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2017-04-02 Messiah
OLDHAM CHORAL SOCIETY PATRON: Jeffrey Lawton CHAIRMAN: Fred Jones Vice-Chair: Margaret Hood Vice-President: Nancy Murphy Hon. Secretary: Ray Smith Hon. Treasurer: John Price Music Director: Nigel P. Wilkinson Accompanist: Angela Lloyd-Mostyn Conductor Emeritus: John Bethell MBE Librarian: Tricia Golden / Janeane Taylor Ticket Sec.: Margaret Hallam Patrons’ Sec.: Sylvia Andrew Uniform Co-ordination: Val Dawson Webmaster: David Baird Concert Manager: Gerard Marsden Promotions Group: David Baird, Edna Gill, Margaret Hood, Fred Jones, Maggs Martin, Sue Morris, June O’Grady, Brenda Roberts, LIFE MEMBERS Eva Dale, Fred Jones, Margaret Hood, Alan Mellor, Nancy Murphy, Peter Quan, Eric Youd A MESSAGE FROM THE CHAIR One of the joys of being in a choir is that from time to time you get to sing your favourite work. That is my pleasure this evening. I have loved the "Messiah" for many years (not saying how many!). To my mind it is a pity that it is usually confined to the busy period of Christmas, so I am particularly pleased to have a Lenten performance. The emotion and drama of the Easter story are something quite special, and deserve to be savoured. Our wonderful soloists and the East Lancs Sinfonia will, I am sure, join with the choir to produce a magical musical experience. We will not be having our usual lighter-themed concert at Middleton Arena this year. Instead we will be holding a Choir "At Home" evening on Friday, 16th June in our regular rehearsal venue - the beautiful Ballroom of Chadderton Town Hall, from 7.30 to 10.30pm. You are invited to join us for a short concert, followed by some time for social and fund-raising activities. -
A C AHAH C (Key of a Major, German Designation) a Ballynure Ballad C a Ballynure Ballad C (A) Bal-Lih-N'yôôr BAL-Ludd a Capp
A C AHAH C (key of A major, German designation) A ballynure ballad C A Ballynure Ballad C (A) bal-lih-n’YÔÔR BAL-ludd A cappella C {ah kahp-PELL-luh} ah kahp-PAYL-lah A casa a casa amici C A casa, a casa, amici C ah KAH-zah, ah KAH-zah, ah-MEE-chee C (excerpt from the opera Cavalleria rusticana [kah-vahl-lay-REE-ah roo-stee-KAH-nah] — Rustic Chivalry; music by Pietro Mascagni [peeAY-tro mah-SKAH-n’yee]; libretto by Guido Menasci [gooEE-doh may-NAH-shee] and Giovanni Targioni-Tozzetti [jo-VAHN-nee tar-JO- nee-toht-TSAYT-tee] after Giovanni Verga [jo-VAHN-nee VAYR-gah]) A casinha pequeninaC ah kah-ZEE-n’yuh peh-keh-NEE-nuh C (A Tiny House) C (song by Francisco Ernani Braga [frah6-SEESS-kôô ehr-NAH-nee BRAH-guh]) A chantar mer C A chantar m’er C ah shah6-tar mehr C (12th-century composition by Beatriz de Dia [bay-ah-treess duh dee-ah]) A chloris C A Chloris C ah klaw-reess C (To Chloris) C (poem by Théophile de Viau [tay- aw-feel duh veeo] set to music by Reynaldo Hahn [ray-NAHL-doh HAHN]) A deux danseuses C ah dö dah6-söz C (poem by Voltaire [vawl-tehr] set to music by Jacques Chailley [zhack shahee-yee]) A dur C A Dur C AHAH DOOR C (key of A major, German designation) A finisca e per sempre C ah fee-NEE-skah ay payr SAYM-pray C (excerpt from the opera Orfeo ed Euridice [ohr-FAY-o ayd ayoo-ree-DEE-chay]; music by Christoph Willibald von Gluck [KRIH-stawf VILL-lee-bahlt fawn GLÔÔK] and libretto by Ranieri de’ Calzabigi [rah- neeAY-ree day kahl-tsah-BEE-jee]) A globo veteri C AH GLO-bo vay-TAY-ree C (When from primeval mass) C (excerpt from -
Boston Symphony Orchestra Concert Programs, Season 51,1931
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 INC. Dr. SERGE KOUSSEVITZKY, Conductor FIFTY-FIRST SEASON, 1931-1932 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1932, BY BOSTON SYMPHONY ORCHESTRA, INC. 757 THE TRUMPET 1 HE clarion of the Eleventh Century was the im- mediate predecessor of the trumpet. The early in- strument, also called claro y and clarino, was a short straight tube of brass with one end carrying a cup- shaped mouthpiece and the other widening out into a bell. In the Eighteenth Century, Meyer of Hamburg made what has been called the first improvement in the trumpet — he invented a practical mouthpiece. Then occured a series of revolutionary changes. In 1780 Wogel added " tubes"; Wiedenger, court- trumpeter in Vienna, added " stops" in 1801; next came the "keys," with Sattler of Leipzig turning out the first trumpets equipped with them; and finally Striegel, a German orchestra player, introduced cer- tain refinements in bore and tubing. The trumpet is truly a stately and heraldic instru- ment. It is the portrayer of tournaments and pro- cessions, of pageants with a martial and romantic tinge. Its great agility makes it admirably suited to rapid figures, arpeggios, and to repetitions. In addi- tion to its strident calls, it can produce effects either fantastic or of extreme sweetness. Berlioz wrote: "The quality of the trumpet tone is noble and brilliant . It lends itself to the expression of all energetic and lofty and grand sentiments and to the majority of tragic accents." * * * * 1 HERE are many ways in which the services of Old Colony Trust Company as Executor and Trustee can help you obtain a definite objective. -
Newsletter Wednesday 10Th March 2021
Winchester City Festival Choir NEWSLETTER WEDNESDAY 10TH MARCH 2021 Welcome to another edition of ramblings from the conductor! I hope the newsletter continues to find you well. When Vaughan Williams met Shakespeare I think Ralph Vaughan Williams (1872 – 1958) has the accolade of being the composer to gett the most mentions in these newsletters! I make no apology for this, or for bringing his music to your attention again this week! I’m going secular for a change, and focusing on some of his music which uses the words of William Shakespeare (1564 – 1616). I’m going slightly off track this week as the first piece isn’t technically written for a choir, so it isn’t choral, but it could be… and is often sung by choirs with four soloists. Before we get to our first piece of music, a little history of the English conductor Sir Henry Wood (1869 – 1944), best known for his association with London's annual series of promenade concerts, known as the Proms. Indeed, it has been said that Henry Wood made the Proms and the Proms made Henry Wood! Wood studied at the Royal Academy of Music and at first seems to have intended a career as a composer, but his conducting abilities were to win out, particularly from 1895 when still only 26, he assumed the conductorship of a new series of Promenade Concerts to be given at the recently built Queen’s Hall in Langham Place. Nobody would have guessed that the series would survive two world wars and (hopefully) a pandemic! That it did was testament to Henry Wood’s devotion and sheer hard work over a 50-year period. -
Columbia Records Catalogue 1922
Complete to Supplement No. 60.1 CURRENT PRICES OF COLUMBIA RECORDS. DARK BLUE LABEL (Doable,S,ided)v__I'sges_60 to 103 10 inch 3/6 12-inch 516 .. ... Hebrew-Jewish Records-see page 110. Wm. McEwan Sacred Album 42/- . each The Children's Bo:-" (see 103) 21/- page - LIGHT BLUE LABEL ('J Pc.'er 9 42 uble-Sided; , to 10-inch 5/- each 12-inch 7/6 ea -a "Daughter of Madame Angot " A1Lum 13 s."."EEN LABEL. Pages 43 to 59 PINK LABS L, GRAND OPERA (Single-Side d Page 1C 12-inch 1246 iva-dica only. ... .. ... each BROWN LAB-Z.. ITALIAN OPERA ;Double-Sided) 104 to :106 516 10-inch :3/6 each ... )'L iach eac" RMEN' Ai .um, compieta 0 1.'Sa i i)A " Aihurn, containing Complete Opera £ r "i?ICOLETfO"Album,containingCompleteOpera . £4 8n. `IteCards. '::tng txdn>,flcru/t4 ruder P.rittlA! CAUTION..--Cuwnrbta 3ety '4;,stralian Zealand Parents, naý" ný: b! aal for :slr! ar offered fir salt at less than Al autfori,ed pries: fixed tAo,* liaFls eannrrier respa,iaýrly. euir,{;;r rendering LRtk ells:- ant pýr'`arer to damage for infringe sent"-ssýwýwý++.ýmr ýrnllls.. ý7s8 BRIT'S}-?!NST;TUTE QE SOUND, 922 SUPPLEMENTARY CATALqQIWTION;(7DFD ROAD, i iris Supplementary Catalogue includes all Columbia Records issued in the supplements Nos. 61 to 65 and Special Issues. and with the 1922 Catalogue comprises the complete Columbia repertoire to the No. 65 and " Lady of re Rose " Supplements. I ORPLE LABEL-12-In. Single-Sided. 716 LIGHT BLUE LABEL-12-in.-contd. 72:18 (Carmen-My Mother I Behold ILe Chasseur Ntaudit (Tbe Accursed l Duct: Shaba Mullings and 1.1423{ Hunter). -
NATIONAL PROGRAMMES 995 Ws (3O1.5 M.) (68 Kw.) (Daventry)193 Kc/S (1,554.4 In.) (35 Kw.) (70 Kw.) 8.O P.M
DECEMBER II, 1931 WORLD -RADIO 1005 (London) (Northern) 1,148 kc,'s (261.3 in.) NATIONAL PROGRAMMES 995 Ws (3o1.5 m.) (68 kW.) (Daventry)193 kc/s (1,554.4 in.) (35 kW.) (70 kW.) 8.o p.m. -Vaudeville.Ernest Shan-10.25 p.m.-" Mosaic "-VII. 12noon. -ReginaldFooftatthe Weather ForecastSecobd General SUNDAY (DEC. 13th) non and Janet Joye, in Impressions,10.4o p.m. -12 midnight.-Dahce Organ. News Bulletin. 3.o p.m. -Church Cantata (No. 159), Ronald Frankau with his Frankau- Music.Henry Hall's Gleneaglesx.o p.m. -Gramophone Records. 9.15 p.m. -Shipping Forecast ; New Bach.Sehet, wir geh'n hinauf gen Optimists, Elsie Otley (Soprano). Hotel Band. 2.0-2.30 p.m. -A Concert.Dinah York Stock Market Report. Jerusalem(Lookye, we mount Leonard Henry, Comedian.The Evans (Soprano), Anita Vaughan9.20 P.M. -National Lecture. Sir the Steep to Jerusalem).Singers : Orchestra, under the direction of (16th) (Contralto). William Rothenstein !` Whither GladysCurrie(Soprano),Betty S. Kneale Kelley, will play duringWEDNESDAY 3.o p.m. -Evensong from Westmin- Painting ? " Bannerman(Contralto),Robert the programme. 10.15 amt. -The Daily Service. ster Abbey. Leeds(Tenor),ArnoldMatters9.0 p.m.-" The Second News." 10.45-11.0 a.m.-" 'The Week in3.45 p.m. -Jack Payne and his B.B.C.10.5 p.m. -The B.B.C. Light Or- (Bass). TheChorusof The9.15 p.m. -Shipping Forecast ;New. Westminster." Dance Orchestra. chestra,conductedbyStanford Bach Cantata Club. John York Stock Market Report. 12 noon, -A Light Symphony Con-4.30 P.m. -
PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, PAMPHLETS, BIOGRAPHIES; PROGRAMS Books Are All in Good, Used Condition (No Damage Unless Described)
PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, PAMPHLETS, BIOGRAPHIES; PROGRAMS Books are all in good, used condition (no damage unless described). “As new” should be just that. “Excellent” would be similar to 2, light dust jacket or cover marks but no problems. “Good” would be similar to 3 (use wear). Any damage or marking is mentioned. DJ = includes Paper Dust Jacket “THE RECORD COLLECTOR” MAGAZINE Given below is the featured artist(s) of each issue (D=discography, B-biographical sketch). All copies are in fine condition (with the possibility of an index mark or possible check marks, occasional underlinings, but no physical damage such as tears, loose seams, etc., unless otherwise indicated. MINIMUM BID $5.00 PER MAGAZINE 8002. II/1-6. (Jan.-June, 1947). Re-issue of first half of Volume II, originally in mimeographed format. 8006. III/3. Götterdämmerung on Records; The Victor News Letter; American Record Notes, etc. 8007. III/4. Rethberg Discography; more Götterdämmerung; Cloe Elmo; Russian Operatic Discs, etc. 8010. III/7. Dating Victor Records; A Brief Glance Back; More “Historical Record” Amendments, etc. 8011. III/8. Iris addenda; Russian Operatic Records; More on Affre; The Aldeburgh Festival, etc. 8012. III/9. Edison Disc Records; Celebrities at Birmingham; Puccini Operas; More on Götterdämmerung, etc. 8013. III/10. A Santley Curiosity; Matrix & Serial Numbers; My Most Inartistic Recording; etc. 8015. III/12. Bauer Amendments; Italian Vocal Issues Jan.-Aug. 1948; Philadelphia Record Society, etc. 8017. IV/2. Giovanni Zenatello (D); “Otello” discography, etc. 8018. IV/3. Medea Mei-Figner (D); Another Curiosity; Italian Vocal Issues, etc. 8019. IV/4 The DeReszke Mystery; Eugenia Mantelli (D and commentary), To Help the Junior Collector, etc. -
Dame Joan Hammond (1912-1966) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN HILDA HOOD HAMMOND (1912-1996) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA FEBRUARY 2018 Dame Joan Hilda Hood Hammond, DBE, CMG (24 May 1912 – 26 November 1996) was a New Zealand born Australian operatic soprano, singing coach and champion golfer. She toured widely, and became noted particularly for her Puccini roles, and appeared in the major opera houses of the world – the Royal Opera House Covent Garden, La Scala, the Vienna State Opera and the Bolshoi. Her fame in Britain came not just from her stage appearances but from her recordings. A prolific artist, Hammond's repertoire encompassed Verdi, Handel, Tchaikovsky, Massenet, Beethoven, as well as folk song, art song, and lieder. She returned to Australia for concert tours in 1946, 1949 and 1953, and starred in the second Elizabethan Theatre Trust opera season in 1957. She undertook world concert tours between 1946 and 1961. She became patron and a life member of the Victorian Opera Company (since 1976, the Victorian State Opera – VSO), and was the VSO's artistic director from 1971 until 1976 and remained on the board until 1985. Working with the then General Manager, Peter Burch, she invited the young conductor Richard Divall to become the company's Musical Director in 1972. She joined the Victorian Council of the Arts, was a member of the Australia Council for the Arts opera advisory panel, and was an Honorary Life Member of Opera Australia. She was important to the success of both the VSO and Opera Australia. Hammond embarked on a second career as a voice teacher after her performance career ended. -
06-Jan-20 Small Professional Orchestra Manchester ALC,JSB+ Serenade in G (Eine Kliene Nacht Music), Mozart, Toy Symphony by C
06-Jan-20 Small Professional Orchestra Manchester ALC,JSB+ Serenade in G (Eine kliene nacht music), Mozart, Toy Symphony by C. van Holten conducted by A. L. Camden with piano Mr G. Parnell, violins Mr John Bridge and Miss Ethel Richmond, 'cellos Messrs W. Warburton and J. Dunworth, nightingale Mr J. Holme, cuckoo Mr W. Stoneley, quail Mr A. Barlow, trumpet Mr F. Park, mirliton Miss C. Dunington, drums Mr A. Roberts, triangle Mr B. Dunworth. Houldsworth Hall Tuesday lunchtime. M/C archives, Central Library 13-Jan-20 Catterall Quartet Birmingham AC,JSB,FSP,JCH String quintets by Taneiev in C major Op 16 and Mozart in G minor with Paul Beard, second viola. Royal Society of Artists' Gallery 23-Jan-20 Ethel Midgley Trio Manchester EM,JSB,WH Schubert Rondo Brillant in B minor for violin and piano, Smetana Trio in G minor. Friday "Mr Bridge and Miss Midgley gave a spirited performance of the Schubert" Samuel Langford, Manchester Guardian 24th January 1920 26?Jan20 Catterall Quartet Beverley AC,JSB,FSP.JCH Mozart quartet, Dvorak piano quintet with Miss Gwendoline Roe of Hull, pianoforte, Dr Ernest Walker "Phantasie Quartette" Wesley Hall, Beverley 27-Jan-20 Catterall Quartet Darlington AC,JSB,FSP,JCH Quartets by Mozart in E flat and Borodin in D and Alfred Wall two short movements of a 'Hebrew Melody' and Frank Bridge 'Londonderry Air'. Darlington Chamber Music Society, Polam Hall 28-Jan-20 Catterall Quartet Newcastle on Tyne AC,JSB,FSP,JCH Quartets by Debussy in G minor Op 10, Beethoven in B flat Op 130 and Ernest Walker 'Phantasie'. -
Wagner in Australia: Productions of the Operas and Music Dramas in Sydney 1877-1989
WAGNER IN AUSTRALIA: PRODUCTIONS OF THE OPERAS AND MUSIC DRAMAS IN SYDNEY 1877-1989 Presented to The Department of Music The University of New South Wales In Partial Fulfilment of the Requirements for the Degree of Master of Music Merylyn Russell January 1990 ACKNOWLEDGEMENTS This major project was produced as a result of the co-operation of a number of people. I should to like thank members of the staff of the Dennis Wolanski Library, the Australian Broadcasting Commission Library, the Mitchell Library, Sydney, the Music Department and the Manuscript Departments of the National Library, Canberra and the Library of the Australian Opera. I should also like to thank Moffatt Oxenbould, the Artistic Director of the Australian Opera and my supervisor, Roger Covell, for their generous assistance. 11 TABLE OF CONTENTS Chapter Page Introduction .................................................................. vii 1 W.S. Lyster: A Nineteenth Century Impresario................ ! 2 The Great Imported Companies ....................................13 George Musgrove .....................................................14 The Melba/Williamson Season 1911 ............................18 Thomas Quinlan 1912-13 ........................................... 20 The Melba/Williamson Season 1928 ............................ 30 Sir Benjamin Fuller 1934-35.......................... ........... 32 Policies and Problems ............................................... 36 3 The First Australian Companies .................................. .43 4 The Australian Opera................................................. -
Columbia Records Catalogue 1924
Supplement No. :or.-plete to 937- CURRENT PRICES OF COLUMBIA RECORDS. i)A} & BLUE LABEL (Double-Sided) Pages 80 128 . to 10-inch 3/- 12-inch 4/6 each .. .. .. each. .iebrew-Jewish Records (see pages 135 to 137) 'Wm. McEwan Sacred Album 36/- each. " The . Children's Box," Nos. 1 and 2 (see page 128) 18/- LIGHT BLUE LABEL (Double-Sided) Pages 37 74 . to 10-inch 5/- 12-inch 7/6 each .. .. each. SERIES.-Special ALBUM attention is directed to the series of Records, on pages 59, 61, 62 and 72, announced in Albums. The Complete Sets Albums are presented to purchasers of the as mentioned WITHOUT EXTRA CHARGE. PURPLE LABEL (Double-Sided) Pages 34 69 . to 10-inch 6/- 12-inch 8/6 each .. .. .. each. PURPLE LABEL (Single-Sided) Page 67 . Ysaye 12-inch 7/6 only. each. PINK LABEL, GRAND OPERA (Single-Sided) Page 42 . 10-in (Double-Sided) 4/6 each. 12-inch (Double-Sided) .. .. 6/6 .. .. .. each. BROWN LABEL, ITALIAN OPERA (Double-Sided) Pages 129 to 134 10-inch 3/6 each 12-inch 5;'5 each. " CARMEN " Album, £2 16s. complete . AIDA " Album, Complete Opera . £2 19s. 6d. containing . RIGOLETTO " Album, containing Complete Opera £4 8s. COLUMBIA NEEDLES (In Metal Boxes). 1,00) 2n0 I,000 200 'ý;:!tý(i!i1SUPERBE (Loud Tone) 3i9 9d. DE LUXE (Specia(Iy fcsted) 5/ 1/ (Teo- ione) BRILLIANT (Medium) 3/9 9d. SPEAR POINT 5/- 1/- DURAGOLD (Semi-- 'DEAL ( Tone) 3/9 9d. (Soft Permanent) 1/- per 100 FIBRE NEEDLES 4/- per 200 FIBRE NEEDLE CUTTER OUTFIT 5/6 CAL TION.-Columbia lcac girds, veing manu/acturel under British, Austr-11ian, and New Z: aland Pat-is, m ey nwt be sold, or offered for sale, at less than the authorised Arias fixed for those cou !tries respretively, wit boat rendering both seller and purchaser =rbieli to damages for infra gement. -
From Oldham to Oxford: the Formative Years of Sir William Walton
From Oldham to Oxford: The Formative Years of Sir William Walton Gary D. Cannon A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Geoffrey P. Boers, Chair Abraham Kaplan Giselle E. Wyers Program Authorized to Offer Degree: School of Music © Copyright 2014 Gary D. Cannon University of Washington Abstract From Oldham to Oxford: The Formative Years of Sir William Walton Gary D. Cannon Chair of the Supervisory Committee: Professor Geoffrey Boers Choral Conducting, School of Music The formative years of William Walton (1902–1983) are rarely considered when studying the composer’s life and works. However, careful study of that period indicates many of the directions that the adult Walton would take. Industrial Lancashire was more musically active during the period of Walton’s youth (covering the years 1902 to 1912) than is generally considered. His time as a chorister and later undergraduate at Christ Church, Oxford (1912 to 1920), is replete with influential interactions with talented adults and fellow students. Detailed consideration of Walton’s juvenilia reveals a keen thinker who assimilated these various influences in a unique manner. Far more than merely a springboard for a future talent, these years resulted in inspired works and a firm purpose for the budding composer. From Oldham to Oxford The Formative Years of Sir William Walton Contents Introduction..................................................................................................................................................