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Saracon Manual
Ultra High-QualitySar Audio-File And acSample-Rate Conversionon Software Manual Please see page two for version of this manual. Weiss Engineering Ltd. Florastrasse 42, 8610 Uster, Switzerland Phone: +41 44 940 20 06, Fax: +41 44 940 22 14 Email: [email protected], Websites: www.weiss.ch or www.weiss-highend.com 2 This is the manual for Saracon on Windows: c Weiss Engineering LTD. August 20, 2020 Typeset with LATEX 2". Author: Uli Franke Acknowledgements: Daniel Weiss, Rolf Anderegg, Andor Bariska, Andreas Balaskas, Alan Silverman, Kent Poon, Helge Sten, Bob Boyd, all the beta-testers and all other persons involved. Saracon Version: 01 . 61 - 37 Manual Revision: 00.03 Legal Statement The software (Saracon) and this document are copyrighted. All algorithms, coefficients, code segments etc. are intellectual property of Weiss Engineering ltd.. Neither disassembly nor re-usage or any similar is allowed in any way. Contravention will be punished by law. Information in this document is provided solely to enable the user to use the Saracon software from Weiss Engineering ltd.. There are no express or implied copyright licenses granted hereunder to design or program any similar software based on the information in this document. Weiss Engineering ltd. does not convey any license under its patent rights nor the rights of others. Weiss Engineering ltd. reserves the right to make changes without further notice to any products herein. Weiss Engineering ltd. makes no warranty, representation or guarantee regarding the suitability of its products for any particular purpose, nor does Weiss Engineering ltd. assume any liability arising out of the application or use of any part of this software or manual, and specifically disclaims any and all liability, including without limitation consequential or incidental damages. -
Sonic Studio Nexstage Overview
nexStage Tools for Transcoding & Sonic Studio Authoring from Sonic Studio nexStage, Complete Solutions for SACD Creation A Comprehensive Line of Tools for Audio Post nexStage offers DSD and SACD post–production tools for most workstation users. Whether it’s a DSD recorder/editor from SA- DiE, Merging Technolgies, Sonoma, Super Audio Center, Tascam or Sony or, a PCM DAW from Magix, Digidesign, Steinberg or many others, there’s a SACD delivery solution from Sonic Studio. ...a Rosetta Stone for Music In the world of consumer audio distribution, there are two modern release formats; SACD and DVD-Audio. Most digital audio products are able to handle some version of linear PCM which is good for CD and DVD releases but, increasingly, SACD capa- bilities are needed to stay competitive. Our nexStage product line bridges the technological divide between CD and DVD on one hand, and SACD on the other. PCM or DSD…It’s Your Call DSD or Direct Stream Digital is the na- tive file format for SACDs. Super Audio CDs are the successor to the univer- sally accepted Compact Discs from the inventors of the Compact Disc, Philips and Sony. SACDs enjoy broad accep- tance by consumers for their forward and backward compatibility, ease of use and “ultra–analog” sound quality. Record labels appreciate their tightly locked intellectual property protection and ability to deliver a single SKU to retailers. Now, no matter what DAW or digital recorder you use, the nexStage tool complement provides the ability to create any digital audio release format, from multichannel audio for SACD or DVD-A to good ol’ stereo CDs, all on your desktop. -
Crescent-Music-Services-Cd-Project
Introduction — 3 8 reasons why you need a CD — 4 table of contents Questions you will need to answer — 5 Project Checklist — 6 Scanning — 42 Pressing — 72 Schedule — 7 Resolution — 43 Duplication versus Replication — 73 Design process — 8 Proofs and proofing — 44 How CDs are Pressed — 76 Proofing tips and guidelines — 45 Concept — 10 Proofing checklist — 46 FAQs — 77 Design — 11 Proofs — 47 Shipping — 77 Cover Design — 12 Doing your own production files — 49 Pricing your CD — 77 Images — 13 Working with a designer — 52 Color — 15 about the author — 78 Design Process Walkthrough — 53 Paper — 19 the printing process — 54 Layout — 20 Printing Lingo — 57 Preparing your packaging — 21 Mastering — 58 Packaging Styles — 21 Master checklist — 59 Digipaks vs. Jewelcases — 24 This is an interactive PDF. Liner Notes Checklist — 25 Mastering FAQs — 60 Choosing a Mastering Engineer — 61 Insert/Booklet — 26 Watch for hyperlinks throughout that Folding Choices — 28 ISRC codes — 63 will take you to other places in this Traycard / Back cover — 29 other mastering options — 64 document and on the web. Barcode — 31 Legal and Business Stuff — 65 Disc Face — 32 IPR Forms — 66 other packaging options — 34 Mechanical Use this Table of Contents to jump Preparing Text & Images — 35 Licenses — 67 to different sections (or use your Preparing Your Text — 36 Public Domain — 68 Bookmarks panel in Acrobat Reader). Photography / Artwork — 37 BMI ASCAP — 69 Photography techniques & tips — 39 Sound Exchange — 69 To PRINT, select "Fit to paper" in the Hiring a photographer (or artist) — 40 Copyright — 70 Print dialog box. Image Copyrights — 41 Other Legal and Business Stuff — 71 CD Project Planner • Crescent Music Services • www.crescentmusic.com • 504-312-2354 Jump to: TOC • DESIGN • PACKAGING • MASTERING • LEGAL • PRESSING • FAQs • <<<<< • >>>>> Introduction This publication will take you through the steps and discuss However, you still must coordinate things, so you need to the different aspects of creating your CD from the point educate yourself. -
Soundblade Version 1.3 — User Manual
Page 2 soundBlade SE User Manual Table of Contents studioCare Support Program — ............................................................................ 15 Why Do You Need studioCare?: ....................................................................................................15 What Is studioCare?: ......................................................................................................................15 Annual Support & Maintenance Programs: ................................................................................15 On Demand Support Offerings: ....................................................................................................16 Chapter 1 Introduction ....................................................................................... 17 Chapter 2 Quick Start ......................................................................................... 18 2.1 Before You Begin .................................................................................................18 2.1.1 Requirements ............................................................................................................................18 2.1.2 Installation .................................................................................................................................18 2.2 Creating CDs With soundBlade SE ....................................................................18 First: Assemble your audio ................................................................................................................19 -
TECHNOLOGYFIELD TEST B Y E R I K Z O B L E R Sonic Studio Premaster CD Software Professional Prep and Finishing Tool for Replication
FIELD TEST TECHNOLOGYFIELD TEST B Y E R I K Z O B LER Sonic Studio PreMaster CD Software Professional Prep and Finishing Tool for Replication onic Studio began as workstation make. You can easily make pioneer Sonic Solutions. Today, Sonic very long crossfades by SStudio makes hardware interfaces and holding the Option key Mac software for PCM and DSD production, and mousing up the center as well as integrated premastering for CD, of the crossfade: Crossfade SACD and rich-media distribution. PreMas- beginning and end regions ter CD (PMCD) is Sonic Studio’s premaster- both expand while keeping ing software, designed to trim and space the fade parameters that your tracks, make edits, add gain changes, you just created. A small create fades, input text and add PQ codes. “bead” lets you adjust the fade curves without having GETTING STARTED to access another window. Installation on my Mac G5 Quad running What PCMD won’t do? OS 10.4 (PMCD uses Core Audio) was It won’t record files. It can easy. Authorization is more involved due change polarity, reverse to challenge/response registration; this took audio, normalize and make about an hour, but the installation guide gain changes, but it doesn’t PMCD is used as the last step before sending your CD for replication. warns it can take up to three business days. support DSP processing. PMCD creates a CD in six steps. However, There’s no provision for scrubbing; only SURVEY SAYS if you want to do fine-tuning, then be half-speed playback is available. -
CD Mastering
AJD5059 great master_MGM Inside aug03 5/3/13 10:55 AM Page 2 AJD5059 great master_MGM Inside aug03 5/3/13 10:55 AM Page 3 Preface THE AUDIO RECORDING AND MANUFACTURING PROCESS The process of transforming your musical ideas into a finished product that you can share with others involves a series of steps leading from the original record- ing sessions through to the delivery of your packaged CDs, cassettes, or vinyl records. Because the choices you make at each step affect the quality of your final product, familiarizing yourself with this process will help ensure the best possi- ble results for your project. There are many possible variations, but in general the process runs as follows: • Recording involves capturing instrumental and vocal sounds (using micro- phones or direct inputs), and storing them either on digital or analog tape, or on a stand-alone or computer-based Digital Audio Workstation (DAW). Some recordings are made direct to stereo, but the vast majority are recorded “multi- track,” meaning that the sounds of the different instruments are recorded and stored individually. • Mixing is the art of blending individually recorded sounds through a console or on a DAW, controlling the level and pan (stereo speaker placement) of each sound to create a final “mix” of your musical selection (song). Mixes may either be recorded to tape or stored on the hard drive of a DAW. • Master assembly means editing a collection of individual song mixes into a complete “master” that flows from start to finish in the desired order and with the desired amount of space between selections. -
Delivery Recommendations 070711
Recommendation for Delivery of Recorded Music Projects 080107 rev 48 This document has been created as a Recommendation for Delivery of Recorded Music Projects. This document specifies the physical deliverables that are the foundation of the creative process, with the understanding that it is in the interest of all parties involved to make them accessible for both the short term and the long term. Thus, this document recommends reliable backup, delivery and archiving methodologies for current audio technologies, which should ensure that music will be completely and reliably recoverable and protected from damage, obsolescence and loss. The Delivery Specifications Committee, comprised of producers, engineers, record company executives and others working primarily in Nashville, New York and Los Angeles (and in conjunction with the AES Technical Committee on Studio Practices and Production and the AES Nashville Section), developed the Delivery Recommendations over the course of two years. During its development, the committee met regularly at the Recording Academy® Nashville Chapter offices to debate the issues surrounding the short term and long term viability of the creative tools used in the recording process, and to design a specification in the interest of all parties involved in the recording process. The committee reached consensus in July, 2002 and the committee’s recommendations were finalized and presented to The Recording Academy Producers & Engineers Wing membership, the overall recording community, and to press in Nashville on July 19, 2002. The document was also presented to the AES in the Studio Practices and Production Tech Committee meeting on October 7th, 2002 in Los Angeles, and on March 24th, 2003 in Amsterdam. -
Sound Installation & Self-Listening
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 Sound installation & self-listening Iain David Mott University of Wollongong Recommended Citation Mott, Iain David, Sound installation & self-listening, Doctor of Philosophy thesis, University of Wollongong - Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/3192 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. Sound Installation & Self-listening A thesis submitted in partial fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by Iain David Mott Faculty of Creative Arts 2009 Thesis Certification CERTIFICATION I, Iain David Mott, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Faculty of Creative Arts, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Iain David Mott 23 October 2009 Table of Contents Abstract...............................................................................................................................i Acknowledgements...........................................................................................................iii Prologue ..........................................................................................................................vii -
CD and DVD Source Media Guide
M ANUFACTURING C ORPORATION 8960 Eton Ave., Canoga Park, CA 91304 • (818) 280-1100 Fax: (818) 280-1101 • www.rainborecords.com • [email protected] CD and DVD Source Media Reference Guide v. 10.3 Please use this guide when submitting media formats for your CD or DVD replication project. Under each heading are the acceptable media with notations if needed. It is always a good idea to send back- up source media to avoid delays in your project in the event one of your sources cannot be used. GENERAL GUIDELINES FOR CD Always do a complete quality check on your CD master media prior to sending in your master for replication. Your checks should include sound quality start to finish including start indexes, pause times between tracks, track fades, etc. Verify CD-Text if present, and player compatibility for any device you would expect the CD to be played back on * Note: AIFF, WAV, and MP3 files are not properly formatted CDDA (CD Digital Audio) files. If you want a red book audio spec CD replica that will play in all CD compatible players, you must have these types files reformatted and mastered into a red book audio spec PMCD or DDP master first. Acceptable CD–Audio Formats 1) CD-replica Replicated disc (red book audio spec) 2) CD-R PMCD master (red book audio spec) 3) CD-R DDP format image files stored on disc 4) DVD-R DDP format image files stored on disc 5) Flash Drive DDP format image files stored on drive (drive formatted for PC) 6) Digital Upload DDP format image files uploaded to our FTP server 7) Digital Download DDP format image files download from your server CD – ROM, Enhanced CD, Multi-Session CD-replica ISO-9660 and UDF files are recommended CD-R ISO-9660 and UDF files are recommended * All projects requiring data transfers, reformatting data files, creation of Enhanced or Multi- session CDs, and/or editing are subject to additional pre-mastering charges based on the complexity of the project. -
PROSPETTO INDICATIVO DEI COSTI DI MASTERING Ultimo Aggiornamento: Agosto 2019
PROSPETTO INDICATIVO DEI COSTI DI MASTERING ultimo aggiornamento: agosto 2019 - Mastering di 1 brano nei formati ADM (Apple Digital Master) ad alta risoluzione per la distribuzione digitale e CDDA (Compact Disc Digital Audio) per la scrittura su CD. - Allestimento di un index di lavoro a cui fare riferimento nel corso della lavorazione per confronti e interazioni tramite upload di files audio. - Nel caso in cui sia prevista la stampa fisica: preparazione e upload dell’immagine DDP. Solo se richiesto da parte di chi produrrà la matrice scrittura di 1 PMCD in modalità DAO con sistema dedicato su supporto di alta qualità, testato 1:1, conforme al Red Book per la riproduzione industriale e compatibile con il formato CD TEXT. EUR 180,00 - Mastering di un EP (fino a 5 brani) nei formati ADM ad alta risoluzione per la distribuzione digitale e CDDA. - Allestimento di un index di lavoro a cui fare riferimento nel corso della lavorazione per confronti e interazioni tramite upload di files audio. - Stesura della tracklist con anteprima audio/testuale per lo svolgimento delle opportune controverifiche. - Per stampa fisica: preparazione e upload dell’immagine DDP; se richiesto da parte di chi produrrà la matrice scrittura di 1 PMCD in modalità DAO con sistema dedicato su supporto di alta qualità, testato e controllato 1:1, conforme al Red Book per la riproduzione industriale e compatibile con il formato CD TEXT. EUR 180,00 + EUR 80,00 per ciascun brano successivo al primo - Mastering di 6 o più brani nei formati ADM ad alta risoluzione per la distribuzione digitale e CDDA. -
Sonicstudio 5.2 Release Notes
SONIC SOLUTIONS SonicStudio 5.2 Release Notes ©1996 Sonic Solutions. All rights reserved. SonicStudio 5.2, Release Notes This manual, as well as the software described in it, is furnished under license and may only be used or copied in accordance with the terms of such license. The information in this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Sonic Solutions. Sonic Solutions assumes no responsibility or liability for any errors or inaccuracies that may appear in this book. Except as permitted by such license, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Sonic Solutions. SONIC SOLUTIONS, INC. ("SONIC") MAKES NO WARRANTIES, EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THE APPLE SOFTWARE. SONIC DOES NOT WARRANT, GUARANTEE, OR MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SONIC SOFTWARE IN TERMS OF ITS CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS, OR OTHERWISE. THE ENTIRE RISK AS TO THE RESULTS AND PERFORMANCE OF THE SONIC SOFTWARE IS ASSUMED BY YOU. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. IN NO EVENT WILL SONIC, ITS DIRECTORS, OFFICERS, EMPLOYEES, OR AGENTS BY LIABLE TO YOU FOR ANY CONSEQUENTIAL, INCIDENTAL, OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE THE APPLE SOFTWARE EVEN IF SONIC HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. -
2017-2018 Academic Catalog
2017-2018 Academic Catalog See aiprograms.info for program duration, tuition, fees, and other costs, median debt, salary data, alumni success, and other important info. Catalog Preparation This catalog was prepared by The New England Institute of Art, 10 Brookline Place West, Brookline, Massachusetts 02445. The information contained herein applies to the academic year 2017-2018. Curriculum, fees, expenses, and other matters described herein are subject to change without notice and at the discretion of The New England Institute of Art. For more information, write to the above address or call 1-800-903-4425. LETTER FROM THE PRESIDENT It is my privilege to be the President of The New England Institute of Art (“NEIA”). This is a unique time in the history of NEIA and I appreciate your decision to finish your degree here with us. I promise I will play my part in helping you achieve your goal of gaining that degree in a field that interests you. This college and its talented faculty and devoted administrative staff have been helping students like you for many years and we have become pretty good at it. There is a special vibe here at NEIA that suggests you will find others here who think like you – students, staff and faculty alike. We understand that you are here because you have a creative drive that you are passionate about and you wish to pursue it fully. This is a college and you will need to continue to work hard in order to attain that degree. With our support and your continued effort, your educational goals will prepare you for that start of your creative career.