that you can use in your designs. from a 's look all the way up to the retro typography style of the 50's. Brandon Grotesque Regular (free until April 15). Script > CalligraphyPW Gothic is available to download for Windows & MAC OS X. Great Victorian Standard by Flat it type foundryFreeware. Vintage and retro style designs can be a beautiful thing. By using a combination of rough textures, grunge patterns and brushes meant to add an aged or used.
    [Show full text]
  • E-Learning Practice, EDEN Annual Conference 2007
    CASES ON CHALLENGES FACING E-LEARNING AND NATIONAL DEVELOPMENT: Institutional Studies and Practices VOLUME: I Editor Ugur DEMIRAY Co-Editors Leena VAINIO Mehmet Can SAHIN Gulsun KURUBACAK Petri T. LOUNASKORPI S. Raja RAO Carlos MACHADO Anadolu University-2010 Eskisehir-Turkey Electronic ISBN 978-975-98590-8-4 (1.c) 978-975-98590-7-7 (tk.) Cover Design by: Atila Ozer Page Design by: Ahmet Kirez Web Master: Erdinc Ergün © Ugur Demiray-2010 BIODATA OF THE EDITORS Prof. Dr. Ugur DEMIRAY, Anadolu University, Turkey Ugur DEMIRAY is Professor of Communication Teaching in the School of Communication Sciences of Anadolu University, Eskisehir, Turkey He holds Undergraduate B.A. in 1981. And also Ph.D. degree completed at Anadolu University, in May 1986. His researches are dealt with distance education application of Anadolu University, Ministry of Education and by other universities in Turkey. His researches on Communicational gaps of distance education students with their institution, also interest also lies towards the profile of DE students, and relationship of graduates and job market in Turkey. He is also interested about changing of ethical behaviors around the world by inserting technological developments to the educational field especially Distance education applications on marketing of distance education programmes and e-learning. In addition, his studies are focused on Distance Education field and scholarly online journalism especially on DE. He has an extensive experience publishing e-journal on distance education internationally under the patronage Anadolu University since 10 years, named, TOJDE-Turkish Online Journal for Distance Education. TOJDE is a peer-reviewed quarterly e-journal. He is also an editor, consultant editor, reviewer for more than 15 international journals which are deal with distance education and educational technology.
    [Show full text]
  • Algeria's Constitution of 1989, Reinstated in 1996, with Amendments Through 2016
    PDF generated: 26 Aug 2021, 16:54 constituteproject.org Algeria's Constitution of 1989, Reinstated in 1996, with Amendments through 2016 Historical This complete constitution has been generated from excerpts of texts from the repository of the Comparative Constitutions Project, and distributed on constituteproject.org. constituteproject.org PDF generated: 26 Aug 2021, 16:54 Table of contents Preamble . 3 Title 1: THE GENERAL PRINCIPLES GOVERNING THE ALGERIAN SOCIETY . 5 CHAPTER I: Algeria . 5 CHAPTER II: The People . 6 CHAPTER III: The State . 7 CHAPTER IV: Rights and Freedoms . 9 CHAPTER V: Duties . 16 Title 2: ORGANISATION OF POWERS . 18 CHAPTER I: The Executive Power . 18 CHAPTER II: The Legislative Power . 25 CHAPTER III: The Judicial Power . 35 Title 3: SUPERVISION, ELECTIONS OBSERVATION AND CONSULTATIVE INSTITUTIONS . 38 CHAPTER I: Supervision . 38 CHAPTER II: Elections Observation . 41 CHAPTER III: Consultative Institutions . 42 Title 4: ON CONSTITUTIONAL AMENDMENT . 44 TRANSITORY PROVISIONS . 45 Algeria 1989 (reinst. 1996, rev. 2016) Page 2 constituteproject.org PDF generated: 26 Aug 2021, 16:54 • Source of constitutional authority • Motives for writing constitution Preamble • Preamble • Reference to country's history The Algerian people are a free people; and they are resolved to remain so. Stretching back over thousands of years, their history is marked by a progression of exertion and struggle that has turned Algeria into an everlasting seedbed of freedom and a land of glory and dignity. Ever since the Numidian era and the Islamic Conquest, and up until the wars of liberation against colonialism, Algeria has always known at the epic moments witnessed in the Mediterranean basin how to find amongst her children pioneers of freedom, unity and progress, as well as builders of prosperous democratic states throughout the epochs of grandeur and peace.
    [Show full text]
  • Twelve New Fonts Inspired by London
    NEW FOUNDRY — TYPE WITH A LONDON AXIS LONDONTYPE.CO.UK Twelve new fonts inspired by London LONDON TYPE.CO.UK “The London Type Foundry release new fonts infused with creativity, innovation, heritage, tolerance, fun and cultural diversity — they are all inspired by LONDON.” Glyphs from London Hoxton Square: a brand new font by Paul Harpin, where every character sits in a square or half square (see page 22). LONDONTYPE.CO.UK This page: LDN Mixed Minimum LDN Mixed Medium LDN Mixed Maximum 36/44pt ranged left (see page 06). LONDON TYPE.CO.UK 03 London Modern ABCDE Fashion Regular London Modern is an ultra cool high contrast typeface ampersand, figures etc. It was working well, but when Beauty FGHIJK that works brilliantly at larger sizes on screen and in print. Paul Hickson helped with what I call the twiddly bits — Featuring distinctive ball terminals, feathery serifs and ultra incidentals — daggers, dots, dashes & details — it started, as fine strokes it is a classy, elegant didone-style headline font. they would say in the ’60s, to look fab. I start by designing Paul Harpin says “It was influenced by the fantastic the numbers and ampersand first, not the usual method LMNOPQ Travel magazines of London in the ’60s. I wanted to make a that type designers would use, and extend out from there". beautiful headline font with an extremely fine line for It was trialled by Mick Moore in the ‘Cool & Noteworthy’ brackets, arrows, mathematical symbols and an indulgent issue of the British Journal of Photography in January 2017. Arts RSTUVWX YZ London News Health & Fitness Gardening £$§!? ABCDEFGHIJKLMNOPQRSTUVWXYZ †‡€Þßœ Reviews abcdefghijklmnopqrstuvwxyz 1234567890 £$€¥ 1234567890{}[]() !?&¶@*“”®©™:; afg ÀÊÐØÜÝ Money 04 05 London Mixed Minimum LONDON A font to represent all the diverse nationalities that have half-serif versions.
    [Show full text]