ABORIGINAL AUSTRALIAN Dvds

Total Page:16

File Type:pdf, Size:1020Kb

ABORIGINAL AUSTRALIAN Dvds LIBRARY HOT TOPICS ABORIGINAL AUSTRALIAN DVDs Anzacs: remembering our heroes. Naa muru gurung: to see a path 11 x 15 min. SBS, 2015. 355 DVD for children. 75 min. Sydney: NSW A series of 11 15-minute documentaries Teachers Federation and Matilda produced by NITV which acknowledges the Films, 2018. 305.89 DVD contributions of Indigenous people to Australia’s military efforts from the time of The inspiring story of Aboriginal teachers and the Boer War to the present day. their union. Produced in the NSW Teacher’s Classification: PG (Mild themes) Federation Centenary year, 2018. Classification: Exempt. For educational use only. The apology to the stolen generations of Australia. 30 min. Redfern now: the complete series Parkes, ACT: Reconciliation directed by Catriona McKenzie … et Australia, 2008. Narrated by Jack al. 761 min. Australian Broadcasting Thompson. 305.89 DVD Corporation, 2015. 305.89 DVD “The apology to the Stolen Generations by “Celebrated by audiences and critics alike, the Australian Parliament on 13 February over two series and one telemovie, the 2008 was a powerful and memorable multiple award-winning Redfern now moment in the nation’s history … Saying sorry cleared the air, explores powerful stories of contemporary inner-city inspiring Australians to believe we really can build the kind of Indigenous life.” – Back cover. respectful relationships needed for positive, long term Classification: MA (Strong sexual violence and themes) outcomes. The apology begins two days before the historic event as people began to gather in Canberra. It includes The secret river (Television mini- interviews, stories and many special moments including the series 2015). 190 min. Australia: first Welcome to Country in the Federal Parliament. The film Australian Broadcasting Corporation, captures the anticipation on a thousand faces as Prime Roadshow Entertainment Australia, Minister Kevin Rudd delivers the apology, and then the spontaneous outpouring of emotion all around the country. 2015. 305.89 DVD Jack Thompson’s narration, Shelley Reys’ thoughtful Based on the novel The secret river by Kate commentary and the music of Powderfinger, Silverchair, John Grenville. Butler, Missy Higgins and the Stiff Gins all help make this film a truly uplifting experience.” – Container. “In 1806 William Thornhill, a man of quick temper and deep Classification: Exempt. For educational use only. feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their Etched in bone. 73 min. Canberra: children he arrives in a harsh land he cannot understand. But Red Lily Productions: Ronin Films the colony can turn a convict into a free man. Eight years later (distributor), 2018. 305.89 DVD Thornhill sails up the Hawkesbury to claim a hundred acres for himself. Aboriginal people already live on that river. And other “[T]his carefully crafted documentary recent arrivals Thomas Blackwood, Smasher Sullivan and Mrs explores the impact of one notorious bone Herring are finding their own ways to respond to them. theft by a member of the 1948 American- Thornhill, a man neither better nor worse than most, soon has Australian Scientific Expedition to Arnhem to make the most difficult choice of his life.” – Publisher. Land. Hundreds of bones were stolen and Classification: M (Mature themes, violence, sex scene and deposited in the Smithsonian Institution in Washington DC. coarse language) When the location of the bones became known to Arnhem Landers in the late 1990s, elders called for their return. This Top end wedding directed by Wayne resulted in a tense standoff with the Department of Blair. 98 min. Universal, 2019. Anthropology at the Smithsonian – and eventually in the 305.89 DVD repatriation of the bones.” – Back cover. Classification: Exempt. For educational use only. “Top end wedding is a celebration of love, family and belonging, set against the Gurrumul. 96 min. Australia: spectacular natural beauty of the Northern Distributed by Madman Territory. This heartwarming romantic Entertainment, 2017. 305.89 DVD comedy tells the story of successful Sydney lawyer Lauren (Miranda Tapsell: The Sapphires) and her fiancé Ned (Gwilym “Indigenous artist Geoffrey Gurrumul Lee: Bohemian rhapsody). Engaged and in love, they have just Yunupingu was one of the most important ten days to pull off their dream Top End Wedding. First though, and acclaimed voices to ever come out of they need to track down Lauren’s mother, who has gone Australia. Blind from birth, he found purpose AWOL somewhere in the Northern Territory.” – Back cover. and meaning through songs and music inspired by his Classification: M (Coarse language) community and country on Elcho Island in far North East Arnhem Land.” – Distributor. Classification: PG (Infrequent mild coarse language) Hot topics Aboriginal Australian DVDs Other titles Liyarn ngarn [M] 88 [G] Lousy little sixpence [G] art + soul: a personal journey into the world of Mabo [PG] Aboriginal art [PG] Mabo: life of an island man [G] Babakiueria [Barbeque area] [PG] May O’Brien: educator & writer [Australian Bastardy [MA] biography] [Exempt (for educational use only)] Black chicks talking [M] Not forgotten [G] 355 DVD Black and white [M] Old country new country: the journey of a raft Blackfellas [MA] Our community [Exempt (for educational use only); Blacktracker [Exempt] Ronin recommends G] Boxing for Palm Island [PG] Our generation [Unclassified, but producers advise that if it were classified it would be PG] Bran nue dae [PG] Our rights: a foundation for the future Broken English [Exempt (for educational use only)] Painting country [Exempt (for educational use Contact [PG] only); Ronin recommends G] The convincing ground [Exempt] Pemulwuy Croker Island exodus [G] Rabbit-proof fence [PG] Deadly yarns [Exempt (for educational use only); Ripples from Wave Hill Ronin recommends G] Salute [PG] 325 DVD Deadly yarns 2 [Exempt (for educational use only); Ronin recommends G] Samson and Delilah [MA] Deadly yarns 3 [Exempt (for educational use only); The Sapphires [PG] Ronin recommends G] Satellite boy [PG] Deadly yarns 4 [Exempt (for educational use only); Sistergirls: stories from Indigenous Australian Ronin recommends G] transgender people – LGBTIQ collection. Dhakiyarr vs the King [Exempt (for educational use Special treatment [Exempt (for educational use only)] only); Ronin recommends G] The dreaming [Exempt (for educational use only)] Steps in time: Mornington Island dance culture The dreaming [foreign language versions] Stolen generations First Australians: the untold story of Australia The tall man [M] [Exempt (for educational use only)] Toomelah [MA] First contact [M] The tracker [M] First footprints [PG] Urban clan [Exempt (for educational use only); The forgotten [Exempt] 355 DVD Ronin recommends G] The Foundation 1963-1977 [Exempt (for Vote yes for Aborigines educational use only); Ronin recommends G] Ways of thinking [G] Freedom ride [Exempt] We are all Australian: multiculturalism, Freedom rides – 40 years on [Exempt, but contains stereotyping and racism 325 DVD some strong language and adult themes] The fringe dwellers [PG] Why me? 5 stories of removal from family and From little things, big things grow [Exempt] country [Exempt (for educational use only); Ronin recommends G] Harry’s war [M] 355 DVD How the west was lost: the story of the 1946 Women of the sun [PG] 305.4 DVD Aboriginal pastoral workers’ strike [G] Women of the sun 25 years later [PG] 305.4 DVD Island home country [G] It’s a long road back [Exempt; Ronin recommends Classifications G] G. General: Suitable for everyone. PG. Parental Guidance: Not recommended for children Jardiwarnpa: a Warlpiri fire ceremony [Exempt under 15; may contain material which some children find (for educational use only)] confusing or upsetting Kanyini [PG] M. Mature: May include classifiable elements such as violence and nudity of moderate impact that are not Language of belonging: Wadu matyidi recommended for children under 15 years. [Unclassified, but for primary-aged children] MA. Mature Audiences: Restricted – unsuitable for persons under 15; may contain strong content. RESOURCES AVAILABLE FOR LOAN FROM THE LIBRARY POSTAL SERVICE AVAILABLE Updated April 2021 .
Recommended publications
  • Satellite Boy
    Arbeitshilfe Satellite Boy Spielfilm Australien 2012 Inhalt der Region des Kimberley überleben können. Regie: In einer abgelegenen Region im Catriona McKenzie Westen Australiens lebt Pete, ein zehnjähriger Junge, in Produzenten: einem verlassenen Freiluftkino. David Jowsey, Julie Ryan Seine Mutter ist auf der Suche nach Arbeit in die Stadt Produktion: aufgebrochen, aber Pete hofft, Satellite Films Pty Ltd dass sie eines Tages zurückkehren wird. Hauptdarsteller/innen : David Gulpilil, Cameron Kalmain und Pete Als eine Minengesellschaft das Wallaby, Joseph Pedley, ehemalige Kino abzubrechen Die beiden Jungen erreichen Rohanna Angus droht, beschliesst Pete, schliesslich die grosse Stadt, zusammen mit seinem besten und zwar jene Stadt, in der Verleih: Freund Kalmain, in die nächste Petes Mutter lebt, auf der Celluloid Dreams grosse Stadt zu gehen, um den Suche nach einem Abbruch zu verhindern und angenehmeren Leben. Originalversion: damit sein Zuhause zu retten. Englisch Mit den eindrücklichen weiten Untertitel: Nur mit ihrem Fahrrad und und farbigen Landschaften Französisch, Deutsch oder etwas Nahrung ausgerüstet rückt dieser Film das kulturelle Simultanlektüre in machen sie sich auf eine lange Erbe der Aborigines ins Französisch oder Deutsch Reise ; dabei muss Pete all das Zentrum, das von der anwenden, was er von seinem modernen Gesellschaft arg Dauer: Grossvater gelernt hat, damit bedroht ist. 92 Minuten sie in diesen unendlich Weiten Zielpublikum : __________________________________________________ Empfohlen ab 10 Jahren Kommentar Eine Geschichte der Satellite Boy gehört in die Abstammung gleiche Reihe wie der englische Film Walkabout (1971) von Nicolas Roeg, in 1 Fächer und Themen Australien realisiert und gedreht, der Zeit beigebracht hat. So sowie der australische Film wie der alte Mann wird auch er Stormboy (1976) von Henri eins mit der Natur.
    [Show full text]
  • Paul Clarke Song List
    Paul Clarke Song List Busby Marou – Biding my time Foster the People – Pumped up Kicks Boy & Bear – Blood to gold Kings of Leon – Sex on Fire, Radioactive, The Bucket The Wombats – Tokyo (vampires & werewolves) Foo Fighters – Times like these, All my life, Big Me, Learn to fly, See you Pete Murray – Class A, Better Days, So beautiful, Opportunity La Roux – Bulletproof John Butler Trio – Betterman, Better than Mark Ronson – Somebody to Love Me Empire of the Sun – We are the People Powderfinger – Sunsets, Burn your name, My Happiness Mumford and Sons – Little Lion man Hungry Kids of Hungary Scattered Diamonds SIA – Clap your hands Art Vs Science – Friend in the field Jack Johnson – Flake, Taylor, Wasting time Peter, Bjorn and John – Young Folks Faker – This Heart attack Bernard Fanning – Wish you well, Song Bird Jimmy Eat World – The Middle Outkast – Hey ya Neon Trees – Animal Snow Patrol – Chasing cars Coldplay – Yellow, The Scientist, Green Eyes, Warning Sign, The hardest part Amy Winehouse – Rehab John Mayer – Your body is a wonderland, Wheel Red Hot Chilli Peppers – Zephyr, Dani California, Universally Speaking, Soul to squeeze, Desecration song, Breaking the Girl, Under the bridge Ben Harper – Steal my kisses, Burn to shine, Another lonely Day, Burn one down The Killers – Smile like you mean it, Read my mind Dane Rumble – Always be there Eskimo Joe – Don’t let me down, From the Sea, New York, Sarah Aloe Blacc – Need a dollar Angus & Julia Stone – Mango Tree, Big Jet Plane Bob Evans – Don’t you think
    [Show full text]
  • Past Concerts and Events
    Rochford Wines - past concerts and events 2021 23 January Sounds Better Together 20 March Wine Machine #1 21 March Wine Machine #2 17 April The Big 90s Party 18 April Vine Warp 24 April Grapevine Presents 2020 18 April The Big 90s Party 28 March Wine Machine 22 February A-ha & Rick Astley 1 February Elton John 31 January Elton John 10 January Cold Chisel 2019 9 November Rob Thomas 13 April The Big 80s Party 6 April Hot Dub Wine Machine 23 February ADOTG – Bryan Ferry 2018 9 December ADOTG – John Farnham 8 December ADOTG – John Farnham 24 November Grapevine Gathering 24 March Hot Dub Wine Machine 22 February AEOTG – Robbie Williams 10 February RNB Vine Days 2017 17 December Rochford Wines Family Christmas Day 16 December ADOTG – Human Nature 10 December ADOTG – KC & The Sunshine Band 26 November Wine Quest's Cuban Festival 2017 25 November Grapevine Gathering 18 November ADOTG – Stevie Nicks & The Pretenders 29 October Gertrude Opera presents Mozart’s The Magic Flute 27 October Gertrude Opera presents Mozart’s The Magic Flute 10 October Wedfest @ Rochford Wines 1 October ADOTG – Sir Elton John 16 June Rochford Wines presents Anthony Gerace 29 April Rochford Wines presents The Decibelles Up Close 8 April Cyndi Lauper & Blondie 2 April 2017 Yarra Valley Wine & Food Festival 1 April 2017 Yarra Valley Wine & Food Festival 1 April Twilight Concert - Bjorn Again 25 March Hot Dub Wine Machine 4 February ADOTG - Simple Minds & B52s 2016 18 December Rochford Wines Family Christmas Day 26 November ADOTG Garbage & The Temper Trap 13 November ADOTG
    [Show full text]
  • An Ethnography of Health Promotion with Indigenous Australians in South East Queensland
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/292140373 "We don't tell people what to do": An ethnography of health promotion with Indigenous Australians in South East Queensland Thesis · December 2015 CITATIONS READS 0 36 1 author: Karen McPhail-Bell University of Sydney 25 PUBLICATIONS 14 CITATIONS SEE PROFILE Available from: Karen McPhail-Bell Retrieved on: 25 October 2016 “We don’t tell people what to do” An ethnography of health promotion with Indigenous Australians in South East Queensland Karen McPhail-Bell Bachelor of Behavioural Science, Honours (Public Health) Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy School of Public Health and Social Work Queensland University of Technology 2015 Key words Aboriginal, Aboriginal Medical Service, Australia, colonisation, community controlled health service, critical race theory, cultural interface, culture, ethnography, Facebook, government, health promotion, identity, Indigenous, Instagram, mainstream, policy, postcolonial theory, public health, relationship, self- determination, social media, Torres Strait Islander, Twitter, urban, YouTube. ii Abstract Australia is a world-leader in health promotion, consistently ranking in the best performing group of countries for healthy life expectancy and health expenditure per person. However, these successes have largely failed to translate into Indigenous health outcomes. Given the continued dominance of a colonial imagination, little research exists that values Indigenous perspectives, knowledges and practice in health promotion. This thesis contributes to addressing this knowledge gap. An ethnographic study of health promotion practice was undertaken within an Indigenous-led health promotion team, to learn how practitioners negotiated tensions of daily practice.
    [Show full text]
  • DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
    THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated.
    [Show full text]
  • COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
    [ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION
    [Show full text]
  • The Sapphires
    Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion.
    [Show full text]
  • Welcome to a New Forum for Australian Studies
    Gesellschaft für Australienstudien e.V. Newsletter Nr.11 ASSOCIATION FOR AUSTRALIAN STUDIES June 2014 EDITORIAL Welcome to a modern forum for Australian Studies. This newsletter is a bilingual platform to inform members of the Association for Australian Studies about academic and professional activities in their fields of study and research. The newsletter will accept relevant information on conferences, publications, lectures, scholarships, awards, research projects, institutions, and web links to Australian resources. The editor welcomes contributions which will help build a vital network in the field of Australian Studies, including essays, news, critiques and constructive commentary on specific subjects of research. We encourage a liberal and creative approach to the topic. The editor urges every reader to help launch this professional news forum to reflect the spirit of Australian Studies in timely information, memorable dialogue, and innovative ideas. We need new ideas and colourful frames of presentation. The newsletter presents an extraordinary survey of recent Australian Studies and public relations work. Today we have something to celebrate: This time it is the editor's great pleasure to present the history of our Association for Australian Studies (Gesellschaft für Australienstudien) ‒ written by Professor Gerhard Stilz (Universität Tübingen): ‟25 Years GASt”. The Association has changed a lot since 1989; however, it remains the most important network for German-speaking Australianists in Europe. Again, this e-Newsletter reflects the interdisciplinary character of German-Australian studies and activities. Peter Stummer, Rochelle Siemienowicz, Lena Pflüger, Sabrina Wittmann, and Pia Wohlgemuth will appreciate new contacts in order to build networks and partnerships in their fields of interest.
    [Show full text]
  • Theatre Costume, Celebrity Persona, and the Archive
    Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing.
    [Show full text]
  • The Constitutive Role of African Australian Film1
    Culture is Our Future: The Constitutive Role of African Australian Film1 Anne Harris2 Monash University “It doesn’t matter what tone of fuckin’ black you are, you are black.” (Deborah Mailman, Black Chicks Talking, 2001)3 Abstract ‘Culture is our Future’4 is one example of an emerging body of film and video by and about African Australians, and in which ethics and aesthetics sometimes compete. Australian media representations of African Australians have been persistently negative, and many look to the ability of film and video to represent a counter-narrative in the co- construction of cultural and subcultural identities. Drawing on Appadurai’s5 cultural imaginary and mediascapes, this article will contextualise these films in a consideration of larger ‘filmic diasporas’ which represent the diversity and richness of African communities emerging in multiple diasporic locations (particularly Australia), and competing within multiple aesthetics. Simultaneously, this critique interrogates how these examples of gender and race6 may also be used as ‘mechanisms of exclusion’7, and how African Australians remain ‘constitutively visible’8 despite mainstream media attempts to render them invisible. 1 Editor’s Note: This article was submitted and reviewed prior to the author’s uptake of the role of co-editor of ARAS. All review processes were conducted anonymously and processed by the other editors. 2 Author’s Note: The author gratefully acknowledges the contribution of the anonymous ARAS reviewers who have, through the journal’s review process, contributed to the clarity and depth of the argument presented here. 3 Deborah Mailman, Black Chicks Talking. Director, Leah Purcell, Bungabura Productions Pty.
    [Show full text]
  • 07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website
    78 Montague Road South Brisbane PO Box 3310 South Brisbane BC Queensland 4101 Telephone: 07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website: www.qldtheatreco.com.au Front cover: Georgina Symes Photo: Craig Ratcliffe The Crucible L-R: Brad McMurray, Melanie Zanetti, Francesca Savige, Nelle Lee, Bryan Nason, Amelia Dowd, Sue Dwyer, Chris Betts, Christopher Sommers, Andrew Buchanan, Robert Coleby, Bob Newman, Leo Wockner, Kathryn Marquet, Paul Bishop, James Stewart. Photo: Rob Maccoll Contents Letter to the Premier ..................................................................................................................................................2 Introduction Company profile ........................................................................................................................................... 3 Strategic overview ........................................................................................................................................4 Functions of the Company ............................................................................................................................ 5 Queensland Government objectives.............................................................................................................6 Chair’s report ............................................................................................................................................... 7 Artistic Director’s report ...............................................................................................................................8
    [Show full text]
  • Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
    McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences.
    [Show full text]