20190913 ASX MML Release of Target Statement
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Phil O'neil Joins Wsfm to Host Mornings
PHIL O’NEIL JOINS WSFM TO HOST MORNINGS Friday, November 20th 2020 – ARN today announces Phil O’Neil (aka Ugly Phil) will join WSFM as the host of mornings. Phil will be heard on WSFM every weekday from 9am – 1pm from Monday, November 23. He will join Jonesy & Amanda, Jason Staveley, and Steve Fitton in WSFM’s all-star lineup for 2021. Of the appointment, WSFM Content Director Mike Byrne said, “When Phil ‘Philled in’ on WSFM recently, the feedback from listeners was incredibly positive. I knew he would make an excellent addition to WSFM’s stellar line up and I am so pleased that he decided to join us.” When asked for comment Phil O’Neil mumbled something incomprehensible, until we asked him to remove his mask, then he said, “After Joe Biden’s recent success, this could be the second greatest comeback I’ve ever witnessed. I can’t believe how lucky I am and now I can stop hassling Duncan and Mike for a gig!” Phil is a radio legend, perhaps best known for his hugely popular nationally syndicated Hot30 Countdown show but he has also hosted drive, The Rubber Room night show, talk shows on 2UE in Sydney and LBC in London, as well as working in the UK on Kerrang Radio in Birmingham and Kiss 100, XFM and Planet Rock in London. *** About ARN ARN is one of Australia’s leading Broadcast and On-demand audio companies, ‘Defining Audio’, with ownership or investments in 12 radio stations nationwide in addition to digital entertainment platform, iHeartRadio. -
Commercial Radio Awards (Acras), Announced This Evening at the Royal International Convention Centre in Brisbane
MEDIA RELEASE 19 October 2019 Jonesy & Amanda win Best On-Air Team FM at Radio Awards Successful WSFM breakfast hosts Jonesy and Amanda (Brendan Jones and Amanda Keller), have been crowned Best On- Air Team (Metro FM category) at the 31st Australian Commercial Radio Awards (ACRAs), announced this evening at the Royal International Convention Centre in Brisbane. The win caps off a great year for the much-loved duo, who have notched up 14 years on air together and previously won the coveted award in 2012 and 2014. 2GB’s drive time host Ben Fordham won Best Talk Presenter for the fifth time and 2GB morning presenter Ray Hadley was awarded Best Current Affairs Presenter, bringing his career tally of ACRAs to 33 across all categories. The Best On-Air Team (Metro AM) was won by Afternoons with Erin Molan & Natalie Peters, the first female duo to host a news/talk show on 2GB and the first all-female team to win this award in ACRAs history. NOVA’s popular drive show Kate, Tim & Marty won Best Networked Program and Best Syndicated Australian Program. Best Entertainment Presenter went to Triple M funny man Lawrence Mooney, while Rebecca Morse, half of Hit107 Adelaide’s new breakfast duo Bec & Cosi, won Best Newcomer On-Air. Winners of other major awards included: Best Sports Presenter – Peter Sterling (Triple M, Sydney) Best Music Presenter – Kent “Smallzy” Small, Nova Network Best Community Service Project – Kennedy Molloy’s trip to Yuendumu for Red Dust, Triple M. Best News Presenter (Metro AM) – Mel Usher, FIVEaa, Adelaide Best News Presenter (Metro FM) – Ange Anderson, Nova 106.9 Brisbane Brian White Award for Radio Journalism - Matthew Pantelis, FIVEaa, Adelaide Best Music Special - Carrie Bickmore & Tommy Little, Southern Cross Austereo Best Original Podcast (Unbranded) – Hamish & Andy, PodcastOne Australia. -
Arn Delivers Pimped-Up Partnership with Menulog
ARN DELIVERS PIMPED-UP PARTNERSHIP WITH MENULOG Thursday August 20, 2020 – ARN’s KIIS Network has partnered with Australia’s home-grown food delivery App, Menulog, to serve up a multi-channel, national campaign to amplify Menulog’s new brand campaign, featuring Snoop Dogg’s take on the brand’s ‘Did Somebody Say Menulog’ jingle. The campaign leveraged the new Snoop track, calling on Aussies to do (and eat) whatever they crave in pursuit of happiness, regardless of the status quo. As part of the collaboration, the KIIS Network amplified Menulog’s new jingle and mission to deliver happiness with innovative and fun integrations across both KIIS 1065’s The Kyle & Jackie O Show and KIIS FM’s Will & Woody national drive show. Both shows, not to mention their talent, embodied the spirit of new hip-hop hit, with their unique sense of fun and willingness to challenge social conventions. Of the campaign Kyle Sandilands said, "This campaign had everything - Snoop Dogg, Menulog deliveries and me dancing. What a great partnership!” The Campaign Activity across the four-week campaign featured on-air, digital and social elements including voiced commercials, Kyle and Will & Woody ‘Delivery Dance’ TikTok videos, Kyle & Jackie O’s $5,000 Door Drop and Will & Woody’s $10,000 ‘Big Rappetite’. Identifying Kyle & Jackie O as a core ingredient to the campaign and aligned with Menulog’s ‘unapologetic’ brand tone, Kyle Sandilands voiced the radio commercials heard right across the KIIS Network. Kyle also created his own joyful Menulog ‘delivery dance’ video, which was shared across the Kyle & Jackie O Show TikTok and Instagram socials. -
Presentation to Macquarie Conference
4 May 2021 ASX Markets Announcements Office ASX Limited 20 Bridge Street Sydney NSW 2000 PRESENTATION TO MACQUARIE CONFERENCE 4 May 2021: Attached is a copy of Nine’s presentation to the Macquarie Australia Conference 2021. Authorised for lodgment by Mike Sneesby, Chief Executive Officer. Further information: Nola Hodgson Victoria Buchan Head of Investor Relations Director of Communications +61 2 9965 2306 +61 2 9965 2296 [email protected] [email protected] nineforbrands.com.au Nine Sydney - 1 Denison Street, North Sydney, NSW, 2060 ABN 60 122 203 892 MIKE SNEESBY | CHIEF EXECUTIVE OFFICER Important Notice and Disclaimer as a result of reliance on this document. as a general guide only, and should not be relied on This document is a presentation of general as an indication or guarantee of future performance. background information about the activities of Nine Forward Looking Statements Forward looking statements involve known and unknown risks, uncertainty and other factors which Entertainment Co. Holdings Limited (“NEC”) current This document contains certain forward looking can cause NEC’s actual results to differ materially at the date of the presentation, (4 May 2021). The statements and comments about future events, from the plans, objectives, expectations, estimates information contained in this presentation is of including NEC’s expectations about the performance and intentions expressed in such forward looking general background and does not purport to be of its businesses. Forward looking statements can statements and many of these factors are outside complete. It is not intended to be relied upon as generally be identified by the use of forward looking the control of NEC. -
Apo-Nid63005.Pdf
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1991-92 Australian Broadcasting Tribunal Sydney 1992 ©Commonwealth of Australia ISSN 0728-8883 Design by Media and Public Relations Branch, Australian Broadcasting Tribunal. Printed in Australia by Pirie Printers Sales Pty Ltd, Fyshwick, A.CT. 11 Contents 1. MEMBERSIDP OF THE TRIBUNAL 1 2. THE YEAR IN REVIEW 7 3. POWERS AND FUNCTIONS OF THE TRIBUNAL 13 Responsible Minister 16 4. LICENSING 17 Number and Type of Licences on Issue 19 Grant of Limited Licences 20 Commercial Radio Licence Grant Inquiries 21 Supplementary Radio Grant Inquiries 23 Joined Supplementary /Independent Radio Grant Inquiries 24 Remote Licences 26 Public Radio Licence Grants 26 Renewal of Licences with Conditions or Licensee Undertaking 30 Revocation/Suspension/Conditions Inquiries 32 Allocation of Call Signs 37 5. OWNERSHIP AND CONTROL 39 Applications and Notices Received 41 Most Significant Inquiries 41 Unfinished Inquiries 47 Contraventions Amounting To Offences 49 Licence Transfers 49 Uncompleted Inquiries 50 Operation of Service by Other than Licensee 50 Registered Lender and Loan Interest Inquiries 50 6. PROGRAM AND ADVERTISING STANDARDS 51 Program and Advertising Standards 53 Australian Content 54 Compliance with Australian Content Television Standard 55 Children's Television Standards 55 Compliance with Children's Standards 58 Comments and Complaints 59 Broadcasting of Political Matter 60 Research 61 iii 7. PROGRAMS - PUBLIC INQUIRIES 63 Public Inquiries 65 Classification of Television Programs 65 Foreign Content In Television Advertisements 67 Advertising Time On Television 68 Film And Television Co-productions 70 Australian Documentary Programs 71 Cigarette Advertising During The 1990 Grand Prix 72 Test Market Provisions For Foreign Television Advertisements 72 Public Radio Sponsorship Announcements 73 Teenage Mutant Ninja Turtles 74 John Laws - Comments About Aborigines 75 Anti-Discrimination Standards 75 Accuracy & Fairness in Current Affairs 76 Religious Broadcasts 77 Review of Classification Children's Television Programs 78 8. -
Agpasa, Brendon
29 January 2021 The Hon Paul Fletcher MP PO Box 6022 House of Representatives Parliament House Canberra ACT 2600 CHRIS (BRENDON) AGPASA SUBMISSION TO THE 2021-22 PRE-BUDGET SUBMISSIONS Dear Minister Fletcher, I write to request assistance had appropriate for media diversity to support digital radio and TV rollouts will continue in the federal funding, Brendon Agpasa was a student, radio listener and TV viewer. Paul Fletcher MP and the Morrison Government is supporting the media diversity including digital radio rollout, transition of community television to an online operating model, digital TV rollout, radio and TV services through regional media and subscription TV rollout we’re rolled out for new media landscape and it’s yours to towards a digital future of radio and TV broadcasting. We looking up for an expansion of digital radio rollout has been given consideration, the new digital spectrum to test a trial DRM30 and DRM+ with existing analogue (AM/FM) radio services, shortwave radio and end of spectrum (VHF NAS licences) will be adopted Digital Radio Mondiale services in Australia for the future plans. The radio stations Sydney’s 2GB, Melbourne’s 3AW, Brisbane’s Nova 106.9, Adelaide’s Mix 102.3, Perth’s Nova 93.7, Hit FM and Triple M ranks number 1 at ratings survey 8 in December 2020. Recently in December 2020, Nova Entertainment had launched it’s new DAB+ stations in each market, such as Nova Throwbacks, Nova 90s, Nova Noughties, Nova 10s, Smooth 80s and Smooth 90s to bring you the freshest hits, throwbacks and old classics all day everyday at Nova and Smooth FM. -
Commercial Radio
Commercial Radio Australia Ltd ACN 059 731 467 ABN 52 059 731 467 Level 5, 88 Foveaux Street Surry Hills NSW 2010 T 02 9281 6577 F 02 9281 6599 E [email protected] www.commercialradio.com.au URGENT SUPPLEMENTARY SUBMISSION TO ENVIRONMENT AND COMMUNICATIONS REFERENCE COMMITTEE 24 May 2013 Dear Committee Members Re: Enquiry into the Effectiveness of Current Regulatory Arrangements in Dealing with the Simultaneous Transmission of Radio Programs using the Broadcasting Services Bands and the Internet ('Simulcast') We the undersigned regional radio members of Commercial Radio Australia (CRA), running over 220 regional commercial radio stations, are requesting that the Committee urgently rectifies the current situation in which ALL radio broadcasters (community, public service and commercial) will be required to pay twice for the same broadcast content if it is transmitted over the internet as a simulcast. This also means that exactly the same content will be subjected to two different regulatory regimes, one applicable to broadcast content and the other applicable to the same broadcast content on the internet. To remedy this, we request that the Committee makes the recommendation that the Minister issues the updated Determination as set out in the joint submission from the radio broadcast sector - signed by ABC, SBS, CBAA and CRA. As you may note, this is an issue for the entire radio industry not just commercial stations. While we fully and wholeheartedly support the joint submission and all points made in it, we also wish to bring the views of regional broadcasters to your attention directly. The impact on the viability of local regional radio stations will be significant if we are required to pay twice for exactly the same content being broadcast at the same time over the internet. -
AUSTRALIAN PODCAST RANKER TOP 100 PODCASTS Reporting Period: 25 November - 22 December
AUSTRALIAN PODCAST RANKER TOP 100 PODCASTS Reporting Period: 25 November - 22 December RANK PODCAST PUBLISHER SALES REPRESENTATION RANK CHANGE 1 Hamish & Andy SCA-PodcastOne Australia PodcastOne Australia 0 2 The Lighthouse News Corp Australia News Corp / Nova Ent h5 3 Kate, Tim & Marty Nova Nova Entertainment 0 4 7am Schwartz Media Schwartz Media New 5 The Kyle & Jackie O Show Australian Radio Network Australian Radio Network i3 6 Life and Crimes with Andrew Rule News Corp Australia News Corp / Nova Ent h2 7 SEN Breakfast SEN / Crocmedia SEN / Crocmedia i2 8 Whateley SEN / Crocmedia SEN / Crocmedia i4 9 Sky News - News Bulletin News Corp Australia News Corp / Nova Ent h5 10 WILOSOPHY with Wil Anderson TOFOP Productions Whooshkaa New 11 Money News with Ross Greenwood Nine Radio1 Nine Radio i5 12 The Alan Jones Breakfast Show Nine Radio Nine Radio i2 13 Bedtime Explorers The Parent Brand The Parent Brand New 14 Kennedy Molloy SCA-Triple M SCA i5 15 The Howie Games SCA-PodcastOne Australia PodcastOne Australia i4 16 Hughesy and Kate SCA-Hit SCA i1 17 Moonman In The Morning - 104.9 SCA-Triple M SCA i5 Triple M Sydney 18 The Hot Breakfast SCA-Triple M SCA h1 19 Who the Hell is Hamish? News Corp Australia News Corp / Nova Ent i6 20 Chrissie, Sam & Browny Nova Nova Entertainment i4 21 Jase & PJ Australian Radio Network Australian Radio Network i1 22 Tech News News Corp Australia News Corp / Nova Ent h3 23 Police Tape News Corp Australia News Corp / Nova Ent h24 24 The Ray Hadley Morning Show Nine Radio Nine Radio i3 25 Motley Fool Money Australia -
Music on PBS: a History of Music Programming at a Community Radio Station
Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support. -
Changing Stations
1 CHANGING STATIONS FULL INDEX 100 Top Tunes 190 2GZ Junior Country Service Club 128 1029 Hot Tomato 170, 432 2HD 30, 81, 120–1, 162, 178, 182, 190, 192, 106.9 Hill FM 92, 428 247, 258, 295, 352, 364, 370, 378, 423 2HD Radio Players 213 2AD 163, 259, 425, 568 2KM 251, 323, 426, 431 2AY 127, 205, 423 2KO 30, 81, 90, 120, 132, 176, 227, 255, 264, 2BE 9, 169, 423 266, 342, 366, 424 2BH 92, 146, 177, 201, 425 2KY 18, 37, 54, 133, 135, 140, 154, 168, 189, 2BL 6, 203, 323, 345, 385 198–9, 216, 221, 224, 232, 238, 247, 250–1, 2BS 6, 302–3, 364, 426 267, 274, 291, 295, 297–8, 302, 311, 316, 345, 2CA 25, 29, 60, 87, 89, 129, 146, 197, 245, 277, 354–7, 359–65, 370, 378, 385, 390, 399, 401– 295, 358, 370, 377, 424 2, 406, 412, 423 2CA Night Owls’ Club 2KY Swing Club 250 2CBA FM 197, 198 2LM 257, 423 2CC 74, 87, 98, 197, 205, 237, 403, 427 2LT 302, 427 2CH 16, 19, 21, 24, 29, 59, 110, 122, 124, 130, 2MBS-FM 75 136, 141, 144, 150, 156–7, 163, 168, 176–7, 2MG 268, 317, 403, 426 182, 184–7, 189, 192, 195–8, 200, 236, 238, 2MO 259, 318, 424 247, 253, 260, 263–4, 270, 274, 277, 286, 288, 2MW 121, 239, 426 319, 327, 358, 389, 411, 424 2NM 170, 426 2CHY 96 2NZ 68, 425 2Day-FM 84, 85, 89, 94, 113, 193, 240–1, 243– 2NZ Dramatic Club 217 4, 278, 281, 403, 412–13, 428, 433–6 2OO 74, 428 2DU 136, 179, 403, 425 2PK 403, 426 2FC 291–2, 355, 385 2QN 76–7, 256, 425 2GB 9–10, 14, 18, 29, 30–2, 49–50, 55–7, 59, 2RE 259, 427 61, 68–9, 84, 87, 95, 102–3, 107–8, 110–12, 2RG 142, 158, 262, 425 114–15, 120–2, 124–7, 129, 133, 136, 139–41, 2SM 54, 79, 84–5, 103, 119, 124, -
Target's Statement: Off-Market Takeover Offer by Nine Entertainment Co
MRN TARGET'S STATEMENT: OFF-MARKET TAKEOVER OFFER BY NINE ENTERTAINMENT CO. HOLDINGS LIMITED Sydney, Friday 13 September 2019: Macquarie Media Limited (ASX: MRN) (MML) refers to the announcement by Nine Entertainment Co. Holdings Limited (ASX:NEC) (Nine) on 12 August 2019 regarding a conditional off-market takeover offer for all of the ordinary shares of MML (Offer). MML confirms that its Target's Statement in relation to the Offer and accompanying Independent Expert's Report (Target's Statement) was issued today. A copy of the Target’s Statement is enclosed. Despatch of the Target's Statement to shareholders also occurred today and copies will also be provided to Nine and lodged with the Australian Securities & Investments Commission today. For further information contact: Lisa Young Company Secretary Macquarie Media Limited Email: [email protected] - ENDS- MACQUARIE MEDIA LIMITED ABN 32 063 906 927 Target's Statement in response to the offer by Fairfax Media Limited (an indirect wholly-owned subsidiary of Nine Entertainment Co. Holdings Limited) to acquire all of your MRN Shares The Independent Directors of MRN unanimously recommend that, in the absence of a superior proposal and subject to the independent expert continuing to opine that the Offer is reasonable, you ACCEPT the Offer to purchase all of your MRN Shares for $1.46 cash per MRN Share. The Independent Expert has concluded that the Offer is fair and reasonable to MRN Shareholders. This is an important document and requires your immediate attention. If you are in doubt as to how to deal with this document, you should consult your financial or other professional adviser immediately. -
Shareholder Review 2017
2017 Shareholder Review HT&E LIMITED ABN 95 008 637 643 In May 2017, APN News & Media Limited changed its name to HT&E Limited (HT&E), marking the Company’s final shift away from traditional publishing and reflecting HT&E’s repositioned portfolio of leading, high-quality metropolitan media assets across radio, outdoor and digital. Uniquely placed, HT&E continues to operate in growth segments of the media landscape and brings together a combination of ‘away from home’ assets – Australian Radio Network (ARN), Adshel, Conversant Media, Gfinity Esports Australia (Gfinity Australia) and Emotive. These powerful channels can work together to more effectively target, engage with, and drive behaviours of our consumer audiences while they’re on the move. HT&E’s media and entertainment offering provides unprecedented scale, content creation, and insight-led innovation, to deliver a better proposition for audiences and advertisers. In this report About HT&E 1 Chairman’s Report 2 Chief Executive Officer’s Report 4 Operating and Financial Review 6 Corporate Social Responsibility 14 Senior Management Team 18 Board of Directors 20 Five Year Financial History 22 Corporate Directory 23 HT&E owns Australia’s #1 national metropolitan radio network and the #1 street furniture business in Australia and New Zealand. Results snapshot In 2017, HT&E continued to focus on its core assets, supported by its expanding digital portfolio and data capabilities, and a fresh trade proposition to deliver #1 integrated solutions for advertisers. National Radio Network ARN improved its performance in the second half of the year, regaining the number one network position, growing market share and improving its digital broadcast 0.97x and commercialisation capabilities.