DOCSLIB.ORG

Language Limits: the Dissolution of the Lyric Subject in Experimental Print and Performance Poetry

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Language Limits: the Dissolution of the Lyric Subject in Experimental Print and Performance Poetry Language Limits: The dissolution of the lyric subject in experimental print and performance poetry Annel Pieterse Dissertation presented for the degree of Doctor of Philosophy in the Department of English at the University of Stellenbosch. Promotor: Dr Louise Green Co-Promotor: Dr Dawid de Villiers Faculty of Arts and Social Sciences December 2012 Stellenbosch University http://scholar.sun.ac.za Declaration By submitting this thesis/dissertation electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2012 Copyright © 2012 Stellenbosch University All rights reserved 2 Stellenbosch University http://scholar.sun.ac.za Abstract In this thesis, I undertake an extensive overview of a range of language activities that foreground the materiality of language, and that require an active reader oriented towards the text as a producer, rather than a consumer, of meaning. To this end, performance, as a function of both orality and print texts, forms an important focus for my argument. I am particularly interested in the effect that the disruption of language has on the position of the subject in language, especially in terms of the dialogic exchange between local and global subject positions. Poetry is a language activity that requires a particular attention to form and meaning, and that is licensed to activate and exploit the materiality of language. For this reason, I have focused on the work of a selection of North American poets, the Language poets. These poets are primarily concerned with the performative possibilities of language as it appears in print media. I juxtapose these language activities with those of a selection of contemporary South African poets whose work is marked by the influence of oral forms, and reveals telling interplays between media. All these poets are preoccupied with the ways in which the sign might be disrupted. In my discussion of the work of the Language poets, I consider how examples of their print poetics present the reader with language fragments, arranged according to non- syntactic principles. Confronted by the lack of an individuated lyric subject around whom these fragments might cohere, the reader is obliged to make his/her own connections between words, sounds and phrases. Similarly, in the work of the performance poets, I identify several aspects in the poetry that trouble a transparent transmission of expression, and instead require the poetry to be read as an interrogation of the constitution of the subject. Here, the ―I‖ fleetingly occupies multiple, shifting subject positions, and the poetic interplay between media and language tends towards a continuous destabilising of the poetic self. Poets and performers are, to some extent, licensed to experiment with language in ways that render it opaque. Because the language activities of poets and performers are generally accommodated within the order of symbolic or metaphoric language, 3 Stellenbosch University http://scholar.sun.ac.za their experimentation with non-communicative excesses can be understood as part of their framework. However, in situations where ―communicative‖ language is expected, the order of literal or forensic language cannot accommodate seemingly non-communicative excesses that appear to render the text opaque. Ultimately, I am concerned with exploring the manner in which attention to the materiality of language might open up alternative understandings of language, subjectivity and representation in South African public discourse. My conclusion therefore considers the consequences when the issues opened up by the poetry – questions of self and subject, authority and representation – are translated into forensic frameworks and testimonial discourse. 4 Stellenbosch University http://scholar.sun.ac.za Opsomming My proefskrif bied ‘n breedvoerige oorsig van ‘n reeks taal-aktiwiteite wat die materialiteit van taal sigbaar maak. Hierdie taal-aktiwiteite skep tekste wat die leser/kyker noop om as vervaardiger, eerder as verbruiker, van betekenis in ‘n aktiewe verhouding met die teks te tree. Die performatiewe funksie van beide gesproke sowel as gedrukte taal vorm dus die hooffokus van my argument. Ek stel veral belang in die effek wat onderbrekings en versteurings in taal op die subjek van taal uitoefen, en hoe hierdie prosesse die die dialogiese verhouding tussen lokale en globale subjek-posisies beïnvloed. Poëtiese taal-aktiwiteite word gekenmerk deur ‘n fokus op vorm en die verhouding tussen vorm en inhoud. Terwyl die meeste taalpraktyke taaldeursigtigheid vereis ter wille van direkte kommunikasie, het poëtiese taal tot ‘n mate die vryheid om die materaliteit van taal te gebruik en te ontgin. Om hierdie rede fokus ek selektief op die werk van ‘n groep Noord- Amerikaanse digters, die sogenaamde ―Language poets‖. Hierdie digters is hoofsaaklik met die performatiewe moontlikhede van gedrukte taal bemoeid. Voorts word hierdie taal-aktiwiteite met ‘n seleksie kontemporêre Suid-Afrikaanse digters se werk vergelyk, wat gekenmerk word deur die invloed van gesproke taalvorms wat met ‘n verskeidenhed media in wisselwerking gestel word. Al hierdie digters is geïnteresseerd in die maniere waarop die inherente onstabiliteit van linguistiese aanduiers ontgin kan word. In my bespreking van die werk van die Language poets ondersoek ek voorbeelde van hul gedrukte digkuns wat die leser voor taalfragmente te staan bring wat nie volgens die gewone reëls van sintaks georganiseer is nie. Die gebrek aan ‘n geïndividualiseerde liriese subjek, waarom hierdie fragmente ‘n samehangendheid sou kon kry, noop die leser om haar eie verbindings tussen woorde, klanke en frases te maak. Op ‘n soortgelyke wyse identifiseer ek verskeie aspekte wat die deursigtige versending van taaluitinge in die werk van sekere Suid-Afrikanse performance poets belemmer. Hierdie gedigte kan eerder gelees word as ‘n interrogasie van die proses 5 Stellenbosch University http://scholar.sun.ac.za waardeur die samestelling van die subjek in taal geskied. In hierdie gedigte bewoon die ―ek‖ vlietend ‘n verskeidenheid verskuiwende subjek-posisies. Die wisselwerking van verskillende media dra ook by tot die vermenigvuldiging van subjek-posisies, en loop uit op ‘n performatiewe uitbeelding van die destabilisering van die digterlike ―self.‖ Digters en performers is tot ‘n mate vry om met die vertroebelingsmoontlikhede van taal te eksperimenteer. Omdat die taal-aktiwiteite van digters en performers gewoonlik binne die orde van simboliese of metaforiese taal val, kan hul eksperimentering met die nie-kommunikatiewe oormaat van taal binne hierdie raamwerk verstaan word. Hierdie oormaat kan egter nie binne die orde van letterlike of forensiese taal geakkommodeer word nie. Ten slotte voer ek aan dat ‘n fokus op die materialiteit van taal alternatiewe verstaansraamwerke moontlik maak, waardeur ons begrip van die verhouding tussen taal, subjektiwiteit en representasie in die Suid-Afrikaanse publieke diskoers verbreed kan word. In my slothoofstuk oorweeg ek wat gebeur as die kwessies wat deur die bogenoemde performatiewe taal-aktiwiteite opgeroep word – vrae rondom die self en die subjek, outoriteit en representasie – binne ‘n forensiese raamwerk na die diskoers van getuienis oorgedra word. 6 Stellenbosch University http://scholar.sun.ac.za ACKNOWLEDGEMENTS I am deeply grateful to my promotors, Dr Louise Green and Dr Dawid de Villiers, for their patience, support and expertise. I would also like to thank all the staff members and my fellow graduate students in the English Department at Stellenbosch for their academic and moral support. For financial support, I thank the National Research Foundation and the University of Stellenbosch English Department. For their loyalty and love, I thank my family and friends. Finally, I would like to thank my husband Daniël, who always inspires me and keeps me grounded. 7 Stellenbosch University http://scholar.sun.ac.za Contents Preface…………………………………………………………………………………9 Introduction…………………………………………………………..................……31 Chapter One: Language Limits ...................................................................................64 Chapter Two: ―They do not know what a syllable is‖: Visual and sound innovations in Language poetry...................................................................................98 Chapter Three: ―Nothing‘s Discrete‖: Dissolving partitions in Language poetry................................................................................................131 Chapter Four: ―BUTISITA RT‖: Reading the sign in South Africa. ………………149 Chapter Five: ―Am I a tourist or a terrorist?‖: Shifting subject positions in South African performance poetry.…………………………………..........176 Conclusion: Sharing the ―I‖ in South Africa……………………..................………210 Works Cited………………………………………………………………………...233 8 Stellenbosch University http://scholar.sun.ac.za Preface In this thesis, I contend that those textual elements often deemed excessive, or read as linguistic ―deformations‖, might usefully be investigated if one views them as moments where the text registers and performs a material pressure. These deformations produce significant tensions that disrupt the seeming transparency of language. These disruptions
Load more

Recommended publications
  • Leaders in Grassroots Organizations
    Crossing Boundaries: Bridging the Racial Divide – South Africa Taught by Rev. Edwin and Organized by Melikaya Ntshingwa COURSE DESCRIPTION This is a contextual theology course based on the South African experience of apartheid, liberation and transformation, or in the terms of our course: theological discourses from South Africa on “bridging the racial divide”. The course has developed over years – its origins go back to the Desmond Tutu Peace Centre of which the course founder, Dr Judy Mayotte was a Board member. We will look first at the South African experience of Apartheid and try to understand how it was that Christians came to develop such a patently evil form of governance as was Apartheid. We will explore several themes that relate to Apartheid, such as origins, identity, experience, struggle and separation. Then you will have a chance to examine your own theology, where it comes from and how you arrived at your current theological position. In this regard the course also contains sources that deal with Catholic approaches to identity and race. Together we shall then explore issues relating to your own genesis, identity, experience, struggle and separation – all issues common to humankind! All of this we will do by seeking to answer various questions. Each question leads to discussion in class and provides the basis for the work you will be required to do. In the course we examine the nature of separateness (apartheid being an ideology based on a theology of separateness). We will explore the origins of separateness and see how it effects even ourselves at a most basic and elementary level.
    [Show full text]
  • Plant a Tree
    ADDRESS BY THE MINISTER OF WATER AFFAIRS & FORESTRY, RONNIE KASRILS, AT A TREE PLANTING IN MEMORY OF THE MURDER OF THE GUGULETHU SEVEN & AMY BIEHL Arbor Day, Gugulethu, 31st August 1999 I am very honoured to have this opportunity to greet you all. And today I want to extend a special message to all of you who experienced the terrible events that happened here in Gugulethu in the apartheid years. And also, after the disaster that struck early on Sunday morning, the great losses you are suffering now. I am here today in memory and in tribute of all the people of Gugulethu. I salute the courage you have shown over the years. And I want to express my deep sympathy and concern for the plight of those who have lost their family and friends, their homes and their property in the last few days. This commemoration has been dedicated to eight people. Eight people who were senselessly slaughtered right here in this historical community. The first event took place at about 7.30 in the morning on 3 March 1986 when seven young men were shot dead at the corner of NY1 and NY111 and in a field nearby. There names were Mandla Simon Mxinwa, Zanisile Zenith Mjobo, Zola Alfred Swelani, Godfrey Miya, Christopher Piet, Themba Mlifi and Zabonke John Konile. All seven were shot in the head and suffered numerous other gunshot wounds. Every one here knows the story of how they were set up by askaris and drove into a police trap. Just seven and a half years later, on 25 August 1993, Amy Elizabeth Biehl drove into Gugulethu to drop off some friends.
    [Show full text]
  • The South Africa Reader: History, Culture, Politics Edited by Clifton Crais and Thomas Mcclendon
    blogs.lse.ac.uk http://blogs.lse.ac.uk/lsereviewofbooks/2014/04/02/book-review-the-south-africa-reader-history-culture-politics/ Book Review: The South Africa Reader: History, Culture, Politics edited by Clifton Crais and Thomas McClendon The South Africa Reader represents an extraordinarily rich guide to the history, cultures, and politics of South Africa. With more than eighty absorbing selections, the Reader aims to provide readers with many perspectives on the country’s diverse peoples, its first two decades as a democracy, and the forces that have shaped its history and continue to pose challenges to its future, particularly violence, inequality, and racial discrimination. Jason Hickel finds this gripping reading and a comprehensive treatment of the country’s exciting past and tumultuous present – a must for any eager student of South Africa. The South Africa Reader: History, Culture, Politics. Clifton Crais and Thomas McClendon. Duke University Press. December 2013. Find this book: If there’s one book that succeeds in drawing the many strands of South Africa’s rich political history together into a single volume, this is it. Historians Clifton Crais and Thomas McClendon have accomplished a remarkable feat with The South Africa Reader , which offers more than 80 diverse selections: everything from poetry, folklore, songs and speeches to reportage, scholarly analysis, and a series of powerful photographs that bring it all to life. This symphony of texts and images is laid out in a clear narrative structure that guides readers through the early years of colonial settlement, the mineral revolution, the struggle against apartheid, and the transition to democracy.
    [Show full text]
  • Redalyc.Bona Spes
    Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Gatti, José Bona Spes Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 61, julio-diciembre, 2011, pp. 11-27 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348699001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative http//dx.doi.org/10.5007/2175-8026.2011n61p011 BONA Spes José Gatti Universidade Federal de Santa Catarina Universidade Tuiuti do Paraná The main campus of the University of Cape Town is definitely striking, possibly one of the most beautiful in the world. It rests on the foot of the massive Devil’s Peak; not far from there lies the imposing Cape of Good Hope, a crossroads of two oceans. Accordingly, the university’s Latin motto is Bona Spes. With its neo- classic architecture, the university has the atmosphere of an enclave of British academic tradition in Africa. The first courses opened in 1874; since then, the UCT has produced five Nobel prizes and it forms, along with other well-established South African universities, one of the most productive research centers in the continent. I was sent there in 2009, in order to research on the history of South African audiovisual media, sponsored by Fapesp (Fundação de Amparo à Pesquisa do Estado de São Paulo).
    [Show full text]
  • Truth and Reconciliation Commissions: a Review Essay and Annotated Bibliography 37
    Truth and Reconciliation Commissions: A Review Essay and Annotated Bibliography 37 Truth and Reconciliation Commissions: A Review Essay and Annotated Bibliography1 Kevin Avruch and Beatriz Vejarano Since 1973, more than 20 “truth commissions” have been established around the world, with the majority (15) created between 1974-1994. Some were created by international organizations like the United Nations (UN), a few by nongovernmental organizations (NGOs), and the majority by the national governments of the countries in question. Counting “Commissions of Inquiry” with “Truth and Reconciliation” commissions, a partial list is as follows: The UN sponsored, financed, and staffed the truth commissions in El Salvador (1992-1993). Commissions sponsored by NGOs include Rwanda (1993) and Paraguay (1976). In South Africa, the African National Congress (ANC) sponsored two commissions of inquiry (1992 and 1993) investigating its own conduct during the anti- Apartheid struggle. The better-known South African Commission of Truth and Reconciliation was established by South Africa’s post-Apartheid parliament in 1995; the Commission’s report was issued in October, 1998. Other governmentally sponsored commissions (several of which never published final reports) include Argentina (1983- 1984, resulting in the powerful report Nunca Mas, “Never Again,” translated into English and published commercially in 1986 in Britain and the U.S.); Bolivia (1982-1984; disbanded without issuing a final report); Uruguay (1985); Zimbabwe (1985, report never publicly released); Chile (1990-1991); Chad (1991-1992); Germany (1992-1994); Guatemala (1997-1999); Haiti (1995-1996); Nigeria (1999); Philippines (1986, report never completed); Sierra Leone (called for in 1999, still underway); Uganda (1974 and 1986-1995); Brazil (1986); East Timor (1999-2000); Ethiopia (1993-2000); and Honduras (1993).
    [Show full text]
  • Truth and Reconciliation Commission of South Africa Report: Volume 2
    VOLUME TWO Truth and Reconciliation Commission of South Africa Report The report of the Truth and Reconciliation Commission was presented to President Nelson Mandela on 29 October 1998. Archbishop Desmond Tutu Ms Hlengiwe Mkhize Chairperson Dr Alex Boraine Mr Dumisa Ntsebeza Vice-Chairperson Ms Mary Burton Dr Wendy Orr Revd Bongani Finca Adv Denzil Potgieter Ms Sisi Khampepe Dr Fazel Randera Mr Richard Lyster Ms Yasmin Sooka Mr Wynand Malan* Ms Glenda Wildschut Dr Khoza Mgojo * Subject to minority position. See volume 5. Chief Executive Officer: Dr Biki Minyuku I CONTENTS Chapter 1 Chapter 6 National Overview .......................................... 1 Special Investigation The Death of President Samora Machel ................................................ 488 Chapter 2 The State outside Special Investigation South Africa (1960-1990).......................... 42 Helderberg Crash ........................................... 497 Special Investigation Chemical and Biological Warfare........ 504 Chapter 3 The State inside South Africa (1960-1990).......................... 165 Special Investigation Appendix: State Security Forces: Directory Secret State Funding................................... 518 of Organisations and Structures........................ 313 Special Investigation Exhumations....................................................... 537 Chapter 4 The Liberation Movements from 1960 to 1990 ..................................................... 325 Special Investigation Appendix: Organisational structures and The Mandela United
    [Show full text]
  • Country of My Skull/Skull of My Country: Krog and Zagajewski, South Africa and Poland
    Country of my skull/Skull of my country: Krog and Zagajewski, South Africa and Poland Phil van Schalkwyk School of Languages Potchefstroom Campus North-West University POTCHEFSTROOM E-mail: [email protected] Abstract Country of my skull/Skull of my country: Krog and Zagajewski, South Africa and Poland In the ninth poem of the cycle “land van genade en verdriet” (“country of grace and sorrow”) in the collection “Kleur kom nooit alleen nie” (“Colour never comes on its own”), Antjie Krog contends that the old is “stinking along” ever so cheerfully/ robustly in the new South African dispensation. This could also hold true for the new democratic Poland. Krog and the Polish poet Adam Zagajewksi could, in fact, be described as “intimate strangers”, specifically with regard to the mirrored imagery of “country of my skull”/“skull of my country” present in their work. The notion of “intimate strangers” may be seen as pointing toward the feminine dimension of subjectivity, which could be elaborated along the lines of Bracha Ettinger’s concept of “matrixial borderlinking”. Ettinger has made a significant contribution to the field of psychoanalysis, building on Freud and Lacan. She investigates the subject’s relation to the m/Other, and the intimate matrixial sharing of “phantasm”, “jouissance” and trauma among several entities. Critical of the conventional “phallic” paradigm, Ettinger turns to the womb in exploring the “borderlinking” of the I and the non-I within the matrix (the psychic creative “borderspace”). With these considerations as point of departure, and with specific reference to the closing poem in Krog’s “Country of my skull” and Zagajewski’s “Fire” (both exploring “weaning” experiences in recent personal and public history), I intend to show how the Literator 27(3) Des./Dec.
    [Show full text]
  • Traces of Truth
    TRACES OF TRUTH SELECT BIBLIOGRAPHY OF THE SOUTH AFRICAN TRUTH AND RECONCILIATION COMMISSION (TRC) CONTENTS 1. PREHISTORY OF THE TRC 3 1.1 ARTICLES 3 1.2 BOOKS AND BOOK CHAPTERS 5 1.3 THESES 6 2. HUMAN RIGHTS VIOLATIONS 7 2.1 ARTICLES 7 2.2 BOOKS AND BOOK CHAPTERS 10 2.3 THESES 12 3. AMNESTY 13 3.1 ARTICLES 13 3.2 BOOKS AND BOOK CHAPTERS 14 3.3 THESES 16 4. REPARATIONS AND REHABILITATION 17 4.1 ARTICLES 17 4.2 BOOKS AND BOOK CHAPTERS 18 4.3 THESES 19 5. AFTERMATH 20 5.1 ARTICLES 20 5.2 BOOKS AND BOOK CHAPTERS 33 5.3 THESES 40 6. ONLINE RESOURCES 44 7. AUDIOVISUAL COLLECTIONS 45 Select TRC bibliography compiled by Historical Papers (University of Witwatersrand) and South African History Archive (November 2006) 2 1. PREHISTORY OF THE TRC Includes: • Prehistory • Establishment of the TRC • Early perceptions and challenges 1.1 ARTICLES Abraham, L. Vision, truth and rationality, New Contrast 23, no. 1 (1995). Adelman, S. Accountability and administrative law in South Africa's transition to democracy, Journal of Law and Society 21, no. 3 (1994):317-328. Africa Watch. South Africa: Accounting for the past. The lessons for South Africa from Latin America, Human Rights Watch (23 October 1992). Barcroft, P.A. The presidential pardon - a flawed solution, Human Rights Law Journal 14 (1993). Berat, L. Prosecuting human rights violations from a predecessor regime. Guidelines for a transformed South Africa, Boston College Third World Law Journal 13, no. 2 (1993):199-231. Berat, L. & Shain, Y.
    [Show full text]
  • Unavowable Communities: Mapping Representational Excess in South African Literary
    Unavowable Communities: Mapping Representational Excess in South African Literary Culture, 2001–2011 Wamuwi Mbao Dissertation presented for the degree of Doctor of Philosophy in the Department of English at the University of Stellenbosch Stellenbosch University http://scholar.sun.ac.za Stellenbosch University http://scholar.sun.ac.za DECLARATION By submitting this dissertation electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Signature:……………………………………. Date:………………………. Copyright © 2013 Stellenbosch University All rights reserved Stellenbosch University http://scholar.sun.ac.za Abstract This thesis takes as its subject matter a small field of activity in South African fiction in English, a field which I provisionally title the post-transitional moment. It brings together several works of literature that were published between 2004 and 2011. In so doing, it recognises that there can be no delineation of the field except in the most tenuous of senses: as Michael Chapman asserts, such “phases of chronology are ordering conveniences rather than neatly separable entities” (South African Literature 2). In attempting to take a reading of this field, I draw on discussions of the innumerable post-transitional flows and trajectories of meaning advanced by critical scholars such as Ashraf Jamal, Sarah Nuttall, Louise Bethlehem and others. In this thesis, I trace the “enigmatic and acategorical” (Jamal, “Bullet Through the Church” 11) dimension of this field through several works by South African authors.
    [Show full text]
  • Nuremberg Or the South African Trc?
    University of Connecticut OpenCommons@UConn Honors Scholar Theses Honors Scholar Program Spring 5-6-2012 Nuremberg or The outhS African TRC: A Comparison of the Retributive and Restorative Models of Justice Brendan Gooley University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/srhonors_theses Part of the African History Commons, and the European History Commons Recommended Citation Gooley, Brendan, "Nuremberg or The outhS African TRC: A Comparison of the Retributive and Restorative Models of Justice" (2012). Honors Scholar Theses. 270. https://opencommons.uconn.edu/srhonors_theses/270 NUREMBERG OR THE SOUTH AFRICAN TRC? A Comparison of the Retributive and Restorative Models of Justice Brendan Gooley April 2012 Undergraduate Senior Thesis Nuremberg Or The South African TRC? Nuremberg or the South African TRC? 2 Table of Contents Introduction………………………………………………………………………….……3 Historiography………………………………………………………………………….....5 Methodology…………………………………………………………………….……...…11 THE NUREMBERG MODEL OF RETRIBUTIVE JUSTCE.………………….……12 Introduction…………………………………………………………………...…12 Strengths of the Nuremberg Model of Retributive Justice…………….……..15 Weaknesses of the Nuremberg Model of Retributive Justice……..……….…19 “Victor’s Justice” Strength or Weakness?……………………………….……25 Conclusion…………………………………………………………………....….30 THE SOUTH AFRICAN TRUTH AND RECONCILIATION COMMISSION……32 Introduction……………………………………………………………………..32 Strengths of the South African TRC…………………………………………..35 Weaknesses of
    [Show full text]
  • An Investigation of the Process of Rebuilding
    Universiteit Gent Faculteit Letteren & Wijsbegeerte Academiejaar 2012-2013 An Investigation of the Process of Rebuilding Identity in Antjie Krog’s Literature and its Effect on the Reader: An Analysis of Dogter van Jefta, Lady Anne and Country of My Skull Mastertaak voorgelegd tot het bekomen van de graad van Master in de Taal- en Letterkunde: Twee talen Anke De Munster Promotor: Prof. Dr. Yves T’Sjoen i. Index i. Index ................................................................................................................................... i ii. Abbreviations ..................................................................................................................... ii iii. Acknowledgements........................................................................................................... iii 1. Introduction ....................................................................................................................... 1 2. Identity, History and Trauma: Theoretical Framework ..................................................... 4 3. Analysis of Antje Krog’s Dogter van Jefta, Lady Anne and Country of my Skull ........... 13 Introduction ......................................................................................................................... 13 Analysis of Dogter van Jefta ............................................................................................... 13 Analysis of Lady Anne .......................................................................................................
    [Show full text]
  • 'Long Night's Journey Into Day: South Africa's Search for Truth and Reconciliation'
    H-SAfrica Klausen on , 'Long Night's Journey Into Day: South Africa's Search for Truth and Reconciliation' Review published on Tuesday, January 1, 2002 Long Night's Journey Into Day: South Africa's Search for Truth and Reconciliation. Iris Films. Reviewed by Susanne Klausen Published on H-SAfrica (January, 2002) [editor's note: H-SAfrica is pleased to present this review essay from Susanne Klausen, whose critique comes from the perspectives both of a historian of South Africa and a documentary film producer (she is co-producer, with Don Gill, of the documentary 'The Plywood Girls,' (1999).--P.L.] <p> <cite>Long Night's Journey Into Day</cite> is a film documentary about the South African Truth and Reconciliation Commission (TRC or Commission). The TRC was established in 1995 by the country's first democratically elected Parliament. According to former Justice Minister Dullah Omar, who introduced the Promotion of National Unity and Reconciliation Act (1995) that created the Commission, the TRC was envisaged as part of the bridge-building process designed to help lead the nation away from a deeply divided past to "a future founded on the recognition of human rights, democracy and peaceful co-existence."[1] Its overarching mandate was to promote national unity and reconciliation. In order to fulfill it, the TRC set out to uncover "as complete a picture as possible" of the gross human rights violations committed between 1960 and 1994 (from the Sharpeville Massacre to the election of the first democratic government), in the belief that telling the truth about the violations from the various perspectives of those involved would lead to greater understanding and reconciliation between South Africans.
    [Show full text]