HEIDE MUSEUM OF MODERN ART ANNUAL REPORT 2020 Heide Museum of Modern Art acknowledges the Wurundjeri Woiwurrung people on whose land Heide is located. We pay respect to their Elders past, present and emerging, and recognise the rich traditions and continuing creative cultures of all Aboriginal and Torres Strait Islander peoples of .

— art — architecture — landscape Contents

Location 4 Message from the Chairman Heide Museum of Modern Art 7 Templestowe Road Bulleen and Directors Victoria 3105 Australia Contacts T 03 9850 1500 16 About Heide [email protected] heide.com.au 19 Our program Editor Lesley Harding 25 Our collection Design Garry Emery and Jane Mooney 35 Extending the experience Printing Gunn & Taylor Australia Cover and inside cover pages 44 Our environment Installation view, Carolyn Eskdale: Memory Horizon 51 Communications All exhibition, artwork and installation photographs: Christian Capurro 55 Financials All information in this report is correct at the time of printing. All images are copyright the 56 Fundraising artist or photographer unless otherwise stated. 58 Thank you 60 Our people Message from the Chairman and Directors

When Melbourne’s cultural institutions closed ensuring Heide could continue its operations with their doors in mid-March 2020 there was a collective its existing team and we express our sincere gratitude sense of uncertainty about the future of the creative to the Federal and State Governments. industries. At Heide we were mid-way through We are immensely grateful to the Heide team installing the much-anticipated exhibition Joy Hester: for their understanding and resilience during this Remember Me, the first survey of Hester’s art in unprecedented year, and proud of their capacity more than twenty years, and for which we were to create new ways of communicating and engaging expecting strong audience numbers. Initially we with our audiences online. Our staff rose to every hoped the hibernation would be for a matter of weeks challenge of 2020 with determination, resourcefulness and optimistically worked towards a post-Easter and the utmost professionalism. Exhibitions were reopening, but as the weeks rolled by and COVID-19 documented through film and virtual tours, while cases in the State continued to rise it was clear public programs and learning activities were devel- that the shutdown would be prolonged. oped for remote access with regular talks, education When Victoria appeared to be coping with the guides and collection-inspired competitions open pandemic we opened for 8 days from 30 June, only to all. The Heide Shop also expanded its presence to close once more with the commencement of and offer, resulting in a 400% increase in online Melbourne’s hard lockdown for the following 110 days. sales from the previous year. The Heide team began rescheduling the exhibition Back of house we used the closure period to program based on best- and worst-case scenarios conserve key objects in the collection and rehouse in the first of what would become many iterations for and catalogue archives. In the grounds important the future schedule, as we inched our way towards storm water and path systems were installed, and the eventual reopening on 28 November. great progress was made on the Healing Garden and Most of Heide’s 44 staff worked reduced hours the river’s edge project, Yaluk Langa. Work was able from 1 May, with 42 staff qualifying for the Federal to continue on the Doll’s House (old dairy) building Government’s JobKeeper scheme. The museum restoration, along with an artwork commission received a total of $1.1m in JobKeeper support in 2020, for its interior by Aleks Danko, which was installed together with a further $254k in emergency funding in December. from Creative Victoria, the first tranche of which The Cultural Programming staff worked on future arrived at the end of May. This funding was vital in exhibitions and projects including the museum’s

4 Heide Museum of Modern Art / Annual Report 2020 5 fortieth anniversary year program and an update We are very grateful to the Heide Board of on the Collection handbook. The Development team Directors for their guidance and leadership, and turned their attention to COVID-19 relief grants and extend sincere thanks to the Heide staff and rallied our supporters to achieve our largest end- volunteers who have shown great fortitude over the of-financial-year fundraising campaign tally to date, past twelve months. We cautiously look forward at over $100,000. We also used the time to implement to a return to business as usual through 2021, and a new point of sales system and timed ticket entry acknowledge our visitors past, current and future program, install new digital screens in the main whose support ensures Heide continues to be foyer, and to plan and program our inaugural Heide a vibrant, ‘living’ museum. Summer Festival in 2021. We would like to make special mention Steven Skala AO, Chairman of a number of generous supporters and friends Lesley Harding, Artistic Director of the museum who demonstrated compassion Tim Sligo, Executive Director and leadership in various ways during the difficult year of 2020: The Shine On Foundation, Albert & Barbara Tucker Foundation, Sidney Myer Fund, Stuart Leslie Foundation, and Kerry Gardner AM; our legal partner Arnold Bloch Leibler; Mark Jacques and the team at landscape architecture and urban design firm Openwork; the Wurundjeri Woi Wurrung Cultural Heritage Corporation; and consulting graphic designers Garry Emery and Jane Mooney. Our gratitude also to the artists and many lenders to exhibitions in 2020 and those involved in exhibitions postponed until 2021, for their patience, goodwill and support: particularly Carolyn Eskdale, Joy Hester’s family Fern Smith and Peregrine Smith, Archie Barry, Agnieska Polska, Robert Owen and Stanislava Pinchuk.

6 Heide Museum of Modern Art / Annual Report 2020 7 Joy Hester: Remember Me

Albert Tucker: Marking the Past About Heide

Heide is a public art museum and sculpture Purpose park located on a stretch of the Yarra River in Melbourne that has long served as a To make the most of tomorrow, by understanding meeting point and as a creative hub. where we’ve been. Once a significant Wurundjeri gathering place, the site later attracted the artists Vision of the Australian Impressionist School before becoming the home of art patrons To uphold and evolve the Heide spirit across art John and Sunday Reed in 1935. and ideas, increasing audience diversity and deepening The Reeds and their circle of artists and writers embraced the brave and the new in engagement, securing a more sustainable future, and art and ideas and their spirited legacy ensuring our ongoing relevance. inspires the museum’s activities today, from collaborating with emerging and mid-career Mission artists to celebrating those who have made major contributions to Australian and We will work to bring Heide’s story, and its remarkable international art. collection and landscape, to life in innovative and Set on 6.5 hectares of parkland with five gallery spaces, award-winning architecture inclusive ways. We will inspire creative talent, improving and a distinctive collection of more than exposure for emerging and mid-career artists, and 3,600 works of art, Heide holds a special place in the cultural landscape of Australia. we will attract a wide range of audiences—the loyal, the new and the virtual. We will forge new partnerships and generate new investment and higher revenues. We will practise sustainability by protecting our priceless heritage assets, and building on Heide’s environmental practices.

16 Heide Museum of Modern Art / Annual Report 2020 17 At a glance Our program

With two state-wide lockdowns in 2020 Carolyn Eskdale: Memory Horizon 19,990 ticketed admissions Heide, like the rest of the museum sector in Heide Modern Melbourne, was closed to the public for a 15 February to 15 March 2020; new exhibitions total of eight months. Four new exhibitions 30 June to 8 July 2020; 4 were installed at the beginning of the year 28 November 2020 to 21 February 2021 but only two opened to the public prior Curator: Lesley Harding 4 artists exhibited to the March closure, requiring the much- Supported by the Lionel & Yvonne anticipated survey Joy Hester: Remember Spencer Trust 69 lenders Me to be held over until late November Albert Tucker: Marking the Past when operations resumed. Albert & Barbara Tucker Gallery 28 curatorial tours and lectures Online resources were created in the 29 February to 15 March 2020; interim, including an introductory video for 30 June to 8 July 2020; Joy Hester by SIRAP and a virtual tour of 28 November 2020 to 14 March 2021 Carolyn Eskdale: Memory Horizon courtesy Guest Curator: Lili Belle Birchall of Heide’s education partner, RMIT Supported by the Albert & Barbara University. Tucker Foundation and The Shine On Foundation Heide’s emerging curator program supported by The Shine On Foundation Joy Hester: Remember Me continued, with the third mentee complet- Main Galleries ing an exhibition for the Albert & Barbara 30 June to 8 July 2020; Tucker Gallery in 2020. Two future projects 28 November 2020 to 21 February 2021 were developed by invited early-career Curator: Kendrah Morgan professionals for display in 2021. Archie Barry: Fistimuff Kerry Gardner & Andrew Myer Project Gallery 28 November 2020 to 21 February 2021 Curator: Brooke Babington

Heide Museum of Modern Art / Annual Report 2020 19 2020 exhibition lenders

Ross Adler AC Menzies Fine Art Auctioneers and Valuers Albert & Barbara Tucker Foundation Moreland Art Collection Joy Anderson Carmel Morfuni Art Gallery of Museum of Contemporary Art Australia Art Gallery of South Australia National Gallery of Australia Art Gallery of Western Australia National Gallery of Victoria Del Kathryn Barton Marc Besen AC Vlase Nikoleski BOSFT Pty Ltd ATF BOSFT Trust Parliament House Canberra Janine Burke Philip Bacon Galleries Cbus Collection of Port Phillip City Collection Sandra Clark Michelle Quigley Carolyn Eskdale Michael Rayner AM Ben & Diane Frenkel Vivienne Reed OAM & Dr Richard Reed Kerry Gardner AM Pamela Rogers Sally Genser Richard & Jacqui Scheinberg Alan & Wendy Gerloff Tania Seary Gould Creative Smith & Singer Fine Art Mary Greenfield TarraWarra Museum of Art Ian Hicks AM Brendan Tolley HOTA Home of the Arts The University of Western Australia Connie Kimberley & Craig Kimberley OAM Petille von Bibra Vivien & Graham Knowles Wesfarmers Art Collection Mira & David Kolieb Lyn Williams AM Lauraine Diggins Fine Art Rhonda Levy Sarah McKay Archie Barry: Fistimuff At a glance Our collection

A total of 49 works were acquired for Shoalhaven Regional Gallery borrowed four 82% of collection online the Heide Collection in 2020 to the value Sidney Nolan photographs and 1 painting by of $603,780, thanks to the generosity of for the exhibition WONDER + acquisitions the Albert and Barbara Tucker Foundation DREAD: Art in the Land of Weather Extremes 49 and a number of artists and individual from 12 December 2020 to 20 January 2021: outward loans collectors. – Sidney Nolan, Untitled (Calf Carcass in Tree) 14 Throughout the year much work 1952 (2011.38) was completed on the museum’s archive – Sidney Nolan, Untitled (Desiccated Horse collection, following several years of Carcass Sitting Up) 1952 (2011.39) actively collecting the papers of artists – Sidney Nolan, Untitled (Standing Horse associated with Heide. The Mirka Mora Carcass) 1952 (2011.42) papers, Sam Atyeo papers, and Joy – Sidney Nolan, Untitled (Horse Head on Hester and Gray Smith papers were fully Ground) 1952 (2011.43) re-housed in archival folders and boxes – Sam Byrne, Dust Storm Approaching Broken and inventories prepared, readying them Hill c.1960 (1997.10) for public access. Canberra Museum and Gallery borrowed All labels in the sculpture park were re- four works for the exhibition Sidney Nolan’s placed in 2020, bringing them into line with St Kilda: Memory and Modernism, from the museum’s updated brand identity. 22 August 2020 to 13 March 2021: The Heide collection online increased to 82% – Sidney Nolan, St Kilda 1942–43 (1982.223) of the museum’s holdings of 3,603 works. – Sidney Nolan, Waterwheel, Luna Park 1942 A total of 14 works from Heide’s collection (1992.112) were lent to institutions across Australia – Sidney Nolan, Ferris Wheel 1945 (1982.253) in 2020. – Sidney Nolan, Untitled (Big Dipper) c.1941 (2000.121) The loan of Sidney Nolan, Lake Wabby, Fraser Island 1947 (1982.258) to Queensland The National Gallery of Australia borrowed Art Gallery was extended for a further period two works by Moya Dyring, Melanctha c.1934 for inclusion in the Australian collection (1982.84) and Holly 1937 (1993.12) for display, until 26 October 2020. the exhibition Know My Name: Australian Women Artists 1900 to Now, from The long-term loan of Sidney Nolan’s 13 November 2020 to 26 January 2022. Bathers 1943 (1982.247) to Government House, Melbourne was also extended until to 1 May 2021. Monash University Museum of Art borrowed Agatha Gothe-Snape’s The Surface of the Moon 2012 (2012.113) for a survey exhibition titled Agatha Gothe-Snape: The Outcome is Certain, from 8 February to 9 April 2020.

Following pages: Albert Tucker Cratered Landscape 1959

Heide Museum of Modern Art / Annual Report 2020 25

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2020.31 2020.30 2020.1 2020.8 2020.16 2020.23 2020.30 2020.37 2020.44 Wona Bae, Charlie Lawler Gunter Christmann Dale Hickey, Kim Westcott Meredith Turnbull Eugene Carchesio John Gollings John Gollings Shift (Green) 2019 Untitled c.1972 Gridded Void 1993 Composition for Floor or Wall Towards Green 2015 Sunlit Bush, Gippsland Margaret Katherine relief etching synthetic polymer paint lithograph (Mustard) 2014 synthetic polymer paint 1967, 2019 (1947–2018), Senior Elder 38.5 x 28.5 cm on paper 49 x 45.4 cm particle board, timber, on canvas board ink jet print of the Buyhmi Clan and Gift of Wona Bae and Charlie 66 x 50 cm Donated through the synthetic polymer paint 25 x 20 cm 60 x 89 cm Traditional Owner of Nawarla Lawler 2019 Donated through the Australian Government’s and decoupage paper Donated through the Donated through the Gabarnmang 2015, 2019 2020.2 Australian Government’s Cultural Gifts Program by photocopies Australian Government’s Australian Government’s ink jet print Sydney Ball Cultural Gifts Program by Anthony Scott 2020 90 x 90 cm Cultural Gifts Program by Cultural Gifts Program by 115 x 152.5 cm Anthony Scott 2020 Donated through the Anthony Scott 2020 John Gollings 2020 Donated through the Untitled #17 1972 2020.17 Australian Government’s Australian Government’s gouache on paper 2020.9 Dale Hickey, Kim Westcott 2020.31 2020.38 66 x 101 cm irreg. Gunter Christmann Redex 1993 Cultural Gifts Program by Eugene Carchesio John Gollings Cultural Gifts Program by 2020 2020 Donated through the Berliner Series 1974 lithograph Meredith Turnbull Untitled 2015 Lal Lal Falls, Moorabool, John Gollings Australian Government’s synthetic polymer paint 49 x 45.4 cm 2020.24 synthetic polymer paint Victoria 1967, 2019 2020.45 Cultural Gifts Program by on paper Donated through the Meredith Turnbull on canvas ink jet print Vlase Nikoleski Anthony Scott 2020 52 x 36 cm Australian Government’s Composition for Floor or Wall 40.5 x 30.5 cm 60 x 89 cm The Seed 1981 (Pink) 2020.3 Donated through the Cultural Gifts Program by 2014 Donated through the Donated through the bronze and sandstone Sydney Ball Australian Government’s Anthony Scott 2020 particle board, timber, Australian Government’s Australian Government’s 175.5 x 52 x 41 cm Cultural Gifts Program by synthetic polymer paint Cultural Gifts Program by Cultural Gifts Program by Gift of Vlase Nikoleski 2020 Untitled #19 c.1972 2020.18 Anthony Scott 2020 and decoupage paper Anthony Scott 2020 John Gollings 2020 gouache on paper Alex Selenitsch 2020.46 photocopies 66 x 101 cm irreg. 2020.10 ANTEsign #1: brown 2020.32 2020.39 Albert Tucker 120 31 Donated through the Col Jordan cardboard 2010 x cm Joy Hester John Gollings Imploring Head 1958 Australian Government’s Framespace Revisited 2013 corrugated cardboard Donated through the Child in Blue c.1956 La Trobe River, Victoria oil and PVA on composition Cultural Gifts Program by synthetic polymer paint and cloth tape Australian Government’s brush, ink and gouache 1967, 2019 board Anthony Scott 2020 on cotton canvas 48.5 x 25 x 30 cm Cultural Gifts Program by on paper ink jet print 66 x 90.5 cm Meredith Turnbull 2020 2020.4 62.5 x 62 cm Donated through the 26.8 x 36.2 cm 60 x 89 cm Gift of the Albert & Barbara 2020.25 Sydney Ball Donated through the Australian Government’s Donated through the Donated through the Tucker Foundation 2020 Australian Government’s Cultural Gifts Program by Meredith Turnbull Australian Government’s Australian Government’s Untitled #24 1975 2020.47 Ensemble Tabletop gouache on paper Cultural Gifts Program by Anthony Scott 2020 2014 Cultural Gifts Program by Cultural Gifts Program by Albert Tucker Anthony Scott 2020 particle board, synthetic Joy Anderson 2020 John Gollings 2020 66 x 101 cm irreg. 2020.19 Encounter 1954 polymer paint, varnish Donated through the 2020.11 Meredith Turnbull 2020.33 2020.40 oil on composition board Australian Government’s Arlo Mountford Composition for Fabric I 2014 and aluminium John Gollings John Gollings 63.4 x 93 cm 147 193 Cultural Gifts Program by Marcel 2014 heat set digital print on x cm (overall) Scorched Trees, Gippsland Lake Burrumbeet, Victoria Gift of the Albert & Barbara Anthony Scott 2020 digital print on Dibond, motor cotton voile Donated through the 1967, 2019 1967, 2019 Tucker Foundation 2020 67.5 33 25 600 150 Australian Government’s 2020.5 x x cm x cm ink jet print ink jet print 2020.48 Donated through the Donated through the Cultural Gifts Program by 90 x 60 cm 60 x 89 cm Sydney Ball Meredith Turnbull 2020 Albert Tucker Orange/Mauve #194 2007 Australian Government’s Australian Government’s Donated through the Donated through the Cratered Landscape 1959 synthetic polymer paint Cultural Gifts Program by Cultural Gifts Program by 2020.26 Australian Government’s Australian Government’s synthetic polymer paint on on canvas Anthony Scott 2020 Meredith Turnbull 2020 Meredith Turnbull Cultural Gifts Program by Cultural Gifts Program by composition board Ensemble Tabletop 2014 John Gollings 2020 John Gollings 2020 30 x 31 cm 2020.12 2020.20 49.5 x 80 cm particle board, synthetic Donated through the Arlo Mountford Meredith Turnbull 2020.34 2020.41 Gift of the Albert & Barbara Australian Government’s Ugo 2014 Composition for Fabric II 2014 polymer paint, varnish John Gollings John Gollings Tucker Foundation 2020 and aluminium Scorched Trees, Gippsland Sandhills in the Mallee, Cultural Gifts Program by digital print on Dibond, motor heat set digital print on 2020.49 119 x 231 cm (overall) Victoria Anthony Scott 2020 69 x 33 x 25 cm cotton voile 1967, 2019 1967, 2019 Joy Hester Donated through the 600 x 150 cm Donated through the ink jet print ink jet print 2020.6 Australian Government’s Untitled (Seated Girl) c.1944 Gunter Christmann Australian Government’s Donated through the 90 x 60 cm 60 x 89 cm brush and ink on paper Cultural Gifts Program by Australian Government’s Cultural Gifts Program by Donated through the Donated through the Krimhilde 1970 2020 31.6 x 20.2 cm 2020 Meredith Turnbull synthetic polymer paint Anthony Scott Cultural Gifts Program by Australian Government’s Australian Government’s Gift of the Albert & Barbaraa Meredith Turnbull 2020 2020.27 Cultural Gifts Program by Cultural Gifts Program by on canvas 2020.13 Tucker Foundation 2020 Meredith Turnbull John Gollings 2020 John Gollings 2020 37 x 37 x 5 cm Normana Wight 2020.21 Ensemble Tabletop 2014 Donated through the Untitled 1967 Meredith Turnbull 2020.35 2020.42 Australian Government’s screenprint Composition for Fabric III 2014 particle board, synthetic John Gollings John Gollings Cultural Gifts Program by 84 x 67 cm heat set digital print on polymer paint, varnish Lal Lal Falls, Moorabool, Fern Bush, Gippsland Anthony Scott 2020 Donated through the cotton voile and aluminium Victoria 1967, 2019 1967, 2019 94 161 Australian Government’s 600 x 150 cm x cm (overall) ink jet print ink jet print 2020.7 Donated through the Gunter Christmann Cultural Gifts Program by Donated through the 90 x 60 cm 90 x 60 cm 2020 Australian Government’s Untitled c.1972 Anthony Scott Australian Government’s Donated through the Donated through the Cultural Gifts Program by Cultural Gifts Program by Australian Government’s Australian Government’s synthetic polymer paint 2020.14 Meredith Turnbull 2020 on paper Dale Hickey, Kim Westcott Meredith Turnbull 2020 Cultural Gifts Program by Cultural Gifts Program by 2020.28 John Gollings 2020 John Gollings 2020 66 x 50 cm To a Damaged Lung 1993 2020.22 Mike Brown Donated through the lithograph Meredith Turnbull 2020.36 2020.43 Neon Blush 1961 Australian Government’s 49 x 45.4 cm Composition for Floor or Wall c. John Gollings John Gollings Cultural Gifts Program by Donated through the (Mid Blue) 2014 synthetic polymer paint Moon Over Gippsland Barramundi Dreaming Anthony Scott 2020 Australian Government’s particle board, timber, and enamel on composition 1967, 2019 Figures, Nawarla Cultural Gifts Program by synthetic polymer paint board on wood ink jet print Gabarnmang, Arnhem Land 36.8 57.2 Anthony Scott 2020 and decoupage paper x cm irreg. 90 x 60 cm 2015, 2019 Gift of Julian and Kaaren 2020.15 photocopies Donated through the ink jet print 90 x 150 cm Brown, in memory of Mike Australian Government’s 115 x 152.5 cm Dale Hickey, Kim Westcott Brown and Zen Lucas 2020 Redex with a Damaged Lung Donated through the Cultural Gifts Program by Donated through the 2020.29 2020 1993 Australian Government’s John Gollings Australian Government’s lithograph Cultural Gifts Program by Sydney Ball Cultural Gifts Program by 2020 Black Square 1965 2020 49 x 45.4 cm Meredith Turnbull John Gollings Donated through the lithograph on paper mounted Australian Government’s on composition board Cultural Gifts Program by 36 x 41.5 cm 2020 Anthony Scott 2020 Gift of Jeanette Fry

32 Heide Museum of Modern Art / Annual Report 2020 33 At a glance Extending the experience

Public Programs Despite the limitations, we continued to 199 programs Heide offers a range of workshops, engage Communication Design, Landscape talks, events and tours that complement Architecture and School of Art students 3,011 attendees exhibitions and the museum’s unique in way-finding concept development and architecture and gardens, giving visitors audience engagement projects. learning participants opportunities to connect with artists, ideas Our new Youth Advisory Committee, 701 and nature, and enrich their experience launched in 2020, engaged 12 young people of art and creativity. aged 15 to 21, who quickly moved to online 58 teachers With limited opportunities to present platforms to meet regularly to support programs in person and onsite we pivoted one another and generate ideas for youth 1,557 views of online learning resources to deliver online book and garden talks programming at Heide. All committee and workshops for adults and children. members accepted our invitation to Highlights were the weekly member talks continue in their roles in 2021, and to 7,138 views of workshop resources presented by the Heide Volunteer Guides participate in more onsite programs. and the monthly challenges to create Heide Members 2,398 members artworks inspired by the Heide Collection. Heide’s members are loyal supporters who These programs kept the Heide community enjoy unlimited free admissions, discounts 257 volunteers connected and engaged during the two on programs and in the museum’s shop extended closures. and café, and for member events and 4,000+ volunteer hours Heide Learning previews. Their ongoing commitment to Heide’s Connect and Create Program was the museum is greatly appreciated. significantly impacted by the lockdowns of All subscriptions were paused during 2020, requiring a swift adaptation to online the eight-month closure of 2020, and re- modes of program delivery. Volunteer staff activated upon reopening in November. were trained to use a range of platforms such as Zoom, Webex and Google Classroom Heide Volunteers to suit individual institutional requirements. During the year 2020, 257 volunteers As well as offering ‘live’ webinars, some contributed a total of 4,049 hours of service pre-recorded content was hosted on a to the museum. There was one recruitment, web-conferencing platform for students resulting in the successful appointment and and teachers to access at any time. training of 50 new volunteers across Visitor Services and the gardens. We kept in touch The Learning and Public Programs team with our volunteers throughout the year also developed Heide at Home, providing by sending regular emails, running Culture resources for teachers and students, and Club activities, Garden Club and Book Club, parents facilitating remote learning. Heide celebrating National Volunteer Week and at Home won Time Out Magazine’s Time offering volunteer-run seminars. In Award for the Favourite Arts Class or Activity in the Arts and Museums category. Heide’s continued commitment to volunteer engagement and wellbeing was recognised Heide continued its partnership with by Volunteering Victoria when we were RMIT University and their Work Integrated shortlisted for the COVID-19 Support and Mirka Mora–inspired spoon Learning teams. The year began with an artwork created by Clytie Meredith Connection State Award. for ‘Spoonville’ program eventful site visit to Heide, during which Following pages: Caravan created for Heide at Home a State of Emergency was declared and online workshop talks and tours were cut short.

Heide Museum of Modern Art / Annual Report 2020 35

Events Heide Shop

Heide’s grounds offer a picturesque The Heide Shop showcases products setting for events, weddings, filming and related to the museum’s exhibitions and photography, and picnics. collection, the Heide Circle artists, and The popular Heide Market took place selected partners. 5 times during 2020, in collaboration with The collaborative Heide X Gorman range the Rose Street Artists’ Market. Operating of products was a highlight of the retail offer in Heide’s sculpture park on the second in 2020, featuring a stylised graphic of Emily Saturday of each month from spring through Floyd’s Abstract Labour. The range was well autumn, the market offers a diverse range received and contributed significantly to the of handcrafted goods with a focus on art, year’s sales. Similarly, the popular exhibition design and local makers. Joy Hester: Remember Me provided an Café Heide opportunity for retail to produce a new range of related products. Heide Café is managed by the Orletto group, and features a seasonal menu with In 2020 a concentrated effort was made organic produce and herbs grown on site in to cultivate a strong online presence and Heide’s two kitchen gardens and orchard. expand the online product offering into structured categories, with an emphasis on Heide Café provided catering support Heide-exclusive merchandise. We achieved for a range of Heide public programs in 2020 a 400+% increase in online sales for the year. and for external venue hire bookings. During the COVID-19 lockdown period while the café was closed, produce from the Heide Cottage kitchen gardens normally utilised by the café was instead donated to local food relief organisations. In March Heide commenced making weekly donations to local food relief organisations including Fawkner Commons, who used the Heide produce to support 55 families in need. In total around 200 crates (approxi- mately 600 kg) of fresh organic produce was donated, including kale, broccoli, cauliflower, cabbage, lettuce, silver beet, herbs and other seasonal items. The organisations were particularly thankful to receive an ongoing supply of fresh greens to complement the non-perishable items that are most commonly donated. Heide X Gorman headband Photograph: Claire Campbell Following pages: Heide X Gorman product Images courtesy of Gorman Mirka Mora jigsaw puzzle Photograph: Seren Little

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Our environment

A range of initiatives commenced or opportunities for change in leadership, The Healing Garden Corporation and Urban Initiatives land- continued in 2020 to improve visitor creative programming, recruitment, Supported by The Shine On Foundation, scape and urban design practice towards experience, enhance our facilities and community engagement, marketing and Heide engaged urban design firm Openwork the development of a comprehensive gardens, and make important contributions audience development. in 2019 to research and design a new design framework, interpretation plan, to our broader community context. Based on the results of the audit, Heide Healing Garden adjacent to the Heide and land management plan for the site. Reconciliation Action Plan was matched with a mentor, writer and Cottage, a project that reflects museum Facilities and gardens Heide commenced work on its first psychologist Hoa Pham, who together with founder Sunday Reed’s aspiration for Throughout the two lockdown periods our Reconciliation Action Plan (RAP) in 2019, the Diversity Arts Australia staff supported the gardens to be both a creative outlet facilities and garden staff continued the which will equip the museum with practical the development of Heide’s three-year and sources of respite and rejuvenation. essential work of ensuring the safety and actions to contribute to reconciliation by Equity Action Plan (EAP). The Healing Garden will be a place for maintenance of our galleries, sculpture sensory experiences, with plants that are fostering and embedding respect, building The EAP will be implemented from 2021 park and gardens. We were pleased that and encouraging relationships, and scented or tactile, a meadow of wildflowers, many local residents took the opportunity and includes measurable short- and long- and edible indigenous plants. developing opportunities for Aboriginal term goals for every area of the museum to utilise our site for their exercise. and Torres Strait Islander peoples. and its people. Work on the garden continued apace in 2020 With the support of Creative Victoria, with the installation of bespoke seating and The RAP is being managed by a staff- Sustainability during 2020 Heide successfully completed led working group and will be submitted the consolidation of paths, irrigation and the installation of storm water drainage Heide has a constantly evolving plantings, and consultation with program to Reconciliation Australia in 2021. environmental sustainability program between the upper car park and the Sidney providers to ensure that the launch of the Myer Education Centre on the north Fair Play across every aspect of the museum and garden in spring 2021 is supported by a range grounds, from buildings and services to the eastern boundary of the site. The new At the beginning of 2020 Heide was of wellbeing activities. drainage will greatly reduce the ongoing selected to participate in the Fair Play gardens and sculpture park, exhibition protocols, marketing and retail, public and Yaluk Langa (River’s Edge project) path and garden damage caused by project, funded by Creative Victoria and seasonal storms. implemented by Diversity Arts Australia. education programs, and office and work In 2020 we were very pleased to be granted Fair Play is an equity and inclusion procedures. During 2020 the staff-led a Woiwurrung language name—Yaluk Langa Stage two of the storm water project saw capacity building program that seeks to Sustainability Committee reviewed our (River’s Edge)—for our ongoing indigenous the installation of new Turfgrid paths from address barriers to participation by under- performance and refined procedures, garden project, which aims to protect, the upper car park leading down to and represented groups in Victoria’s creative introducing a number of recommendations preserve and rehabilitate Heide’s riparian alongside the Heide Modern and Education industries, with a focus on developing in each area—notably around recycling, zone and bring to the fore the cultural Centre buildings. history of the tract of the Yarra River on organisations’ skills and capacity in working waste management, and the use of In other garden works a section of dead with three groups: improved environmentally friendly products. which the museum is located. Funded through a three-year grant of $25,000 per boxthorn hedge at the Templestowe Road – First Nations people; Significant projects completed in 2020 annum from the Albert & Barbara Tucker entrance to the property was replaced – people with disabilities; and included the installation of energy-efficient Foundation, the project has been extended with Indian hawthorn hedges. – people from underrepresented cultural LED lighting systems in the collection store to a 10,000 square metre area across Heide’s and linguistic backgrounds. and loading bay, and the establishment entire river frontage and will incorporate of a gas and power monitoring management The program was delivered online in 2020 five experiential zones, including a gathering system to facilitate benchmarking for gas space and Reconciliation Garden. instead of face-to-face, and commenced and power consumption that will indicate with a series of digital workshops with nine where reductions in energy requirements Heide gardeners progressed with clearing other arts organisations and specialist and future savings can be made. The and revegetation throughout the year while training providers, followed by a supported groundwork was laid for the installation consultation and collaboration continued audit of Heide’s operations to investigate of LED lighting systems throughout the both online and onsite with representatives Main Galleries and Heide Modern, and from the Land Management (Narrap), Following pages: costings were sought for the installation Research, and Education Units of the Heide Modern kitchen garden of solar panels. Wurundjeri Woi Wurrung Cultural Heritage Photograph: Alice Crowe The Doll’s House Photograph: Clytie Meredith

44 Heide Museum of Modern Art / Annual Report 2020 45

The Doll’s House We were delighted that the restoration of the original milking shed or ‘Doll’s House’ was able to be completed in 2020, despite the lockdown. Steered by heritage architects Lovell Chen, the project was seed-funded by The Shine On Foundation in 2019 and later the recipient of a Living Heritage grant from Heritage Victoria. The milking shed dates to the 1890s when the surrounding land formed part of a dairy farm, and it was later used by Heide founders John and Sunday Reed as a storeroom for their growing art collection. Aleks Danko The Doll’s House is an important part Moments of mind … a breath in time … (in memory of the Heide story in terms of the Reeds’ of Sweeney Reed) 2021 4 parts, ebonised American oak, sustainable, self-sufficient approach to plywood and vinyl Commissioned with funds from living, its use as a play space by Sweeney The Shine On Foundation 2020 Reed, and its use for a time to store Sidney Photograph: Clytie Meredith Sunday Reed in the Heide Nolan’s famous Ned Kelly paintings, created Cottage kitchen garden c.1946 in the Heide Cottage during 1946 and 1947. Photographer unknown The meticulous and beautiful work of Dean Wilson and the team from McCorkell Brown Construction has realised a remarkable transformation of the dilapidated structure, and we are very grateful to Howard McCorkell and Damien Newton-Brown for their generous pro bono contribution to the project, as well as that of landscape architects Mark Jacques and Liz Herbert at Openwork. Visitors in 2021 will not only be able to fully appreciate the layers of history represented in this modest, impeccably reconstructed building, but also to engage with new site specific artworks by Aleks Danko that have been installed inside.

Heide Museum of Modern Art / Annual Report 2020 49 At a glance Communications

Heide’s Marketing and Communications Partnerships 25,000 followers on Facebook team highlights the museum’s activities The following partnerships extended across several channels comprising the reach and impact of Heide’s marketing 81,000 followers on Instagram earned, owned and paid media. This is efforts: Gunn & Taylor, Broadsheet, The usually to support attendance and Saturday Paper, The Design Files, Cinema revenue-generating activities, however, Nova, Vault Magazine, Gorman, and 7,200 followers on Twitter in 2020 the marketing focus shifted to MASS Digital Studio. support a range of online programs and 18,491 enews subscribers activities created as part of the Heide at Digital Home program. This continued to build Heide’s website continued to be a key Heide’s profile and retain audience source of information for visitors with 90,200 video impressions engagement while the museum was closed. 161,874 users and 524,313 page views. Highlights include an integrated marketing Publications campaign for Joy Hester: Remember Me Joy Hester: Remember Me including a short film of the exhibition Curator: Kendrah Morgan created by production company SIRAP Description: 168-page hard cover catalogue https://vimeo.com/405981918. Print run: 1,500 Integrated marketing campaigns for RRP: $35.00 Heide’s re-opening in June and again in Carolyn Eskdale: Memory Horizon November were executed, together with Curator: Lesley Harding preparatory work for the inaugural Description: 40-page online catalogue Heide Summer Festival. Archie Barry: Fistimuff The marketing team also worked with Curator: Brooke Babington MASS digital studio on the design and Description: 16-page online catalogue installation of digital screens in the main reception area. The screens display exhibition and program content as well as general admission information and donor, sponsor and partner information in the foyer.

Exhibition publication Joy Hester: Remember Me Following pages: Kira Puru at Heide as part of Midsumma Festival 2020 Photograph: Bernadette Alibrando

Heide Museum of Modern Art / Annual Report 2020 51

At a glance Financials

Financial statements Funding sources $4,908,896 total operating revenue For the 2020 financial year Heide’s revenue In a normal year, around a third of Heide’s from operating activities was $4,908,896. annual income is derived from ticketed $1,247,950 Federal Government JobKeeper In addition, works of art valued at $603,780 admissions, retail sales and membership. and Cash Boost support were donated. In 2020 as these sources of income dried As at 31 December 2020 Heide has net assets up we were grateful for the support of of $82,851,704, which includes Heide’s government grants and philanthropy to $658,568 donations, sponsorship and collection valued at $73,136,709. assist the museum. Our focus became philanthropic support The full audited financial statements the retention and wellbeing of our people, can be found at www.heide.com.au/ and ensuring the future viability of the about/annual-reports. organisation and our programs. $253,546 Victorian Government COVID-19 The Federal Government’s JobKeeper support grant funding Support Package and Creative Victoria’s COVID-19 Investment Packages were a supporter surveys returned lifeline for Heide, enabling us to support our 1,012 employees and ensure the sustainability of the museum. This support, together with private donations from individuals and philanthropic trusts and foundations, enabled Heide’s staff to work diligently behind the scenes, mostly from their homes. Their efforts helped to ensure our forward program remained achievable, and that relationships with donors, members, and philanthropic and corporate partners were nurtured. Further, Creative Victoria’s Strategic Investment Package Stage Two grant enabled Heide to undertake its first Heide Summer Festival in the summer of 2021, providing a crucial outdoor venue for performing artists from Melbourne International Jazz Festival, Songlines Aboriginal Music and Midsumma Festival.

Heide Museum of Modern Art / Annual Report 2020 55 Fundraising

Supporter survey The support and heartfelt feedback we Philanthropy Heide is where the heart is In June, mindful of the loss of income received through the Supporter Survey helped More than ever in 2020, philanthropy In December, Heide ran a successful end of experienced by many supporters, Heide to buoy the spirits of our staff, who were proved critical to Heide’s ongoing year fundraising campaign under the banner undertook its first Supporter Survey instead working so hard either remotely from home or operations. We were tremendously grateful of ‘Heide is where the heart is’, in support of the more usual end-of-financial-year in the Heide gardens and grounds, to ensure to the funders who allowed flexibility on of the COVID-safe reopening of the museum fundraising appeal. More than 1,000 people we were ready to welcome visitors back with the timing and shape of projects to which and the planned Heide Summer Festival. participated, with many choosing to make a strong and vibrant program and beautiful they had committed funds. Our particular Individual donors gave generously to the a donation as well as completing the survey. surrounds. thanks are extended to The Shine On appeal, which also received discretionary In fact, this was the most financially The survey affirmed some of our assumptions, Foundation, who are amongst Heide’s most funding from the Lord Mayor’s Charitable successful June campaign the museum and also provided new insights about Heide loyal and empathetic donors and who not Foundation. Further funding for the Festival has experienced in many years, raising just visitors, who are: only continued to support existing projects and Heide’s reopening measures was over $100,000, as well as improving our at the museum but also provided significant gratefully received from the Besen Family – deeply loyal, with 48% having been regular understanding of our audiences and focus funds towards a major exhibition in 2021 Foundation. The Sidney Myer Fund with visitors to Heide for over 20 years, and 85% for areas for Heide’s future program, audience of the work of British artist Bruce Munro, Kerry Gardener AM and Andrew Myer AM more than five years; development and partnerships. which we anticipate being a vital part of provided a donation that enabled Heide – community minded, with 95% volunteering, Heide’s COVID recovery. to distribute free Festival tickets to people donating or members of other not for profit or Philanthropic and grant funders who and communities facing financial or community organisations; other barriers to participation. – highly educated, regular visitors to other arts kindly allowed Heide to defer or extend organisations and readers of the news; projects included the Albert & Barbara – interested in our exhibition program above Tucker Foundation, the Copland Foundation, all else (90%), followed by the gardens the City of Manningham Community Grants (65%), sculpture park (48%), history (48%) Program, Perpetual Impact Philanthropy, and architecture (42%); and the Packer Family Foundation with – 80% women, though a good proportion Crown Resorts Foundation. We were also of participants were completing the survey particularly grateful for the continued on behalf of their households. support, advice and encouragement of our current Board Directors, as well as We thank everyone who contributed to this former Board Directors and longstanding important project for Heide. supporters John Downer AM and Rose Downer, Kerry Gardner AM and Andrew Myer AM, Jennifer Darbyshire and David Walker, Dr Alison Inglis and Kate Jenkins.

56 Heide Museum of Modern Art / Annual Report 2020 57 Thank you

Founding Benefactors Major Benefactors Supporters GOVERNMENT PARTNER John & Sunday Reed Valma Angliss AM Jan Andrews Kate Bechet & Helen Dick Judy Becher Principal Benefactors Estate of Beverly Brown Robert Boscarato & Karen Boscarato M S Newman Family Foundation Erica McGilchrist OAM Bequest Dr Di Bresciani OAM Truby & Florence Williams Charitable Tony Hancy & Cathie Hancy Julian Brown & Kaaren Brown Trust, Equity Trustees Craig Kimberley OAM & Connie Kimberley Ann Byrne Barbara Tucker The Shine On Foundation Paul & Samantha Cross Foundation Albert & Barbara Tucker Foundation Loti Smorgon AO Lucy Carruthers MAJOR PROJECT PARTNERS The Yulgilbar Foundation Isaacson Davis Foundation Andy Dinan & Mario Lo Guidice Benefactors Bob House & Emma House Besen Family Foundation Dr Alison Inglis Joan Clemenger AO & Peter Clemenger AO Kate Jenkins & Ken Lark Jennifer Darbyshire & David Walker Elizabeth Loftus John Downer AM & Rose Downer Christine Mullen & Christopher PRINT PARTNER SUPPORTING PARTNERS Friends of Heide Grikscheit Kerry Gardner AM & Andrew Myer AM Sophia Pavlovski-Ross & Philip Ross Georges Mora Memorial Fund Prof John Rickard Diana Gibson AO GARRY EMERY Kay Rodda JANE MOONEY The Graeme Sturgeon Memorial Trust The Robert Salzer Foundation OPENWORK Helen Macpherson Smith Trust Michael Trovato Ian Potter Foundation Dr Nancy Underhill Marjorie M Kingston Charitable Trust Barbara Yuncken MAJOR SPONSORS Baillieu Myer AC & Sarah Myer Sidney Myer Fund Collection Donors Norman, Mavis & Graeme Waters Albert & Barbara Tucker Foundation Perpetual Charitable Trust Joy Anderson Robyn Upfield & Gary Upfield Anthony Scott Julian & Kaaren Brown, in memory Major Donors of Mike Brown & Zen Lucas In Memory of Annia Castan Meredith Turnbull EDUCATION PARTNERS Stephen Charles AO QC & Jenny Charles Vlase Nikoleski Christine Collingwood & John Collingwood John Gollings AM The Copland Foundation Jeanette Fry Helen Gannon & Michael Gannon Wona Bae & Charlie Lawler Cassy Liberman & Ben Krasnostein The Stuart Leslie Foundation Graham G Pritchard The Lionel & Yvonne Spencer SUPPORTERS Charitable Trust Robyn Wilson & Ross Wilson Donors The Helen Carson Endowment In Memory of Marlis Cohen OAM Crown Resorts Foundation MARKETING AND MEDIA PARTNERS Alane Fineman Gandel Philanthropy Anthony Hall & Kay Sneath Lord Mayor’s Charitable Foundation Amanda McPherson & Duncan McPherson Susan Nathan The Orloff Family Charitable Trust Packer Family Foundation Marianne Perrott Hay Caecilia Potter & James van Smeerdijk Steven Skala AO & Lousje Skala Sarah Watts & Ted Watts

58 Heide Museum of Modern Art / Annual Report 2020 59 Our people Heide Staff Head Gardener Christopher Constantinou Amelia Leong Letitia Prickett Artistic Director David Murphy Natasha Coumaros Elena Leong Jessica Qu Lesley Harding Gardeners Neil Coverdale Keith Lesselyoung Gillian Quirk Alice Crowe Alyshia Crampton Wendy Leversha Dianne Randall Executive Director Gay Cuthbert Artemis Lialios Nasrin Rasoulzadeh Tim Sligo Katie Grace Luke Murchie Selby Dalton Swe Lie Lim Vivienne Reed OAM Development Director Catherine Dattner Ila Lohning Jude Reilly Barb Taylor Caretaker Anne Davies Jennifer Louey Caelan Renfree Dyer Carmine Frascarelli Judy Davies Natalie Renna Senior Curator Frank Maas Susan de Jersey Hunter Reyne Kendrah Morgan Visitor Services & Volunteer Catherine Mahoney Lana De Lorenzi Indigo Malatt Anna Richards Board Directors Program Manager Curator Alice Dickins Ann Dickey Kendall Manz Heidi Ricketts Steven Skala AO, Chairman Sue Cramer Lydia Dillon Matt Marasco Jo-Ellen Robilliard Lisa Gorman Senior Visitor Services Sandra Dimitrijevic Joanne Marchese Richard Robinson John Lee Assistant Curator Officers Brooke Babington Wendy Donovan Julie Margetts Kara Rodski Cassy Liberman Lili Belle Birchall Tanis Douglas Pasquale Marinelli Maisie Rogers Sue Smith Exhibitions Manager Michelle Hambur Simone Dowd Daniel Marks Aurynes Rojas Nancy Underhill Julia Powles Seren Little Gabrielle Downes Lisa Martin Maddie Ross Mara Lythgo James van Smeerdijk (from February 2020) Registrar Alexandra Drummond Patricia Martin Jo-Anne Rowe Jennifer Ross Visitor Services Officers Samual Duncan Kayley Martinez Erin Sartori Heide Fellows Karen Adams Sandy Dunne Jane Martino Patricia Saunders Collections Manager 1988 Dr H Norman B Wettenhall AM Eliza Freeman Sue East Allie Marumo Jessemyn Schippers Svetlana Matovski 1989 Georges Mora Tom Greenaway Helen Efthimiou Cynthia McAfee Kit Scott 1990 Maria Prendergast OAM Collections Assistant Karen Hinde Safa El Samad Catherine McCarthy Wendy Sebire 1992 Baillieu Myer AC Mary Waters Eliza Jung Jan Eldred Sam McDonald Jan Shrimpton 1993 Loti Smorgon AO Sharon Evans Fiona McIntosh Veronica Smith Office Manager Jennifer Louey 1993 Victor Smorgon AC Tony Fagioli Hannah McKenzie Maria Spriggins Diane de Mascarel Clytie Meredith 1994 Barrett Reid AM Rachel Farrington Margaret McRobbie Aylene Steenkamp Georgia Hooper (parental Nola Orr 1995 Dr Tom Quirk Jin Feng Alana Meehan Stuart Steinfort leave cover until June 2020) Jennifer Papas 1997 Maudie Palmer AO Penny Peckham Larissa Feng Tessa Megenis Helen Stewart 1998 Stephen Charles Finance Officer Jessica Pitcher Anthony Fong Lachlan Meikle Margaret Stirkul 1 999 Christine Collingwood Catherine Fantin Sophie Prince Jonathon Ford Faye Meldrum David Sutton Denise Frawley Clytie Meredith Samm Sutton 2000 Albert Tucker AO Head of Marketing Heide Volunteers Bei Gao Jackie Miller Justin Sweeney 2000 Barbara Tucker Claire Miovich 2002 Tom Lowenstein Heather Adam Ruth Gazzola Julie Milton Krys Syrota 2005 William J Forrest AM Graphic Designer Verity Adams Ellen Giannikos Sepideh Minagar Liz Taggart-Speers 2006 Inge King AM Ramona Hamilton-Lindsay Annick Akanni Lena Glass Jeremy Mitchell Steffi Tanian 2006 John Gollings AM Public Programs Manager Mahlani Anastasiou David Glaubitz Dominique Montalto Christine Taylor 2007 Neil Everist Bernadette Alibrando Jan Andrews Harshini Goonetilleke Christine Mortimer Helen Thomas 2008 Mirka Mora Katherine Andrianopoulos Bev Gray Julia Muntoni Deborah Thompson 2009 David Walsh Learning Programs Manager Ebru Apaydin Yazici Sophia Grubnic Stephanie Nagy Stephanie Tozzi 2010 Craig Kimberley OAM & Connie Kimberley Tara Daniel Gila Arab Saleh Hadi Jill Nicol Heather Trotter 2011 Lady Nolan Learning and Public Gabriela Arenas Megan Hallowes Evan Nilsson Hsin-Hui Tsai 2012 Mark Newman & Hyeon-Joo Newman Programs Coordinator Leslie Arnott Meri Hand Lesley Nisbet Alex Ursell 2013 Joan Clemenger Mel Hartigan Janet Atkinson Elle Hanson Katja Novakovic Margaret Vande Walle 2014 Richard Haese James Auger Nola Hargreaves Francesca Nowicki Bianca Varbaro 2015 John Downer AM & Rose Downer Learning and Public Dans Bain Cathy Harrison Courtney Oakley Ellenie Vasilopoulos 2017 Barbara Blackman AO Programs Officer Mary Bajoras Diane Haskings Michelle Odgers Melissa Viola 2017 OBE Fiona Cabassi Louis Balis Sue Hay Deb Olenski Jonathan Vyssaritis 2018 Jennifer Darbyshire Philanthropy Associate Vicki Barnett Cathy Hayward Sue O’Sullivan Jenni Walker Danielle Butler Cassandra Batsas Melissa Healy Mark Paholski Megg Walstab (until June 2020) Penny Bell Debra Hoadley Laurie Paine Garry Walters Georgia Hooper Anna Bellotti Heather Howes Maria Panettieri Mary Waters (from July 2020) David Ben-Tovim Alexandra Hrissis Alex Papanotas Kathryn Watty Gabrielle Bergman Sandy Hsu Murray Pearce Lola Wenn Grants Writer Claire Beyer Judith Hughes Celeste Pegoli Saskia Wetter Bryony Cosgrove Madeleine Black Amy Hurley Monica Perez de Velasco Emily Whinfield CRM Administrator Janne Bonnett Stephanie Hyland Marina Perkovich Reham William Christine Taylor Archie Bourtsos Chloe Jones Asimenia Pestrivas Emma Williams Katy Bowman Stephanie Jook Zola Petrou Heika Williams Retail Manager & Buyer Rachel Brak Aphroditi Karambina Sara Pezzini Douglas Wilson Monica McKean Nathalie Brewer Julia Keller Kat Phillimore Benice Woolley Claire Campbell (parental Natasha Brooks Reetika Khanna Dianne Phillips Barbara Yuncken leave cover until May 2020) Angie Brown Anahita Kheradmandan Brian Pieper Joanna Zhang Events & Membership Lauren Brown Kristina Kimtia Georgia Pinney Winnie Zhu Coordinator Jaimon Browne Celina Klohk Michaela Piritidis Jamison Zmood Kasey Lack Adam Buckland Lucinda Knight Tess Pirrie Tessa Carapic Facilities Manager William Kogoi Annamaria Plescia Stephanie Carroll Paul Galassi Samantha Konig Julia Powles Anjana Chakravorty Jan Kozak Roslyn Prato Ron Chapman Natasha Krcevinac Rita Presutti Winnie Chiu Isobel Lake Jane Clark Alyson May Lambton Liz Coffey Christine Lavender Gill Coleman Anny Lawrence Following pages: Lily Conron Natalie Lawson Zoom staff meetings 2020 Carolyn Leach-Paholski Tree above Heide Cottage roof Heather Lee Photograph: Clytie Meredith

60 Heide Museum of Modern Art / Annual Report 2020 61

HEIDE MUSEUM OF MODERN ART ANNUAL ANNUAL REPORT 2020