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Elements of Traditional Folk Music and Serialism in the Piano Music of Cornel Țăranu
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 12-2013 ELEMENTS OF TRADITIONAL FOLK MUSIC AND SERIALISM IN THE PIANO MUSIC OF CORNEL ȚĂRANU Cristina Vlad University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons Vlad, Cristina, "ELEMENTS OF TRADITIONAL FOLK MUSIC AND SERIALISM IN THE PIANO MUSIC OF CORNEL ȚĂRANU" (2013). Student Research, Creative Activity, and Performance - School of Music. 65. https://digitalcommons.unl.edu/musicstudent/65 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ELEMENTS OF TRADITIONAL FOLK MUSIC AND SERIALISM IN THE PIANO MUSIC OF CORNEL ȚĂRANU by Cristina Ana Vlad A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Mark Clinton Lincoln, Nebraska December, 2013 ELEMENTS OF TRADITIONAL FOLK MUSIC AND SERIALISM IN THE PIANO MUSIC OF CORNEL ȚĂRANU Cristina Ana Vlad, DMA University of Nebraska, 2013 Adviser: Mark Clinton The socio-political environment in the aftermath of World War II has greatly influenced Romanian music. During the Communist era, the government imposed regulations on musical composition dictating that music should be accessible to all members of society. -
Chirurgia 1 Mad C 4'2006 A.Qxd
History of Medicine Chirurgia (2020) 115: 7-11 No. 1, January - February Copyright© Celsius http://dx.doi.org/10.21614/chirurgia.115.1.7 The Man Behind Roux-En-Y Anastomosis Carmen Naum1, Rodica Bîrlã1,2, Cristina Gândea1,2, Elena Vasiliu2, Silviu Constantinoiu1,2 1Carol Davila University of Medicine and Pharmacy, Bucharest, Romania 2General and Esophageal Surgery Department, Center of Excellence in Esophageal Surgery, Saint Mary Clinical Hospital, Bucharest, Romania Corresponding author: Rezumat Rodica Birla, MD General and Esophageal Surgery Department, Center of Excellence in Esophageal Surgery, Sf. Maria César Roux (1857–1934) s-a născut în satul Mont-la-Ville din Clinical Hospital, Bucharest, Romania cantonul Vaud, Elveţia şi a fost cel de-al cincilea fiu, dintre cei 11, E-mail: [email protected] ai unui inspector şcolar. A studiat medicina la Universitatea din Berna şi i-a avut printre profesori pe Thomas Langhans în patologie şi pe Thomas Kocher în chirurgie. Roux, la fel ca mulţi chirurgi din acea perioadă a practicat chirurgia ginecologică, ortopedică, generală, toracică şi endocrină, dar a devenit celebru în chirurgia viscerală. El a dominat toate domeniile chirurgicale şi a influenţat chirurgia cu spiritul său inovator, dar contribuţia sa cea mai mare a fost anastomoza Roux-în-Y. Fiind un chirurg meticulos, dar care în acelaşi timp, opera repede, o persoană muncitoare, dedicată pacienţilor şi studenţilor săi, el şi-a găsit un loc în istoria medicinei. A murit în 1934, iar moartea sa bruscă a fost un motiv de doliu naţional în Elveţia. Cuvinte cheie: Roux, César Roux, Roux-în-Y, gastroenterostomy, istoria chirurgiei Abstract César Roux (1857–1934) was born in the village of Mont-la-Ville in the canton of Vaud, Switzerland and he was the fifth son, among 11 children, of an inspector of schools. -
THE UNKNOWN ENESCU Volume One: Music for Violin
THE UNKNOWN ENESCU Volume One: Music for Violin 1 Aubade (1899) 3:46 17 Nocturne ‘Villa d’Avrayen’ (1931–36)* 6:11 Pastorale, Menuet triste et Nocturne (1900; arr. Lupu)** 13:38 18 Hora Unirei (1917) 1:40 2 Pastorale 3:30 3 Menuet triste 4:29 Aria and Scherzino 4 Nocturne 5:39 (c. 1898–1908; arr. Lupu)** 5:12 19 Aria 2:17 5 Sarabande (c. 1915–20)* 4:43 20 Scherzino 2:55 6 Sérénade lointaine (1903) 4:49 TT 79:40 7 Andantino malinconico (1951) 2:15 Sherban Lupu, violin – , Prelude and Gavotte (1898)* 10:21 [ 20 conductor –, – 8 Prelude 4:32 Masumi Per Rostad, viola 9 Gavotte 5:49 Marin Cazacu, cello , Airs dans le genre roumain (1926)* 7:12 Dmitry Kouzov, cello , , 10 I. Moderato (molto rubato) 2:06 Ian Hobson, piano , , , , , 11 II. Allegro giusto 1:34 Ilinca Dumitrescu, piano , 12 III. Andante 2:00 Samir Golescu, piano , 13 IV. Andante giocoso 1:32 Enescu Ensemble of the University of Illinois –, – 20 14 Légende (1891) 4:21 , , , , , , DDD 15 Sérénade en sourdine (c. 1915–20) 4:21 –, –, –, , – 20 ADD 16 Fantaisie concertante *FIRST RECORDING (1932; arr. Lupu)* 11:04 **FIRST RECORDING IN THIS VERSION 16 TOCC 0047 Enescu Vol 1.indd 1 14/06/2012 16:36 THE UNKNOWN ENESCU VOLUME ONE: MUSIC FOR VIOLIN by Malcolm MacDonald Pastorale, Menuet triste et Nocturne, Sarabande, Sérénade lointaine, Andantino malinconico, Airs dans le genre roumain, Fantaisie concertante and Aria and Scherzino recorded in the ‘Mihail Jora’ Pablo Casals called George Enescu ‘the greatest musical phenomenon since Mozart’.1 As Concert Hall, Radio Broadcasting House, Romanian Radio, Bucharest, 5–7 June 2005 a composer, he was best known for a few early, colourfully ‘nationalist’ scores such as the Recording engineer: Viorel Ioachimescu Romanian Rhapsodies. -
SCHIMEK During the Nineteenth Century There Was Musical Migration from Cit- Ies Such As Vienna, Milan, Venice and Prague Towards the South and East
Musical Ties of the Romanian Principalities with Austria Between 1821 and 1859 HAIGANUS PREDA-SCHIMEK During the nineteenth century there was musical migration from cit- ies such as Vienna, Milan, Venice and Prague towards the south and east. That this migration was noticeable in Serbian, Hungarian, Greek and Bulgarian cities was shown at the 17th Congress of the Interna- tional Musicology Society in Leuven, 2002.[1] A similar phenomenon took place in the Romanian world, which was not documented at this conference. The present article aims at proving that such a transfer also occurred on Romanian territory and that it was not an accidental phenomenon but part of the deeper process of political, social and cultural change suffered by the country after the second decade of the nineteenth century. A number of Austrian musicians arrived in the Romanian principalities precisely at the moment when, through a process largely supported by international politics, the Greco- Ottoman way of life was being abandoned in favor of Western habits. Politics, economy, and culture underwent a deep reform that affected mentalities, language and social practices. Foreign musicians of Aus- trian or Czech origin arrived, invited by princes or by influential local families, or even on their own in search of favorable commissions, and participated in this renewal work, particularly in its first phase (1821-1859).[2] CULTURAL CONTACTS BETWEEN THE ROMANIAN PRINCIPALITIES AND WESTERN EUROPE BETWEEN 1821 AND 1859 Musical relations between the Habsburg Empire and the Romanian principalities of Moldavia and Walachia[3] emerged against a differ- ent historical background than those in Transylvania, which had be- longed since the seventeenth century to the Habsburgs and possessed a longer tradition of Western-orientated music. -
IN STATE SOCIALIST ROMANIA, 1960S–1980S: CONTEXTS and GENEALOGIES
DOI: 10.14754/CEU.2019.03 ACCOUNTING FOR THE “SOCIAL” IN STATE SOCIALIST ROMANIA, 1960s–1980s: CONTEXTS AND GENEALOGIES Adela Hîncu A DISSERTATION in History Presented to the Faculties of the Central European University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Budapest, Hungary 2019 CEU eTD Collection Supervisor of Dissertation Balázs Trencsényi DOI: 10.14754/CEU.2019.03 Copyright in the text of this dissertation rests with the Author. Copies by any process, either in full or in part, may be made only in accordance with the instructions given by the Author and lodged in the Central European University Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and/or published by another person unless otherwise noted. CEU eTD Collection DOI: 10.14754/CEU.2019.03 Abstract This dissertation reconstructs the contexts and genealogies of scientific thought on the “social” in state socialist Romania in the 1960s–1980s. New ideas and practices of observing, analyzing, and intervening in the social realities of socialist society emerged beginning in the early 1960s, originally in debates over the canonical disciplines of Marxist-Leninist social science (historical materialism, scientific socialism, and Marxist sociology). These were further developed by Marxist revisionist and humanist Marxist thought on the relationship between individuals and society in socialism, which decentered the collectivist ethos characteristic of “dogmatic” Marxism-Leninist philosophy for most of the 1950s. -
Toccata Classics TOCC 0047 Notes
[ THE UNKNOWN ENESCU VOLUME ONE: MUSIC FOR VIOLIN by Malcolm MacDonald Pablo Casals called George Enescu ‘the greatest musical phenomenon since Mozart’.1 As a composer, he was best known for a few early, colourfully ‘nationalist’ scores such as the Romanian Rhapsodies. During his lifetime, by contrast, he was most famous as a violinist, pianist and conductor, internationally celebrated for his interpretation of the classics. Yet he considered himself a composer first and foremost, and his mature works – drawing on the rich heritage of Romanian folk music – have a sophistication and individuality that show him the equal of (though entirely distinct from) his close contemporaries, those other East European masters Bartók, Kodály, Janáček, Martinů and Szymanowski. Enescu was born in Liveni, Romania, and entered the Vienna Conservatory at the age of seven, graduating with distinction as a violinist at the age of ten. Subsequently he played in orchestras under Brahms and in 1892 entered the Paris Conservatoire as a pupil of Massenet and Fauré and a fellow-student of Ravel. Within six years he had won first prize for violin at the Conservatoire as well as writing four symphonies and premiering a violin concerto of his own. He came to regard these as mere ‘school’ works and began numbering his compositions from the symphonic suite of 1897, Poème Roumain, Op. 1, premiered to acclaim in Paris and P Bucharest while he was still a student. After his graduation Enescu lived a busy life as a performer, based in Paris but with frequent visits to Romania. He was selfless in his generosity to his contemporaries and performed a good deal with such friends as Casals, Thibaud, Cortot, Kreisler and Ysaÿe. -
Military Psychological Studies in Romania in the Early Twentieth Century: the Main Moments
“HENRI COANDA” “GENERAL M.R. STEFANIK” AIR FORCE ACADEMY ARMED FORCES ACADEMY ROMANIA SLOVAK REPUBLIC INTERNATIONAL CONFERENCE of SCIENTIFIC PAPER AFASES 2012 Brasov, 24-26 May 2012 MILITARY PSYCHOLOGICAL STUDIES IN ROMANIA IN THE EARLY TWENTIETH CENTURY: THE MAIN MOMENTS Eugenia BÎRLEA Library of the Romanian Academy, Cluj-Napoca Branch Abstract:Psychology made its official entry into the curriculum of the Superior School of War only in 1909, and on the level of Officer and Sub-Officer Schools, the role of these sciences of education was even more modest, concerns of military psychology are precursory to this stage. In 1902 the Romanian army doctor Marcu Câmpeanu published in Paris a work entitled Essai de psychologie militaire individuelle et colective, with a glorious preface by Théodule Ribot. The book knew several translations: in the USA, Bulgaria, Serbia, Russia, Italy etc. and was awarded a prize from the Romanian Academy. In 1922 Dumitru Caracostea, an important teacher of literature, critic and folklorist during the Interbellum, published The Psychological Aspect of War, as a result of his teaching activity at the Superior School of War, between 1919-1922. While Marcu Câmpeanu’s work was an application to the military environment of the theories enunciated by the famous theorist of crowd psychology, Gustave Le Bon, Dumitru Caracostea elaborated his study from an obvious interdisciplinary perspective of a rural world and country folklore connoisseur, integrating the dramatic experience of war, which his students at the School of War made available for him under the form of war memoirs written at his request. Key words: military psychology, Romania, the beginning of the 20th century, Marcu Câmpeanu, Dumitru Caracostea Constantin Dimitrescu-Iași, published during We believe we can talk about quite an the same period (Chelcea 2002: 38-39). -
Les Petits Dorobants*
CHILDHOOD IN ROMANIAN CONTEXT: LES PETITS DOROBANTS* SILVIU HARITON In the afternoon of 9 May 1905, King Carol and Queen Elisabeth of Romania went to the Cotroceni Palace of Bucharest. The Crown Prince Ferdinand and his well-known Princess Maria invited them to assist at a demonstration staged by a group of pupils, sons of peasants from the Department of Ilfov. The king reviewed the children carrying wooden rifles and dressed in military uniforms resembling those of the territorial infantry troops (Romanian: dorobanţi). With Prince Carol, Ferdinand’s son, as one of them, they executed movements similar to those designed for regular soldiers, they answered questions on ‘soldier’s theories’ and, finally, they practiced target shooting. Mihail Vlădescu, Minister of Cults and Public Instruction, and Petre Th. Sfetescu, Prefect of the Ilfov Department, were also present at the exercise. On the next day, the children participated in the military parade held every year on the occasion of the national day on 10 May.1 This was the beginning of a unique experiment that lasted several years and provoked many disputes in the Romanian society from the early twentieth century. These children were known by their contemporaries as micii dorobanţi in Romanian or les petits dorobants in French. I prefer to keep the latter form for two reasons. Firstly, this form was used at that time for presenting it to non-Romanians and, secondly, there is a strong similarity between les petits dorobants and the French bataillons scolaires. The case of les petits dorobants is extremely relevant for understanding, on the one hand, the relationships between militarism, nationalism and (physical) education, and, on the other hand, the impact of education on children’s condition as well as the attitudes towards children and youth in the Romanian context. -
Mapping Romania - Notes for a Journey
Mapping Romania - notes for a journey To enter into the subjective life of another culture – its symbolic codes, its overt beliefs and implicit assumptions – requires, as any immigrant or nomad can tell you, a considerable effort of consciousness and imagination; a kind of stretching of self towards the other- and a gradual grasp of differences which are sometimes imperceptible and subtle. ….. Cultures are neither static nor monolithic organisms – they are complex, changeable and internally diverse. What is considered healthily assertive in one culture may be seen as aggressive or hostile in another; certain kinds of personal disclosure which may seem quite unproblematic in one society may be seen as embarrassing or entirely unacceptable elsewhere…… We live in a world in which various kinds of cross-national movement – migrations, travel, various kinds of both enforced and voluntary nomadism – are ever on the rise… If we are to meet with each other on the basis of trust rather than tension or insidious indifference, we need to have ways of getting acquainted with each other which are more than cursory, or purely instrumental. But how can this be accomplished? What kind of knowledge is needed to feed meaningful cross-cultural contacts? Inner Lives of Cultures (2011) ed Eva Hoffman Ronald G Young 2014; Sirnea, 1 Dedicated to Daniela - whose love and help has given me a certain understanding of Romania And also to Maritsa and Viciu……. The best of neighbours and friends! 2 CONTENTS 1. Introduction 2. Blogs about Romania 3. Travelogues 4. Literature – home and away 5. Histories – disputed lands 6. Memoirs, biographies etc 7. -
Global Journal of Human Social Science
OnlineISSN:2249-460X PrintISSN:0975-587X DOI:10.17406/GJHSS LeatherProductsonE-Commerce PrevalentUnscripturalConducts RediscoveringJaneEyreʼsBertha Capacity-BuildinginWasteWealth VOLUME20ISSUE1VERSION1.0 Global Journal of Human-Social Science: A Arts & Humanities - Psychology Global Journal of Human-Social Science: A Arts & Humanities - Psychology Volume 20 Issue 1 (Ver. 1.0) Open Association of Research Society Global Journals Inc. *OREDO-RXUQDORI+XPDQ (A Delaware USA Incorporation with “Good Standing”; Reg. Number: 0423089) Social Sciences. 2020. Sponsors:Open Association of Research Society Open Scientific Standards $OOULJKWVUHVHUYHG 7KLVLVDVSHFLDOLVVXHSXEOLVKHGLQYHUVLRQ Publisher’s Headquarters office RI³*OREDO-RXUQDORI+XPDQ6RFLDO 6FLHQFHV´%\*OREDO-RXUQDOV,QF Global Journals ® Headquarters $OODUWLFOHVDUHRSHQDFFHVVDUWLFOHVGLVWULEXWHG XQGHU³*OREDO-RXUQDORI+XPDQ6RFLDO 945th Concord Streets, 6FLHQFHV´ Framingham Massachusetts Pin: 01701, 5HDGLQJ/LFHQVHZKLFKSHUPLWVUHVWULFWHGXVH United States of America (QWLUHFRQWHQWVDUHFRS\ULJKWE\RI³*OREDO -RXUQDORI+XPDQ6RFLDO6FLHQFHV´XQOHVV USA Toll Free: +001-888-839-7392 RWKHUZLVHQRWHGRQVSHFLILFDUWLFOHV USA Toll Free Fax: +001-888-839-7392 1RSDUWRIWKLVSXEOLFDWLRQPD\EHUHSURGXFHG Offset Typesetting RUWUDQVPLWWHGLQDQ\IRUPRUE\DQ\PHDQV HOHFWURQLFRUPHFKDQLFDOLQFOXGLQJ SKRWRFRS\UHFRUGLQJRUDQ\LQIRUPDWLRQ G lobal Journals Incorporated VWRUDJHDQGUHWULHYDOV\VWHPZLWKRXWZULWWHQ 2nd, Lansdowne, Lansdowne Rd., Croydon-Surrey, SHUPLVVLRQ Pin: CR9 2ER, United Kingdom 7KHRSLQLRQVDQGVWDWHPHQWVPDGHLQWKLV ERRNDUHWKRVHRIWKHDXWKRUVFRQFHUQHG -
George Bondor, Locul Metafizic Al Străinului (The Metaphysical Place of the Stranger)
Nr. 20/2018 HERMENEIA Journal of Hermeneutics, Art Theory and Criticism Topic: Romanian Exegesis Topic Editor: Horia Vicenţiu PĂTRAŞCU Editura Fundaţiei Academice AXIS IAŞI, 2018 Advisory board Ştefan AFLOROAEI, Prof. Dr., Al. I. Cuza University, Iasi, Romania Sorin ALEXANDRESCU, Prof. Dr., University of Bucarest, Romania Aurel CODOBAN, Prof. Dr., Babeş-Bolyai University, Cluj-Napoca, Romania Denis CUNNINGHAM, General Secretary, Fédération Internationale des Professeurs de Langues Vivantes (FIPLV) Ioanna KUÇURADI, Prof. Dr., Maltepe University, Turkey Roger POUIVET, Prof. Dr., Nancy 2 University, France Constantin SĂLĂVĂSTRU, Prof. Dr., Al. I. Cuza University, Iasi, Romania Jean-Jacques WUNENBURGER, Prof. Dr., Jean Moulin University, Lyon, France Editor in Chief Petru BEJAN, Prof. Dr., Al. I. Cuza University, Iasi, Romania Editorial board Antonela CORBAN, PhD., Al. I. Cuza University, Iasi, Romania Valentin COZMESCU, PhD., Al. I. Cuza University, Iasi, Romania Florin CRÎȘMĂREANU, Researcher Dr., Al. I. Cuza University, Iasi, Romania Florina-Rodica HARIGA, Researcher Dr., Al. I. Cuza University, Iasi, Romania (Editorial Secretary) Ciprian JELER, Researcher Dr., Al. I. Cuza University, Iasi, Romania Cristian MOISUC, Lecturer Dr., Al. I. Cuza University, Iasi, Romania Horia-Vincențiu PĂTRAȘCU, Lecturer, Polytechnic University, Bucarest, Romania Dana ŢABREA, PhD., Al. I. Cuza University, Iasi, Romania (Deputy Editor) Journal coverage Hermeneia is indexed/abstracted in the following databases: CLARIVATE ANALYTICS (Emerging Sources Citation -
7 December 2018 Page 1 of 22
Radio 3 Listings for 1 – 7 December 2018 Page 1 of 22 SATURDAY 01 DECEMBER 2018 02:08 AM Ciprian Porumbescu (1853-1883) SAT 01:00 Through the Night (m0001c78) Ballad for violin and piano Romanian Unification Day Razvan Stoica (Violin), Andreea Stoica (Piano) Celebrating the Centenary of the Great Union with music from the Romanian Radio Archives. Jonathan Swain presents. 02:14 AM Iosif Ivanovici (1845-1902) 01:01 AM The Waves of the Danube Anton Pann (1796-1854) Romanian Radio Academic Choir, Romanian National Radio Awaken Romanian Choir, Iosif Conta (Conductor) Romanian Academic Choir, Romanian National Radio Orchestra, Ciprian Tutu (Conductor) 02:19 AM Adrian Naidin (b.1974) 01:06 AM Ai huri,huratu Tiberiu Olah (1928-2002) Adrian Naidin (Singer) Michael the Brave enters Alba Iulia Romanian National Radio Orchestra, Horia Andreescu 02:23 AM (Conductor) Dinu Lipatti (1917-1950) Satrarii, Suite for Orchestra, Op. 2 (1934) 01:08 AM Romanian National Radio Orchestra, Horia Andreescu Alexandru Flechtenmacher (1823-1898) (Conductor) Union Hora Romanian Radio Academic Choir, Romanian National Radio 02:48 AM Orchestra, Paul Popescu (Conductor) Dinu Lipatti Improvisation for violin, cello & piano 01:11 AM Stefan Gheorghiu (Violin), Radu Aldulescu (Cello), Miron Soarec Paul Constantinescu (1909 - 1963) (Piano) Dance from Oltenia Romanian National Radio Orchestra, George Georgescu 02:54 AM (Conductor) Anton Pann (1796-1854) Awaken Romanian 01:15 AM Romanian Academic Choir, Romanian National Radio Orchestra, Tiberiu Brediceanu (1877-1968) Ciprian