DOCSLIB.ORG

Operalia” 2010 En Milán

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Operalia” 2010 En Milán CONCURSOS Concluyó “Operalia” 2010 en Milán por Charles H. Oppenheim l pasado 2 de mayo se realizó la femenil de Zarzuela “Pepita Embil” fue también para Rosa Feola. final del décimoctavo Concurso El premio del público, patrocinado por Rolex, fue nuevamente EMundial de Ópera “Operalia”, para Rosa Feola, en la categoría femenina, y para Stefan Pop en la en el Teatro alla Scala de Milán. categoría masculina. Ryan McKinny, bajo-barítono estadounidense de 29 años, ganó el Premio Birgit Nilsson, de $15 mil dólares; y Resultaron ganadores: en primer lugar, nuevamente Sonya Yoncheva se llevó $10 mil dólares adicionales la soprano búlgara Sonia Yoncheva, de por ganar el premio CulturArte. 28 años y el tenor rumano Stefan Pop (23), con $30 mil dólares cada uno; Este certamen mundial de ópera fue fundado por el tenor Plácido en segundo lugar, la soprano italiana Domingo en 1993 y tiene la finalidad de descubrir y apoyar a los Rosa Feola, de 23 años, y, empatados, mejores jóvenes cantantes de nuestra era. Su fin principal es atraer el tenor italiano Giordano Lucca (22) a cantantes de todos los rangos vocales y nacionalidades, para que y el bajo ucraniano Ievgen Orlov (26), sean escuchados por un pánel de jurados operísticos internacionales, con $20 mil dólares cada uno; y en en lo que se ha convertido en una de las competencias vocales más Plácido Domingo, tercer lugar, la soprano rusa Dinara importantes del mundo. fundador de Operalia Alieva (29) y el bajo sudcoreano Chae Jun Lim (28), con $10 mil dólares El concurso “Operalia” 2010 coincide con la celebración del 40 cada uno. aniversario del debut del tenor hispano-mexicano en La Scala de Milán, en Ernani, de Giuseppe Verdi, y con su presentación, 40 años El ganador del premio masculino de Zarzuela “Don Plácido Domingo” fue después, en el rol protagónico de Simon Boccanegra, del mismo el tenor estadounidense Nathaniel Peake (29), y la ganadora del premio compositor. o Los ganadores de ayer, las estrellas de hoy 1993 – París 1999 – Puerto Rico 2005 – Madrid Ainhoa Arteta, soprano, España Orlin Anastassov, bajo, Bulgaria Arturo Chacón Cruz, tenor, México Inva Mula, soprano, Albania Josef Calleja, tenor, Malta Joseph Kaiser, tenor, Canadá Nina Stemme, soprano, Suecia Giuseppe Filianoti, tenor, Italia Susana Philips, soprano, Rolando Villazón, tenor, México Estados Unidos 1994 – México José Cura, tenor, Argentina 2000 – Los Ángeles Isabel Bayarakdarian, soprano, Canadá 2006 – Valencia Maria Cecilia Díaz, mezzo-soprano, Sébastien Guèze, tenor, Francia Argentina He Hui, soprano, China Arnold Kocharyan, barítono, Armenia Maija Kovalevska, soprano, Latvia Daniil Shtoda, tenor, Rusia David Lomelí, tenor, Estados Unidos 1995 – Madrid Ailyn Pérez, soprano, Estados Unidos Elizabeth Futral, soprano, Estados Unidos 2001 – Washington Ana María Martínez, soprano, Estados Maya Dashuk, soprano, Rusia 2007 – París Unidos Valeriano Lanchas, bajo, Colombia David Bizic, bajo-barítono, Israel Carmen Oprisanu, mezzo-soprano, Lasha Nikabadze, tenor, Georgia Marco Caria, barítono, Italia Rumania 2002 – París Ekaterina Lekhina, soprano, Rusia Dimitra Theodossiou, soprano, Grecia Kate Aldrich, mezzo-soprano, Estados Olga Peretyatko, soprano, Rusia Unidos Dmytri Popov, tenor, Ucrania 1996 – Burdeos Stéphane Degout, barítono, France Tae Joong Yang, baritone, South Korea Nancy Herrera, soprano, España Maria Fontosh, soprano, Rusia John Osborn, tenor, Estados Unidos Carmen Giannattasio, soprano, Italia 2008 – Québec Lynette Tapia, soprano, Estados Unidos Elena Manistina, mezzo-soprano, Rusia María Katzarava, soprano, México Vittorio Vitelli, barítono, Italia Joel Prieto, tenor, España/Puerto Rico 2003 – Lago Constanza Thiago Arancam, tenor, Brazil 1997 – Tokio Jennifer Check, soprano, Estados Ketevan Kemoklidze, mezzo-soprano, Carla María Izzo, soprano, Italia Unidos Georgia Chang Yong Liao, barítono, China Adriana Damato, soprano, Italia Oksana Kramaryeva, soprano, Aquiles Machado, tenor, Venezuela Giuseppe Gipali, tenor, Albania Ucrania Israel Lozano, tenor, España 1998 – Hamburgo Joyce DiDonato, mezzo-soprano, 2004 – Los Ángeles 2009 – Budapest Estados Unidos Dmitry Korchak, tenor, Rusia Julia Novikova, soprano, Rusia Erwin Schrott, bajo-barítono, Uruguay Irina Lungu, soprano, Rusia Angel Blue, soprano, Estados Unidos Ludovic Tézier, barítono, Francia Woo Kyung Kim, tenor, Corea del Sur Jordan Bisch, bajo, Estados Unidos 50 pro ópera.
Load more

Recommended publications
  • Plácido Domingo – a Short Biography
    Plácido Domingo – a short biography Plácido Domingo was born in the Barrio de Salamanca district of Madrid on January 21, 1941. He is the son of Plácido Domingo Ferrer and Pepita Embil Echaníz, two Spanish Zarzuela performers, who nurtured his early musical abilities. Domingo's father, a violinist performing for opera and zarzuela orchestra, was half Catalan and half Aragonese, while his mother, an established singer, was a Basque. After moving to Mexico at the age of 8, Plácido Domingo went to Mexico City’s Conservatory of Music to study piano and conducting, but eventually was sidetracked into vocal training after his voice was discovered. The highly gifted singer had his first professional engagement as accompanist to his mother in a concert at Mérida, Yucatan, in 1957. He soon achieved great acclaim at international level. Challenged by cosmopolitan groups and new roles In 1961, Domingo made his operatic debut in a leading role as Alfredo in La Traviata at Monterrey. The performance of La Traviata included a baritone singing in Hungarian, a soprano in German, a tenor in Italian, and the chorus in Hebrew. Domingo credits this cosmopolitan group for improving his abilities in several languages. At the end of 1962, he signed a six month contract with the Israel National Opera in Tel Aviv but later extended the contract and stayed for two and a half years, singing in 280 performances and incorporating 12 different roles. Domingo has sung and continues to sing in every important Opera House in the world including the Metropolitan Opera in New York, Milan’s La Scala, the Vienna State Opera, London's Covent Garden, Paris' Bastille Opera, the San Francisco Opera, Chicago's Lyric Opera, the Washington National Opera, the Los Angeles Opera, the Teatro del Liceu in Barcelona, Teatro Colon in Buenos Aires, the Real in Madrid, and at the Bayreuth and Salzburg Festivals.
    [Show full text]
  • About the Exhibition Tenorissimo! Plácido Domingo in Vienna
    Tenorissimo! Plácido Domingo in Vienna May 17th, 2017 - January 8th, 2018 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 About the exhibition An unmistakable dark timbre, highly dramatic expressiveness, an impressive, vast repertoire – all this enraptures the fans of the Spanish crowd-pleaser with waves of enthusiasm. The Theatermuseum celebrates Plácido Domingo on the anniversary of his stage debut: He has been singing at the Vienna State Opera for 50 years. When the Tenor, then still considered as insider tip, made his debut at the State Opera in the title role of Verdi‘s Don Carlo, not only he took stage and cast in storm, but also the hearts of the Viennese audience – a true love relationship, unbroken till today. This performance contributed to an unparalleled career, taking him to the world‘s leading opera houses. Vienna has always been a very special “home port“ for the opera star. Here he performed 30 different roles in 300 shows and was awarded the title Austrian Kammersänger. The exhibition at the Theatermuseum documents the most important appearances of the “Tenorissimo“ in Vienna with original costumes and props, photographs and memorabilia, video and audio samples. The presentation portrays him also as baritone, the role fach on which he concentrated almost exclusively in the past 10 years, and refers to his activities as conductor, taking him regularly to the orchestra pit of the Vienna State Opera since the end of the 1970s. Without hesitation Plácido Domingo can be described as one of the most versatile, curious and longest serving representative of his musical genre.
    [Show full text]
  • Kathryn Lewek Soprano
    Kathryn Lewek Soprano Soprano Kathryn Lewek’s current and future engagements include KONSTANZE Die Entführung aus dem Serail and KÖNIGIN DER NACHT Die Zauberflöte Bayerische Staatsoper, KÖNIGIN DER NACHT Metropolitan Opera and Washington National Opera, EURYDICE Orphée aux enfers Salzburg Festival, OPHELIA Dean’s Hamlet Concertgebouw Amsterdam, LUCIA Lucia di Lammermoor Opéra de Nice, and a tour of Orlando (ANGELICA) with Il Pomo d’Oro to Madrid, Paris, Amsterdam and Verona. Most recently, she performed GINEVRA Ariodante Opéra de Monte-Carlo and Salzburg Festival, KONSTANZE Die Entführung aus dem Serail Deutsche Oper Berlin, TERESA Benvenuto Cellini Gran Teatre del Liceu, Barcelona, Maria Stuarda (title role) Edmonton Opera, KÖNIGIN DER NACHT Die Zauberflöte Lyric Opera of Chicago, Teatro Real Madrid, BBC Proms, Festival d’Aix-en-Provence, Teatro Real Madrid, Metropolitan Opera, Wiener Staatsoper, Welsh National Opera, Houston Grand Opera, Royal Danish Opera, Washington National Opera, English National Opera, Bregenz Festival and Opéra de Toulon, as well as JESSICA Tchaikovsky’s The Merchant of Venice, COLOMBE L’Hirondelle and NIGHTINGALE Le rossignol Bregenz Festival, CUNEGONDE Candide Glimmerglass Opera, ANGELICA Orlando Hobart Baroque (Tasmania), FAIRY GODMOTHER Cendrillon New Orleans Opera and LUCIA Lucia di Lammermoor Opera Carolina. In concert, she most recently performed Messiah Musica Sacra, Orff’s Carmina Burana Dallas Symphony and Bach’s Christmas Oratorio Orchestra Symphonique de Montreal. Ms. Lewek earned her Bachelors and Masters Degrees in Vocal Performance from the Eastman School of Music, where she was also awarded the Performance Certificate in Voice for her many successes upon the Eastman Theater stage. She was a double prize winner at the 2013 Operalia World Opera Competition Athole Still Artists Foresters Hall T 020 8771 5271 Company No.
    [Show full text]
  • Star Singers on Stage
    STAR SINGERS ON STAGE CONCERT TOUR 2017/18 CREATING AND MANAGING PRODUCTIONS WORLDWIDE GuliAnd Management is dedicated to all aspects of music performances from concerts to fully staged opera and operetta productions, special events, tours, broadcasts. The founders and partners of GuliAnd have been working together for many years. We have extensive international business network for the sake of successful productions. Our company is one of the most well-known producers of opera events with the new opera star generation in the industry. GuliAnd sets up and promotes individual concerts in theatres, arenas, stadiums and open air venues. In addition, we produce television programs as well as documentaries. It has been our great pleasure to present many colourful events with numerous internationally acknowledged artists in the past years. The PÉCS – PLÁCIDO DOMINGO CLASSICS festival was founded by the city of Pécs and GuliAnd Management in 2017. GuliAnd is registered in the United Kingdom and has an affiliated company in the United States as well as in Hungary. PÉCS2010 EUROPEAN CAPITAL OF CULTURE GuliAnd Management introduced a new tradition with the “Voices” in 2009. Photo© Kaori Suzuki PLÁCIDO DOMINGO’S OPERALIA THE WORLD OPERA COMPETITION hosted by the Astana Opera within the framework of the EXPO-2017 Future Energy programme and under the auspices of the Ministry of Culture and Sports of the Republic of kazakhstan, the 25th edition of the World Opera Competition, including its final, was one of the highlights of Astana’s cultural calendar this summer, held from 24-29 July. ARYSTANBEK MUKHAMEDIULY Minister of Culture and Sports of Kazakhstan BIG STANDING OVATIONS GuliAnd presents this regular events with Plácido Domingo’s Operalia, The World Opera Competition award winning singers at the United Kingdom, Austria, Hungary and Germany.
    [Show full text]
  • Media Release
    Media Release FOR IMMEDIATE RELEASE: July 27, 2021 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2021-2022 Season Opens with Three Intimate Concerts Stephanie Blythe in Concert Saturday, October 23, 2021 The Balboa Theatre Michelle Bradley in Concert Saturday, November 20, 2021 Sunday, November 21, 2021 (matinee) Baker-Baum Recital Hall at The Conrad Arturo Chacón-Cruz in Concert Friday, December 3, 2021 California Center for the Performing Arts The Conrad Prebys Foundation – 2021 Season Sponsor San Diego, CA – San Diego Opera’s safe return to indoor performances begins with three intimate concerts showcasing some of today’s most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises. 1 The Fall 2021 Season will begin an intimate recital with mezzo-soprano and operatic superstar Stephanie Blythe on Saturday, October 23, 2021 at 7:30 PM at The Balboa Theatre. Stephanie has created a concert entitled Johnny Mercer: America’s Lyricist. “This concert is a musical and historical look at the words and songs of Johnny Mercer and those who influenced and partnered with him, from the early years of Jazz, to Tin Pan Alley, and eventually, Hollywood,” shares Stephanie. “Mercer’s extraordinary abilities as a wordsmith and performer cannot be underestimated, as the songs and stories will tell you. Mercer was a born communicator, who had an innate understanding of how to connect with his audience- a perfect subject for a recital/cabaret, my absolute favorite kind of performance, one that establishes an easy, person to person connection with the audience through shared emotional experiences.” Stephanie Blythe made her Company debut in 2014’s A Masked Ball as Ulrica, sang in the Company’s Verdi Requiem that same year, and returned in recital later that fall for We’ll Meet Again: The Songs of Kate Smith.
    [Show full text]
  • Download Booklet
    557827 bk Arias US 23/09/2005 03:36pm Page 4 Prague Philharmonia The Prague Philharmonia was founded in 1994. The orchestra’s repertoire focuses on masterpieces of the Classical SOPRANO SONGS and Romantic periods as well as music of the twentieth century, including works by neglected composers, rarely- played pieces, and new works by contemporaryˆ composers. From the outset, the Prague Philharmonia’s Chief Conductor has been its founder Jiri Belohlávek. Kaspar Zehnder will take over as Chief Conductor from the AND ARIAS 2005/06 season. The Prague Philharmonia also collaborates with Principal Guest Conductor Michel Swierczewski and the young Czech conductor Jakub HrÛ‰a. Distinguished international soloists who have collaborated with the Prague Philharmonia include Martha Argerich, Yefim Bronfman, Andras Schiff, Elisabeth Leonskaya, Maria João O mio babbino caro • Vilja-Lied • Baïlèro Pires, Fazil Say, Gerhard Oppitz, Ivan Moravec, the Duo Labèque, Sarah Chang, Shlomo Mintz, Isabelle Faust, Ivan Îenat , Heinrich Schiff, Raphael Wallfisch, David Geringas, Jifií Bartá, José Cura and Jennifer Larmore. Distinguished guest conductors have included Christopher Hogwood, David Stern, Martin Turnovsk , Libor Pe‰ek, Ana María Martínez Tomás Hanu‰ and Leo‰ Svárovsk . The orchestra regularly collaborates with renowned Czech singers such as Magdalena KoÏená, Eva Urbanová, and Dagmar Pecková. The Prague Philharmonia appears at all the important Prague Philharmonia • Steven Mercurio Czech music festivals as well as at an increasingly large number of festivals throughout Europe. The orchestra has made over forty recordings for leading labels. The Prague Philharmonia operates with financial support from the Ministry of Culture of the Czech Republic, the City of Prague, its main partner CAC Leasing, a.s.
    [Show full text]
  • La Traviata Dido and Aeneas / Bluebeard's Castle Sondra
    La Traviata GIUSEPPE VERDI September 13 – 28, 2014 Production made possible by generous gifts from The Milan Panic Family and Barbara Augusta Teichert. Special underwriting support from Joyce and Aubrey Chernick. HENRY PURCELL / Dido and Aeneas / Bluebeard’s Castle BÉLA BARTÓK October 25 – November 15, 2014 Production made possible by the generous support of the Tarasenka Pankiv Fund (Tara Colburn). Support for the guest conductor provided by the Beatrix F. Padway and Nathaniel W. Finston Conductors Fund. Sondra Radvanovsky in Recital November 8, 2014 DANIEL CATÁN / Florencia en el Amazonas MARCELA FUENTES-BERAIN November 22 – December 20, 2014 Underwriting support from the Jane and Peter Hemmings Production Fund, a gift from the Flora L. Thornton Trust. Original production supported by Edward E. and Alicia Garcia Clark, an Anonymous Donor, AT&T, and Drs. Dennis and Susan Carlyle. THE FIGARO TRILOGY JOHN CORIGLIANO / The Ghosts of Versailles WILLIAM M. HOFFMAN February 7 – March 1, 2015 Production made possible in part by a generous gift from the Ann and Gordon Getty Foundation. T H E F I G A R O T R I L O G Y The Barber of Seville GIOACHINO ROSSINI February 28 – March 22, 2015 Production made possible by generous funding from The Seaver Endowment and from The Alfred and Claude Mann Fund, in honor of Plácido Domingo. Noah’s Flood BENJAMIN BRITTEN March 6 – 7, 2015, at the Cathedral of Our Lady of the Angels Production made possible with generous underwriting support from the Dan Murphy Foundation. T H E F I G A R O T R I L O G Y The Marriage of Figaro WOLFGANG AMADEUS MOZART March 21 – April 12, 2015 Production made possible by a generous gift from The Carol and Warner Henry Production Fund for Mozart Operas.
    [Show full text]
  • 6-Day-Inter:Maquetación 1.Qxd
    6 CULTURALES NOVIEMBRE 2016 > viernes 25 ENVIADA POR LA TV CUBANA CUBAVISIÓN Un día Plácido en La Habana 6:30 Buenos días 8:30 ¿Quién mató a Rosie Pedro de la Hoz porque usted puede haberme escu- Larsen? (cap. 11) 9:15 Telecine: Arma desnuda (II). EE.UU./comedia 11:00 USB 3.0 11:15 Los chado en discos y videos, pero en hombres también lloran (cap. 15) 12:00 De sol «Esta es una visita que debía a mi vivo, frente a frente, no es lo mismo, a sol 12:15 Al mediodía 1:00 Noticiero del me - familia y a mí mismo. Cuba es parte y esta es una ocasión muy especial. diodía 2:00 Cine en familia: Banana Joe. Ita - de mi biografía. Aquí mis padres can- Haré un recorrido por arias de ópe- lia/comedia 4:00 Noticiero Ansoc 4:15 Ani - mados 4:45 Dibu, dibujando (cap. 9) 5:00 5:27 taron y sé de muchas personas que ras, romanzas de zarzuelas y can- Para saber mañana 5:30 Laboratorio 6:00 siguen mi carrera. En mi repertorio no ciones. Al frente de la Orquesta Mucho ruido (cap. 23) 6:30 Noticiero cultural faltan autores de la Isla; admiro a Sinfónica Nacional estará el maes- 7:00 Mesa Redonda 8:00 NTV 8:30 90 razo- nes (cap. 97) 8:34 El selecto club de la neurona Lecuona, de Roig interpreto Quié - tro norteamericano Eugene Kohn; intranquila 9:04 Rastros de mentiras (cap. 5) reme mucho… Ah, sí, No sotros, de hemos trabajado juntos.
    [Show full text]
  • Gonzalez Adriana
    René MASSIS Agent artistique +33 6 80 57 94 62 +49 160 93835013 [email protected] 132 Boulevard Pereire 75017 Paris - France www.amo-massis.com Adriana GONZALEZ Soprano First Prize and Zarzuela Prize of the Operalia Competition 2019, acclaimed for her fine lyric voice and outstanding musicality, young performer Adriana Gonzalez is one of the most promising singers of her generation. Born in Guatemala in 1991, Adriana Gonzalez won the New Upcoming Artist Award presented by the Hemeroteca Nacional de Guatemala. She studied at the Universidad del Valle de Guatemala, graduating with a Bachelor of Arts degree in 2012. Straight after graduation, she made her debut in the roles of Susanna (Le Nozze di Figaro), Fiordiligi (Così Fan Tutte), Gretel (Hänsel und Gretel), Euridyce (Orphée et Euridyce) in her homeland. As a member of the Atelier Lyrique de l’Opéra national de Paris, she sang Zer l ina (Don Giovanni) at Paris-Bobigny, Despina (Così fan tutte) at Paris-Créteil. On completing the Atelier Lyrique programme, Adriana won the 2017 Prix Lyrique at the Cercle Carpeaux for her outstanding development as an artist. She has won several prizes in international competitions : Third Prize at the « Veronica Dunne International Singing Competition » in Ireland, First Prize at the « Otto Edelmann Singing Competition » in Vienna, the Oper Burg Gars Prize, Second Prize and Public Choice Prize at the « Franc isco Viñas International Singing Contest » at the Liceu Barcelona, as well as the Prize of the Te a t r o R e a l i n Madrid, the Associació d’Amics de l’Òpera Prize in Sabadell, the Internationale OpernWerkstatt Prize.
    [Show full text]
  • La Forza Del Baritone
    LA FORZA DEL BARITONE Interview ERNESTO PETTI (Ernesto Petti) OM: Ernesto, since October 2018 you have been performing successfully at the Theater Basel in „Lucia di Lammermoor“ where you and your colleagues got many positive comments by the audience as well as by the media. EP: Singing in Basel was a great experience, the city is very beautiful and in the moments free from work I really enjoyed going around discovering its beauty. The work enviroment was very stimulating. OM: How did you experience your work in Basel and what was your personal highlight of your work period in Basel? EP: I was lucky in this production to work alongside great artists. This package has led to a climate of relaxation that allows us to give the best of us. One of the most beautiful moments was certainly when the public decided to give us a standing ovation, which is not very common in the theater. Rosa Feola and Ernesto Petti in LUCIA DI LAMMERMOOR/Theater Basel/ Foto @Sandra Then OM: How did you get to become an opera singer and who at the beginning encouraged you to go this way? EP: Initially opera music did not interest me at all. I was completely dedicated to sports, in fact, already young (13) I played in a water polo team Serie A2. Around the age of 17 I approached opera music thanks to discs on the possesion of my father, who is a big fan of this genre. Love was immediate and from there I decided, thanks to the total family support to take this path.
    [Show full text]
  • “Met in the Parks” Celebrates 40Th Season of Free Summer Opera
    Thursday, February 15, 2018 Yannick Nézet-Séguin to Become Met Music Director in September 2018, Two Seasons Earlier Than Originally Planned Neubauer Family Foundation Names Met Music Director position with $15 Million Gift 2018–19 Season to Feature Three Operas Conducted by Nézet-Séguin, Including New Production of La Traviata, Directed by Michael Mayer Other New Productions Include Season-Opening Samson et Dalila, Starring Elīna Garanča and Roberto Alagna; North American Premiere of Nico Muhly’s Marnie; and Adriana Lecouvreur, Starring Anna Netrebko Robert Lepage’s Ring cycle, Starring Christine Goerke as Brünnhilde, to Return for First Time Since 2013 Live in HD Season to Feature 10 Transmissions, Beginning October 6 with Anna Netrebko in Aida New York, NY (February 15, 2018) – Accelerating his arrival as Music Director by two seasons, Yannick Nézet-Séguin will take up the post in time for the start of the Metropolitan Opera’s 2018–19 season, it was announced today. By freeing up some guest conducting weeks in his busy calendar in both the 2018–19 and 2019–20 seasons, Nézet- Séguin will now be able to conduct three operas and two Met Orchestra concerts at Carnegie Hall in each of those seasons, instead of the two operas per season originally scheduled. With the assumption of the Music Director title in the fall of 2018, Nézet- Séguin will also be taking on the full artistic responsibilities for the orchestra, chorus, and music staff. His full-time collaboration with Met General Manager Peter Gelb on all other artistic matters will also begin at that time.
    [Show full text]
  • Los Tres Tenores Causan Expectación En Cualquier Lugar Que Se Presenten
    10304565 10/04/2004 09:26 a.m. Page 6 6B |EL SIGLO DE DURANGO | SÁBADO 10 DE ABRIL DE 2004 | CULTURALES Mundialmente famosos Los tres tenores causan expectación en cualquier lugar que se presenten “¿Quién dice que las intrigas y los idilios más desbordantes y dramáticos tienen lugar sólo en los escenarios de la ópera? ¿Qué ha hecho Plácido Domingo para ganar su fama interna- cional de Don Juan? Luciano Pavarotti puede parecer un gigante genial, pero sufre terribles miedos y viaja acompañado de un cargamen- to de talismanes que alivian su temor parali- zante. A los cuarenta años, José Carreras con- trajo leucemia, una enfermedad habitualmen- te mortal. Su milagrosa recuperación y el cambio profundo de su vida amorosa están im- pregnados de un tono dramático. Durante años, Domingo y Pavarotti han de- sarrollado una feroz rivalidad profesional en la que cada uno quería aparecer como la superes- trella número uno del mundo. La historia perso- José Carreras. Luciano Pavarotti. Plácido Domingo. nal de estos tres artistas trasciende incluso la de los exuberantes personajes de la ópera. De- trás de estos tres hombres se oculta una histo- ria de grandes placeres, gastos generosos, es- plendor y atractivo sexual, eso lo declara, Mar- cia Lewis, autora del libro “Los tres tenores”. Lo cierto es que estos tres cantantes de ópera siempre ocupan las notas de ocho colum- nas en todos los medios de comunicación. Pava- rotti, Domingo y Carreras son un agasajo en el escenario; los tres brillan por luz propia. Lo cual agrada a todo el que ve sus actuaciones.
    [Show full text]