Internationale Ausstellung 2019
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Programs of Study/Course Descriptions
Yeshiva University Undergraduate Catalog for Women 2016-2018 Programs of Study & Course Descriptions Programs of Study & Course Descriptions 1 ACCOUNTING (ACC) 3 AMERICAN STUDIES (AMST) 4 ART (ARTS) 5 BIBLE (BIBL) 12 BIOLOGY (BIOL) 18 BUSINESS AND MANAGEMENT (BUS) 21 BUSINESS INTELLIGENCE AND MARKETING ANALYTICS (BIMA) 22 BUSINESS LAW (BLW) 22 CHEMISTRY (CHEM) and BIOCHEMISTRY (BC) 23 COMPUTER SCIENCE (COMP) 25 ECONOMICS (ECON) 27 EDUCATION (EDUC) 31 ENGLISH (ENGL) 37 FINANCE (FIN) 45 FRENCH (FREN) 47 HEBREW (HEBR) 48 HEBRAIC STUDIES (HEST) 49 HISTORY (HIST) 50 INFORMATION AND DECISION SCIENCES (IDS) 57 JEWISH EDUCATION (JEDU) 61 JEWISH STUDIES (JST) 62 JEWISH HISTORY (JHIS) 63 JEWISH PHILOSOPHY (JPHI) 66 JUDAIC STUDIES (JUDS) 69 MANAGEMENT (MAN) 74 MARKETING (MAR) 80 MATHEMATICS (MATH) 85 MUSIC (MUSI) 88 OCCUPATIONAL THERAPY 91 PHILOSOPHY (PHIL) 92 PHYSICAL EDUCATION AND ATHLETICS (PEDU) 94 PHYSICAL SCIENCES (PHSC) 95 PHYSICS (PHYS) 95 POLITICAL SCIENCE (POLI) 98 PRE-ENGINEERING 107 PSYCHOLOGY (PSYC) 108 SEMITIC LANGUAGES (SEMI) 114 SHAPED MAJOR 115 SOCIOLOGY (SOCI) 115 SPANISH (SPAN) 119 SPEECH PATHOLOGY/ AUDIOLOGY (SPAU) 119 Page 1 Yeshiva University Undergraduate Catalog for Women 2016-2018 SPEECH AND DRAMA (SPEE) 121 STATISTICS (STAT) 122 TAX (TAX) 122 WRITING (WRIT) 122 WOMEN’S STUDIES (WMNS) 122 Page 2 Yeshiva University Undergraduate Catalog for Women 2016-2018 ACCOUNTING (ACC) MAJOR: Sy Syms School of Business CPA TRACK: ACC 1101, 1102, 2403, 3201, 3601; BLW 2112; TAX 6124, 6125; and any one Sy Syms elective. NON-CPA TRACK: ACC 1101, 1102, 2403, 3201, 3601; one additional ACC/TAX courses and any three additional Sy Syms electives. MINOR: For Sy Syms School of Business students ACC 1101, 1102, and 2403 MINOR: For Stern College Students ACC 1001, 1002, FIN 1001, ACC 1101, 1102, and any other Sy Syms course. -
Nestlé in Society
Nestlé In Society Creating Shared Value and meeting our commitments 2014 Middle East © June 2015 Nestlé Middle East FZE Nestlé Middle East FZE P.O. Box 17327 Dubai United Arab Emirates The brands in Italics are registered trademarks of the Nestlé Group Concept and Writing Nestlé Middle East, Corporate Communications with Akouri Communications Visual Concept and Design Nestlé Middle East, Corporate Communications with Publicis Middle East Contents 4 2014 Performance Summary 6 Summary of our Commitments 8 Message from our Chairman and our CEO – Nestlé S.A. 10 Message from our Chairman and CEO – Nestlé Middle East FZE 12 Creating Shared Value at Nestlé 16 Nestlé in the Middle East 22 Nutrition Commitments Find out how Nestlé contributes to Nutrition, Health and Wellness of people in the Middle East 34 Rural Development and Responsible Sourcing Commitment Read about how we globally work with farmers and rural communities, and our commitment to responsible sourcing in the region 36 Water Commitment Find out how we manage our water resources and our commitment to improving efficiency 38 Environmental Sustainability Commitments Find out about our commitments to improving our use of resources to protect the environment and promote sustainability 40 Our People and Compliance Commitments We focus on promoting youth employment and career opportunities in the Middle East. Everything we do is based on foundations of strong, non-negotiable compliance Front cover Yasmine is a student at the Makassed Khalil Chehab School in Beirut, pictured here after attending a Nestlé Healthy Kids Programme – Ajyal Salima session. The School has been integrating the curriculum Nestlé into classroom subjects since 2011 to help kids acquire nutrition knowledge and promote positive eating In Society Creating Shared Value behavior. -
The Pen and the Pennon: Political and Social Comment
THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE A DISSERTATION IN English and History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by LARRY MICHAEL MCCLOUD B.A., Iowa State University, 1997 MLA, Baker University, 1999 Kansas City, Missouri 2016 © 2016 LARRY MICHAEL MCCLOUD ALL RIGHTS RESERVED THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE Larry Michael McCloud, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2016 ABSTRACT Study of the Medieval English romance has burgeoned in recent years, with a focus on the world outside of the texts being central to the resurgence. I offer in this dissertation a reading of four of these works (Athelston, Sir Gawain and the Green Knight, Sir Cleges, and Sir Gowther) that considers each of them in the environment in which they are presented. Utilizing the contexts of manuscript placement, contemporary social and legal issues, and sociological changes affecting the audience, this work explores an analytical reading of each work that establishes possible meanings for each romance and possible motivations for their unnamed authors. Each work is ascribed its own chapter, focusing on a particular issue of English knighthood being interrogated. Chapter three suggests that Sir Gawain and the Green Knight repurposes the character of Gawain to observe the importance of oath taking and the bonds formed by knights from the practice of such. Chapter four focuses on the message of Athelston and argues that the work repositions the power of the crown beneath iii that of a regularized judicial system in which knights function as jurists. -
University Microfilms International T U T T L E , V Ir G in Ia G R a C E
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material subm itted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
B'lb°Ard® HOT DANCE MUSIC,. Áw W O Z CLUB PLAY W W 3 V; O L- 3 Ór 12 -INCH SINGLES SALES Compiled from a National Sample of Dance Club Playlists
FOR WEEK ENDING JANUARY 6, 1990 B'lb°ard® HOT DANCE MUSIC,. áw w o z CLUB PLAY w W 3 v; o l- 3 ór 12 -INCH SINGLES SALES Compiled from a national sample of dance club playlists. 3 TITLE Compiled from a national sample of retail store and one -stop sales á = ARTIST 3 TITLE reports. I- N 3U LABEL = ARTIST - & NUMBER /DISTRIBUTING LABEL ti N 3 U LABEL & NUMBER /DISTRIBUTING LABEL * * No.1 * * * * No.1 * * 1 1 1 9 RHYTHM A&M NATION SP -12335 3 weeks at No. 1 JANET JACKSON 1 1 1 14 PUMP UP THE JAM V SBK -19701 7 weeks at No. 1 TECHNOTRONIC FEATURING FELLY O 3 3 7 TWO TO MAKE IT RIGHT VENDETTA VE.7031 /A &M SEDUCTION 2 2 2 7 RHYTHM NATION A &M SP -12335 JANET JACKSON 3 2 2 10 LOVE ON TOP OF LOVE- KILLER KISS CAPITOL V -155o8 GRACE JONES 3 3 6 TWO TO MAKE IT RIGHT VENDETTA VE.7031 /A&M SEDUCTION 5 5 7 LET THE RHYTHM PUMP ATLANTIC 0 -86273 ® DOUG LAZY 4 4 11 OVER AND OVER ATLANTIC 0 -86282 0 PAJAMA PARTY 10 6 6 8 C'MON AND GET MY LOVE FFRR 886 799.1/POLYGRAM D -MOB 5 6 6 9 LOVE ON TOP OF LOVE - KILLER KISS CAPITOL v -155oa GRACE JONES 6 7 7 7 BABY DON'T SAY GOODBYE EPIC 49 73101 /E.P.A. DEAD OR ALIVE 6 5 5 12 NEW JACK SWING SOUND OF NEW YORK MOT- 4654/MOTOWN WRECKS -N- EFFECT 7 9 9 8 ITS GONNA BE ALRIGHT JIVE 1 290-1-JD/RCA RUBY TURNER 7 10 10 8 SWING THE MOOD ATCO 0-96512 JIVE BUNNY AND THE MASTERMIXERS 8 4 4 11 GET BUSY JIVE 1274 -1 -JD /RCA MR. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
HCS — History of Classical Scholarship
ISSN: 2632-4091 History of Classical Scholarship www.hcsjournal.org ISSUE 1 (2019) Dedication page for the Historiae by Herodotus, printed at Venice, 1494 The publication of this journal has been co-funded by the Department of Humanities of Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Editors Lorenzo CALVELLI Federico SANTANGELO (Venezia) (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) History of Classical Scholarship Issue () TABLE OF CONTENTS LORENZO CALVELLI, FEDERICO SANTANGELO A New Journal: Contents, Methods, Perspectives i–iv GERARD GONZÁLEZ GERMAIN Conrad Peutinger, Reader of Inscriptions: A Note on the Rediscovery of His Copy of the Epigrammata Antiquae Urbis (Rome, ) – GINETTE VAGENHEIM L’épitaphe comme exemplum virtutis dans les macrobies des Antichi eroi et huomini illustri de Pirro Ligorio ( c.–) – MASSIMILIANO DI FAZIO Gli Etruschi nella cultura popolare italiana del XIX secolo. Le indagini di Charles G. Leland – JUDITH P. HALLETT The Legacy of the Drunken Duchess: Grace Harriet Macurdy, Barbara McManus and Classics at Vassar College, – – LUCIANO CANFORA La lettera di Catilina: Norden, Marchesi, Syme – CHRISTOPHER STRAY The Glory and the Grandeur: John Clarke Stobart and the Defence of High Culture in a Democratic Age – ILSE HILBOLD Jules Marouzeau and L’Année philologique: The Genesis of a Reform in Classical Bibliography – BEN CARTLIDGE E.R. -
Humor Y Nuevas Formas De Circulación Del Sentido)
Universidad de San Andrés Departamento de Ciencias Sociales Licenciatura en Comunicación CUANDO LA INTIMIDAD SE VUELVE HUMOR PÚBLICO (HUMOR Y NUEVAS FORMAS DE CIRCULACIÓN DEL SENTIDO) Autora: Luciana Conti Legajo: 26282 Mentor: Mario Carlón Buenos Aires, diciembre 2018 Índice 1. Introducción, problemática y preguntas de investigación..............................................3 1.2 Organización del trabajo .............................................................................................................................. 9 2. Marco teórico ............................................................................................................................ 10 2.1 Mediatización y los cambios de escala: facilidad tecnológica de circulación..................... 10 2.2 Humor y nuevos tipo de humor en la era de Instagram ............................................................... 13 2.3 El pase de lo privado a lo público sin consentimiento ................................................................... 17 3. Estado de la cuestión: revisión de antecedentes ............................................................ 22 3.1 Chicas Bondi ...................................................................................................................................................... 22 3.2 La gente anda diciendo ................................................................................................................................ 25 3.2.1 Humor, privacidad y circulación en LGAD ............................................................................ -
Redalyc.XUXA, ANGÉLICA E MARA MARAVILHA: A
ModaPalavra e-periódico E-ISSN: 1982-615X [email protected] Universidade do Estado de Santa Catarina Brasil Vasconcelos Teixeira, Yara Eleodora XUXA, ANGÉLICA E MARA MARAVILHA: A TRANSFORMAÇÃO DE ARTISTAS EM ÍDOLOS E ESTRELAS ModaPalavra e-periódico, núm. 7, enero-junio, 2011, pp. 75-94 Universidade do Estado de Santa Catarina Florianópolis, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=514051718007 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto Modapalavra E-periódico XUXA, ANGÉLICA E MARA MARAVILHA: A TRANSFORMAÇÃO DE ARTISTAS EM ÍDOLOS E ESTRELAS Yara Eleodora Vasconcelos Teixeira Resumo Através da análise da construção da aparência das apresentadoras: Xuxa, Angélica e Mara Maravilha, bem como dos elementos que compunham os seus shows, este artigo identifica elementos que são vetores para a transformação das artistas em estrelas e ídolos de multidões na década de 1980. E nascem as estrelas... A transformação de artistas em ídolos de multidões é um fenômeno que acontece a partir da identificação do público com o imaginário construído para este representar uma personagem. Esse imaginário é criado por uma fusão de fatores que entrelaçados compõe a comunicação de um produto, nesse caso, um programa de televisão. Cenógrafos, redatores, figurinistas, fotógrafos e outros profissionais não menos importantes que estes citados são responsáveis pela criação e consequentemente pelo sucesso desse produto que é medido por meio da audiência e da popularidade. A interpretação, ou seja, a construção da perso- nagem pelo artista, assim como as histórias de suas vidas são influências significativas para o sucesso e a ascensão desse artista a ídolo de multidões. -
Brighten Sagging
INTERNATIONAL Carlos, Xuxa And Jazz Brighten Sagging Brazilian Scene By Christopher Pickard - RIO DE JANEIRO The Free Jazz Springsteen, Sting and Peter Gabriel, Festival, which, more than any other due to arrive for a Sao Paulo concert even, is responsible for the promo- on October 12. tion and sales of jazz-oriented al- The depressed record market, bums in Brazil, is slated to take place which has been badly hit by the - September 1 6 in Rio de Janeiro and return of rampant inflation in Brazil September 6 - 11 in Sao Paulo. of close to 1% a day, has received a The festival, a guaranteed sell-out, much needed boost from the release has helped introduce many new acts of a live album by Roberto Carlos and to Brazil, thanks to the massive atten- a fourth children's album by Brazil's ^tion the event, now in its fourth year, hottest star, Xuxa Meneghel. BEAUTIFUL NOISE - Noiseworks’ sdfHtled album on CBS Records ^attracts. has achieved yetanotl^ Roberto Carlos Live shipped 500,000 milestone by being accredited double platinum by the Australian Record Industry Association ^ Past festivals have introduced the units for CBS, while The band is pictured with manager Xuxa shipped Michael Brooming and Denis Handlin, Mana^im EHrec^ ^ikes of Art Blakey, Larry Carlton, 800.000 for Som Livre, with a further tor of CBS Records Australia. Chick Corea, Gil Evans, Philip Glass, 200.000 going to the stores in the two Stanley J ordan, the Manhattan Trans- weeks following its release. hr, Wynton Marsalis, Bobby Mc- Xuxa has replaced Roberto Carlos ^reirin, Pat Metheny, David Sanborn, in the last two years as Brazil's spyro Gyra and Sarah Vaughan to largest-selling artist. -
City Council Advance Agenda November 27 2017
CITY COUNCIL MEETINGS RULES – PUBLIC DECORUM Strict adherence to the following rules of decorum by the public will be observed and adhered to during City Council meetings, including open forum, public comment period on legislative items, and Council deliberations: 1. No Clapping! 2. No Cheering! 3. No Booing! 4. No public outbursts! 5. Three-minute time limit for comments made during open forum and public testimony on legislative items! 6. No person shall be permitted to speak at open forum more often than once per month. In addition, please silence your cell phones when entering the Council Chambers! Further, keep the following City Council Rules in mind: Rule 2.2 Open Forum 2.2.4 The open forum is a limited public forum and all matters discussed shall relate to affairs of the City. No person may use the open forum to speak on such matters and in such a manner as to violate the laws governing the conduct of municipal affairs. No person shall be permitted to speak on matters related to the current or advance agendas, potential or pending hearing items, or ballot propositions for a pending election. Individuals speaking during the open forum shall address their comments to the Council President and shall not make personal comment or verbal insults about any individual. 2.2.6 In an effort to encourage wider participation in open forum so that the Council can hear a wide array of citizen comment, no person shall be permitted to speak at open forum more often than once per month. However, this limitation has no effect on the public comment rules concerning items on the Council’s current legislative agenda, special consideration items, hearing items, and other items before the City Council requiring Council action that are not adjudicatory or administrative in nature, as specified in Rules 5.3 and 5.4. -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V.