DOCSLIB.ORG

Free Downloadable Grateful Dead Shows Free Downloadable Grateful Dead Shows

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Free Downloadable Grateful Dead Shows Free Downloadable Grateful Dead Shows free downloadable grateful dead shows Free downloadable grateful dead shows. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a0aa2c3e451667 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. 14,566 Grateful Dead concert recordings made available online free. At a time when we’re forced to change the way we must indulge live music, we’re exploring the world of archival recordings with the iconic rock band Grateful Dead. The Grateful Dead, a band formed in 1965, were been able to successfully blend genres with their expansive and eclectic style. For decades the group weaved in and out of rock music with elements of folk, jazz, blues, gospel, and more which was always tied together with their own brand of psychedelia. Once labelled “the pioneering Godfathers of the jam band world”, Grateful Dead have never allowed their recorded material dictate live shows. The band would quite regularly allow the atmosphere of a crowd, venue or location dictate their rolling performances which, typically, meant that none of their concerts were the same. Having performed playing more than 2,300 concerts during their active years, Grateful Dead managed to build a community spirit like no other during their touring days. With a devoted fanbase which became known as the ‘Deadheads’, the band would play just about anywhere for anybody as long as their music was appreciated—and it was. Having entered the record books for their commitment to live music, the Guinness Book of World Records triumphed the band and selected the Grateful Dead to take the title of “most rock concerts performed”. It is speculated that the Grateful Dead performed to an estimated total of 25 million people during their time on the road. Despite their achievements, Jerry Garcia, the band’s leader, always deferred back to the fans: “We didn’t really invent the Grateful Dead, the crowd invented the Grateful Dead, you know what I mean?” he once stated. “We were sort of standing in line, and uh, it’s gone way past our expectations, way past, so it’s, we’ve been going along with it to see what it’s gonna do next.” Given the commitment of their loyal fanbase, the Deadheads have been scouring the archives to find rare recordings for years. Now though, the Internet Archive has managed to collect 14,566 bootlegs into one convenient location. The Internet Archive, a non-profit internet library that has been plugging away since 1996 in an attempt to make “Universal Access to All Knowledge” through its website, has been collecting books, magazines, television programmes and culturally relevant films with prolific accuracy. As Open Culture points out, Nick Paumgarten detailed in his article for the New Yorker , which focusses on the “the vast recorded legacy of the Grateful Dead”, that a never-ending source of live recordings of the band continues to float around. “It was denser, feverish, otherworldly,” Paumgarten said when getting lost in some of the earliest recordings. “If you took an interest, you’d copy a few tapes, listen to those over and over, until they began to make sense, and then copy some more. Before long, you might have a scattershot collection, with a couple of tapes from each year.” He added: It was all Grateful Dead, but because of the variability in sonic fidelity, and because the band had been at it for twenty years, there were many different flavors and moods. Even the compromised sound quality became a perverse part of the appeal. Each tape seemed to have its own particular note of decay, like the taste of the barnyard in a wine or a cheese.” “You can browse the recordings by year, so if you click on, say, 1973 you will see links to two hundred and ninety-four recordings, beginning with four versions of a February 9th concert at Stanford and ending with several versions of December 19th in Tampa,” he continues. “Most users merely stream the music; it’s a hundred cassette trays, in the Cloud.” gdluckynumbers.org. Request a source to be played on Sunshine Daydream. Update: due to some problems with my login and my own inertia in correcting them, this site has been dormant for years. Now that I've finally resolved them, I intend to make up for lost time. New sources are being put up on archive almost every day, so I have a lot of work to do! Keep checking the "Recent Additions" page for new high quality audience recordings. This site was originally created for the benefit of listeners of Sunshine Daydream, a show on WTJU which plays mainly live Grateful Dead and for which I'm one of the DJs. Whenever I played a cut from an AUD tape I'd downloaded from archive.org and thought listeners would want to download, it would take forever to explain "go to archive.org, click on Audio, then Grateful Dead, then 'browse by year'" - by which time everyone would switch over to WNRN. I needed a shorthand way to quickly direct listeners over to quality AUD sources that they could download. The result: gdluckynumbers.org. That was quick, wasn't it? ;-) I took about a week and a half listening to sample streams from every single Grateful Dead audience recording then hosted at archive.org. Any sources that sounded of sufficient quality to please the average radio listener (those who would be less forgiving of the quality flaws in an AUD than the typical hardcore fan) were listed and categorized as either Pristine (identical in quality to a board or high-quality FM), Good to Excellent (enjoyable to just falling short of Pristine) and Rough Diamonds (not stellar quality, but worth listening to because of the quality or energy of the playing). The result is a list of literally hundreds of great sounding audience sources that you can download legally and for free with the Dead's blessing. I have sifted out the stems and seeds and left you with only the fine, heady bud, the creme de la creme of the currently circulating AUDs. All shows listed are linked to their download pages on archive, and streaming links are posted in the list as well. New AUDs are being uploaded all the time to the Live Music Archive. As they are, I will periodically add the ones that pass the ear test. You can also look forward to information on where to go for soundboards (the Dead still allow them to be circulated, but you have to work a bit to get them), a brief history of Live Dead in the age of the internet and a bit more color and pizazz (but don't expect too much - this is an informational site!). For now, though, enjoy downloading some Grateful Dead shows. Statement from the Grateful Dead. The Grateful Dead and our managing organizations have long encouraged the purely non-commercial exchange of music taped at our concerts and those of our individual members. That a new medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard. Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follow: No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means. All participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music. This notice should be clearly posted on all sites engaged in this activity. We reserve the ability to withdraw our sanction of non-commercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work. over 14,000 free Grateful Dead concert recordings (and counting!) available online. If you took an interest, you’d copy a few tapes, listen to those over and over, until they began to make sense, and then copy some more. Before long, you might have a scattershot collection, with a couple of tapes from each year. It was all Grateful Dead, but because of the variability in sonic fidelity, and because the band had been at it for twenty years, there were many different flavors and moods. Even the compromised sound quality became a perverse part of the appeal. Each tape seemed to have its own particular note of decay, like the taste of the barnyard in a wine or a cheese. You came to love each one, as you might a three-legged dog. Or, having decided that it all sounded like one long meandering dirge, you went back to whatever normal people listened to. [Nick Paumgarten for The New Yorker ] As all Deadheads know, people taping live concerts and then people trading tapes with others was a way of life for Grateful Dead fandom, and because the Dead not only allowed tapers at their shows but set up a designated area for tapers, recordings exist of almost every concert they ever performed.
Load more

Recommended publications
  • Grateful Dead Records: Realia
    http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD.
    [Show full text]
  • The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
    Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system.
    [Show full text]
  • This Is a Great Band, and I Had a Great Time” Bob Weir, Grateful Dead Founding Member (Guitar/Vocalist)
    “This is a great band, and I had a great time” Bob Weir, Grateful Dead founding member (guitar/vocalist) “Inspired and accomplished musical discourse at such a deep and serious level: I had no problem at all believing that this was what the Grateful Dead sounded like 40 years ago.” David Gans, Grateful Dead Hour “I've always been impressed by DSO, but the other night I thought they'd taken it to a new level. It was some of the best Grateful Dead music I've heard in the past 20 years, and that covers some ground. Somehow, Jeff Mattson manages to play Jerry's parts perfectly in the spirit, but without any sense of being imitative. And boy, does the band pick up on this energy. Big fun!” Dennis McNally, Grateful Dead publicist & biographer 1980 – 1995; Author “A Long Strange Trip: The History of the Grateful Dead” “As one who is classically trained, I actually always thought that DSO was very cool, treating Grateful Dead music as repertoire- much as I've tried to do in my various bands.” Phil Lesh, Grateful Dead founding member (bass/vocals) “Playing with Dark Star Orchestra is something that feels just exactly like it felt when I was playing with the Grateful Dead.” Donna Jean Godchaux, Grateful Dead vocalist, frequent DSO guest “There are moments where I can close my eyes and go back 30 years and have it be every bit as rewarding and satisfying. Dark Star is an amazingly legitimate representation of the Dead.” Dan Healy, Grateful Dead sound engineer 1966 -1994 “Thank you for a real good time.” Jon Fishman, Phish drummer after sitting in with DSO “The Dark Star Orchestra re-creates Grateful Dead shows with a flashback-inducing meticulousness.” The New Yorker “...recreates the Dead concert experience with uncanny verisimilitude.
    [Show full text]
  • Grateful Dead Marathon ‘Thank You’ Gift Description
    2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No.
    [Show full text]
  • Music 203H: the Collective Improvisational Practices of the Grateful Dead – Syllabus
    Music 203H: The Collective Improvisational Practices of the Grateful Dead – Syllabus Instructor: Dr. Melvin Backstrom [email protected] Class Schedule: Monday, 4-5:30PM Music Center 130 Monday, 5:30-7PM Music Center 114 Office Hours: Monday, 2-3 or by appointment Room #126 Course Description The goal of this performance-practice seminar-ensemble is to enable its participants to learn about and apply collective improvisational practices, such as those of the Grateful Dead (as well as of its jam-band progenitors), to their own musical activities. Each week will consist of 90 minutes focused on discussing assigned listenings and readings, as well as some theoretical instruction, followed by 90 minutes playing music as an ensemble in order to apply and develop the skills and practices previously discussed. A particular area of focus will be on expanding listening skills in order to facilitate in-the-moment engagement with musical sound. Another important concern will be encouraging an ecumenical stylistic repertoire in which the widest possible array of music—from popular song forms to the furthest reaches of the experimental avant-garde—are not only available for use, but can also be brought into dialogue. Music of the Grateful Dead will provide some of the material that will be used as “jumping off” material for the ensemble’s collective improvisations, but we will explore other music in a Grateful Dead-like manner as well. Grading Participation 20% 1st Response 10% 2nd Response 10% 3rd Response 10% Presentation/Conduction 10% Final Essay 40% Given that it counts for 20% of students’ final grade, participation is obviously highly valued and is intended to stress the importance of active involvement in the discussions and performances of which this course will consist.
    [Show full text]
  • The Sweet Tones of Toni Brown by Dean Budnick
    The Sweet Tones of Toni Brown by Dean Budnick This is this month's installment in an ongoing series that you may have noticed I am putting together. One of the missions of the site is not only to introduce you to the bands, review the shows and give you tour dates but we're really trying to let you see what goes on in all phases of the scene, from booking shows (read my Andrew Stahl article) to helping publicize them (yet to come) to playing jam bands on the radio (again just wait...). This month, I continue the series with a Toni Brown interview. Toni, as I am sure you well know, is the publisher of Relix magazine. She's been involved with Relix for more than eighteen years now and she has a fine perspective on what's happening with this music. However Toni also brings a bit more to the table as she is currently gigging with her Toni Brown Band and is currently recording a follow-up to her debut disc (in which she enlisted the very fine David Nelson Band to join her in the studio). Here are Toni's thoughts on her own music, the jam band scene and a bit on running Relix... D- Let's start with the newest phase of your career. When did you start performing with your current band? What inspired you to come out from behind the desk and allow people to start writing about you? T- It seems like I've been doing Relix forever. It's been eighteen years.
    [Show full text]
  • “Dick” Was Dick Latvala, the Official Tape Archivist
    “Dick” was Dick Latvala, the official tape archivist for the Grateful Dead until 1999, whose inspiration and encyclopedic knowledge of the band’s vaults spawned the fabled Dick’s Picks series of live Dead concert recordings. Comprised of 36 volumes, Dick’s Picks follows the band on its long, strange trip through a multitude of eras, tours and venues, featuring handpicked shows that display the band at its visionary, Dick's Picks improvisational height. Now, Real Gone Music is finally bringing this unparalleled cache of Dead concert brilliance to record stores—many of these volumes have never been available at music retail, and the others have been unavailable for close to a decade! L GRATEFUL DEAD: Dick’s Picks Vol. 12—Providence Civic D Center 6/26/74 & Boston Garden 6/28/74 (3-CD Set) Combining the second sets of two different nights is not U standard operating procedure for the Dick’s Picks series of A live Dead shows, but this volume is the exception that proves the rule—the playing is so extraordinary, and the repertoire so unusual, that one can understand why Dick F E Latvala played more curator than archivist on Vol. 12. The first disc picks up the second set from Providence three songs in, featuring a short jam that leads into what many E have labeled the most extraordinary live version of “China Cat Sunflower” ever recorded, complete with a sublime transition D (“Mud Love Buddy Jam” a.k.a. “Mind Left Body Jam”) into “I Know You Rider.” The T revelatory moments continue throughout the Providence set, highlighted by a dazzling, 15-minute “Spanish Jam.” But the second set of the Boston show—which appears here complete, beginning on CD two after a superb encore performance of “Eyes of the World” from Providence—is the one that has passed into legend among Dead fans (that it begins A with a rare performance of Phil Lesh and Ned Lagin’s electronic music piece “Seastones” gives you an idea of what an adventurous night this was).
    [Show full text]
  • Taking It to the Bridge Stantive Reference to the Band As a Musical Ensemble
    7DNLQJ,WWRWKH%ULGJH Pettengill, Richard, Cook, Nicholas 3XEOLVKHGE\8QLYHUVLW\RI0LFKLJDQ3UHVV For additional information about this book http://muse.jhu.edu/books/9780472029303 Access provided by McGill University Libraries (4 Sep 2014 15:31 GMT) Richard Pettengill Performing Collective Improvisation The Grateful Dead’s “Dark Star” Journalistic writing on the Grateful Dead, the San Francisco– based band that was active from 1965 until the death of lead guitarist Jerry Garcia in 1995, tends to focus more on the band’s countercultural fan base— the hordes of devoted followers that followed the band from city to city— than the actual music they played. When the music is men- tioned, the references are usually to the best- known songs on The Dead’s two iconic 1970 studio albums, Workingman’s Dead and American Beauty (“Uncle John’s Band,” “Casey Jones,” “Truckin’”), and their one Top 40 hit from 1987, “Touch of Grey.” Although journalists occasionally pay lip service to the band’s penchant for improvisation,1 such accounts, until re- cently, seldom have displayed understanding and appreciation for the most distinctive aspect of the band’s musical achievement, which I believe is the art of collective free- form improvisation: the ability to improvise in a col- lective mode in which all musicians contribute to various extents and in various ways to a performed group exploration. Much of the scholarly work to date has focused more on The Dead as a cultural phenomenon rather than as a group of skilled improvisational mu- sicians or as performers.2
    [Show full text]
  • Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965-75
    The Grateful Dead and Their World: Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965-75 Melvin J. Backstrom Schulich School of Music McGill University, Montreal December 2017 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Melvin J. Backstrom 2017 Table of Contents Abstract i Abrégé ii List of Musical Examples iii List of Illustrations iv List of Tables v Acknowledgements vi Introduction 1 The Politics of Sixties’ Counterculturalism 12 On Improvisation 32 Modernism/Postmodernism and the Avant-Garde 36 On Irony 42 Chapter 1: The Art-Popular Music Dialectic in San Francisco, 1965-1970 51 The San Francisco Tape Music Center 51 The Trips Festival as Rock Concert Paradigm 60 Jazz & Rock 72 The Jefferson Airplane 79 Country Joe and the Fish 82 The Grateful Dead: 1967-69 84 Anthem of the Sun 85 Aoxomoxoa 98 Progressive Rock and the Grateful Dead 101 Live/Dead 103 Conclusion 115 Chapter 2: “Sing Me Back Home”: Musical Traditions and Sixties’ Counterculturalism 117 “We’ve got to get ourselves back to the garden”: The Politics of Countercultural Ideals 120 Country Music and Its Countercultural Relations 128 “Country & Western” vs. “Country” 131 “Okie from Muskogee,” the Beach Boys and the Grateful Dead 133 “An Evening with the Grateful Dead” 138 Rock-Country-Jazz-Fusion? 142 “Dark Star>El Paso>Sing Me Back Home” – August 27, 1972 144 “Dark Star>Cumberland Blues” – September 27, 1972 148 Conclusion 154 Chapter 3: Pastoral Complexity in the Music of the
    [Show full text]
  • Printable Menu (Pdf)
    Gratefully Fed 1617 Ruskin St Madison, Wisconsin phone: 8157570940 hours: 11:00 a.m to 1:00 a.m Menu created with The Grub Club® Apepetizers :: Jalapeno Poppers - Hit the spot poppers with cream cheese, cheddar cheese and fresh jalapenos. Comes with your choice of dipping sauce. ____ $5.99 :: Stuff Your Face Potatoes - Stuffed potatoes with red pepper, black beans, tomato, green onions, and a dollop of sour cream. (add a bacon for 1.00 ____ $5.99 :: Veggie Spring has Sprung Rolls - Homemade Thai style spring rolls ____ $5.99 :: Go Greek - Pita chips and roasted red pepper garlic hummus ____ $4.99 :: Italian Style Nachos - Corn chips with mozzarella cheese, tomatoes, jalapenos, olives, with house marinara sauce. ____ $7.99 :: Nacho Nacho Man - These macho nachos are blue corn chips served with white cheddar, monterey jack cheese, tomatoes, onions, Jalapenos, sour cream ____ $6.99 :: Some Like it Hot Wings - These 8 Hot Wings are Marinated in a homemade hot sauce and served to make you laugh, cry, and try to drink water all at the same time. ____ $6.99 :: Wings - These wings are a band of 8 wings on the run from Asia. You are sure to enjoy these sesame ginger wings. ____ $6.99 :: Cream Cheese Rangoon - Cream Cheese Rangoon with chopped Green onions. ____ $5.99 Salads for all you Rabbits :: "comment" - Choices of dressings are: House, Blue Cheese, Raspberry Walnut, Ranch, Italian, Greek. :: Heather's Claim to Fame - Spinach, Romaine Lettuce, Almonds, Mushrooms, Broccoli, Red Onions, and Vermont White Cheddar ____ $4.99 :: Greens at Stake - Flank Steak, Spinach, Romaine Lettuce, Mini Bella Mushrooms, Purple Kale, Banana Pepper, onions, tomato, and Gouda Cheese.
    [Show full text]
  • Top Albums of 2020 by Hayden Goodridge
    Top Albums of 2020 By Hayden Goodridge Looking over the stacks of records released throughout this (hopefully) once-in-a-lifetime year, it’s surprising to be reminded of the drastic lifestyle changes none of us could seem to avoid. I’ve been compiling year-end album lists for quite a few years, but this year in review carries greater emotional attachment than I’ve experienced years prior. For each album I recall hearing, I’m also given a snapshot of the level of fear, grief, numbness, etc. I felt in reaction to the state of the outside world on first listen. Music—and any form of art for that matter—has been a necessary coping mechanism in this period of tremendous uncertainty. To the artists that made it into this personal list of favorites, I extend gratitude for the comfort, distraction, and jams they provided us at the shaky start of a new decade. Honorable Mentions Ummon – Slift ​ A muscular alien man stands on the barren surface of an unknown planet in space holding a gigantic sword behind him—ready to attack. The cover art of Ummon perfectly captures what Slift is all about. ​ ​ This cosmic psych rock trio buries the listener in huge swells of reverberating riffs which drive their sci-fi level of imagination forward into the final frontier. Favorite Song: “It’s Coming…” Magic Oneohtrix Point Never – Oneohtrix Point Never ​ Tuning into a Oneohtrix Point Never record feels like falling asleep in front of the late-night glow of your television. Familiar musical themes quickly float in and out of consciousness like a meandering dream.
    [Show full text]
  • Grateful Dead Records: Business Records MS.332.Ser
    http://oac.cdlib.org/findaid/ark:/13030/c8gf0rxj Online items available Grateful Dead Records: Business Records MS.332.Ser. 2 Alix Norton, Nicholas G. Meriwether, Maureen Carey, Mathew Simpson, Debra Roussopoulos, Gabriel Mindel, Alessia Cecchet, Wyatt Young University of California, Santa Cruz 2011, 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Business MS.332.Ser. 2 1 Records MS.332.Ser. 2 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Business Records Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 2 Physical Description: 131 Linear Feet169 boxes, 1 map-case folder, 9 oversized items in rolling cart Date (inclusive): 1966-2009 Date (bulk): 1970-1995 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Acquisition Information Gifts of Grateful Dead Productions; April 2008, 2012 Arrangement This collection is arranged in eleven series: Series 1: General Series 2: Production and Promotion Series 3: Financial and Accounting Series 4: Ice Nine Publishing Series 5: Correspondence Series 6: Deadheads Series 7: Legal Series 8: Office Series 9: Terrapin Station Series 10: Dick's Picks Series 11: Hotline Materials within each series are arranged chronologically by date created, unless otherwise specified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California who came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995.
    [Show full text]