Yearbook Dutch Design Milan 2012

40 Years of At Home Dutch Design with Joep in Milan Ann Maes van Lieshout Didn’t Miss a Single Salone and Six More p6 in 40 Years p14 Designers

Sjarel Ex 176 Dutch Explains Designers p28 The Lack in Milan Track Them Down: of a Design with Detailed Maps, Museum in The a Restaurant Guide Netherlands p37 and a Cocktail Schedule

Connecting the Dots showcases all Dutch #4 April 2012 Milan presentations at the Milan Design Week 2012 Heineken® invited 19 design talents from 4 continents to ‘envision a concept - nightclub’. The club pops up at the Milan Design Week 2012. You’re welcome. Open daily 13.00-23.00* hours from April 17th until april 20th 2012.

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ED170-advertentieCTD.indd 1 2/29/12 1:55 PM Colophon Foreword Contents

Design is Everything and Furniture

Connecting the Dots For a long time by now a furniture fair knowledge with a unique experience of Foreword Column Yearbook Dutch Design Milan 2012 has not been about selling furniture, changing trends and the changing fair Representing all Dutch presentations any more than design has been about itself, especially in the last twenty Design is Everything Nostalgic during the Milan Design Week 17 - 22 developing products alone. The Milan years. Maes still remembers the salone April 2012 Design Week in particular has develo- clearly from the time when it did not and Furniture Avant-garde Connecting the Dots magazine publishes ped over the last few years to become contain a single Dutch presentation but Dutch designers and design-culture a bustling meeting place for politics, was a purely Italian event. She is in a by David Heldt by Kees de Haan internationally during key design events economy, ecology, city marketing and position to know how much the intro- p4 — p24 — and fairs. even nation branding, including Dutch duction of Dutch Design and other

Connecting the Dots magazine Design. And design is like a new trends has changed the Milan Design Koningsstraat 43c buzzword that covers new entrepre- Week. Maes, who is herself an indus- Interview Article 1011ET Amsterdam neurship, linking diverse sectors, and trial designer, takes a critical view of the The Netherlands putting people first. Our future needs developments, particularly of the Dutch From Trade The Museum www.thedots.nl / [email protected] engineers who are enterprising, know presentations; beside an enormous +31 (0)208932886 how to link complex issues, and put wealth of ideas, she also perceives a Partner Lives Editor in Chief people at the centre – in other words, spiritual impoverishment. Read the David Heldt designers. While most studies and unique survey and interview with her to Idea by Annemiek van Grondel [email protected] professions are aimed at specialisation, on page 6. p28 — designers have to be able to make Contributing editors Generator Cécile Dornseiffen, Monique van Empel, connections across a very broad front. The economic malaise in the furniture Annemiek van Grondel, Maarten Veeger, branch has, surprisingly enough, not Interview with Ann Maes Article Kees de Haan, Francine Mendelaar, If you want to know how these new led to a drop in the number of desig- by Cécile Dornseiffen Daniela De Lorenzo (intern) designers can make a whole region ners and companies at the Milan fair. p6 — Connecting the Dots prosper, turn to page 16. The city of There are more Dutch presentations Translator Studio Mason & Egmond Eindhoven has known for years that than ever. All the same, the time of with the Materiaalfonds designers have talents that can give a lavish spending is over. I pick up signals Article Graphic design new impulse to the economy. During during my stay in Milan, there has been by Francine Mendelaar Koehorst in ‘t Veld the 2008 Milan Design Week Tutto- hard bargaining about the price of Capital D: p33 — www.koehorstintveld.nl bene was already giving a guided tour exhibition spaces, and compromises

Contributing photographers to a delegation of local government have been reached. And that is not Dutch Design Boudewijn Bollmann: twistedstreets.nl civil servants who wanted to know something that the Milanese like to do. Guide (photo reportage), Ilco Kemmere: everything about design and sustaina- Let us be thankful to Milan this year that in Bussiness ilcokemmere.nl, Eline Witteveen bility in detail. And it was probably not we can present our designers, the Find Dutch Designers their first visit there. Eindhoven, with its catalysts of the Dutch economy, to the by Monique van Empel Printed by Habo DaCosta world-famous Design Academy, world here, and at a sharply reduced p16 — in FuoriSalone, Zona University of Technology and important price. Communication & Press high tech industry, has also been Tortona, Fiera and Luc Deleau organising the Dutch Design Week for A week is not enough to see everything. Column [email protected] eleven years. The driving force behind Connecting the Dots helps you to make Zona Lambrate +31 (0)652472990 this event is Capital D, an organisation a selection and to plan your week well. Not with Furniture Advertising that deploys design to stimulate the I take the liberty of making three recom- p36 — Luc Deleau & David Heldt economy in the Eindhoven region. And mendations: don’t skip unfamiliar by Maarten Veeger +31 (0)208932886 with success. names on your tour, see which traditio- p20 — nal brands are working with young Financially supported by The Netherlands Architecture Fund This edition of Connecting the Dots also designers, and enjoy! includes a survey of the developments in Dutch Design in Milan during the past David Heldt forty years by Ann Maes. She has not Editor in Chief © Connecting the Dots 2012 All rights reserved. Copyrights on the photographs, missed a single (fuori) salone in all those illustrations, drawings, and written material in this publication are owned by the respective years. She is an incredible source of photographer(s), the designer(s) and the author(s). No part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without permission of the publisher and designers, photographers and authors involved.

4 5 She has not missed a Salone in Milan in forty years. Present at the most eye-catching shows, exhibitions, receptions and parties. First as a student, since 1977 as a freelance designer, and since 1980 as correspondent for various magazines, including Abitare. But now primarily as promoter, curator and design manager. If anyone has seen Dutch Design expand to become a world-famous export product, it is Ann Maes. But she considers that this reputation has also taken its toll. ‘For decades I have been opposing overproduction, useless products, and the waste of energy and materials.’ Interview: Cécile Dornseiffen

40 years of Dutch Design in Milan From Trade Partner to Idea Generator —

Ann Maes in her archives. Photo: Eline Witteveen

6 7 She first passed through the When did the Dutch furniture Exhibiting in the city centre turnstiles of the Milan furniture manufacturers take the leap to suddenly became more Legendary Parties fair in 1971, on holiday in Italy with Milan? important than a trade fair ‘The 1980s were extravagant. a friend. ‘I wanted to see the presentation. What brought The Italians in particular spared phenomenon Salone del Mobile ‘Looking back, I think that it wasn’t about this change? no expense when it came to with my own eyes and was immedi- until the 1980s that they were branding. ately hooked. Since then I haven’t prepared to risk further interna- ‘The big Italian firms always used I can still vividly recall unforget- table moments. Paola Navone missed a single edition, not even as tionalisation, besides the commer- their Milan showroom to receive was in charge of the Driade a mother of a three-week-old baby. cial Möbelmesse in Cologne. But it VIPs. The limited space available at cultural parties, Poltrona Frau My colleagues couldn’t understand was still a small and select group for the fair made those shows in the brought in opera singers for the it. But Milan, that’s something.’ a long time: Artifort, Castelijn, city more and more important. In Sunday breakfast. Sisal Italia Montis, Rohé and Pastoe. And they 1987 Giulio Cappellini caused a stir concluded a dinner with a 2 x 2 metre cake in a purple and pink Who were the earliest Dutch were not yet in the spotlights, with in the Museo di Milano with a design by Ettore Sottsass. pioneers? visits from the occasional scout. legendary exhibition focusing on Zeus-Noto had music specially That is how Gerard van den Berg the work of Shiro Kuramata. In composed for their night parties. ‘In the very beginning the Salone was given an assignment by 1995 Zerodisegno rented a photo- I once had a surrealist metro ride del Mobile was a pure furniture Minotti.’ graphic studio in the Via Tortona with Castelli during which waiters in tuxedo served champagne trade fair, later supplemented with and organised a fashion show with and intriguing ladies read from Euroluce, Eurocucina and Eimu, ‘At that time the Salone del Mobile eccentric furniture. A couple of Dante. An entire orchestra was for lighting, kitchens and office was still held in September on the years later Cappellini moved to the playing at the first underground furniture. In 1970s and 1980s the old trade fair site near the city Fabbrica del Vapore, and later to station, and at the last we were only participants from the Benelux centre. There wasn’t an edition in the immense Superstudio in the treated to a ballet with their famous Plia chairs. What a time countries were the importers of 1990 because they had decided to industrial periphery that was still that was.’ leading brands: Horas, Kreymborg, switch to April. It was a messy affordable at the time. It brought in Mobica, Polydes, Tradix. They mishmash, don’t suppose that it masses of visitors, and other introduced a Dutch designer here was full of design. Only Pavilion 30 companies tried to take advantage and there among their suppliers. had a reputation as the number one of that flood of people too. That was These were designers from my venue with brands like Arflex, the start of the success of the Zona generation, including Ed Annink, Baleri, Boffi, Castelli, Cassina, Top and bottom: Tor tona’ Ton Haas and Bruno Ninaber. Molteni, Kartell and Tecno. You Every Driade-party was a cultural ‘Pastoe also decided to move to happening. In 2011 Driade celebrated Martijn Wegman and Frans van had to wade through the kitsch to the introduction of the chair ‘Nemo’ in the city centre in 1990 with a lyrical Nieuwenborg were given the get there. “Rubbish downstairs, the form of a mask, designed by Fabio presentation in the Via Cerva, for Novembre. opportunity to have their ‘glass beauty upstairs”, we used to say. All which thousands of tulips were fibre cloth’ lamp ‘Delight’ the same, the fair organisation flown over from the Netherlands. Below Top: Cappellini surprised many years the entire produced by Ingo Maurer. And COSMIT did its very best to create Montis was presented above the design world with its mayor exhibitions in the thanks to introductions I found my cultural added value. I can still French Cultural Centre in the heart Superstudio. Show 2003.

way to Alessi, Ycami and Zeus. It remember wonderful exhibitions of the fashion quarter. In no time it Below Bottom: Original catalogues of the legendary was a real man’s world.’ on Colombo, Munari, Aalto, became a must to stage theatrical company Hidden, designed by Opera Graphic in Castiglioni, Sottsass and ‘Waiters in tuxedo ‘fuori saloni’ events, preferably on 2000-2001-2002 and 2003. Magistretti, for example…’ served champagne exciting locations, from ancestral and intriguing ladies palazzi to abandoned industrial , read from Dante premises. The handy guides and exhibitions of magazines like Abitare and later Interni did a lot to institutionalise this show circuit.’

Top: Amsterdammer cupboards, designed by Aldo van den Nieuwelaar in 1973 and produced by Pastoe since 1978

Middle Top: Charly designed in 1980 by Gerard van den Berg for Montis

Middle bottom: 2008 Kadrega wooden chair by Huub Ubbens for Montina

Bottom: Delight glass fiber cloth lamp, designed in 1980 by Frans van Nieuwenborg en Martijn Wegman. Produced since 1987 by Ingo Maurer

L’Italia ricomincia da Zero bookcase by 1999 Sisters set of bowls in glass, ceramic and tin. Zerodisegno prêt-à-porter furniture on the runway with Carlo Poggio, founder of Zerodisegno Designed by Ed Annink for Driade Aleph Versace and Dolce & Gabbana, in the Superstudio in 1995

8 9 What were the most stunning And suddenly there were the literally introduced colour to presentations? collectives, led by Droog… design, Droog Design introduced a shot of humour. Although I found a ‘Too many to mention, surprised ‘After a colourful era of lot of the work premature, there on all sides by ‘theatre’ with Postmodernism of Memphis and were some brilliant ideas, such as inspiring content and a high more pragmatic industrial products the ”marble alley” with sliding cultural level, from lyric individual from companies who embraced bucket seat, a fence with a foldable shows and historical exhibitions, Philippe Starck and Jasper seesaw, wall carrier straps, and of initiated by the ADI, the COSMIT, Morrison, Gijs Bakker decided to course Tejo Remy’s Milk Bottle the Triennale and the City of go in the opposite direction. He Lamp. As a generator of ideas, Milan, to huge installations curated showed ‘dry’ (droog) Dutch design Droog Design certainly also made a by Interni. by a number of young designers in point with its Slow Shows as an The presentations by Pallucco in the basement of the Pastoe exhibi- alternative to overproduction and the late 1980s in the ruins of the tion in 1993. Renny Ramakers, the ecological footprint.’ abattoir ‘il mattatoio’ on the editor-in-chief of Items at the time, outskirts of Milan were legendary: supported the initiative and Droog flowing furniture sculptures in a Design was launched. The Dutch Various group presentations white mist, illuminated by spot- contribution to the design debate were subsidised. What has the lights – there was no telling where attracted increasing attention, influence of government policy reality ended and illusion began. partly because their pioneering been like? The brand Dada rented cranes to vision was soon published on a float enormous platforms with their global scale. Droog Design marked ‘Strong, perhaps too strong. latest kitchens above the building a turning point in product design: Although it took some time for the sites of the metro. And since 1996, what was shown was predominantly Dutch government to become the poet of light Ingo Maurer conceptual. As Memphis had aware of the value of design as a turned the Spazio Krizia year after contemporary export product. year into a mecca for the Ministries and subsidised organisa- connoisseur.’ Below Top: Ton Matton eco-exhibition tions teamed up with the innovative in Stazione Garibaldi in 2010. thinkers: the money poured in from Below Middle: 2008 Tuttobene Milaan all sides. Of course, group presenta- tions were a strategic PR instru- When did Milan become the Below Bottom: Temporary shop and Ghost Chair, designed by Studio Drift in prime breeding ground for exhibition of Super Droog in Milan in ment that should not be 2007, seen in via Tortona 2011. underrated. But there is always the Dutch freelance designers? Sand carpet in the street, created by risk of the lax application of Muurbloem in via Tortona in 2009 ‘The rise of the freelance designer selection criteria. Very many in Milan had several causes: the designers would not have been promotional policy of the govern- heard of without these foaming In the first decade of the 21st ment, but above all the shortage of flows of subsidies. On the other century the Zona Tortona became permanent employment. The hand, it has also put the good the free port for young Dutch Netherlands simply did not have designers on the map faster. Take designers. enough design companies to absorb Ineke Hans, Richard Hutten, the growing group of graduates, so Arnout Visser, Frederik Roijé, ‘The magnetic attraction of top industrial designers started to Scholten & Baijings and Geke names made it busier and busier in produce themselves or went abroad. Lensink…’ the Zona Tortona. Dutch design But at the same time the Dutch brands such as Ahrend, Moooi, ‘After a colour- companies recruited foreign Linteloo, Royal Mosa, Goods and ful era of Post- designers in a bid to catch up. I A second major PR instrument Van Esch joined in, with many modernism of even played a role in that myself… was promotion by the Design young designers in their wake. It is Memphis and Pastoe, for instance, went to work Academy Eindhoven. the period of the rise of interesting more prag- with Shiro Kuramata and later with designers as Studio Drift, Smool, matic indus- Shigeru Uchida. It was the time of ‘Another benchmark: design Raw Color... I’ve seen many crazy changing places. Dutch designers schools that put the global spotlight creative actions, especially by trial products were discovered by Italian compa- on their best graduate students. people with a limited budget. They (...), Gijs Bakker nies: Maarten Kusters and Jacco They are green, lack any practical took their designs around on decided to go Bregonje were successful in the experience, and are still filled with delivery bikes, or showed their work in the opposite furniture industry, Driade Aleph wild ideas – just right to set the in caravans by the roadside. , 2001 Divina couch by Jacco Bregonje direction. 2008 exhibition in the Triennale di Milano, welcomed Ed Annink and Roderick for Felicerossi industry’s head spinning. Unlike Maarten Baas had cloned his studio directed by Paola Navone. Vos. Huub Ubens was hired by Extruded grass seat. Concept from the academies that presented at the in an empty garage. Studio Rolf.fr Spirits-flying-high Led Paper by Ingo Artemide and later Danese. Marcel Jurgen Bey, presented by Droog Design Salone Satellite, the Design sawed retro cupboards in the street. Maurer. Show 2011 in Spazio Krizia Wanders was discovered and in 1998 Academy Eindhoven (DAE) and Muurbloem sprinkled sand carpets Milano. Photo Tom Vack. promoted by Cappellini. It was the 1966 Ribbon chair & hocker by Pierre the Royal College of Art landed in on the pavements. Sometimes it Installation ‘Ablaze - Sentimento (s) start of Marcel’s remarkable career.’ Paulin for Artifort the city of Milan, at the focal point was just like street theatre. The travolgente’ by Ingo Maurer i.c.w. Axel Schmid, for the 2011 INTERNI-exhibition 2000 Agung easy chair designed by of attention.’ press made it worse by interviewing ‘Achittettura Mutante’ in the Università Roderick Vos for DRIADE anyone who showed his most degli Studi. Showing the gradual transformation of a house burning down in Optic glass, designed in 1997 by extreme side. The commotion grew slow-motion. Photo Tom Vack. Arnout Visser for Droog Design at the expense of quality…’

10 11 As an industrial designer in What do you look for yourself And that is? But isn’t human design on the body and soul, what did you at the Salone? way up at the moment? really make of the rise of art ‘Designers should rediscover their design? ‘I visit less and less fairs. I follow social responsibility: working for ‘Ecological, human and social the topicality via internet. I go to broad target groups, no longer for design: new hypes? Italians like ‘Everything shows that many Milan in April and once every two the happy few. The market for Ezio Manzini and Andrea Branzi designers who produce for them- years to ‘Interieur’ in Kortrijk, that eccentric and hip items of furniture have already been thinking and selves actually have limited possi- keeps me completely up to date. In is saturated. I get the same feeling working on that for twenty years! bilities of production. So it is logical my own design career I have never with all those reinterpretations of The warnings issued by the Club of for them to make small series. But I shown in Milan. The time, energy old forms and patterns with which Rome have never been taken consider what they create to be less and resources it takes are out of some Dutch designers think they seriously, but if we had listened and less functional or relevant: a proportion. Besides, you can’t can find a new identity. But that is better at the time, we wouldn’t be pure waste of material and energy. broaden your view if you stay put not the solution to our problems. in this mess now. There is the new Personally I find unaffordable on your own square metres. I Relevance and usefulness, thinking danger that sustainability will be limited editions even embarrassing. always wanted to absorb as much as in human and social terms will help used as a marketing tool by oppor- That whole ‘art design’ is a thorn in possible of the atmosphere and us a lot more. There certainly is still tunists, often with long-winded my side. Italians deploy architects meet producers, top designers and uncharted territory. Just think of explanations to justify the product. and engineers as designers, not as importers. You only develop a the baby and the senior citizen Recycling and upcycling have artists. If you don’t see eye to eye vision, slowly but surely, if you look market. But a well thought out, become the buzz words. But what with the industry, you can’t just around you and listen. Then you functional and attractive walking some people tend to forget is that pour a golden sauce over a design to realise what there is still a need for frame is apparently not mediagenic recycling costs money too. You can make it more acceptable or wanted. and what not.’ enough.’ better focus on producing less and These fake art trends take the wind of a higher quality to extend the out of the sails of the serious lifetime of a product.’ designers, and of the real artists at 2008 Maarten Baas presentation in a garage. Photo Boudewijn Bollmann the same time.’ You have been a state jury 2010 showcooking party (in via Forcella/ Zona Tortona) to promote the CuriosityKit- Ann Maes: Biography member for years. What is chen by PeLiDesign, made with ARPA It’s called the working of the expected of the up and coming laminates. market. There is a demand, Ann Maes (Bruges, Belgium, generation of designers? almost a hunger, for trendy 1952) graduated from the design and styling. Industrial Design Academy ‘A lot. A good number of their Eindhoven in 1977. She began her career as a product designer iconic predecessors have lost their ‘Always those trends! Designers of technical products, a lot of way. Future generations will have Like a lounge party… have become brands and been given lighting and the famous to learn to deal with an expected star status. Honestly, Marcel Mace-line fireplace tools. In shortage of raw materials, energy ‘I gradually became ashamed of Wanders is a good stylist. He stuck 1980 she became correspondent and funding. That calls for not only that annual Dutch rave. The his neck out with those oversized for the Italian magazine Abitare. creativity but also a sense of reality. In the monographic, issues hysterical happenings were often ceramic clocks and those mega Abitare ‘Olanda (1985 and If those two meet, once again we spurred on by drink sponsors. You lamps, but it turned into a gimmick 2002) she gave many Dutch will be offered products that are of could walk over people’s heads at and went from bad to worse. To designers their first international use to the world.’ the opening, whole streets were label almost every design with your publication. ‘I gradu- closed off; two days later you could face, it’s what I call ego tripping. After ten years of freelance ally became have fired a cannon there. It wasn’t The really great designers have production and design, she fun any more… and the Zona usually kept their modesty.’ entered the world of design ashamed of Tortona blew itself up. Some moved management, working for that annual to another part of Milan, such as ‘Milan is increasingly more about Scopelight, Artifort, Lensvelt, Royal Mosa and others. Since Dutch rave. the Zona Porta Romana where the the PR than about the product. The 1997 she has also been The hysterical eco-thinkers are located. Or to the press is partly responsible for independently organising trips, artistic Zona Ventura Lambrate provoking that exhibitionist events and workshops for top happenings where Abitare has had its head- behaviour. Recording controversial architects with the support of the were often quarters from 2002 until spring novelties in artistic photographs creative industry. Ann Maes has won various design awards. She spurred on by 2012, flanked by old factories, new seems to have become a must if you lectures and is respected for her , art galleries, architectural studios want to get into the glossies. Too drink sponsors. critical vision. and the Scuola Politecnica di Top: 2001 Random Light Black by much attention is paid to absurd Bertjan Pot for Moooi Design. But that area is already in products as a result, such as that danger of becoming overcrowded Top Middle: TC stool, designed in 1990 famous horse with a lampshade on by Ruud Jan Kokke for Museum too.’ its head by Moooi: a black horse Marcel Wanders Boymans van Beuningen. First doesn’t emit any light, does it? The 2004 This Chair, designed by Richard produced by Designum, since 2004 by 2005. Marcel Wanders designed a Hutten for LENSVELT Goods. exorbitant kitsch creations for striking presentation for Bisazza Top Bottom: BM set of self-made small Swarovski are another example. For boats, using disposables like champoo me they reflect the spiritual bottles. Designed by Floris Hovers. impoverishment of our society.’ Presented in Milan in 2011. Bottom: Mug Domoor, designed by Richard Hutten in 2001. Now in the

12 13 Joep van Lieshout— artist / designer— ateliervanlieshout.com— 33 p.45 Merel Wicker en Kim Leemans— fashion designers— l-e-w.nl— 21 p. 41

14 15 The cradle of Dutch design lies in Eindhoven, a city in the south of the Netherlands where design is omnipresent. Capital D is the Eindhoven- based organisation that deploys design and design thinking on a wide front to further the economic growth of the whole region and to put it internationally on the map. With success! By Monique van Empel

Dutch Design Awards, Exhibition at Brainport Greenhouse. Eindhoven, October 2011. Photo Boudewijn Bollman They have known for a long time in Eindhoven and environs that a dynamic design climate has prevailed Capital D: there for years. After the acclaim of this Brainport region as ‘the most intelligent region in the world’ by word “Capital” refers both to Eindhoven as capital of the Intelligent Community Forum (ICF) in New York the D for design and to the capital that design can in 2011, people are now becoming aware both in the generate for the world of industry and commerce. Netherlands and further afield that something special There is no denying its economic value and relevance. Dutch Design is going on in Eindhoven and the surrounding area. Design is everywhere. Capital D initiates and facili- Hans Robertus, director Capital D and Dutch Design tates some twenty projects to bring enterprising and Week, explains exactly what that something is. ‘It’s in creative parties into contact with one another and our DNA.’ thereby to create growth for all of the sectors involved. And it is successful: the creative sector is proportion- in Business ally the fastest growing sector at the moment, not only Eindhoven here in the Brainport region, but also nationally and ‘Brainport is a region of top technology and design. possibly even internationally. We see Dutch design as Many top-level technology firms, knowledge and the catalyst for innovation and business at both the research institutes are located within a roughly 40 social, cultural and economic level. This even makes it — kilometre radius of Eindhoven. They include Philips, one of the most important Dutch export products.’ DAF and ASML, TNO Industry and Technology, but also the Design Academy Eindhoven, the Eindhoven University of Technology and the High Tech Campus. Cooperation The crafts and productive industry are also well Capital D originated in the field. It is a cooperation represented here. Thanks to the short lines of commu- with members from the design world, students, nication, a good idea can soon be turned into an architects, productive industry, knowledge, govern- innovative product and successfully find its way to the ment and educational institutions, museums and the (international) market. The role of design as the local authority. ‘They are all parties who want to tackle foundation of the creative sector is of essential impor- design jointly. And to create work in that field’, says tance in this respect’, according to Hans Robertus. Hans Robertus. ‘That is why we shall shortly be starting a multidisciplinary Flexpool for creative entrepreneurs at a national level. For instance, for Technology and Design companies that are looking for a freelance designer, or Hans Robertus and Robert Jan Marringa are the for self-employed persons who want to contact directors of Capital D, a broad organisation in potential clients. A Flexpool of this kind is a perfect fit Eindhoven that promotes the deployment of design as for Capital D, because it is in the direct interest of our a motor force for innovation, economic growth and members and serves as a model for how we try to bring sustainable development. Robert Jan Marringa: ‘The various groups together.’

16 17 International Podium for Designers creativity and design proceed hand in hand. They are Growth Diamonds Future Capital D has an average of twenty projects in its products with which designers have been involved Anyone who can remember the early years of the Zona The jubilee edition of the DDW in 2011 included no portfolio each year. It provides them with both from the very first stage of the developmental process. Tortona and now also the Zona Lambrate in Milan less than 360 activities and exhibitions on the strategic and executive backup to put the Eindhoven You can regard it as a visual plea for the conviction of can experience the same exhilarating, dynamic and programme at 85 different locations in the city, region on the (inter)national map. The best-known are Capital D that cooperation between designers and the inspiring atmosphere during the DDW in Eindhoven. involving more than 1,800 young designers. We had a the Dutch Design Week and the Dutch Design world of industry and commerce really can help our The City of Light is also filled with old industrial record number of visitors: 180,000, more than 10 per Awards, but the International Podium for Designers is region to make economic progress.’ premises and abandoned industrial sites with inter- cent of them from abroad. It represented a doubling of also a large-scale project. Besides the exhibitions Made in Brainport esting design clusters of young designers and artists, the number of registered journalists, photographers Hanneke van den Nieuwenhof is Capital D head (Istanbul, Munich, Helsinki) and Spring (Milan, such as the experimental hotbed Sectie C and the and camera teams by comparison with the previous of project for this long-term investment programme. Moscow, Helsinki), Connecting Concepts (Berlin, trendy Temporary Art Center (TAC). This is where a edition. According to Hans Robertus, the challenge ‘To put it simply, we want to show the world how we Istanbul) is also being shown internationally. This wide range of the growth diamonds of Dutch design for the future lies not in quantitative growth, but above deal with design and design thinking in the exhibition, a collaboration with the Netherlands are located. Because they all throw their doors wide all in bringing the right people together. ‘We gauge the Netherlands and particularly in the Brainport region. Architecture Institute, has been curated by Ed van open during the DDW, visitors are given a unique success of the week to a large extent by the quality of We see these as the strongest cards to play for growth Hinte on the initiative of Premsela and is part of the inside view of the kitchen of their conceptual and the relations that are made there. We want to interest of the creative sector in the country and abroad. To DutchDFA programme. experimental work. What they show is a vision rather different parties in one another and eventually bring that end we organise travelling exhibitions, trade Hans Robertus: ‘I am convinced that design can than the ready-made solutions and products that can about a change in behaviour that will bring the missions, design trips, workshops, lectures, pitch make the world a good deal more beautiful, better and be seen in Milan. In Eindhoven content counts for creative sector and the world of industry and sessions and other activities. So we literally offer more sustainable. Brainport is at this moment the most more than aesthetics. And that is precisely what makes commerce, but also for example financial institutions, designers a podium. On the one hand, the intelligent region on the basis of the left side of the the DDW popular less with buyers than with parties government bodies and legal experts into contact with International Podium for Designers is aimed at brain. My ambition is to develop this further in who are interested in new visions and concepts: one another and to harmonise better with one anoth- positioning and profiling Dutch design. On the other balance with the right side of our brains.’ journalists, manufacturers, the world of industry and er’s interests.’ A new feature in 2012 is a ‘heavier’ hand, it is there to promote cooperation between commerce, the productive industry. evening programme with more opportunity for designers and companies abroad.’ Raffaela Vandermühlen, head of Communication discussion and networking. & Marketing of the DDW: ‘We want to be the hotbed where designers and clients can meet one another and where follow-up assignments may emerge, in both the Dutch Design Awards creative, culture and economic and the social field. One of the highlights during the DDW is the annual Partly thanks to the presence of the Design Academy, presentation of the Dutch Design Awards, this year for we have an enormously tight-knit design community the tenth time. It is a national competition for Dutch here in Eindhoven. In fact it is their week. Unlike the design in the categories Communication, Product, situation in other countries, the Dutch Design Week is Design, and – new this year – Autonomous Design, for organised from the bottom up. And as Capital D we which designers from every discipline are eligible. build our programme around that. One result, for Capital D is responsible for the organisation of the instance, is that you do not keep coming across the competition, the presentation of the awards, the same names here that you already find everywhere (travelling) exhibition and the contents of the Dutch else. In parallel we organise an international Design Yearbook (in collaboration with NAI programme of workshops, lectures, congresses, Publishers). Head of PR Robert Jan Marringa, exhibitions and network meetings on the distinctive Director Dutch Design Awards: ‘This year we are Dutch Design Awards, MINI Young Designer Award-winner Bart capacity of design in business and vice versa extending putting even more emphasis on storytelling. We Hess, presenter Hadassa de Boer and Director BMW Group The Netherlands Jan-Christiaan Koenders at the Awardshow Eindhoven, over several days for our commercial visitors under the consider not only what designers make, but also the October 2011. Photo Bram Saeys name DDW Business.’ story behind a design and its social relevance.’

At the moment the organisation is engaged in research on the economic value of the Dutch Design Awards. Dutch Design Week What benefits do they bring to the winners? How do The Dutch Design Week in Eindhoven has grown in they themselves see the importance, the quality or the the course of ten years to become the largest design added value of the Awards? Architect and (light) artist event in the Netherlands. By now the event is also on Daan Roosegaarde, who won the Dutch Design Award Klokgebouw during Dutch Design Week Eindhoven, October 2011. the international map. for the best autonomous spatial design in 2009, claims Photo Sjoerd Eickmans Eindhoven breathes design for nine days. The to have gained a lot from his distinction. ‘Awards are DDW is not a regional festival, but a national showcase the golden crumbs that help you to make the perfect of Dutch design. The whole city is bustling. Hundreds bread. Thanks to the Dutch Design Awards, my work Made in Brainport of new talents from the Design Academy Eindhoven has attracted the interest of new parties and public Hanneke van den Nieuwenhof tells us that this year’s and elsewhere, established designers and famous projects, particularly in Asia. Recently our interactive programme is concentrated on three exhibitions: agencies from all over the Netherlands show their work light installation Dune even won the Chinese Most Made in Brainport, Spring, and Connecting on a number of locations. Eye-catching design taxis Successful Design Award.’ Concepts. The last two are organised in close collabo- drive back and forth between the main attractions: the

ration with Premsela, the Netherlands Institute for Design Academy, the Klokgebouw and other indus- The 11th edition of the Dutch Design Week will be held from Saturday 20 to Design and Fashion. Spring, which can be seen during trial buildings on Strijp S, R and T, the Eindhoven Sunday 28 October 2012, with the presentation of the Dutch Design Awards on 20 October. ‘i saloni’ in Milan, is a triptych in which thirty University of Technology, the Design House and the www.capitald.nl · www.ddw.nl · www.dutchdesignawards.nl well-known Dutch designers show work that has Brainport Greenhouse where the work of the finalists inspired them and promote young talent. Hanneke van and winners of the Dutch Design Awards are on show. den Nieuwenhof: ‘The exhibition Made in Brainport Last year the Dutch Design Week was opened by shows the results of successful forms of cooperation nobody less than Princess Máxima. Princess Maxima opening Spring exhibition by Premsela and Capital D. Eindhoven, October 2011. from the Brainport region in which knowledge, Photo Job Janssen

18 19 Digitally signed by Rene Rutten DN: cn=Rene Rutten, Rene o=ReneRutten Design, ou=Rene Rutten Design, [email protected], c=NL Rutten Date: 2012.03.01 15:16:24 +01'00'

What must you do to get that spoilt editor of a design magazine to write about you? Not with Furniture —

It’s not original. But any self-respecting It’s not a very encouraging prospect, and on designer has to be in Milan during furniture top of it all there is the crisis. The Italian week to present his furniture, lamps, furniture branch has never been hit so hard, kitchens or bathrooms. especially the smaller firms that have concentrated on the domestic market. The Being there and taking part as one of the big and more international ones are in a 2,500 firms at the official trade fair and an better position. They are at Milan as well to estimated equal number scattered through- present themselves and to ensure that they out the city is fine, but it’s not enough. You are talked about. And no expense is spared also have to be able to present something in that quarter. new, and that something new really has to be new. The deadline for completing the So staying away from this week in Milan is product is one day before the fair opens. not an option. But how are you to stand out in that forest of new or spruced up designs? Why? Because you increasingly have to What must you do to get that spoilt editor attract the attention of the media to your of a design magazine to write about you or product at that fair. There are surprisingly to place a photo after he or she has been few buyers among the 300,000 visitors with the big boys? who file past the stands. They are fellow designers, journalists, enthusiasts, students, By not taking the fair too seriously. Wild. and with a bit of luck a few potential Something without furniture, lamps, kitchens customers. While ten years ago many or bathrooms, for instance. Two years ago designers kept a list of how much they had Maarten Baas was in Milan but didn’t really sold in their exhibition space in Milan, have anything to report except an iPhone nowadays it is more common for them to app of his earlier digital clock for 0,99 ct. If have to make do with a pile of business anyone was also interested in his furniture, cards. Any sales you make do not even he or she would have to make a phone call. cover the stand rent, ticket and hotel. The It was up to them. hope is that a week at the fair will yield results in the following months, for instance Of course, every journalist had to tell that because you were featured in a newspaper story. Maarten must have more than or magazine and potential customers can covered the expenses of being there and still remember you. taking part.

Maarten Veeger

bezoek onze website www.mosa.nl

20 column

TerraTones_230x297_FRAME.indd 1 01-03-12 15:16 Laurens van Wieringen— interior designer— laurensvanwieringen.nl

OUT NOW!

WAVER Designed by Konstantin Grcic Developed by Vitra in Switzerland

Vitra (Nederland) B.V. De Oude Molen 2 ∙ 1184 VW Ouderkerk aan de Amstel Tel. 020 517 44 44 ∙ [email protected] ∙ www.vitra.com ∙ Showroom geopend ma-vrij 9.00 – 17.00 uur  22 23

Vitra_ad_Waver_230x297_NL-nl_Connecting-the-Dots_326.indd 1 05.03.12 10:39 I am becoming more inclined to write my letters. All around me I see young people joining knitting clubs. Nostalgic Avant-garde — The best Trade event for interior design

Designers have to keep abreast of virtually These cases show that nostalgia can be just every development that takes place in the as powerful a force of change as the belief world that surrounds them, and probably in progress. Modernisation entails decline, outside it as well. It is obvious enough that so that the desire for something new will be they have to be able to produce more bound to emerge eventually. The decision efficiently, to react to prevailing demands on whether to join in a development or not or to predict trends. But for those who depends on whether it is regarded as cherish the ambition of really being out in positive or negative, but it seems that the front or, if need be, wanting to change the same point is reached in the end. The stark world – and there is no shortage of them contrast between craftsmanship as prac- – it is perhaps advisable to keep out of the tised by William Morris and astonishment at vanguard and to fall back on the dusty past. the potential of technology is by no means so clear-cut any more. We can compare the 7-8-9 June 2012 The first example of this phenomenon industrialisation of that era with the enor- emerged in England in the mid-nineteenth mous growth of the social media. The major th century with a group of painters called the source of happiness today offers a future 10 edition Taets Zaandam Pre-Raphaelites. As the name indicates, because it makes everything easier and they wanted to return to the art of painting faster. as it had been before the era of the Renais- Formerly known as sance artist Raphael. They began to apply Personally, I am becoming more inclined to 100% Design an old-fashioned method in a modernised write my letters. All around me I see young setting. Curiously enough, this caused a people joining knitting clubs. The hordes in sensation because of their ‘revolutionary’ the train with their eyes glued to their behaviour. In fact, the movement is regard- mobile phones are increasingly turning to ed as the first avant-garde. An even more books. We are on the eve of an avant- noteworthy example is that of William garde movement that is backward-looking Morris, another English artist, who turned but more militant than ever. his back on industrialisation at the end of the nineteenth century. While the invention Kees de Haan Amsterdam of mass production was being widely embraced, Morris calmly sat down to embroider a curtain. Soon afterwards this became his popular Arts and Crafts Move- ment.

Latest information and registration at www.designdistrict.nl

24 column Mark van Iterson— manager design & concept at Heineken— heineken.com— 21 p. 41 Massoud Hassani— product designer— massoudhassani.blogspot.com— 09 p.37

26 27 Design plays a directing role in society, according to director Sjarel Ex and conservator of the city collection Annemartine van Kesteren of Museum Boijmans Van Beuningen. On the DNA of Dutch design and the added value of a museum to provoke social debate. by Annemiek van Grondel

Design Directions The Museum Lives —

Annemartine van Kesteren and Sjarel Ex. Photo Ilco Kemmere

28 29 There is no doubt about it: no one in the Netherlands The idea that a city could be qualified as design city of Buchen-wald, including smoking crematorium regulations, jurisprudence, territories, plots, open and can turn a blind eye to design. Unlike many other the Netherlands in connection with city marketing par chimneys and barbed wire. A socially relevant addi- closed areas. The small size of the Netherlands calls European countries, however, the Netherlands lacks a excellence is ‘nonsense’ in his opinion. ‘Design can be tion to the work of Studio Job, or a publicity stunt, as for a specific creativity and solution-orientated museum devoted specifically to design in all its found everywhere in the Netherlands. There is much the journalist Tracy Metz put it in a heated TV approach. Japan also has a design culture of its own. disciplines. Various design events are organised every more reflection on all kinds of forms of design over a discussion on the controversy? The museum director: This leads to a heightened awareness, almost a year, of which the Dutch Design Week in Eindhoven is broad front. It would be truer to regard the ‘In 2010 we showed Infernopolis, an installation by national DNA. It can be effective even in its ugliness. Why don’t we the best-known, and several cities claim the title design Netherlands as design country of the world. In that Atelier van Lieshout, in Submarine Wharf, the Take those ghastly mass housing estates. You know city. Breda has a museum of graphic design, Arnhem case the city is irrelevant. The Netherlands is small: museum’s exhibition space in the Rotterdam docks. exactly where you are: in the Netherlands.’ just put on the Fashion Biennial, and many museums have design you can be where it’s happening in a flash.’ Joep van Lieshout made sinister, utopian models for a Design is the DNA of society and plays a something big in their permanent collection. But which city can be ‘There is regular consultation between conserva- self-sufficient city, SlaveCity. This totalitarian directing role, he is convinced of that. ‘Everything that called Dutch called the design city of the Netherlands? And which tors from various cities on collection building, worldview based on people themselves as the raw has form is thought about beforehand: in decisions, Design in The museum plays the most important role in the acquisitions and the collection of design’, comments material was preceded by extensive research. His products, results, cohesion and identity. Much is Netherlands?’ discipline? his colleague Annemartine van Kesteren, the muse- whole oeuvre is about devising solutions for the found in the design that is both solution and space, The answer is probably to be found in Rotterdam um’s city conservator design. ‘In Rotterdam we distorted relations in consumption that people have and in the end limitation too. For instance, the designs in the museum with one of the oldest design collec- discuss the programming with the neighbouring allowed themselves. Eventually you end up in a sort of by the MVRDV firm of architects are special solutions tions in The Netherlands. Museum Boijmans Van museums such as the Kunsthal and the Netherlands concentration camp system. That’s terrible, of course, for a shortage of space. Or they offer a social arrange- Beuningen presents art from the Netherlands and the Architecture Institute, occasionally organise joint but it is based on research. It is very different from this ment for a structure that was not visible from outside rest of Europe from the early Middle Ages to the 21st exhibitions, and reflect on joint ticket sales.’ work by Studio Job. There’s nothing wrong with before. You run up against boundaries everywhere, century, and reserves some 35 per cent of its She regrets the fact that the design fairs and strong opinions, but when someone gives the impres- there is an incredible mass of laws, regulations and programme for design presentations. Besides the events are so spread out over the year. ‘September is sion of having appropriated something just to appear practical conditions: on security, or how do deal with permanent collection display and thematic design design month in Amsterdam, October in Eindhoven, interesting I quit.’ people as a mass, and what you want to regulate exhibitions, contemporary work is also shown during in February we travel to Object Rotterdam before individually or not in that area. That puts the quality the biennial Rotterdam Design Prize, one of the most going on to Utrecht and Arnhem. Why don’t we just of the design to the test. It is an ongoing training important awards for Dutch designers, with its put on something big called Dutch Design in the through which you also become better.’ multimedia promotional materials, including a series Netherlands?’ The economic recession is an inevitable call to of short films on national television and Art Tube, its wake up, and the design world is no exception. It does own video channel. not necessarily imply less creativity. A new élan, a When asked for his opinion, director Sjarel Ex is more engaged awareness, seem to have arisen. Van not tempted to claim the title of main player in the field Kesteren: ‘The feeling is completely different from of design: ‘We were already showing applied art from twenty years ago. It’s a DIY mentality and finds expression in reuse, redesign and restyling. Guerrilla- like activities spring up, such as the creation of gardens for the neighbourhood, born of a desire to regain the city for the residents.’ ‘A sort of autarky’, Ex agrees. ‘The whole oeuvre of Joep van Lieshout, that is situated between art and design, is exemplary of that.’ After a visit to the latest Salone di Mobile, the Dutch designer Frank Tjepkema was surprised and dismayed by the small number of design reactions to the crisis. It prompted him to make the No Recession Chair, with a back support that has been all but sanded away. A cheap IKEA chair has been stripped so far Simply putting that the organic skeleton is visible. It is a sneer at the cuts in government spending on the arts: the culture design in an ex- of endless paring away. You can’t sit down on this hibition space Atelier Van Lieshout, Infernopolis, 2010 Exhibition New Energy in Design and Art, 2012 chair because, he argues, you can’t count on a crisis- is not enough. ridden society. ‘I find it a poor example’, Van Kesteren responds. the late Middle Ages to the present before anyone had Totalitarian Worldview ‘The crisis sets other systems in motion. Take fashion ever heard of Dutch design. We use the logo of the Design reflects the time of its creation and is a symbol designer Monique van Heist. She refuses to accept the museum, that can be read as an example of Dutch of current or recent socially relevant issues, but laws of industry and commerce – a new collection design, primarily to bring the diverse collections sometimes views differ on the relevance of a particular Dutch DNA every season – and works on a permanent collection to together and to get them to interact with one another design. Take a recent work by Studio Job. The designs The reputation of Dutch design has increased explo- which she keeps adding new items. It is not just about to create a Gesamtkunstwerk. You can see that as well of this successful design collective of Eindhoven sively since the 1990s. That was the decade in which the aesthetics of a crisis, but also about inventiveness, in the design of the hall and the way in which design graduates (internationally discovered and purchased the Droog Design label launched designers to world- the creation of new systems that are relevant. That is and art exhibitions overlap and succeed one another. in 2002 by the Dilmos gallery in Milan and acclaimed wide fame. Van Kesteren: ‘The growth of prosperity typically Dutch. At the same time globalisation makes As an encyclopaedic museum we present several by Wallpaper* as best breakthrough designers in was translated into a growing demand for design everything more uniform, as illustrated by the design disciplines from a number of centuries. We regularly 2005) are situated at the interface of design and art. products. There was a pronounced focus on the of the big retail chains. The importance of locality supplement that. For instance, we acquired the proto- They like to go to the limits of decency and good taste. individual: critical, expressive, self-willed. People emerges as a reaction. Designers go back to their roots. type of the Futuro, the mobile holiday home from 1968 They call their work a mixture of Albert Speer and wanted to show their own identity and did so mainly This results in interesting initiatives, such as the by the Finnish architect Matti Suuronen, an icon. Donald Duck. At the end of December last year, their through such products.’ ceramic series based on the Waddenzee by Studio Given the time at our disposal, we can record design, design for a fence, intended for the house of an art ‘In addition, that growth and prosperity brought Maarten Kolk and Guus Kusters. Local fascinations, place it in the context of eternity, and reflect on it. collector, aroused widespread public indignation. It out the limitations of a small country’, Ex adds. investigated and designed on the basis of the Dutch Sometimes that makes us slow, but also very resolute.’ bore a strong affinity to the fence around ‘Designers operate in the field of legal codes, mentality: sober, dry and constructive.’

30 31 Broadening the view The museum as a podium for engagement? Connecting the Dots with Simply putting design in an exhibition space is not ‘We are not waiting for Philips to lay an egg nor for enough, Van Kesteren finds. ‘You can explain the how the stock exchange is behaving’, says Ex, ‘but we value of a design object better by placing it in connec- provide insight into what is being devised in laborato- tion with themes and knowledge from the past and the ries and workshops. Collecting and showing form is as present. By showing connections with other pieces in old as humanity. The way in which museums show art, the collection, a design is placed in a context.’ designs and products in relation to one another is a A new exhibition format called Design column, form of communication that may be older than all which will be launched in June, shows how designers, other forms of communication together. Its essential The Materiaalfonds architects and artists investigate current themes of story is so compelling that it will always continue to front page interest. Every two or three months the exist.’ museum puts on a presentation in which a small group — of designers makes stimulating statements on the basis ‘We want to of their newly developed concepts or products. Van www.materiaalfonds.nl Kesteren: ‘It may be fear of a new viral infection, the www.doen-materiaalprijs.nl show that art www.weightofcolour.com fight against obesity, the collapse of the Euro, or the and design can value of an object. Take the Toaster Project by Thomas The Materiaalfonds for Beeldende ‘Tapis Noués’, which is produced break open a Thwaite. He made his own toaster from scratch after Kunst en Vormgeving (Loans for along Fair Trade lines in Morocco. discussion’ dismantling a cheap one. Like a modern alchemist, he Visual Artists and Designers) Sjoerd Vroonland and Arjan ground and assembled materials in order to recon- celebrates its 40th anniversary. Vaandrager developed and struct an industrially manufactured product by hand. For four decades this independent implemented the first series of After much blood, sweat and tears, the result was a foundation has offered artists and their saddle stools that have strange looking object that is indeed able to toast designers the opportunity of become popular by now. bread. It is interesting to see much time and effort it taking out a loan in order to takes to make the product, but how low its retail price produce new work. Artists in The Materiaalfonds also likes to is in the shops.’ particular make use of this facility, be able to offer artists and The column will be given the form of an exhibi- perhaps because the scheme was designers a showcase. A large tion in a permanent room of the museum. Objects, originally set up for them. How- number of works and designs that accompanied by quotations or other written material, ever, designers can benefit from have been funded with a loan will reflect on current issues. The social media can be this form of funding as well. from the foundation will be brought in for this, such as putting visitors’ questions Borrowing to make an investment presented on the new website that to the designer by webcam so that the latter can reply may be a big leap forward in your will be launched in April 2012. online the same evening. career. For instance, the designers Designers construct society, devise fundamental Gijs Bakker and Ineke Hans took There is more on the agenda: The systems and new products, launch debate and discus- out loans from the Materiaalfonds DOEN | Materiaal Prize is being sion. The museum claims a role in that. ‘The Design at the start of their careers. organised for the fourth time in column is not a hermetic presentation or design cooperation with Stichting DOEN. theoretical reflection, but something about which The loans are intended for the This is a prize for sustainable and everyone has an opinion’, Van Kesteren adds. ‘We development, production and innovative use of materials in art want to show that art and design can break open a presentation of new work. In spite and design. Entrants compete for a Lotty Lindeman, Tentlamps discussion at the very time when everything seems to of the name, this need not be first prize of €15,000 and an have ground to a halt.’ confined to materials. Sometimes incentive prize of €5,000. Even if you need prior funding to imple- you are only nominated you are ment a plan or an idea, for still a prize-winner in a sense, instance to make an expensive because the nominated designs prototype, for the first production will be presented for ten days in of a new design, or to present the Van Abbemuseum during the your work at a fair like the one in Dutch Design Week in Eindhoven. Milan. Any artist or designer who And from 10 to 17 April the lives and works in the Netherlands Materiaalfonds will celebrate its

can apply for a loan. anniversary with an international Sjoerd Vroonland, Saddle Stool programme on colour with Lonneke Gordijn and Ralph Nauta lectures, master classes, film and from Design Drift received a loan art in the public domain: The to make the Ghostchair and to Weight of Colour. present it at the Salone del Mobile in Milan. Lotty Lindeman applied So there are plenty of reasons to for funding to make a prototype of keep an eye on the website(s). various lamps, which she first exhibited at the Dutch Design Francine Mendelaar Director Materiaalfonds Monique van Heist Week in Eindhoven. Sjoerd Jonkers applied for a loan from the foundation for the first produc- tion of his hand-knotted carpet Maarten Kolk & Guus Kusters, winnaars DOEN | Materiaalprijs 2011

No Recession Chair, Frank Tjepkema

32 33 Tessa Koot— furniture designer— tessakoot.nl— 22 p.42 Chris Slutter— furniture designer— chrisslutter.nl— 19 p.40

34 35 08 Emmanuel Babled

Presentation 1 Address 1 Contact Online Galleria Nilufar Galleria Nilufar Emmanuel Babled www.nilufar.com Via della Spiga 32 Wenslauerstraat 314, 1053 BB www.babled.net FuoriSalone Presentation 2 20121 Milano Amsterdam, The Netherlands Novantesimo Venini [email protected] +31 (0)20 3316462 Address 2 Museo Bagatti Valsecchi Via Santo Spirito 10 01 Formafantasma 20121 Milano

Designers Address Contact Online Studio Formafantasma and others La Rinascente – Beatrice Galilee Andrea Trimarchi www.formafantasma.com Gallery Kronehoefstraat 1, 5612HK Eindhoven www.beatricegalilee.com Presentation Piazza Duomo The Netherlands Hacked project - design workshop 20121 Milano [email protected] +31 (0)6 16295171

02 Collective Paper Aesthetics 09 Studio Zeta Via Friuli 26 Designer Address Contact Online 20135 Milano Noa Haim and others Unduetrestella Noa Haim collectivepaperaesthetics.wordpress.com Via Mellerio 1 & Nieuwe Binnenweg 194 b, 3021 GK kidsroomzoom.wordpress.com Presentation Via Gianbattista vico 1 Rotterdam, The Netherlands KidsroomZOOM! 2 20134 Milano [email protected] +31 (0)6 48528858

03 Dutch Invertuals 09 Design Academy Eindhoven Studio Zeta

Designers Address Contact Online Designers Address Contact Online Invertuals collective via Pastrengo 12 Wendy Plomp www.dutchinvertuals.nl Graduates Design Academy Eindhoven Studio Zeta Didie Schackman www.designacademy.nl 20159 Milano Fuutlaan 12b, 5613 AB Eindhoven Via Friuli 26 Emmansingel 14, 5600 CC Eindhoven The Netherlands Presentation 20135 Milano The Netherlands [email protected] 50 [email protected] +31 (0)6 41555883 +31 (0)40 2393939

04 Droog 09 Spring Excellence, Talent and Inspiration in Design & Design Breakfasts Studio Zeta

Designer Address Contact Online Company Address About Droog Lab Palazzo Clerici Agata Jaworska www.drooglab.com Premsela, the Netherlands Institute for Studio Zeta Premsela dedicates itself to promoting via Clerici 5 Staalstraat 7a/b, 1011 JJ Amsterdam Design and Fashion, Capital D (Design Via Friuli 26 the growth of Dutch design. Premsela Presentation 20121 Milano The Netherlands Cooperation in the Brainport Eindhoven 20135 Milano organises lectures, debates, exhibitions Material Matters [email protected] Region) and publications. Capital D aims to +31 (0)20 5235050 Contact stimulate and connect creative Designers Eva Postema initiatives that strengthen the region’s Among others: Richard Hutten, Prinses Irenestraat 19, 1070WT (inter-) national reputation in the field of Maarten Baas, Dirk van der Kooij, Lotty Amsterdam, The Netherlands top technology and design. 05 Interface Lindeman, Makkink & Bey, Lex Pott, [email protected] Wieki Somers, Sjoerd Vroonland, +31 (0)20 3449442 Presentation Designers Address Contact Online Scholten & Baijingsºand 25 others. Spring: Excellence, Talent and Francesco Maria Bandini La Triennale Design Museum Sanne Kiel www.interfaceflor.eu Online Inspiration in Design is featuring work Via Alemagna 6 Industrielaan 15, 3925 BD www.premsela.org by renowned Dutch designers, the Presentation 20121 Milano Scherpenzeel , The Netherlands www.capitald.nl greats who inspire them, and the young A brave new world is coming [email protected] colleagues they admire. +31 (0)6 12995328 Image by: Lizzy Kalisvaart

06 Scholten & Baijings, Karimoku New Standard Japan 09 Nano Supermarket Studio Zeta

Designers Address Contact Online Designers Address Contact Online Carole Baijings, Stefan Scholten Erastudio Apartment Gallery Scholten & Baijings www.karimoku-newstandard.jp Koert van Mensvoort Studio Zeta Krista te Brake www.nanosupermarket.org Via Palermo 5, third floor Westerdoksdijk 597, 1013 BX www.scholtenbaijings.com Via Friuli 26 Tolstraat 137 II, 1074 VJ Presentation 20121 Milano Amsterdam, The Netherlands 20135 Milano Amsterdam, The Netherlands Colour Bin & Colour Wood Dining [email protected] [email protected] +31 (0)20 4208940 +31 (0)6 24271385

07 Scholten & Baijings, MINI 10 Moooi

Designer Address Contact Online Presentation Address Contact Online Carole Baijings, Stefan Scholten Università degli Studi di Milano Scholten & Baijings www.bmwgroup.com FRAME Moooi Award 2012 Magazzini Generali FRAME Publishers www.framemoooi.com via Festa del Perdono 7–Courtyard Westerdoksdijk 597, 1013 BX www.scholtenbaijings.com Via Pietrasanta 16 Laan der Hesperiden 68 www.frameweb.com Presentation Cortile 700 Amsterdam, The Netherlands 20124 Milano 1076 DX Amsterdam www.moooi.com Colour One 20122 Milano [email protected] The Netherlands +31 (0)20 4208940 [email protected] +31 (0)20 4233 717

36 37 11 Rossana Orlandi Via Matteo Bandello 14 13 MATANDME & Made in Design Studio

20123 Milano Designers Contact version of it’s predecessor, united by Agata Karolina, Dana Cannam, Daphna Matylda Krzykowski the ritualistic nature of sheer geometries Laurens, David Derksen, Fabian von [email protected] and strikingly contemporary colour Spreckelsen, Franziska Wernicke, +31 628294572 palettes, embracing purity with an Henny van Nistelrooy, Lex Pott, Mieke element of playfulness. Four designs Meijer, Miya Kondo, OsΔoss, Phil Online specially made for The Front Room will Cuttance, Earnest Studio, Sabine www.the-front-room.com be unveiled on the first day of the show. Marcelis www. calaghetto.org www. matandme.net Presentation 11 Scholten & Baijings, 1616 Arita Japan Rossana Orlandi Presentation www. mid-studio.eu A self-initiated show by Matylda The Front Room: Colour & Geometry www. okoloweb.cz Krzykowski from MATANDME and Designers Address Contact Online Marco Gabriele Lorusso from Made in Carole Baijings, Stefan Scholten Spazio Rossana Orlandi Scholten & Baijings www.scholtenbaijings.com Address About Design Studio. It is hosted and Via Matteo Bandello 14 Westerdoksdijk 597, 1013 BX Ca’ Laghetto [‘] The Front Room: Colour and Geometry supported by cultural association Presentation 20123 Milano Amsterdam, The Netherlands Via Laghetto 9 is a presentation of new objects for the Ca’laghetto. Colour Porcelain [email protected] 20122 Milano front room by a group of up-and-coming +31 (0)20 4208940 designers. Each object is a fresh

11 BCXSY Rossana Orlandi 14 SCP

Designers Address Contact Online Designer Address Contact Online Boaz Cohen, Sayaka Yamamoto Spazio Rossana Orlandi Boaz Cohen www.bcxsy.com Ineke Hans Museo Nazionale Della Scienza e della Lucy James www.inekehans.com Via Matteo Bandello 14-16 Sint Bavostraat 30, 5643 MB Tecnica 135-139 Curtain Road, EC2A 3BX www.scp.co.uk Presentation 20123 Milano Eindhoven, the Netherlands Presentation Via Olona 6 London, United Kingdom Original part III [email protected] MOST 20123 Milano [email protected] +31 (0)6 47162410 [email protected] +44 20 77391869 11 Edition in craft Rossana Orlandi 15 WET

Designers Address Contact Online Designers Online Studio Formafantasma Spazio Rossana Orlandi Andrea Trimarchi www.formafantasma.com Mariandrea Zambrano www.wet.co.it Via Matteo Bandello 14-16 Kronehoefstraat 1, 5612HK Eindhoven www.editionsincraft.com Presentation 20123 Milano The Netherlands Presentation About Farmers gold - Edition in craft [email protected] FOLD by WET WET has been remarked to have +31 (0)6 16295171 changed the bathroom into what it is Address today, introducing trend settings, highly TOURBILLON colorful and illuminated PolyEthylene Via Baldissera 4 corner Via Stoppani 2 bathtubs and sinks. 11 BOOO! Rossana Orlandi 20129 Milano Presentation Designers Address Contact Online Contact A shelf integrated wall-mounted Formafantasma , Nacho Carbonell Spazio Rossana Orlandi Andrea Trimarchi www.formafantasma.com Mariandrea Zambrato faucet-line featuring a high quality full and Front Via Matteo Bandello 14-16 Kronehoefstraat 1, 5612HK Eindhoven www.booo.nl Via Altipiano 11, 21010 Porto brass chromed MIXER. 20123 Milano The Netherlands Valtravaglia, Italy [email protected] [email protected] +31 (0)6 16295171 +39 347 9603022 +39 340 8494347 11 Studio Minale-Maeda Rossana Orlandi

Designers Address Contact Online Kuniko Maeda, Mario Minale Spazio Rossana Orlandi Mario Minale www.minale-maeda.com Via Matteo Bandello 14-16 Marconistraat 52, 3029 AK Rotterdam Presentation 20123 Milano The Netherlands Zona Tortona Re-appropriations [email protected] +31 (0)6 48167931

12 Studio Job 16 Wrap Spaces

Designer Address 1 Contact Online Designers About Job Smeets, Nynke Tynagel Spazio Venini Maarten Statius Muller - www.venini.it Samer Chalfoun, Marcel Losekoot Samer Chalfoun & Marcel Losekoot Museo Bagatti Valsecchi Studio Job Gallery www.nodusrug.it believe that current spatial design no Presentation 1 Via Santo Spirito 10 Begijnenvest 8, 2000 Antwerpen www.studiojob.nl Address longer fits in with today’s 24/7 lifestyle. Mae West Belgium www.moooi.com Via Tortona 12 You want your surroundings to adapt Address 2 [email protected] 20144 Milano like a chameleon. Based on this, C&L Presentation 2 Nodus / +32 (0)3 2322515 develop innovative products that Underworld / Quack / The Birth Chiostro Facoltà Teologica Contact combine intuitive design, home dell’Italia Settentrionale Wrap Spaces automation and comfort. Presentation 3 Piazza Paolo VI n. 6 Achterstraat 5, 4115 RP Asch Altdeutsche Möbel The Netherlands Presentation Paper Extensions Address 3 [email protected] Wrap Spaces dares you to experience a Moooi Showroom place that is completely tailored to your Via Tortona 37 Online 24/7 way of life. A life where boundaries see page 42, nr 20 www.wrapspaces.com between work and home blur. Where any separation between your kitchen, lounge, living and work space has gone. Wrap Spaces is breaking boundaries.

38 39 17 Officine della Torniera Via Novi 5 19 Gispen, NgispeN Superstudio Più

20144 Milano Designers Contact The collection is designed under the art Maarten Baas, Anke Bernotat, W.H. Diane Van Veen direction of Richard Hutten. Gispen, Dick van Hoff, Richard Hutten, Parallelweg West 23, 4104 AZ James Irvine, Iris Jansen, Fabio Culemborg, The Netherlands Presentation Novembre, Ontwerpers.nu, Jan [email protected] During this years Salone del Mobile in Plechac, Gerrit Rietveld, Wim Rietveld, +31 (0)6 51002827 Milan, Gispen and NgispeN will launch Jerszy Seymour, Studio Makkink & Bey, a variety of new products designed by Wiro van Vilsteren, Michael Young, ZUS Online well known international designers at www.gispen.com the Temporary Museum For New 17 De Vorm Officine della Torniera Presentation www.ngispen.com Design in Superstudio Piu. Playing with Tradition Designers Address Contact Online About Benjamin Hubert, Sebastian Herkner, Officine della Torniera Roel Bielleman www.devorm.nl Address NgispeN is a Dutch brand founded by Steffen Kehrle Via Novi 5 Industriestraat 9, 6827 BD Arnhem Superstudio Più - Temporary Museum Gispen, one of the oldest and largest 20144 Milano The Netherlands for New Design space 16 office furniture companies from The [email protected] Via Tortona 27, 20144 Milano Netherlands. Our collection is targeting +31 65 1320013 the domestic market.

17 New Duivendrecht Officine della Torniera 19 Mosa Superstudio Più

Designers Address Contact Online Designers Address Contact Online Dave Keune, Frederik Roijé, Frederike Officine della Torniera Victor le Noble www.newduivendrecht.com Mosa Design Team Superstudio Più - Temporary Museum Meerssenerweg 358, 6224 AL www.mosa.nl Top, Kranen/Gille, Nieuwe Heren, Via Novi 5 Industrieweg 29, 1115 AD for New Design stand 15A Maastricht, The Netherlands Sjoerd Jonkers, Slim Ben Ameur 20144 Milano Duivendrecht, The Netherlands Presentation Via Tortona 27, 20144 Milano [email protected] Tweelink [email protected] Living Walls +31 (0) 43 368 9444 +31 (0)6 24668569

17 Frederik Roijé Officine della Torniera 20 Moooi

Designer Address Contact Online Designers Address Contact Online Frederik Roijé Officine della Torniera Birgit Calis www.roije.com Marcel Wanders, Studio Job Moooi Showroom Milan Laura Ramos Bello - Kluit www.moooi.com Via Novi 5 Industrieweg 29, 1115 AD New photography concept by Marcel Via Tortona 37 Minervum 7003, 4817 ZL Breda Presentation 20144 Milano Duivendrecht, The Netherlands Wanders and Erwin Olaf 20144 Milano The Netherlands Dish of Desire [email protected] [email protected] +31 (0)20 4165706 Presentation +31 (0)7 65784444 The Unexpected Welcome 17 Weltevree Officine della Torniera 21 Heineken

Designers Address Contact Online Designers About Dick van Hoff, Floris Schoonderbeek Officine della Torniera Rita Giesbers www.weltevree.nl Adam Alexander, Lee Gibson, Michelle Heineken is beer. Of course. Via Novi 5 Postbus 248, 6800 AE Arnhem Wu, Sandra Garcia Pagola, Kirkland But Heineken is more, always looking Presentation 20144 Milano The Netherlands Summers, Emanuele Magini, Guiseppe for new experiences and fresh Weltevree & het Betere BoerenBed [email protected] Conca, Vincenzo Amendolagine, conversations. +31 (0)6 26852124 Gianluco Macaluso, Fabricio Lima, Open Design Explorations is doing Daniele Colnaghi, Patrick Kampff, exactly that; experimental concepts Andre Coelho, Brunno Jahara, Alastair beyond beer. 18 Studio HVN Townsend, Yukihiro Shoda, Miku Sega Enjoy responsibly. Presentation Presentation Designer Address Contact Online Heineken Open Design Explorations, Heineken presents a progressive Henny van Nistelrooy Pianoprimo Srl Henny van Nistelrooy www.studiohvn.com, edition 1: The Club pop-up concept club, based on the Via Tolstoi 5 Unit 9, 5 Fountayn Road www.pianoprimo.it theme of ‘ Changing Perspectives’ . The Presentation 20146 Milano N15 4QL Address club is the conclusion of almost a year of Revolver shelving system at Pianoprimo London, United Kingdom Plastik discovery between the emerging Srl [email protected] Via priv. Gaspare Bugatti 3 (ang. via designers, Heineken and input from +44 (0)77 91706088 Tortona) clubbers that can now be experienced 20144 Milano for four days only. 19 Superstudio Più Temporary Museum for New Design Contact Marnie Kontovraki Via Tortona 27 20144 Milano Stadhouderskade 79, 1072 AE Amsterdam, The Netherlands [email protected] +31 (0)20 5239355

Online www.heineken.com

19 Functionals Superstudio Più

Designers Presentation Contact Online Mia Gammelgaard & Ehlén Johansson, Expect the unconventional Karin www.functionals.eu Jan Habraken, Dick van Hoff, Kranen/ Edisonstraat 5 , 5051 DS Goirle Gille, Alissia Melka-Teichroew, Serener, Address The Netherlands Chris Slutter, Claire Vos, Roderick Vos Superstudio Più - Temporary Museum [email protected] for New Design, Via Tortona 27, 20144 +31 (0)13 5300389 Milano , stand 15A

40 41 22 Via Voghera 11/b Via Voghera 11/b 22 Royal Academy of Art Via Voghera 11/b

20144 Milano Designers About Students and alumni from the The Royal Academy of Art (The Hague, departments of ArtScience, Fine Arts, The Netherlands) prepares its students Photography, Graphic Design, Interior to become self-aware artists and Architecture & Furniture Design and designers, able to make a significant Textile & Fashion contribution to their discipline and to society. Our work is guided by an Presentation experimental and investigative attitude, The Royal Academy of Art: strong commitment and an orientation 22 Tuttobene Milan 2012 Via Voghera 11/b The Shepherds of Stuff towards the future.

Presentation Contact Christian Kayser Studio Jolanda van Goor Address Presentation The new Glint of Things/ Laura Schön Wespienstraße 30, 52062 Aachen Jolanda van Goor Studio Iroko The Royal Academy of Art displays a De glans der Dingen Damrak 70, 1012 ML Amsterdam The Netherlands Weerelaan 149, 1705 EV Heerhugo- Via Voghera 11/b selection of works that are the outcome The Netherlands [email protected] waard, The Netherlands 20144 Milano of artistic research by its students. They Tuttobene will show excellent and [email protected] +49 176 62461684 [email protected] demonstrate shifting attitudes towards innovative interior products, including +31 (0)6 10396774 www.christiankayser.com +31 (0)6 25186671 Contact the concept of nature in patterns of Jian Kotalikova | ‘Growth’ wall tiles tables, chairs, lighting and home www. jolandavangoor.com Marjolein Brouwer / Sonja Ammerlaan interaction with objects and processes. accessories. With a focus on young Online David Derksen Prinsessegracht 4, 2514 AN The Hague A fragile plant is given a robotic talent Tuttobene has succeeded again www.tuttobene.nl TT Neveritaweg 15K 17, 1033WB Studio Miya Kondo The Netherlands prosthesis to enable it to respond to to bring together 19 talents showing Maastricht, The Netherlands Jan Porcellisstraat 7A, 3021 TN [email protected] humans in a new way and objects are their newest designs in Tuttobene’s 9th [email protected] Rotterdam, The Netherlands +31 (0)70 3154729º fabricated through processes that are Milan exhibition. +31 (0)10 2447304 [email protected] partly out of control. www. davidderksen.nl +31 (0)6 27552663 Online www.miyakondo.com www.kabk.nl/milano detailF / Franziska Wernicke Graaf Florisstraat 30a Studio Rik ten Velden 3021 CH Rotterdam Caeciliastraat 77 A, 2312 XB Leiden The Netherlands The Netherlands [email protected] [email protected] +31 (0)6 81252245 +31 (0)6 10899449 www.detailF.com www.riktenvelden.com

Knapontwerp / Tjimkje de Boer Studio Tessa Koot Singel 93e, 1012 VG Amsterdam Edisonstraat 161, 5621 HN The Netherlands Eindhoven, The Netherlands [email protected] [email protected] +31 (0)6 14885614 +31 (0)6 14203718 www. knapontwerp.nl www.tessakoot.nl Ivan Henriques | Jurema Action Plant Laurien Oversier Tiago Sá da Costa design Tongersestraat 76B, 6211 LR Orthenstraat 282, 5211 SX Maastricht, The Netherlands ‘s-Hertogenbosch, The Netherlands [email protected] [email protected] +31 (0)6 52000894 +31 (0)6 34460049 www. laurienoversier.nl www.tiagosadacosta.eu

Lex Pott VanJoost / Joost van Veldhuizen TT Neveritaweg 15K 17, 1033 WB Rijksweg 78, 3781 LW Voorthuizen Fiera Amsterdam, The Netherlands The Netherlands [email protected] [email protected] +31 (0)6 55730426 +31 (0)6 52624462 www. lexpott.nl www.vanjoost.com

Marco Iannicelli Rianne Koens 23 Arflex Zeppelinstrasse 34, 52068 Aachen [email protected] Germany +31 (0)6 27 37 44 68 Designers Address Contact Online [email protected] www.riannekoens.com Carole Baijings, Stefan Scholten Salone Internazionale del Mobile Scholten & Baijings www.arflex.it +49 (0)1 632 148 463 Pavilion 7 stand D10 Westerdoksdijk 597, 1013 BX, www.scholtenbaijings.com www.marcoiannicelli.com Joine / Maarten Baptist Presentation Amsterdam, The Netherlands Pisanostraat 126, 5623 CE Woensel It’s a wrap [email protected] Earnest Studio / Rachel Griffin The Netherlands +31 (0)20 4208940 Volmarijnstraat 111B, 3021XM [email protected] Rotterdam, The Netherlands +31 40 2572258 [email protected] www.joine.nl +31 (0)6 34292569 24 Arco www. earnestly.org Designers About Studio Erwin Zwiers Jorre van Ast, Willem van Ast, Jonathan The table, in all of its simplicity and Anemonenveld 1, 1901 LP Castricum Prestwich, Burkhard Vogtherr, Arco versatility, is Arco’s strength and focus The Netherlands Design Studio, Yael Mer & Shay Alkalay for the future. The ingenious [email protected] combination of technical innovation, +31 (0)6 29506339 Address high quality design and skilled www. erwinzwiers.nl Salone Internazionale del Mobile craftsmanship has made Arco one of Pavilion 16, Stand 51B the leading specialists in its field.

Studio Thier&VanDaalen Tuttobene Contact Presentation Tim Orriens A home without a table is almost Parallelweg 2, 7102 DE Winterswijk inconceivable. The table is one of the About Presentation Studio Thier&VanDaalen / Ruben Thier The Netherlands most defining pieces of furniture in any Studio Thier&VanDaalen was founded CuratorCabinet Gagelstraat 6a, 5611 BH Eindhoven [email protected] home. It is also the centre of all kinds of in June 2011. Re-using objects and exhibiting them in The Netherlands +31 (0)6 39645164 activities, the most important being Both graduated at the Design Academy a show-off cabinet, everybody can [email protected] eating, drinking and socialising. in Eindhoven. The studio develops new depict his or her own personality. +31 (0)6 42469286 Online material applications and treatments, In a light-footed way, we tried to www. thiervandaalen.com www.arco.nl combined with design, use of color and emphasize the current trend of styling, they create products that tell you mass-consumption. By exhibiting a story. existing objects and special memories, we hope the viewer will remember his hidden finds, somewhere in a drawer or wardrobe...

42 43 25 Leolux 29 IN Residence / Design Dialogues Via Ventura 6

Address Contact Online Designers Address Online Salone Internazionale del Mobile Antal Nemeth www.leolux.nl BCXSY, Pieke Bergmans, FormaFan- Via Ventura 6 www.bcxsy.com [email protected] Pavilion 10, Stand A07 Kazernestraat 15, 5928 NL, Venlo tasma, Pepe Heykoop ,Tomá Gabzdil 20134 Milano www.piekebergmans.com [email protected] The Netherlands Libertiny,Minale-Maeda, Studio Jo www.formafantasma.com [email protected] [email protected] Meesters, Anke Weiss, Contact www.pepeheykoop.nl [email protected] +31 (0)77 3877297 Margherita Sassone www.tomaslibertiny.com [email protected] Presentation T. +39 347 4457067 www.minale-maeda.com [email protected] IN Residence. Design Dialogues / Anita Donna Bianco www.jomeesters.nl [email protected] Another Terra. Home Away from Home +39 329 2593972 www.ankeweiss.com [email protected] 26 Montis [email protected]

Designers Address Contact Online Gijs Papavoine, Simon Pengelly, Gert Salone Internazionale del Mobile Caroline Külsen www.montis.nl Batenburg, Niels Bendtsen, Geert Pavilion 16/1, Stand F-30 Postbus 153, 5100 AD Dongen Koster, Dick Spierenburg The Nederlands [email protected] +31 (0)6 22993456

27 Casalis 29 Jack Brandsma Via Ventura 6

Designers Address Contact Online Designer Liset van der Scheer, Aleksandra Gaca Salone Internazionale del Mobile Veronique Vanden Avenne www.casalis.be Jack Brandsma Pavilion 16, Stand F38 Stasegemsesteenweg 72, 8500, Kortrijk, Belgium Address [email protected] Via Ventura 6 +32 474 667719 20134 Milano

Contact Jack Brandsma 28 OFFECCT D. Triezenbergstraat 28, 9921 PG Stedum, The Netherlands Designer Address Contact Online [email protected] Ineke Hans Salone Internazionale del Mobile Marika Andersson www.inekehans.com +31 (0)6 14371031 Pavilion 20, Stand E18-E20 Grönhultsvägen 3B, 543 51, Tibro www.offecct.se Sweden Online [email protected] www.jackbrandsma.com [email protected] +46 504 41500 About Jack Brandsma is interior architect & industrial designer and known for the SpareSpace mobile office project that he presented on the construction site in Via Ventura in 2008. It was the first co-operation with Mariano Pichler, co-founder of Zona Lambrate Plusdesign. Presentation In recent years Jack has been making a lot of light installations in public buildings, like hospitals, theaters, offices, etc. Last February he installed 29 Via Ventura 6 Via Ventura 6 the first Major Tom Chandelier at CBW/ Mitex in Zeist, the second piece will be 20134 Milano presented at Plusdesign Gallery.

29 Chi ha paura…? Via Ventura 6

Designers Annelies Planteijdt, Mi-Ah Rödiger, Contact Online Campana Brothers, Gijs Bakker, Dinie Tjep., Marcel Wanders Nora Morton www.chihapaura.com Besem, Brecht Duijf, Konstantin Grcic, Silodam 31, 1013 AL Amsterdam Gina Hsu, Studio Job, Chris Kabel, Address The Netherlands Philipp Käfer, Susanne Klemm, Marc Via Ventura 6 [email protected] Newson, Iris Nieuwenburg, 20134 Milano +31 (0)6 54915196

29 HAN Gallery Via Ventura 6 30 designlabel Vij5

Designers Address Contact Online Designers Presentation Contact Online Kevin Yu-Jui Chou, Tong Ho, Gina Hsu, Via Ventura 6 DC Han, 3rd Fl, No 21, Sec 1 www.HAN-Gallery.com Anieke Branderhorst, Arjan van SOS: Supercycle Our Souls Arjan van Raadshooven www.vij5.com Poching Liao, Rock Wang, Pili Wu and 20134 Milano Mingshen E Rd, Taipei, Taiwan Raadshooven, Breg Hanssen, Floris Debussystraat 2, 5654 SC NENDO. Art direction by Gijs Bakker [email protected] Hovers, Mieke Meijer Address Eindhoven, The Netherlands +886 922211810 Via Ventura 3 [email protected] 20134 Milano +31 (0)6 24527531

44 45 31 Via Massimiano 6 Via Massimiano 6 31 Maastricht Academy of Fine Arts and Design Via Massimiano 6

20134 Milano Designers [email protected] Presentation A selection of works by alumni and +31 (0)43 3466390 TEA TIME shows a selection of works in students of the departments Fashion & +31 (0)43 3466383 which the interaction between producer Textile Design and Jewellery & Product and designer is of great relevance. Design. Online Textile versus furniture-design and www.abkmaastricht.nl product versus textile-design. The Presentation interaction with the audience is, as in TEA TIME About previous editions an important element The Maastricht Academy of Fine Arts within the presentation 31 Social-Unit Via Massimiano 6 Address and Design offers a general foundation Via Massimiano 6 course. The Bachelor Design offers a Designer Address Contact Online 20134 Milano preparation in the major of their choice. Wouter Kalis Via Massimiano 6 Wouter Kalis www.social-unit.com The study program offers a wide range 20134 Milan Dusartstraat 11-2, 1072 HL Contact of courses. Amsterdam, The Netherlands Chequita Nahar For more information check our [email protected] Herdenkingsplein 12, 6211 PW website: www.zuyd.nl/abkmaastricht. +31 (0)6 34024980 Maastricht, The Netherlands

31 HKU Design / Utrecht School of the Arts Via Massimiano 6 31 Jólan van der Wiel Via Massimiano 6

Designers Contact self’. With the blurring of the boundaries Presentation About Merel Bekking, Lieke Jildou de Jong, Sigrid van Willigen of disciplines, the need arises to search Gravity Stool I admire objects that manifest the Jesse Nortier, Pluc Plaatsman, Ina Boudier-Bakkerlaan 50, 3582 VA, for the essence. Design is in a state of experimental discovery where natural Charlotte Wagemaker, Anouk Utrecht, The Netherlands selfreflexity, which will necessarily lead Address phenomena are translated into Wipprecht [email protected] to redefinition. What is a photo? Where Via Massimiano 6 functional design. In my design studio +31 (0)3 025 203 34 does design start? What is the essence 20134 Milan the production process through which Presentation of communication? How do I relate to products are produced is investigated. Selfreflexity and redefining the self Presentation my design? Contact This led to the development of new With the blurring of the boundaries of Jólan van der Wiel forms of craftmenship. Address disciplines, the need arises to search Online Nassaukade 369-2, 1054 AB Via Massimiano 6 for the essence. Design is in a state of www.hku.nl/hkudesign Amsterdam, The Netherlands Presentation 20134 Milano selfreflexity, which will necessarily lead [email protected] The Gravity Stool thanks its unique to redefinition. What is a photo? Where +31 (0)6 33974751 shape to the collaboration between does design start? What is the essence magnetic fields and the power of gravity. of communication? How do I relate to Online Live demonstrations will show a my design? The Utrecht School of the www.jolanvanderwiel.com dialogue with a natural phenomenon. Arts presents a selection of alumni work This project won the Interior Innovation titled: ‘Selfreflexity and redefining the Award for young talent 2012. 31 Koning Willelm 1 College Via Massimiano 6 31 Haags Werk Via Massimiano 6

Designers Contact Presentation Designers Presentation Contact Online Alexander van den Bosch, Lennart Josje Viehout Students Furniture Designer were Marlies van der Linden, Celine van Stichting Haags Werk Geanne Welles www.haagswerk.nl Bras, Lex van den Broek, Remi Onderwijs Boulevard 3, 5223 DE challenged to design and manufacture a Raamt, Inge Simonis, Barbara Vos, Raúl Saturnusstraat 89, 2516 AG Gerritsen, Mohammed Mighiss, Niels s’ Hertogenbosch, The Netherlands piece of furniture within the ‘Slow Wallaart, Geanne Welles, Tiddo de Address The Hague, The Netherlands Roosenbrand [email protected] Design’ theme. In addition to local and Ruiter Via Massimiano 6 [email protected] +31 (0)7 36249643 recycled materials, they could also use 20134 Milano +31 (0)6 22222958 Presentation existing designs or concepts. The six Koning Willelm 1 College About winners show their designs at the expo. Koning Willem I College ‘s-Hertogen- Address bosch, The Netherlands, is an 31 WET Via Massimiano 6 Via Massimiano 6 innovative Community College with a 20134 Milano wide variety of educational programs. Designers Online One of these is Furniture Designer, Jan Puylaert, Mariandrea Zambardo www.wet.co.it Online where students are coached and www.kw1c.nl trained in designing and manufacturing Presentation About by experts from professional practice. WET floor WET has been remarked to have changed the bathroom into what it is Address today, introducing trend settings, highly Via Massimiano 6 colorful and illuminated PolyEthylene 31 Piet Zwart Institute Willem de Kooning Academy Via Massimiano 6 20134 Milano bathtubs and sinks. Contact Presentation Designers Presentation Address Contact Mariandrea Zambrano Re-shaping the past in a brand new Anette Backe, Dominika Dyminska, FABRIKAAT Via Massimiano 6 Carmen de Groot Via Altipiano 11, 21010 Porto pattern-design using ancient Angelique Etman, Marie Gade-Lundlie, 20134 Milano Blaak 10, 30011 TA, Rotterdam Vatravaglia, Italy techniques in cement floor tiles, giving Mariann Hildal, Milda Liubinskaite, Company The Netherlands [email protected] quality and importance to spaces and Micaela Nardella, Oana Tudose Piet Zwart Institute Willem de Kooning Online [email protected] +39 347 9603022 sub-spaces by framing their areas like Academy Rotterdam University / Master pzwart.wdka.nl +31 (0)10 7944790 +39 340 8494347 with a carpet. of Interior Architecture & Retail Design 31 Studio ThoL Via Massimiano 6

Designer Address Contact Online Thomas Linssen Via Massimiano 6 Thomas Linssen www.studiothol.nl 20134 Milano Ottho heldringstraat 3, 1066 AZ Presentation Amsterdam, The Netherlands Evolution [email protected] +31 (0)6 43326443

46 47 32 Via Privata Oslavia 8 32 USUALS Get Inspired, Be Inspired Via Privata Oslava 8 20134 Milano Designers Address Contact Online Van Eijk & Van der Lubbe Via Privata Oslavia 8 Maureen van Dijk www.usuals.nl 20134 Milano De Raadstraat 28K, 5666 EA Presentation Geldrop, The Netherlands USUALS [email protected] +31 (0) 286 88 93

32 rENs Via Privata Oslava 8 33 LENSVELT

Designer Address Contact Online Designer Address Contact Online Renee Mennen & Stefanie van Via Privata Oslavia 8 Renee Mennen www.madebyrens.nl Atelier Van Lieshout Via priv. Oslavia 1 Giuseppina Flor www.lensvelt.nl Keijsteren 20134 Milano Van Beethovenlaan 31, 5654 EB 20134 Milano Minervum 70003, 4817 NL Breda Eindhoven, The Netherlands Presentation The Netherlands Presentation [email protected] World War III [email protected] ROOD by rENs +31 (0) 6 330 56 924 +31 (0)6 12133114

32 MU Via Privata Oslava 8 34 Royal Academy of Art

Designers About Designers Address Contact Online HEYHEYHEY, Lucas Maassen & Raw MU goes Milan is the first presentation Among others: Marjan van Aubel, Imme Via Ventura 4 Sue Bradburn paradise.rca.ac.uk Color, Lucas Maassen & Sons, Raw at the Salone del Mobile of this van der Haak 20134 Milano Royal College of Art, SW7 2EU www.marjanvanaubel.com Color, Studio MKGK Eindhoven-based art space. MU London, United Kingdom www.immevanderhaak.nl operates as an adventurous guide on Presentation [email protected] Presentation the outskirts of contemporary visual The Royal College of Art Presents +44 (0)2075904274 Mu goes Milan culture where art meets design, new Paradise media and pop culture. Address Via Privata Oslavia 8 Presentation 35 Autofficina Via Massimiano 23 20134 Milano MU goes Milan will bring together seven projects, mostly commissioned by MU, 20134 Milano Contact by four different designers/collectives Angelique Spaninks from Eindhoven: Lucas Maassen, Raw Emmasingel 20, 5611 AZ Color, Studio MKGK and HEYHEY- Eindhoven, The Netherlands HEY. [email protected] +31 (0)6 5336287

Online www.heyheyhey.nl 35 Bernotat&Co Design Studio Autofficina www.d-struct.nl/shop www.lucasmaassen.nl Designers Contact About www.mu.nl Anke Bernotat, Jan Jacob Borstlap Anke Bernotat The essence of Bernotat&Co’s work is www.rawcolor.nl Wenslauerstraat 16/2, 1053 BA to ponder the poetry of normalcy, to www.mkgk.nl Presentation Amsterdam, The Netherlands tease the rules and to discover Chair Wear [email protected] exceptions: combining old, forgotten +31 (0)6 29037005 solutions with today’s needs to create Address surprising, poetic and useful objects. Autofficina Online Via Massimiano 23 www.bernotat.eu Presentation 20134 Milano Why buy a new chair when you can dress up the one you have? In the exhibition Chair Wear, Bernotat&Co presents custom-made clothing for chairs, adding comfort, functionality and a touch of poetry to old, new and classic chairs.

32 ARPA, PeLiDesign Via Privata Oslava 8 35 Sander Mulder Autofficina

Designer Online Presentation Address Contact Online Alexander Pelikan www.arpaindustriale.com Opposites Attract. Autofficina Sander Mulder www.sandermulder.com www.pelidesign.com via Massimiano 23 Peter Zuidlaan 22, 5502 NH Veldhoven Presentation 20134 Milano The Netherlands KATABA Presentation [email protected] PeLiDesign presents the KATABA +31 (0)6 44762062 Address table, made of ARPA HPL material and Via Privata Oslavia 8 natural wood. This unconventional table 20134 Milano enchants with a smart connecting system and a refined aesthetic. Contact Also on show will be the J’Adoube Alexander Pelikan chessboard, the CHRONOS time tool, Frankrijkstraat 110, 5622 AH the UnBearable champagne cooler and Eindhoven, The Netherlands a Surprise [email protected] +31 (0) 641403687

48 49 Via Tolmezzo

Via Feltre

Via Passo Rolle Via Carlo Via Ludovico d’Aragona Udine

Via Ronchi Via Parco Via Maniago Via Crescenzago Via Pordenone Lambro

Alberto Pisani Dossi Via Bernardino Bellincione Bernardino Via café chair ZONA Via Passo Sella Via Staro design Jonathan Prestwich 2010 Via Monte Nevoso LAMBRATEVia Durazzo

Via Rombon

The Café Chair by Jonathan Prestwich for Arco Via Nicola Antonio Porpora Via Tommaso Pini Via Egidio Folli Vallazze Predil Via

Lambrate Sbodio has received the “IF GOLD product design award 2012” FS 23 H Via Giulio Dardoni Via Giovanni Battista Viotti 34 36 Gaetano Via Privata Giovanni29 Ventura Tangenziale Est for its outstanding design. 24 Pacini Via Privata Massimiano Via Rodano Via Carlo Bertolazzi Via Conte Rosso 32 25 Grossich Via Antonio 31 Via Privata

Via Cesare Beruto Cesare Via 33

Via Privata Cletto Arrighi

The café chair is a modern translation Peroni Valvassori Via Carlo 26 Via Averardo Buschi Viale delle Rimembranze di Lambrate 30 of the traditional “café chair”. 35Via Privata Oslavia Sesto Rondo 27 Via Console Flaminio Via Riccardo Pitteri This fully wooden chair has a removable, Via Pietro Andrea Saccardo

3d-woven and semi-transparent back cover 28 Via Eduardo Bassini Via Celeste Clericetti Celeste Via Via Caduti di Marcinelle that gives the seat a highly individual character Sesto Marelli

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V V S V rdolino rdolino S Opening Hours and Cocktail Parties Locations Designers

Tuesday 17 April Wednesday 18 April Thursday 19 April Friday 20 April Saturday 21 April Sunday 22 April

01 Monday 16 April 14 - 16 hrs 01 Formafantasma Adam Alexander 21 Graduates Design Academy NENDO. 29 Agata Karolina 13 Eindhoven 09 Niels Bendtsen 26 02 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 02 Collective Paper Aesthetics Alastair Townsend 21 Guiseppe Conca 21 Niels Roosenbrand 31 Aleksandra Gaca 27 Henny van Nistelrooy 13 18 Nieuwe Heren 17 03 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 03 Dutch Invertuals Alexander Pelikan 32 HEYHEYHEY 32 Noa Haim 02 Alexander van den Bosch 31 Imme van der Haak 34 Nynke Tynagel 12 20 29 04 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 04 Droog Alissia Melka-Teichroew 19 Ineke Hans 14 28 Oana Tudose 31 Andre Coelho 21 Inge Simonis 31 Ontwerpers.nu 19 05 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 05 Interface Anette Backe 31 Invertuals collective 03 OsΔoss 13 Angelique Etman 31 Iris Jansen 19 Patrick Kampff 21 06 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 06 Scholten & Baijings, Karimoku New Standard Anieke Branderhorst 29 Iris Nieuwenburg 29 Phil Cuttance 13 Anke Bernotat 19 35 Jack Brandsma 29 Philipp Käfer 29 07 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 07 Scholten & Baijings, MINI Annelies Planteijdt 29 James Irvine 19 Pili Wu 29 Anouk Wipprecht 31 Jan Habraken 19 Pluc Plaatsman 31 08 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 08 Emmanuel Babled Arco Design Studio 24 Jan Jacob Borstlap 35 Poching Liao 29 Arjan van Raadshooven 29 Jan Plechac 19 Rachel Griffin 13 22 09 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 09 Studio Zeta Atelier Van Lieshout 33 Jan Puylaert 31 Raúl Wallaart 31 Barbara Vos 31 Jerszy Seymour 19 Raw Color 32 10 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 1819 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 10 Moooi Benjamin Hubert 17 Jesse Nortier 31 Remi Gerritsen 31 Boaz Cohen 11 Job Smeets 12 20 29 Renee Mennen & 11 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 11 Rosanna Orlandi Brecht Duijf 29 Joine / Maarten Baptist 22 Stefanie van Keijsteren 32 Breg Hanssen 29 Jólan van der Wiel 31 Rianne Koens 22 12 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 12 Studio Job Brunno Jahara 21 Jonathan Prestwich 24 Richard Hutten 09 19 Burkhard Vogtherr 24 Joost van Veldhuizen 22 Rock Wang 29 13 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 13 MATANDME & Made in Design Studio Campana Brothers 29 Jorre van Ast 24 Roderick Vos 19 Carole Baijings, Stefan Scholten Kevin Yu-Jui Chou 29 Ruben Thier 22 14 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 14 SCP 06 07 09 11 23 Kirkland Summers 21 Sabine Marcelis 13 Celine van Raamt 31 Knapontwerp / Tjimkje de Boer 22 Samer Chalfoun 16 15 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 15 WET Charlotte Wagemaker 31 Koert van Mensvoort 09 Sander Mulder 35 Chris Kabel 29 Konstantin Grcic 29 Sandra Garcia Pagola 21 16 9 10 11 12 13 14 15 1617 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 16 Wrap Spaces Chris Slutter 19 Kranen/Gille 17 19 Sayaka Yamamoto 11 Christian Kayser 22 Kuniko Maeda 11 Sebastian Herkner 17 17 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 17 Officine della Torniera Claire Vos 19 Laurien Oversier 22 Serener 19 Dana Cannam 13 Lee Gibson 21 Simon Pengelly 26 18 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 18 Studio HV Daniele Colnaghi 21 Lennart Bras 31 Sjoerd Jonkers 17 Daphna Laurens 13 Lex Pott 09 13 22 Sjoerd Vroonland 09 19 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 1415 16 17 18 19 202122 19 Superstudio Più Dave Keune 17 Lex van den Broek 31 Slim Ben Ameur Tweelink 17 David Derksen 13 22 Lieke Jildou de Jong 31 Steffen Kehrle 17 20 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 20 Moooi detailF / Franziska Wernicke 22 Liset van der Scheer 27 Studio Erwin Zwiers 22 Dick Spierenburg 26 Lotty Lindeman 09 Studio Formafantasma 01 11 21 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 21 Heineken Dick van Hoff 17 19 Lucas Maassen & Raw Color 32 Studio Job 12 20 29 Dinie Besem 29 Lucas Maassen & Sons 32 Studio Jolanda van Goor 22 22 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 22 Via Voghera 11/b Dirk van der Kooij 09 Maarten Baas 09 19 Studio Makkink & Bey 09 19 Dominika Dyminska 31 Marc Newson 29 Studio Miya Kondo 22 23 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 23 Arflex Droog Lab 04 Marcel Losekoot 16 Studio MKGK 32 Earnest Studio 13 22 Marcel Wanders 20 29 Studio Rik ten Velden 22 24 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 24 Arco Emanuele Magini 21 Marco Iannicelli 22 Studio Tessa Koot 22 Emmanuel Babled 08 Mariandrea Zambardo 31 Studio Thier&VanDaalen 22 25 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 1213 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 25 Leolux Fabian von Spreckelsen 13 Mariandrea Zambrano 15 Susanne Klemm 29 Fabio Novembre 19 Mariann Hildal 31 Thomas Linssen 31 26 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 26 Montis Fabricio Lima 21 Marie Gade-Lundlie 31 Tiago Sá da Costa design 22 Floris Hovers 29 Mario Minale 11 Tiddo de Ruiter 31 27 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 27 Casalis Floris Schoonderbeek 17 Marjan van Aubel 34 Tjep. 29 Francesco Maria Bandini 05 Marlies van der Linden 31 Tong Ho 29 28 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 28 OFFECCT Franziska Wernicke 13 Merel Bekking 31 Van Eijk & Van der Lubbe 32 Frederik Roijé 17 Mi-Ah Rödiger 29 VanJoost 22 29 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 29 Via Ventura 6 Frederike Top 17 Mia Gammelgaard & Vincenzo Amendolagine 21 Front 11 Ehlén Johansson 19 W.H. Gispen 19 30 9 10 11 12 13 14 15 16 17 18 19 202122 9 1011 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 30 Designlabel Vij5 Geanne Welles 31 Micaela Nardella 31 Weltevree 17 Geert Koster 26 Michael Young 19 Wieki Somers 09 31 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 31 Via Massimiano 6 Gerrit Rietveld 19 Michelle Wu 21 Willem van Ast 24 Gert Batenburg 26 Mieke Meijer 13 29 Wim Rietveld 19 32 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 32 Via Privata Oslavia 8 Gianluco Macaluso 21 Miku Sega 21 Wiro van Vilsteren 19 Gijs Bakker 29 Milda Liubinskaite 31 Wouter Kalis 31 33 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 33 LENSVELT Gijs Papavoine 26 Miya Kondo 13 Yael Mer & Shay Alkalay 24 Gina Hsu 29 Mohammed Mighiss 31 Yukihiro Shoda 21 34 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 34 Royal Academy of Art Mosa Design Team 19 ZUS 19 Nacho Carbonell 11 35 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 9 10 11 12 13 14 15 16 17 18 19 202122 35 Autofficina

cocktails - invitation only cocktails - everybody welcome Milan Breakfasts (design debats)

54 TimeTable 55 INdex Where to Eat

A selection by Daniela De Lorenzo It is recommended to make a reservation in advance. Sometimes a pinch of luck is not enough.

A Nisida E Al Porto I Imperator

Via Porro Lambertenghi 19 Piazzale Cantore Via Lazzaro Palazzi 2 Tel. +39 0297378447 Tel: +39 028321481 Tel. 0239464918 MM Metro linea 3 Zara MM. Pt. Genova MM Porta Venezia

Here you can still find squared Every Italian knows that to taste fresh This small Turkish restaurant tablecloth but in a complete modern fish you have to eat it in Milan. So take deserves to be mentioned, for its ‘A recom- atmosphere. In this traditional Italian a seat in this restaurant and have a try moderate Medioriental atmosphere mended restaurant you can taste a real pizza: by choosing between all the wide and care of owners, aside for its owners comes from Naples and possible choices. Situated in a really cousine. Main courses are mostly choice for offer you a wide selection of unconventional location from 1966, meat-based (kebab) served along ‘If you’re tired southern Italian dishes too. Hint: this is almost an institution. with vegetables and cous-cous . vegetarians Even if you’re full, here you can’t Much choice for vegetarians, too. of espresso, renounce to the dessert. Price range: €30/50 Hint: if you’re tired of espresso, ask is this unique for a Turkish coffee. ask for a “Meatballs Price Range: €10/30 Turkish coffee’ Price Range: €20/30 place”’ F Bello e Buono Gastronomia Italiana B Ciccilla Viale sabotino 14 J Farmer Street Food Via Alessandro Volta, 7 Milano Tel. +39 0294553406 Tel. +39 02 6597816 MM Porta Romana The Tortona Design Week MM Metro linea 2 Moscova collaborates with local farmers serving healthy and ecologically A recommended choice for A small delicatessen place where you sound meals in the Via Tortona. vegetarians is this unique “Meatballs can have bits of Mediterranean food place”. Rissoles are not just made and wine. The menu is written on a with meat, but also with fish, seasonal chalkboard where you can see a list vegetables, cheese , tofu or seaweed. of main courses , simple but not dull. K That’s Vapore ‘Everything Aside you can also order a selection A nice place where to taste an of pasta, soups and cooked authentic and genuine Italian home Viale Porta Vittoria 5, on the menu vegetables. All ingredients are cooking. Tel +39 0276281437 organic and served in biodegrada- MM Duomo or S. Babila is light and… bles crockery. Price range: €10/20 Sometimes Italian cuisine might be steamed’’ Price range: €10/20 heavy, so, we suggest a new place where everything on the menu is light G Trattoria 18/28 and…steamed! Here a steaming oven is used which cooks the dish you C Ciriboga Via Lodovico Muratori, 19 choose in a few minutes. Have a try of Tel.+39 02 55180260 vegetables, cous-cous and fish in the Via Savona 10 20144 Milano MM Porta Romana healthiest way possible. Hint: don’t Tel. +39 028322496 worry about tiramisù: also here, it MM Porta Genova follows a normal cooking process. The name of this cosy and modern This homey restaurant it’s in the heart restaurant comes from the prices it Price range: €10/15 ‘Bread is of Zona Tortona and it gives you the offers, which didn’t change in ten chance of trying an unconventional years of activity. You can dine here by home-made and experimental menu of both Italian choosing between menus of 18 or 28 and water and international cuisine. Bread is euros, which include an appetizer, L Mens@sana home-made and water is filtered. main course, dessert and a glass of is filtered’ wine. There are offers also at lunch Via Lanzone Price range: €20/30 time (7,50 —12 euros). Tel.+39 0239663631 MM S. Ambrogio Price Range: €10/30 Via Teodosio ‘If you want to D Osteria del Binari Tel. +39 0223951747 have a quick MM Lambrate FS Via Tortona 1 H La Cappelletta lunch, this is a Tel. +39 02 89409428 The “Ealthy canteen” is a chain run by MM Porta Genova Via Bertolazzi, 26 an ONLUS (ONG) which offers perfect spot Tel. +39 02 2151456 vegan food following a Mediterranian Impression goes wrong if you look at MM Lambrate FS tradition. If you want to have a quick where to get it from the outside. It might seem a lunch, this is a perfect spot where to something tasty small cafè , but it’s an immense Here you can taste traditional get something tasty and vegan. restaurant with a traditional Italian Northern Italian cuisine especially and vegan’ cuisine and an heavenly garden from the region of Emilia Romagna. A Price Range: €8/10 inside. ragù alla bolognese will be typical, but the menu offers a way lot more. If Price Range: €10/30 you get lost: the Gnocco fritto – a fried savory dough - served with a selection of cold cuts or cheeses, or the “Elephant ear” – typical Milanese schnitzel – might be a suggestion to escape uncertainty.

Price Range: €15/30

56 Restaurant Guide