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Orality in Writing: Its Cultural and Political Function in Anglophone African, African-Caribbean, and African-Canadian Poetry
ORALITY IN WRITING: ITS CULTURAL AND POLITICAL FUNCTION IN ANGLOPHONE AFRICAN, AFRICAN-CARIBBEAN, AND AFRICAN-CANADIAN POETRY A Thesis submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English University of Saskatchewan Saskatoon By Yaw Adu-Gyamfi Spring 1999 © Copyright Yaw Adu-Gyamfi, 1999. All rights reserved. National Ubrary Bib!iotheque nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 Ottawa ON K1 A ON4 Canada Canada Your file Vol", ,eferet1C8 Our file Not,e ,life,encs The author has granted a non L' auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, preter, distribuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format electronique. The author retains ownership of the L' auteur conserve la propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement reproduits sans son permISSlOn. autorisation. 0-612-37868-3 Canada UNIVERSITY OF SASKATCHEWAN College of Graduate Studies and Research SUMMARY OF DISSERTATION Submitted in Partial Fulfillment of the Requirements for the DEGREE OF DOCTOR OF PHILOSOPHY by Yaw Adu-Gyamfi Department of English Spring 1999 -EXAMINING COMMITTEE: Dr. -
Publishing & the Book in Africa
Publishing & the Book in Africa: A Literature Review for 2017 Hans M. Zell [email protected] Copyright © Hans Zell Publishing Consultants 2018 This is the third in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa. The previous annual literature reviews can be found as follows: 2016: https://www.academia.edu/31441110/Publishing_and_the_Book_in_Africa_A_Literature_ Review_for_2016 (pre-print version) Print/online version published in The African Book Publishing Record 43, no. 2 (May 2017): 120- 170. https://doi.org/10.1515/abpr-2017-0004 2015: https://www.academia.edu/20432811/Publishing_and_the_Book_in_Africa_- _A_Literature_Review_for_2015 (pre-print version) Print/online version published in The African Book Publishing Record 42, no. 1 (March 2016): 11-37. https://doi.org/10.1515/abpr-2016-0003. Extensively annotated and/or with abstracts, the present list brings together new literature published during the course of 2017, a total of 157 records. Also included are a small number of articles and other documents published in 2016 or earlier, and which have not hitherto been included in previous annual literature reviews or in the Publishing, Books & Reading in Sub-Saharan Africa online database (see also below). The literature review covers books, chapters in books and edited collections, journal articles, Internet documents and reports, theses and dissertations, interviews, audio/video recordings and podcasts, as well as a number of blog postings, with their posting dates indicated. Newspaper articles and stories are not generally included, unless of substantial length or of special significance. Records are grouped under a range of regional/country and topic-specific headings. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Kofi Awoonor's Poetry L
Kofi Awoonor's Poetry L. R. EARLY OFI Awoonor is a name that reappears with some frequency in discussions and anthologies of con• K temporary African literature. He has published two volumes of poetry, Rediscovery (1964) and Night of My Blood (1971) ; a novel, This Earth, My Brother (1971) ; and two plays in Short African Plays, edited by Cosmo Pieterse (1972).1 His essays and poems have appeared in a number of magazines, and he has been interviewed in a series on African writers. Night of My Blood and the paperback edition of This Earth, My Brother have introductions by two of Africa's outstanding contemporary writers, Ezekiel Mphahlele and Chinua Achebe. While Awoonor's publish• ed work is relatively slight in volume, it is a substantial achievement in recent African writing in English, and promising in its development and versatility. The facts of Awoonor's life may in part explain this accomplishment and promise. He was born in 1935 near Keta in Ghana, and attended Achimota School and the University of Ghana, where he later worked in the In• stitute of African Studies, specializing in vernacular poetry. He edited Okyeame, a literary magazine which appeared irregularly in the early sixties, and served as an associate editor of Transition. More recently he has co-edited with G. Adali-Mortty an anthology, Messages/Poems from Ghana (1971). In the mid-sixties Awoonor was Director of the Ghana Film Corporation. He took an M.A. at the University of London in 1968 and subsequently became Visiting Professor in African Literature at the State Uni• versity of New York, Stony Brook, and Chairman of its Comparative Literature Program. -
Caine Prize Annual Report 2015.Indd
THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre. -
Changing Kenya's Literary Landscape
CHANGING KENYA’S LITERARY LANDSCAPE CHANGING KENYA’S LITERARY LANDSCAPE Part 2: Past, Present & Future A research paper by Alex Nderitu (www.AlexanderNderitu.com) 09/07/2014 Nairobi, Kenya 1 CHANGING KENYA’S LITERARY LANDSCAPE Contents: 1. Introduction ................................................................................................................... 4 2. Writers in Politics ........................................................................................................ 6 3. A Brief Look at Swahili Literature ....................................................................... 70 - A Taste of Culture - Origins of Kiswahili Lit - Modern Times - The Case for Kiswahili as Africa’s Lingua Franca - Africa the Beautiful 4. JEREMIAH’S WATERS: Why Are So Many Writers Drunkards? ................ 89 5. On Writing ................................................................................................................... 97 - The Greats - The Plot Thickens - Crime & Punishment - Kenyan Scribes 6. Scribbling Rivalry: Writing Families ............................................................... 122 7. Crazy Like a Fox: Humour Writing ................................................................... 128 8. HIGHER LEARNING: Do Universities Kill by Degrees? .............................. 154 - The River Between - Killing Creativity/Entreprenuership - The Importance of Education - Knife to a Gunfight - The Storytelling Gift - The Colour Purple - The Importance of Editors - The Kids are Alright - Kidneys for the King -
In Ghanaian Poetry: Awoonor, Anyidoho and Adzei
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 21 (2019) Issue 6 Article 1 Revisiting "Home" in Ghanaian Poetry: Awoonor, Anyidoho and Adzei Gabriel Edzordzi Agbozo Michigan Technological University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the African Languages and Societies Commons, Comparative Literature Commons, Literature in English, Anglophone outside British Isles and North America Commons, Poetry Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Agbozo, Gabriel Edzordzi "Revisiting "Home" in Ghanaian Poetry: Awoonor, Anyidoho and Adzei." CLCWeb: Comparative Literature and Culture 21.6 (2019): <https://doi.org/10.7771/1481-4374.3007> This text has been double-blind peer reviewed by 2+1 experts in the field. -
March April 2019 Programme Overview
MARCH APRIL 2019 PROGRAMME OVERVIEW WHEN WHAT & WHERE 01/03/2019 & NAIROBI JAM 30/03/2019 GOETHE-INSTITUT, AUDITORIUM 04/03/2019– GZ CALLING 15/03/2019 GOETHE-INSTITUT, AUDITORIUM 08/03/2019– VR-EXPERIENCE 10/03/2019 AFRICA NOUVEAU FESTIVAL, NGONG RACE COURSE 10/03/2019- SERIAL STORYTELLING 14/03/2019 GOETHE-INSTITUT, MEDIATHEK 16/03/2019 & CHILDREN’S PROGRAMME 20/04/2019 MCMILLIAN MEMORIAL LIBRARY BRANCHES 20/03/2019 ON DEFIANCE – ART AS SOCIAL COMMENTARY GOETHE-INSTITUT, AUDITORIUM 21/03/2019 THE RIDGES ACROSS RIVER KAITI GOETHE-INSTITUT, AUDITORIUM 22/03/2019- JENGA CCI CONFERENCE 24/03/2019 PARK INN HOTEL, WESTLANDS 23/03/2019 POETRY SLAM AFRICA 1ST PRELIMINARY GOETHE-INSTITUT, AUDITORIUM 27/03/2019 & ARTISTIC ENCOUNTERS 24/04/2019 GOETHE-INSTITUT, AUDITORIUM 28/03/2019 AGAINST THE WORLD GOETHE-INSTITUT, AUDITORIUM 29/03/2019 GERMAN FILM EVENING GOETHE-INSTITUT, AUDITORIUM 30/03/2019 & LITERATURE FORUM 27/04/2019 GOETHE-INSTITUT, AUDITORIUM 04/04/2019 GERMAN-KENYAN AUTHOR EXCHANGE GOETHE-INSTITUT, AUDITORIUM 04/04/2019- FROM HERE TO WHEN 26/04/2019 GOETHE-INSTITUT, AUDITORIUM 27/04/2019 BOXOFBEATSKE GOETHE-INSTITUT, AUDITORIUM WORKSHOP & CONCERT NAIROBI JAM FRIDAY 01/03/2019 & SATURDAY 30/03/2019, 4.00 PM & 6.00 PM GOETHE-INSTITUT, AUDITORIUM In order to increase the visibility and accessibility of Kenyan music and create more opportunities for the sector, the Goethe-Institut has kicked off 2019 with a brand new concert series. Nairobi JAM is a free monthly music concert that brings together both upcoming and established musicians for a day of entertainment and collaboration. -
An Ecocritical Reading of Selected African Poems
Traore, M. Kente, 2019 KENTE, 2019, VOL 1, NO. 1, 74-89 An Ecocritical Reading of Selected African Poems Moussa Traoré ABSTRACT Department of English University of Cape Coast, Ghana This paper discusses some ecocritical ideas in selected poems by [email protected] / [email protected] Kofi Awoonor, Kofi Anyidoho and the Negritude poets David Diop and Birago Diop. Drawing on postcolonial ecocriticism theory the paper focuses on ecocritical symbolisms and their ramifications in order to show how African poets attend to the environment, community and modernity’s many flaws. The consideration of the Negritude poems in this study stems from the fact that Negritude Literature in general and the selected poems in particular have been examined mainly within the context of Black African identity and the antiracist effort in general. The paper demonstrates that ecological motifs or symbols are deployed by some African poets to express life, survival, and nostalgia. KEYWORDS Anthropological, Ecocriticism, Negritude, Poetic, Sustainability Page 74 Traore, M. Kente, 2019 Introduction In this essay, I am particularly interested in how African poets attend to the environment, the presence of community, and a pressing need to articulate criticisms of modernity’s many flaws. The special way in which two Negritude poets, David Diop and Birago Diop use environment- related symbolism and metaphors like “the tree” among others is also one of the main points that this paper dissects; the environment is used by Negritude poets to render the beauty of African -
NYU in GHANA
Course Title: Creative Writing Course Number: V39.9815 Instructors: AWONOOR, K. & ANYIDOHO, K. Activity Type: Seminar Credit Hours: 4 Semester: Fall & Spring Course description This is a workshop type course intended for a small group of students, each with a strong aptitude and/or demonstrated talent for creative writing. Our basic objective is to guide students into a systematic approach to creative writing in any of the main genres of fiction and poetry. Each student is expected to engage in critical discussions on samples of their own writing as well as on writing by other members of the class. Our focus shall be on developing a grasp of the rudiments and general mechanics of the writer's craft, while at the same time allowing for a fuller realization of the personal/individual creative impulse and talent. Some class sessions will be devoted to various types of writing exercises, others to the discussion of sample texts, most of it produced by members of the class. Each student will be expected to share his/her work with the class and possibly with a wider audience when possible. At the end of the semester, each student will be expected to submit a selected body of creative writing for assessment by the course instructors. Tentatively, arrangements will be made for the class to engage in dialogue sessions with a few established writers, as detailed below: Guest lecture 1: Ghana and the Legacy of Slavery: Anowa - Ama Ata Aidoo Video: Slave Routes: A Trail So Long Gone Dialogue with Ama Ata Aidoo [Tentative] Guest lecture 2: British Colonial Rule & Cultural Nationalism in Ghana Selected Poetry by Kofi Awoonor “National Identity & the Language of Metaphor”: An Intro to FonTomFrom, by Kofi Anyidoho. -
African Worlds RENEWING a DIALOGUE BETWEEN AFRICAN WOMEN WRITERS and WOMEN of AFRICAN DESCENT
Women’s Words: African Worlds RENEWING A DIALOGUE BETWEEN AFRICAN WOMEN WRITERS AND WOMEN OF AFRICAN DESCENT DATE: 25-26 AUGUST 2010 VENUE: WINDYBROW THEATRE Hosted By The Department Of Arts And Culture In Association With The Windybrow Theatre (Pan-African Centre For The Arts) 20 Programme Details of Symposium: 25-26 August 2010 DAY 1: 10am – 1pm DAY 2: Keynote speaker: Minister of Arts and Culture : SESSION 4: Narrating the nation and the politics of reconstruction: “This pioneering programme SESSION 1: Dreams, Dialogues and Realities: 10am 12.30am fictional voices Facilitator: Karabo Kgoleng features writers and performers Facilitator: Zukiswa Wanner Panelists: Elinor Sisulu (South Africa / Zimba- Panelists: Lauretta Ngcobo (South Africa); bwe); Zubeida Jaffer (South Africa); Shailja Patel of the written and spoken word, Lola Shoneyin (Nigeria); Shailja Patel (Kenya); (Kenya); Lisa Combrinck (South Africa) Henrietta Rose-Innes (South Africa); Veronique Tadjo (Ivory Coast / South Africa); SESSION 5: No Newsroom of my own: from all over Africa and its Journalistic and editorial voices: SESSION 2: Dreams, Dialogues and Realities: 1.30 pm to 3.15pm diaspora. We wish you all a joyous fictional voices continued Facilitator: Nokuthula Mazibuko (South Africa) 2pm - 3.30pm Panelists: Maureen Isaacson (Sunday Inde- Facilitator: Lynda Spencer pendent); Gail Smith (South Africa) Nosipho Kota and fruitful symposium” Panelists: Miriam Tlali (South Africa); Samira (South Africa) Margaret Busby (UK / Ghana) Negrouche (Algeria); Adaobi Nwaubani (Nigeria); -
Prince K. Adika1
Marking Transgressive Spaces And Bodies: A Review Of Contemporary Ghanaian Poetry Prince K. Adika1 Abstract This paper reviews contemporary Ghanaian poetry in the light of emerging scholarly discourses about transnational cultural traffic, especially as they relate to Africa and its post-slavery Diasporas in the Western world. The paper argues that while most studies of Ghanaian poetry have been framed by narrowly conceived nationalist viewpoints related to the limiting and inherited mandates of European colonialism, contemporary Ghanaian poetry actually embraces a wider conception of nation that invokes spaces and bodies in both the Ghanaian/African homeland and the Diaspora. The paper argues that nation-language, for Ghanaian poets as much as it was for Kamau Brathwaite and others in the African Diaspora, rests on a foundation of multiple memories and historical experiences drawn from the spaces of both the African continent and its Diasporas, and that is precisely why the imagination of nation in Ghanaian poetry paradoxically transgresses the borders of Ghana and logically leads to transnational transactions.1 1.0 Introduction One of the remarkable things about attitudes to African literary productions of the past century or so is how closely many of those works have been identified with all kinds of national projects and narratives. Over and over again, both African creative writers and their readers have gauged the value of “authentic” African literary works in terms of how useful they are to the socio-cultural and political unit of the nation and its ambitions. That tendency has been even more pronounced with regard to Ghana. For instance, Kwaku Larbi Korang’s (2003: 2) assertion that Joseph Casely Hayford’s pioneering work, Ethiopia Unbound (1911) is a “pathfinding…national allegory…a representative work of early middle class nationalism” succinctly captures an earlier, colonial era version of 1 Prince K.