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Information Munich Airport from a to Z
/Information Munich Airport from A to Z Living ideas – Connecting lives Contents 1 Contents Overview 2 Overview plan of the airport 4 Terminal 1 and München Airport Center (MAC) 6 Terminal 2 8 Terminal 2 satellite Service at the airport 10 Service Centers 11 Service from A to Z 28 Service for passengers with disabilities 30 Cafés, bars and restaurants 34 Hotels 35 »municon« conference center 36 Travel market 37 Airlines 38 Visitors Park Transport links 40 Road network 41 Parking 42 Rapid transit rail (S-Bahn) 44 Bus connections 46 Transfer services 2 Overview 3 /Overview plan of the airport Access to/from A92 Deggendorf expressway and Erding 41 Terminal 1 Nord Nordallee 1 5 F 41 A Süd Hotel 52 Access to/from General 2 26 35 A92 München-Deggendorf Hotel Aviation expressway and Freising Zentralallee Visitors Park B Terminal 1 Terminal 2 T2 satellite Terminal G Südallee MAC H C 81 Access to Terminal 1 27 Wartungsallee 3 7 Access to Terminal 2 for meeters and greeters 80 D 20 West 80 Access to Terminal 2 for parkers Ost Foothpath Cargo Terminal 4 8 E 25 Terminal 1 Rail services (S-Bahn) T1 consists of the departure/arrival areas (A–D and Parking The rapid transit rail lines S1 and S8 alternately Internet F) plus an arrival-only area (E). All facilities for han- P1–P5, P7, P8 and serve the stops »Besucherpark« (Visitors Park) and www.munich- dling passengers are located at level 04 (street level). P20 in the direct »Flughafen München« (Munich Airport) about every airport.de vicinity of the Passengers and terminals ten minutes. -
17:30 Hrs Atlantic Fish and Seafood in a Root Vegetable Stock with Saffron
12:00 – 17:30 hrs 12:00 – 17:30 hrs Premier Cru Brut …………………....…..…….... ……………………………………………………..…….. marinated in high quality olive oil, served with roasted garlic parisienne ..……………………...…………….... …….……………..………. Atlantic fish and seafood in a root vegetable stock Brut Rosé ………………………………………….….. with saffron and herb baguette thinly sliced veal with tuna sauce and caper apples ..……...….. with fresh dill ………………..………..…….. with mustard-dill sauce, avocado and apple …………...….….. ……..…….……… Gravad Lax finely pickled, mild smoked salmon, strong smoked salmon, salmon tartare with dill, …………….….…. cream horseradish5, mustard-dill sauce, butter and toast2 ….. cut by hand, with fried quail egg and roasted Parisienne ...…... Riesling sparkling wine, bottle fermentation ..….... Palatinate, Germany …………..……………........….. Buffalo mozzarella, sun-ripened date tomatoes, rocket salad, Romana lettuce hearts, Caesar’s dressing, crispy Bacon2,3 …..... grilled aubergine, giant white beans, caramelised radicchio, dark balsamic dressing and croûtons ….………………........... ………………….…..…………………... “Ried Obere Point” …………………………...….…. (vegan) Family Piewald, Wachau, Austria ….……...……….. with light mustard cream, mushrooms and herb mousseline Lupine, edamame, beetroot hummus, smoked tofu, au gratin, basmati rice …………....…………...……...……… avocado, pomegranate, mango, cashews, ………......……...…. mango-lime chilli dressing ………...........……….......………... M. Molitor, quality wine Mosel, Germany .............. Robiola Fresca Di Capra, Tegernsee hay-milk Camembert, ……..………......…….. -
World War I Posters and the Female Form
WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER Bachelor of Arts in English John Carroll University January, 2003 submitted in partial fulfillment of requirements for the degree MASTERS OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2008 This thesis has been approved for the Department of ART HISTORY and the College of Graduate Studies by ___________________________________________ Thesis Chairperson, Dr. Samantha Baskind _________________________ Department & Date ____________________________________________ Dr. Marian Bleeke ________________________ Department & Date _____________________________________________ Dr. Elizabeth Lehfeldt ___________________________ Department & Date WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER ABSTRACT Like Britain and continental Europe, the United States would utilize the poster to garner both funding and public support during World War I. While war has historically been considered a masculine endeavor, a relatively large number of these posters depict the female form. Although the use of women in American World War I visual propaganda may not initially seem problematic, upon further inspection it becomes clear that her presence often served to promote racial and national pretentiousness. Based on the works of popular pre-war illustrators like Howard Chandler Christy and Charles Dana Gibson, the American woman was the most attractive woman in the in the world. Her outstanding wit, beauty and intelligence made her the only suitable mate for the supposed racially superior American man. With the onset of war, however, the once entertaining romantic scenarios in popular monthlies and weeklies now represented what America stood to lose, and the “American Girl” would make the transition from magazine illustrations to war poster with minimal alterations. -
Référence Client
ECM Référence client Partenaire de confiance pour sécuriser les documents de DALLMAYR En utilisant Comarch ECM, les utilisateurs sont capables de rechercher d’une manière simple les documents souhaités, en utilisant leur propre ordinateur et non plus en se perdant dans les archives papier qui auparavant remplissaient des salles entières. Aujourd’hui, environ 100 employés de Dallmayr utilisent les licences de Comarch ECM. Selon Djordje Nikolic, responsable du Département Informatique de Dallmayr : « La possibilité de rechercher les documents en restant à son poste de travail nous a permis d’être plus efficaces dans notre Date et Chiffres clés façon de travailler ». Société: Dallmayr-Unternehmensgruppe Solution mise en place Activité: Restauration / Commerce Effectifs: 2 200 Grâce à Comarch ECM, tous les documents quels qu’ils soient, Siège social : Munich qu’importe leur origine, peuvent être inclus dans les processus d’édition et d’archivage, et de nouveaux types d’accusés de réception peuvent être intégrés sans aucune difficulté. Ainsi a été créée la base d’un système d’archivage puissant et durable. Suite à l’introduction de Comarch ECM chez Dallmayr en 2000, une nouvelle ère a commencé au siège à Munich. En effet, depuis ce Les fonctionnalités de requête d’archive et de gestion des moment-là, les documents stockés – que ce soit des bons de documents peuvent également être utilisées pour les documents commande de café, des bons de livraison, des factures entrantes et envoyés via EDI (Échange des Données Informatisé) par les sortantes, des avis d’expédition ou des documents fiscaux – partenaires commerciaux, tels que les commandes ou avis peuvent être retrouvés et ouverts en quelques secondes seulement. -
Download Date 29/09/2021 14:26:44
An Illustrated Celebrity in American Society: The Biography of the Gibson Girl, 1890-1920 Item Type text; Electronic Thesis Authors Manzur, Jennifer Elena Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 14:26:44 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/321797 ABSTRACT The purpose of this research project is to determine the evolving role of the Gibson Girl as an icon in popular magazines and periodicals as well as in works of literature during the late nineteenth and early twentieth century. In a time where the structure of a patriarchal society suppressed female independence, the image of the Gibson Girl encouraged change and opportunity for women in American urban society. Appearing in the late nineteenth century by the hands of illustrator Charles Dana Gibson, the Gibson Girl defined the ideal female of the time: white, graceful with beauty and independence. She epitomized the function of a quintessential woman in American society at the turn of the century. Arguably, the Gibson Girl was an early standardization of American female beauty. The ubiquity of her image in periodicals and magazines conceptualized a vision of faultless beauty, such as her bouffant pompadour hair and S-curve silhouette. The illustrations depicted her in a variety of situations, from attending high-society events to lounging on a beach in a bathing suit, all while setting fashion trends. -
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors
Black Performance and Cultural Criticism Valerie Lee and E. Patrick Johnson, Series Editors Seniors_Book4print.indb 1 5/28/2009 11:30:56 AM Seniors_Book4print.indb 2 5/28/2009 11:30:56 AM BEYOND LIFT EVERY VOICE AND SING The Culture of Uplift, Identity, and Politics in Black Musical Theater • Paula Marie Seniors The Ohio State University Press Columbus Seniors_Book4print.indb 3 5/28/2009 11:30:56 AM Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Seniors, Paula Marie. Beyond lift every voice and sing : the culture of uplift, identity, and politics in black musical theater / Paula Marie Seniors. p. cm. — (Black performance and cultural criticism) Includes bibliographical references and index. ISBN-13: 978-0-8142-1100-7 (cloth : alk. paper) ISBN-10: 0-8142-1100-3 (cloth : alk. paper) 1. African Americans in musical theater—History. 2. Musical theater—United States—History. 3. Johnson, James Weldon, 1871–1938. 4. Johnson, J. Rosamond (John Rosamond), 1873–1954. 5. Cole, Bob, 1868–1911. I. Title. ML1711.S46 2009 792.6089'96073—dc22 2008048102 This book is available in the following editions: Cloth (ISBN 978-0-8142-1100-7) CD-ROM (ISBN 978-0-8142-9198-6) Cover design by Laurence Nozik. Type set in Adobe Sabon. Text design by Jennifer Shoffey Forsythe. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the Ameri- can National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Seniors_Book4print.indb 4 5/28/2009 11:30:56 AM This book is dedicated to my scholar activist parents AUDREY PROCTOR SENIORS CLARENCE HENRY SENIORS AND TO MIss PARK SENIORS Their life lessons and love nurtured me. -
The Communicative Ethics Controversy Edited by Seyla
The Communicative Ethics Controversy edited by Seyla Benhabib and Fred Dallmayr I ! The MIT Press, Cambridge, Massachusetts, and London, England Contents O 1990 Massachusetts Institute of Technology Sources and Acknowledgments vii All rights reserved. NO part of this book may be reproduced in any form or by any electronic or mechanical means (including photocopying, recording, or information Introduction 1 storage and retrieval) without permission in writing from the publisher. Fred Dallmayr This book was set in Baskerville by DEKR Corporation and printed and bound in Part I the United States of America. The Program of Communicative Ethics Library of Congress Cataloging-in-Publication Data 1 Is the Ethics of the Ideal Communication The Communicative ethics controversy / edited by Seyla Benhabib and Community a Utopia? On the Relationship between Fred Dallmayr. 23 p. cm.-(Studies in contemporary German social thought) Ethics, Utopia, and the Critique of Utopia Includes bibli~~raphicalreferences. Karl-Otto Ape1 ISBN 0-262-02305-9.- ISBN 0-262-52152-0 (pbk.) 1. Communication-Moral and ethical aspects. I. Benhabib, Seyla. 2 Discourse Ethics: Notes on a Program of 11. Dallmayr, Fred R. (Fred Reinhard), 1928- . 111. Series. P94.C573 1990 Philosophical Justification 17Wc20 90-329 18 Jiirgen Habermas C1P 3 Transcendental Pragmatics and Critical Morality: . On the Possibility and Moral Significance of a Self- Enlightenment of Reason 111 Dietrich Bohler 4 A Theory of Practical Discourse 151 Robert Alexy C, Part11 - The Controversy " \ 5 Kantian -
All Prices in Euro, Including VAT BREAKFAST Bavarian
BREAKFAST Bavarian veal sausage breakfast 6,50 2 mild spiced veal sausages with pretzel, butter and sweet mustard Farmer breakfast with small salad bouquet 7,50 Potato, bacon, onion and pickled cucumber in egg coating Small sweet breakfast 5,00 1 croissant, butter, strawberry or raspberry marmalade or honey, small yoghurt with fruits Large sweet breakfast 9,50 2 croissants, butter, strawberry or raspberry marmalade, honey, large yoghurt with fruits Small Wake up! breakfast 12,50 2 bread rolls, 1 slice of whole-wheat bread, butter, Hungarian salami, Black Forest ham, St. Albray cheese, strawberry or raspberry marmalade, honey, small yoghurt with fruits Large Wake up! breakfast 19,50 2 croissants, 2 bread rolls, 1 slice of whole-wheat bread, butter, Hungarian salami, Black Forest ham, St. Albray cheese, strawberry or raspberry marmalade, honey, big yoghurt with fruits 2 eggs sunny side up 2,00 2 eggs sunny side up with bacon 3,50 Scrambled eggs with 3 eggs 5,00 Scrambled eggs with bacon, onions, herbs 7,00 Scrambled eggs with tomato, cheese, herbs 7,00 Croissant 2,00 Bread roll 0,80 Slice of whole-wheat bread 0,80 Slice of Toast 0,40 Oven-fresh pretzel with butter 2,00 Portion sweet spread 1,00 Portion sausage cold cuts 2,00 Portion cheese cold cuts 2,00 Portion smoked salmon 3,00 Small yoghurt with fruits 2,50 Large yoghurt with fruits 4,50 All prices in Euro, including VAT STARTERS & SMALL DISHES Savory goulash soup 7,50 with baguette Obazda with oven-fresh pretzel (vegetarian) 5,50 Cheese preparation of camembert, cream cheese & onions -
Feminine Narrative and Agency in Wonder Woman Mikala Carpenter
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2018 Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman Mikala Carpenter Follow this and additional works at: http://commons.emich.edu/theses Part of the Children's and Young Adult Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Carpenter, Mikala, "Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman" (2018). Master's Theses and Doctoral Dissertations. 893. http://commons.emich.edu/theses/893 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Sculpted from Clay, Shaped by Power: Feminine Narrative and Agency in Wonder Woman by Mikala Carpenter Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Children’s Literature Thesis Committee: Annette Wannamaker, PhD, Chair Amanda Allen, PhD, Second Reader 15 March 2018 Ypsilanti, Michigan Carpenter ii To the wonder women in my life who have loved me, who have challenged me, who have made me stronger, brighter, better. Carpenter iii Acknowledgments In Wonder Woman Vol. 4 #40 (2015), Diana declares, “An Amazon looks for ways to empower her sisters … because their strength is hers.” The creation of this thesis project has only been accomplished with the same tenet in mind. -
Top Ten Sightseeing Attractions in Munich
GE Additive Customer Experience Center & GE European Technology Center Freisinger Landstraße 50 Tel: +49 89 5528 3000 85748 Garching b. München Fax: +49 89 5528 3180 Germany 24-h Security: +49 89 5528 3002 How to find us Interchange Nuremberg/ European Neufahrn Airport Technology 92 Center P Munich Visitor/Taxi Parking Airport 9 9 P Employee Parking Freisinger Landstraße Freisinger Lichtenbergstraße Exit Garching Nord Walk from Trainstation 11 U6 - Garching Forschungszentrum Garching U Exit Garching Nord Ludwig-Prantl-Straße Munich Munich Boltzmannstraße 1 Directions from Munich City Center (approx. 20-30 min) Take motorway A9 direction Nürnberg and exit “Garching Nord” and leave exit turning right (direction Garching). At traffic light turn left onto B11 (= Freisinger Landstrasse), direction Munich Airport / Freising. Pass next traffic light and you will find visitors parking lot / main entrance to GEGR on the righthand side. Via B471 Go through the city of Garching, continue going straight after leaving city, direction Munich Airport / Freising on B11 (= Freisinger Landstrasse). Pass two traffic lights and you will find visitors parking lot / main entrance to GEGR on the righthand side. Directions from Munich Airport (approx. 20 min) Take motorway A92 direction Stuttgart, change to A9 heading Munich and exit A9 at “Garching Nord” and leave exit turning left (direction Garching). At traffic light turn left onto B11 (= Freisinger Landstrasse), direction Munich Airport / Freising. Pass next traffic light and you will find visitors parking lot / main entrance to GEGR on the righthand side. Via B11 – from North Go through the town of Dietersheim, continue going straight after leaving town, direction Munich / Garching on B11 (= Freisinger Landstrasse). -
Flapper Fashion in the Context of Cultural Changes of America in the 1920S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Flapper Fashion In the Context of Cultural Changes of America in the 1920s Soo Hyun Park Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/263 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FLAPPER FASHION IN THE CONTEXT OF CULTURAL CHANGES OF AMERICA IN THE 1920S BY SOOHYUN PARK A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University New York 2014 This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. Approved By Thesis Advisor ___________________________________________ Date ________________ Professor Eugenia Paulicelli Executive Officer ___________________________________________ Date ________________ Professor Matthew K. Gold THE CITY UNIVERSITY OF NEW YORK ii Abstract FLAPPER FASHION IN THE CONTEXT OF CULTURAL CHANGES OF AMERICA IN THE 1920S by Soohyun Park Thesis Advisor : Professor Eugenia Paulicelli This study aimed to analyze the key characteristics of flapper fashion, which shaped the American fashion scene in the 1920s, and to review how this trend reflected the society at that time, which was changing fast in terms of the society, economy, and culture. -
American History Activators: WWI Through 1950' | Product Code: INT430 the Entire Product Is Available for Purchase at Or
Sample from: 'American History Activators: WWI through 1950' | Product code: INT430 The entire product is available for purchase at www.socialstudies.com or www.teachinteract.com American History Activators World War I through 1950 By Bill Lacey CULVER CITY, CALIFORNIA Samples are provided for evaluation purposes. Copying of the product or its parts for resale is prohibited. Additional restrictions may be set by the publisher. v2.0 Sample from: 'American History Activators: WWI through 1950' | Product code: INT430 The entire product is available for purchase at www.socialstudies.com or www.teachinteract.com Contents Introduction ...................................................... 1 Doughboy Boot Camp: 1917 Lesson Plan ....................................................... 8 Reproducibles Background Essay ............................................ 14 Schematic ..................................................... 16 Role Sheet .................................................... 17 Narration ...................................................... 18 Platoon Officer ................................................ 20 Hygiene Lecture .............................................. 21 French Lesson ................................................ 22 Song Leader .................................................. 23 Indoctrination Speech ........................................ 24 Postscript ..................................................... 25 Historical Investigation Activity ............................... 26 Ford Assembly Line: 1922