9870 a BOOK of TWENTIETH CENTURY SCOTS VERSE Edited by William Robb (Gowans and Gray 1925) First Edition

Total Page:16

File Type:pdf, Size:1020Kb

9870 a BOOK of TWENTIETH CENTURY SCOTS VERSE Edited by William Robb (Gowans and Gray 1925) First Edition 9870 A BOOK OF TWENTIETH CENTURY SCOTS VERSE edited by William Robb (Gowans and Gray 1925) First edition. Includes poems by Marion Angus, John Buchan, Violet Jacob, Neil Munro, Gilbert Rae and numerous others. 259 pages including a 23-page glossary. Blue cloth with gold lettering. Spine slightly darkened and extremities rubbed. Internally very good but for occasional brown spots. £10 9839 JUNIOR MODERN PROSE edited by Richard Wilson (JM Dent & Sons, 1927) Third impression (first published 1923) of a title in the series “The King’s Treasures of Literature”. Extracts from longer works. It seems that “Junior” refers to the stories generally conveying concrete rather than abstract ideas. Authors include Charles Kingsley, Q, John Buchan, john Masefield, Frances Hodgson Burnett and Kenneth Grahame. There are 32 stories in all. 252 pages. Dark red cloth with gold lettering and a blind- stamped head emblem on the front. Frontispiece portrait of John Masefield. Slightly rubbed extremities but otherwise undamaged. There is a former owner’s name on the front paste-down and an ink drawing on the half-title. £7 9840 MODERN BIOGRAPHY edited by Lord David Cecil (Thomas Nelson & Sons, 1938) First edition in this series. Extracts from biographies written by authors who were alive in the 1930s. Includes, inter alia, Lytton Strachey on Queen Victoria, Philip Guedalla on Wellington, David Cecil on John Newton, Signe Toksvig on Hans Christian Andersen and AJA Symons on David Livingstone. Published in the Nelson Classics series. 229 pages. Terracotta cloth with gold lettering. Top edge dark blue. Very slight rubbing at the extremities, otherwise in very good condition throughout. Former owner’s name on the fly- leaf. The unclipped dustwrapper is rubbed and creased in places but is complete and remains bright. £10 9861 MODERN ESSAYS FIRST SERIES 1939-1941 edited by AF Scott (Macmillan 1947) Second impression. Essays on a variety of subject matter. There are notes and essay questions at the end. 260 pages + a 2-page publisher’s catalogue. Bound in dark green cloth with gold lettering. The lettering on the spine is rather dull but otherwise the book is in excellent condition. Writers included: Eric Newton, JA Spender, John Summerson, HE Bates, Edmund Blunden, Bernard Darwin, HJ Massingham, William Plumer, EM Forster, Desmond MacCarthy, George Orwell, VS Pritchett, Virginia Woolf, Hilaire Belloc, Julian Huxley, WR Inge, John Buchan, Walter de la Mere, Robert Lynd, AD Divine, Graham Greene, Rose Macaulay, Charles Morgan, JB Priestley, William Sansom, JD Bernal, JH Bradley, Hugh Nicol and Bertrand Russell. £6 9862 NELSON’S ANNUAL edited by Dr Richard Wilson (Thomas Nelson & Sons, undated) Not an anthology as such but nevertheless a collection of stories articles and poetry for the young adult reader. Hilaire Belloc, Quiller-Couch, John Buchan, O Henry and Charles Dickens are among the many authors included. 320 pages. Quarto (10 inches x 8 inches). Green cloth with gold lettering. Frontispiece and 26 other colour illustrations as well as numerous small drawings in the text. Patterned endpapers. The covers are lightly rubbed and scuffed but internally the book is nice and bright. £12 9863 NORTHERN NUMBERS (being representative selections from certain living Scots poets) Compiled by CM Grieve (TN Foulis 1920) CM Grieve was better known by his pen-name, Hugh MacDiarmid, and was a leading figure in the Scottish Renaissance of the early to mid-20th century. The book collects poems by 11 contemporary poets, viz., John Buchan, Violet Jacob, Neil Munro, Will Ogilvie, TS Cairncross, CM Grieve, Joseph Lee, John Ferguson, AG Grieve, Donald A Mackenzie and Roderick Watson Kerr. Intermittently paginated (!) but around 140 pages. Bound in mid-blue paper-covered boards with a darker blue cloth spine and gold lettering. The pages are uncut. Apart from a hint of rubbing at the ends of the spine this copy is in excellent condition throughout. £18 9864 OOR MITHER TONGUE: AN ANTHOLOGY OF SCOTS VERNACULAR VERSE Selected and edited by Ninian MacWhannell (Alexander Gardner, 1937). First edition. Includes poetry by Marion Angus, John Buchan (3 poems), Violet Jacob, Gilbert Rae, Robert Reid and many others. 326 pages. Bound in white cloth with black lettering; saltire on front cover. A few faint handling marks and the saltire is lightly scuffed? Otherwise very good throughout. There is an inscription by the editor on the fly- leaf. £18 9865 ROSEMARY Compiled by F de Burgh and Walter Stoneman (Sampson, Low, Marston & Co., undated). Published as a fund-raiser for the Not Forgotten Association, probably shortly after the end of World War I. Contributions from 21 leading writers of the day each preceded by a portrait photo. Includes Alfred Noyes, GK Chesterton, John Buchan, Compton Mackenzie and Arnold Bennett. Dark blue cloth with gold lettering. Outer and lower edges uncut. Slightly rubbed extremities. Internally bright with very occasional brown spots. There is a presentation inscription in pencil on the fly-leaf. £20 9866 THE SCOTS BOOK compiled by Ronald Macdonald Douglas (Alexander Maclehose, 1935). Second impression. “A miscellany of poems, folklore, prose and letters with many facts - some well-known and others less known - about Scotland and her people.” A delightful book for dipping into. There are excerpts from a wide range of Scottish writers and the compiler also contributed a considerable amount. 367 pages. Light blue cloth with dark blue lettering. There are some full-page drawings and a number of drawings in the text. Apart from lightly rubbed edges the book is in very good condition. The illustrated dustwrapper has a sunned spine and is a little ragged along the top edge. £8 9867 STORIES OF ADVENTURE edited by Max Herzberg (Allen & Bacon, USA, 1937) Second edition. A collection of ‘stories of thrilling adventure’ followed by biographical sketches of the authors, comprehension questions for school use and other exercises. 415 pages. Dark blue cloth. Title on spine in dark blue on a white background. The front cover has green lettering and an illustration in green, white and dark blue. Frontispiece and 28 other illustrations. Name inside front cover. Authors included are Nevil Henshaw, Alfred F Loomis, Thomson Burtis, Edgar Allan Poe, Ralph D Paine, Walter A Dyer, Norman Duncan, Robert S Lemmon, Robert Louis Stevenson, Charles Boardman Hawes, Joseph Anthony, Rudyard Kipling, Henry Gilbert, Thomas Goodridge Roberts, Rafael Sabatini and John Buchan. £16 9868 TALES FROM THE OUTPOSTS: TALES OF AFRICA (Wm Blackwood 1933 First edition of volume IX in Blackwood’s Tales of the Outposts series. Stories by Lord Baden-Powell, JAG Elliot, WH Adams, John Buchan, ACG Hastings, ‘Gaid Sakit’, Perceval Gibbon, ‘Zeres’, Captain RS Rattray, ‘Lake Chad’ and L.A. 316 pages. Bound in dark blue cloth with gold lettering on a maroon label. The front cover has a water stain down the outer edge and the rear cover has a small area similarly affected. The remainder of the binding is very bright. Internally very bright with a strong binding. Lightly browned fly- leaves. The orange and black dust wrapper has a faded spine and rear panel and a little wear at the corners and spine ends. Scarce in a d/w. £22 9869 TWENTY-FOUR STORIES collected and edited by AEM Bayliss (Thomas Nelson & Sons, 1933) Fourth impression, first published 1929. Extracts from longer works together with a few short stories by Oscar Wilde, John Buchan, Frank T Bullen, Anatole France, Arthur Conan Doyle, JJ Bell, Thomas Hardy, Dion Clayton Calthrop, Leo Tolstoy, Mark Twain, Victor Hugo, Mrs Gaskell, Charles Kingsley, Harriet Beecher Stowe, Charles Reade, Lew Wallace, RD Blackmore, Mary Russell Mitford, Samuel Lover, George Borrow, Sir Walter Scott, Thomas Love Peacock, Charles Lamb and The Bible. Published in Nelson’s Teaching of English series. Each story is followed by a short list of “Comments and Exercises”. 243 pages. Blue cloth with gold lettering. Patterned endpapers. Frontispiece illustration of Mark Twain. Rubbed extremities but otherwise very good. Pencilled annotations on the contents page and the title page is rubber-stamped “specimen”. £5 .
Recommended publications
  • Home Songs Fiction and Poetry from the North
    The FREE literary magazine of the North Northwords Now Issue 26, Spring 2014 Home Songs Prize Winning Poems and Stories ‘Just Telling Stories’ Interview with A.L. Kennedy States of Mind – new books about Scotland Fiction and poetry from the North EDITORIAL Contents Homelands 3 Interview with A.L. Kennedy by Stephen Keeler An old song. A rickle of stones. A name on a map. (Norman MacCaig) 4 Poems by Stewart Sanderson 5 Grigor’s Gifts – Short Story by Liz Grafton he literary critic Raymond Williams once remarked that ‘nature’ is the most complex word 6 Poems by Alison Scott, Thomas Clark, Joan Lennon, Katherine Lockton Tin the English language. He may have a point but and Jan Sutch-Pickard for my money ‘home’ runs it pretty close. To write about home is to explore somewhere familiar, personal, intimate 7 Elemental – Short Story by Donald McKenzie – a sense of place that takes root in the heart. But home can also be a site of fear, regret and trepidation or an impossible 8 Poems by Maggie Wallis, Ian McFadyen, Pàdraig Macaoidh and Jane Aldous dream, somewhere yearned for but never attained. The entries for The Skye Reading Room’s Baker Prize 9 Babel – Poem by James Sinclair and the Highland Literary Salon writing competition evoke the complexity of home and I’m pleased to publish 10 Poems by Jon Plunkett, Gordon Jarvie and Crìsdean MacIlleBhàin some of the best of these entries in this issue of Northwords Now. They explore ‘the strangeness’ of home, the longing 11 Poems by Marcas Mac an Tuairneir and Jared Carnie and regret that suffuses our need to belong, and the pain of exile.
    [Show full text]
  • Timeline of the Scots Language Since 1700
    Timeline of the Scots Language Since 1700 MODERN SCOTS PERIOD 1700 to Present, subdivided into: Language scholars have not usually subdivided Modern Scots into periods, but given the differences between 18th and 21st century speech, and the various changes that have occurred over the past 300 years, we suggest the following useful subdivisions. Early Modern Scots AD 1700-1845 In this period Scots was redefined as ‘provincial dialect’ for the purposes of the political union with England. The vast majority of people continued to speak, and occasionally write in Scots, but the Scottish elite increasingly shifted to English in order to be accepted by the new ruling class in London. 1703 Reverend James Kirkwood makes the complaint that ‘in our English Bibles there are several hundred words and phrases not vulgarly used nor understood by a great many in Scotland’, meaning Scot speakers. 1707 Treaty of Union ends Scottish independence. Scots-speaking politicians must now sit in a parliament in London and are mocked by the English because of their language. 1720’s Introduction to Scotland of the New Method of teaching English based directly on English models of accent and language. 1722 William Starrat is the earliest known Ulster poet writing in Scots. 1724 Allan Ramsay’s (1686-1758) Tea Table Miscellany sparks revival of interest among the Scottish elite in poetry and songs in Scots. He is the first to give Scots the alternative name Doric. 1746 Death of Lady Grisel Baillie (1665-1746) noted songwriter in Scots. c.1750 The rise of the Moderate Party in the Church of Scotland leads to a decline in preaching in Scots in favour of English.
    [Show full text]
  • Gordon, Katherine H. (2000) Voices from the 'Cauld East Countra' : Representations of Self in the Poetry of Violet Jacob and Marion Angus
    Gordon, Katherine H. (2000) Voices from the 'cauld east countra' : representations of self in the poetry of Violet Jacob and Marion Angus. PhD thesis http://theses.gla.ac.uk/6928/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Voices from the 'Cauld East Countra': Representations of Self in the Poetry gf Violet Jacob and Marion Angus Katherine H. Gordon University of Glasgow Department of Scottish Literature April 2000 © Katherine H~ Gordon 11 Abstract This dissertation examines the representations of self in the poetry of Violet Jacob (1863-1946) and Marion Angus (1865-1946), two Scottish poets who wrote primarily in Scots in the inter-war years. Until recently, many critics have dismissed the work of Jacob and Angus as 'minor' in its themes or significant only as it anticipates the Scots poetry of Hugh MacDiarmid. The general absence of their work from print, and the narrow range of their poems appearing in anthologies, support the impression that their poetry is limited in scope; This dissertation suggests that in fact their poetry makes a significant contribution to the development of Scottish poetry.
    [Show full text]
  • Edwin Muir and the Failures of Scottish Literature Douglas Gifford University of Glasgow, Emeritus
    Studies in Scottish Literature Volume 35 | Issue 1 Article 26 2007 Sham Bards of a Sham Nation?: Edwin Muir and the Failures of Scottish Literature Douglas Gifford University of Glasgow, Emeritus Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Gifford, Douglas (2007) "Sham Bards of a Sham Nation?: Edwin Muir and the Failures of Scottish Literature," Studies in Scottish Literature: Vol. 35: Iss. 1, 339–361. Available at: https://scholarcommons.sc.edu/ssl/vol35/iss1/26 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Douglas Gifford Sham Bards of a Sham Nation? Edwin Muir and the Failures of Scottish Literature This essay is in a sense a preliminary attempt to engage with one of the most influential, if notorious, theories of Scottish literature, and to explore its validity, effect on, and relevance to, the place of Scottish literature in educa­ tion. Given the essay's wide-ranging and polemical reflection, and its criticism of current educational policy towards literature in Scotland, it is argumentative rather than academic. In suggesting where I see the real failures involved in our awareness of the achievements of Scottish literature, my argument is ulti­ mately an assertion of the crucial importance of the role and responsibility of education in our schools and universities in disseminating awareness of Scot­ tish culture-and a criticism of the way that responsibility has been too often ignored.
    [Show full text]
  • Addressing the Bard: Learning Ideas
    Niven, L. and Farrell, M. (2009) Addressing the Bard: Learning Ideas. Other. Scottish Poetry Library / Learning and Teaching Scotland. http://eprints.gla.ac.uk/49735 Deposited on: 12 April 2011 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk ‘Addressing the Bard’ learning ideas – Scottish Poetry Library – Liz Niven, Maureen Farrell, 2009 1 Contents Introduction Introduction: Liz Niven and Maureen Farrell The Scottish Poetry Library has published a new, provocative and Reading exciting anthology of Burns poems, launched in the Year of Homecoming and of Burns’s 250th anniversary. General Close What makes this anthology different is that twelve contemporary poets have been asked to select one of Burns’s poems and to respond to it. Language The result is an eclectic collection with some unexpected choices and responses that enlighten, challenge and amuse us. All of the The Scots language response poems provide insight into Burns’s original work and The Gaelic language some may have a more direct resonance with modern readers. In addition to the book itself, these supporting resources are Writing being provided on the Learning and Teaching Scotland website. The material has been developed by Liz Niven, poet, writer, and Discursive writing Scots-language educator, and Maureen Farrell, an English Creative writing teacher and now teacher educator from the University of Glasgow. Debates It should be noted that the tasks and ideas that follow are by no means an exhaustive list. What has been provided are some starting points – tasks which might prove interesting and Resources challenging or which might spark off other ideas more suited to Listening the context in individual classrooms and schools or for individual Poetry sites pupils.
    [Show full text]
  • Rae, Rebecca (2021) 'The Scene of Our Constant Negotiation': Tracing
    Rae, Rebecca (2021) ‘The scene of our constant negotiation’: tracing the development of Kathleen Jamie’s ecopoetic sensibility. MPhil(R) thesis. https://theses.gla.ac.uk/82203/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] ‘The Scene of Our Constant Negotiation’: Tracing the Development of Kathleen Jamie’s Ecopoetic Sensibility Rebecca Rae Submitted in fulfilment of the requirements for the degree of Master of Philosophy in Scottish Literature School of Critical Studies College of Arts University of Glasgow November 2020 Prospectus This thesis traces the development of an ecopoetic sensibility in Kathleen Jamie’s works from The Golden Peak: Travels in North Pakistan (1992) to Surfacing (2019). Close readings of key poems and essays will be carried out in order to examine the continuities and developments that form this sensibility, showing that the overtly ecological themes of Jamie’s later work grow out of and are informed by her earlier work, and that the socio-political issues (primarily regarding gender and nationality) that are central in the earlier work are still present in the later work and form an important part of her ecopoetic sensibility, departing from a critical tendency to separate Jamie’s oeuvre into discrete stages.
    [Show full text]
  • Doric" Dialect, Was Evidenced in the Founding of the Elphinstone Research Institute at the University of Aberdeen, and in the Founding of an Annual Doric Festival
    Durham E-Theses Regional and national cultures in North-Eastern Scotland: tradition, language and practice in the constitution of folk cultures Knox, Daniel Leonard How to cite: Knox, Daniel Leonard (2003) Regional and national cultures in North-Eastern Scotland: tradition, language and practice in the constitution of folk cultures, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3655/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Regional and National Cultures in North­ Eastern Scotland: Tradition, Language and Practice in the Constitution of Folk Cultures Daniel Leonard Knox Thesis submitted for the degree of PhD The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or Information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged.
    [Show full text]
  • Hugh Macdiarmid & Friends
    University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 12-2006 Hugh MacDiarmid & Friends University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Hugh MacDiarmid & Friends, December 2006-January 2007". http://scholarcommons.sc.edu/rbsc_pubs/49/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Department of Rare Books & Special Collections HUGH MACDIARMID & FRIENDS an exhibit aftwentieth-century Scottish poetry from The G. Ross Roy Collection of Robert Burns & Scottish Poetry I Thomas Cooper Library University of South Carolina December 2006-January 2007 CONTENTS Preface, by G. Ross Roy About this exhibition, by Patrick Scott 1: R. B. Cunninghame Graham, John Buchan & Christopher Grieve 2: The Emergence of "Hugh MacDiarmid": Edwin Muir, Violet Jacob, Helen Cruickshank, & A Drunk Man Looks at the Thistle 3: Marion Angus, Lewis Spence, & Valda Trevlyn 4: The 30's: Lewis Grasslc Gibbon, Sorley Maclean, Robert Garioch, George Bruce,William Soutar 5: The 40's: Douglas Young, William McLellan, Maurice Lindsay, & Hamish Henderson 6: The 50's: Sydney Goodsir Smith, Alexander Scott, Norman MacCaig 7: Politics & Fine Printing: Tom Scott, K. D. Duval, & the Bodoni Editions of MacDiarmid 8: MacDiarmid, Duncan Glen & Akros Pendant to the Exhibit: The Benno Schotz Bust & the Kilmarnock Election Poster Some Previous Scottish Exhibits from the G.
    [Show full text]
  • Helen Cruickshank 1886 - 1975
    Helen Cruickshank 1886 - 1975 Contents: Biography.................................................................................................................................................................Page 1 Contexts..................................................................................................................................................................Page 2 The Ponnage Pool....................................................................................................................................Pages 3 - 6 What does Ponnage mean ?........................................................................................................................Page 7 Further Reading / Contacts.............................................................................................................Pages 8 - 11 Biography: Helen Cruickshank (1886 - 1975) : born in 1886, near Montrose, where she went to school. Summer holidays were spent in Angus, and the landscapes and people of the re- gion and its glens appear in her poetry. After leaving school, she entered the Civil Service, working fi rst in London, and then, from 1912, in Edinburgh where she spent most her life. She joined the women’s social and political union, and campaigned for the suffragette cause. She was also a Scottish nationalist, member of the Saltire Society, and co-founder of Scottish Pen. Helen Cruickshank devoted much of her life to other people, helping and supporting them in various ways. Not only did she care for her elderly mother, she
    [Show full text]
  • The Maurice Lindsay Archive
    EDINBURGH UNIVERSITY LIBRARY Handlist of manuscripts, H56: Maurice Lindsay Papers. MS 2030 /1 “Broke the Fair Music”, a novel by Maurice Lindsay and John Glaister. Ts. 326 pages, with a few corrections in Maurice Lindsay’s hand. /2 Poetry notebook A. Ms. /3 Poetry notebook B. With one loose insert. Ms. /4 Poetry notebook C. Ms. /5 Poetry notebook. Four loose sheets inserted at front. Ms. /6-/7 The Eye is Delighted: the Romantics discover Scotland. 2 notebooks. Ms. /8 The Discovery of Scotland: an account of travellers and their tales from the eve [of the] Union of the Crowns to the zenith of the reign of Queen Victoria. Notebook, with one loose sheet inserted at rear. Ms. /9 Doon the Watter: variations ... Notebook, with three loose sheets inserted at front. Ms. /10-/11 By Yon Bonnie Banks: an autobiographical gallimaufry. 2 notebooks. Ms. /12 Maurice Lindsay’s journal, June, 1952. Notebook. Ms. Waterstained. Contains mainly drafts of other works, not journal entries. /13 “Fingal and Comala”: a dramatic poem for broadcasting by Maurice Lindsay. Ts, with ms corrections and amendments. With a note by the author on the title-page: “Amended copy. This copy contains final revisions from both first and second performances, and should be regarded as the final text. M.L. 17 Dec. ‘51”. /14 The Rage o’ Luve, an Ossianic tale dramatised into Scots verse. Ts sheets, heavily amended in ms. [Needs further sorting.] /15 Maurice Lindsay’s Scottish Arts & Letters broadcasts. Ms, c.100 sheets. /16 a) “The Toast is - Scotland!” Ms, with corrected ts copy of broadcast version (30 November 1947), entitled “Salute to Scotland”.
    [Show full text]
  • The Language of Scottish Poetry Author(S): Stanley Edgar Hyman Source: the Kenyon Review, Vol
    The Language of Scottish Poetry Author(s): Stanley Edgar Hyman Source: The Kenyon Review, Vol. 16, No. 1 (Winter, 1954), pp. 20-37 Published by: Kenyon College Stable URL: http://www.jstor.org/stable/4333461 Accessed: 03/11/2010 13:48 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=kenyon. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Kenyon College is collaborating with JSTOR to digitize, preserve and extend access to The Kenyon Review. http://www.jstor.org Stanley Edgar Hyman THE LANGUAGE OF SCOTTISH POETRY FORA GENERATIONself-consciously concerned
    [Show full text]
  • Fiction and Poetry
    Fiction and Poetry The area of Montrose where Dun was situated was the setting for much of her fiction. In her poetry Violet Jacob was associated with Scots revivalists like Marion Angus, Alexander Gray and Lewis Spence in the Scottish Renaissance, which drew its inspiration from early Scots poets such as Robert Henryson and William Dunbar, rather than from Robert Burns. She is commemorated in Makars' Court, outside the Writers' Museum in Edinburgh’s Lawnmarket. Selections for Makars' Court are made by the Writers' Museum, The Saltire Society and The Scottish Poetry Library. Oh, tell me what was on yer road, ye roarin' norlan wind As ye cam' blawin' frae the land that's niver frae my mind? My feet they trayvel England, but I'm deein' for the north — My man, I heard the siller tides rin up the Firth o' Forth. From "The Wild Geese", Songs of Angus (1915) The Wild Geese, which takes the form of a conversation between the poet and the North Wind, is a sad poem of longing for home. It was set to music as Norlan' Wind. Jacob was a very private person, revealing little of herself even in her diaries, and perhaps less in her poetry. This must have been due to personal preference, but perhaps also to a certain extent to her position as an officer’s wife. Susan Tweedsmuir, later the wife of John Buchan, recalled in her autobiography: Violet had published a small book of poetry, which made her a little suspect to the military society of Cairo. But her charm and beauty and aptitude for getting on with people helped her to live down even poetry.
    [Show full text]