The Winonan - 1990S
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Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
90115ThAvenue•SouthMilwaukee,WI53172 414.766.5049•
th 901 15 Avenue • South Milwaukee, WI 53172 414.766.5049 • www.southmilwaukeepac.org For Immediate Release Contact: Michelle Majerus-Uelmen September 5, 2017 Marketing Director 414-766-5049 ACG PRESENTS VIOLENT FEMMES ANNOUNCE VIVA WISCONSIN 2017 TOUR AT SOUTH MILWAUKEE PERFORMING ARTS CENTER FRIDAY, OCTOBER 20, 7:30 PM (South Milwaukee, WI) – It has been 19 years since the Violent Femmes did a special tour of small theatres around Wisconsin. That tour resulted in the live CD, ”Viva Wisconsin”. This fall they will visit 5 cities again playing small, intimate theatres. All shows go on sale Friday September 8. Peter Jest will again be the promoter for this tour. “I am very excited and proud to be promoting these dates. I have been promoting 34 years and it is an honor to bring Wisconsin’s most famous and internationally known band back to their home state to play. The Milwaukee band that was “discovered” outside a Milwaukee Theatre by the Pretenders now will go inside 5 Wisconsin theaters -
Volume 40 - Issue 20 - Friday, March 18, 2005
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Spring 3-18-2005 Volume 40 - Issue 20 - Friday, March 18, 2005 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 40 - Issue 20 - Friday, March 18, 2005" (2005). The Rose Thorn Archive. 240. https://scholar.rose-hulman.edu/rosethorn/240 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY T ERRE HAUTE, INDIANA Friday, March 18, 2004 Volume 40, Issue 20 News Briefs Closing 2015 forum By Alexander J. Clerc Angela Smiley ing the forum. -
The Process of Creating the First Pan-European Shakuhachi Summer
The process of creating the first Pan-European Shakuhachi Summer School with Koto and Shamisen SOAS, University of London 19th-22nd July 2006 From an organiser’s viewpoint. By Kiku Day Photo: Christiane Werner The Shakuhachi Summer School with Koto and Shamisen was part of the SOAS World Music Summer Schools series. SOAS was a perfect environment for this first attempt at a large shakuhachi event, and I feel strongly that many forces came together and made this year a perfect time for this important first shakuhachi event to happen at SOAS. I contacted the music department at SOAS regarding hosting a shakuhachi summer school for the first time in September 2002 after having participated in the World Shakuhachi Festival in Tokyo and Klezfest (one week of klezmer music classes and events). However, SOAS still didn’t have a Music Summer School yet. I graduated from SOAS with a BA in ethnomusicology in 2003 and left England to do a Master degree in performance in California, USA. When I returned and registered in September 2005 the following came together like a natural force: • SOAS has one of the leading departments in ethnomusicology in Europe and is in possession of six koto and five shamisen. • SOAS had had two successful Music Summer Schools and was therefore in a much better position than earlier to host such an event. • Michael Coxall, a Yamaguchi Goro student and excellent shakuhachi performer, who teaches at SOAS was very enthusiastic and willing to co-organise this crazy project. • An active Japanese Music Society was created and led by Arisawa Shino in Sept. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Vf & Tso Mofo Mr
VIOLENT FEMMES AND THE TASMANIAN SYMPHONY ORCHESTRA World Premiere Monday 22 & Tuesday 23 January Due to popular demand Mona Foma today announced an extra show for the world premiere of the Violent Femmes performing with the TSO. For two nights only, the Violent Femmes will take their acoustic punk-rock and work with the Tasmanian Symphony Orchestra to reimagine it as a full orchestra experience. Conducted by Hamish McKeich they’ll perform a long list of cult classics such as Add It Up, Blister In The Sun, Kiss Off, Gone Daddy Gone, American Song and Gimme The Car at The Federation Concert Hall on Monday 22 and Tuesday 23 January. “Most rock bands would blow off an orchestra with the amplifiers, but for these two shows we’re prepared to back off on the volume and actually play almost at the same volume as the orchestra musicians and create a more unified approach, “ said Brian Ritchie. The Violent Femmes were formed in 1981 as an acoustic band playing on the streets of Milwaukee. Their main influences at that time were Gene Vincent and the Blue Caps and The Velvet Underground. Enduring a couple of hiatuses throughout their 36-plus year career, the band — original members Gordon Gano and Brian Ritchie, along with drummer John Sparrow have been performing steadily since reuniting again in 2013. The TSO’s performance with the Violent Femmes represents another innovative collaboration for the orchestra, which in 2017 alone has seen sold out concerts with vocal star Kate Miller-Heidke, a Dark MOFO collaboration with Norwegian metal band Ulver, an original show with comedy trio Tripod and a sold out concert with ARIA award-winning and multi-platinum artist Megan Washington. -
Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'baruch
::- ~.--.-.;::::-:-u•._,. _._ ., ,... ~---:---__---,-- --,.--, ---------- - --, '- ... ' . ' ,. ........ .. , - . ,. -Barueh:-Graduate.. -.'. .:~. Alumni give career advice to Baruch Students.· Story· pg.17 VOL. 74, NUMBER 8 www.scsu.baruch.cuny.edu DECEM·HER 9, 1998 Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'Baruch. Opinion By Bryan Fleck Representatives from Isaacson Miller, a national search firm based in -Boston and San Francisco, has been hired by the Presidential Search Committee, chaired by Kathleen M. Pesile, to search for candidates for a permanent presi dent at Baruch College. The open forum on December 7 was held in order for the search firm to field questions and get the pulse of the Baruch community. Interim president Lois Cronholm is _not a candidate, as it is against CUNY regulations for an interim --------- president to become a full-time pres- ident. The search firm will gather the initial candidates, who will be . further screened by the Presidential " Search Committee, but the final choice lies with the CUNY Board of Trustees.' According to David Bellshow, an ......-.. ~.. Isaacson-Miller representative, the '"J'", average search takes approximately ; six months. Among the search firm's experience in the field of education ----~- - ..... -._......... *- -_. - -- -- _._- ...... -_40_. '_"__ - _~ - f __•••-. __..... _ •• ~. _• in NY are Columbia University and ... --- -. ~ . --. .. - -. -~ -.. New York University. In ~additi6n,, , New plan calls'for total re'structuririg the search fum also works with GovernDlents small and large foundations and cor ofStudent porations. By Bryan Fleck at large, would be selected from any The purpose ofthe open forum was In an attempt to strengthen undergraduate candidate. for the representatives of Isaacson . -
Music Tasmania 2020 Music Tasmania Is the Peak Industry Body Representing Tasmania’S Contemporary, Popular Music Industries
Premier's Economic and Social Recovery Advisory Council Consultation submission by music Tasmania 2020 Music Tasmania is the peak industry body representing Tasmania’s contemporary, popular music industries. We represent over 500 Tasmanian artists, bands, and small music businesses, who we develop, connect, and promote through our services, while operating nationally as part of the Music is our Australian Music Industry Network. Music Tasmania's strength lies in our capacity to be relevant, engaged, collaborative, and responsive to soundtrack industry need. We invest in our relationships - with musicians, with industry, with Governments, and with partners. As the only organisation in Tasmania that represents the entire music ecosystem, we look at the industry holistically to effectively identify opportunities for intervention. Tasmania has the potential to be Tasmania has a proud history of punching above its weight in contemporary music, with many recognised globally as a music- homegrown artists recognised for the significant cultural and economic contributions they make to making destination, a rehearsal society both locally and abroad. Artists based in Tasmania with successful global careers, including The Wolfe Brothers, Brian Ritchie (Violent Femmes / Mona Foma), Monique Brumby, Asta, Luca Brasi, Tim state, and regional recording hub. Carroll (Holy Holy / A festival called panama), and Fiora Cutler, enhance our reputation on the world stage and build the capacity of our local industry. Music is the soundtrack to Tasmania and we have the potential to be recognised as a music-making destination, a rehearsal state, and regional recording hub - if we harness the power of music to enhance our brand, visitor experience, and sense of community. -
Submission by Music Tasmania
Parliamentary Inquiry into the Australian music industry : Submission by Music Tasmania Parliamentary Inquiry into the Australian music industry: Submission by Music Tasmania Introduction On behalf of Music Tasmania, thank you for the opportunity to provide input into the Parliamentary Inquiry regarding: Factors contributing to the growth and sustainability of the Australian music industry. Music is the soundtrack to the creative economy in Tasmania. Acts like ASTA, Striborg, Psycroptic, Monique Brumby, The Innocents, The Paradise Motel, The Wolfe Brothers, and Luca Brasi, are all part of a legacy of Tasmanian musicians who have a powerful impact on our national and international reputation. Local music festivals such as MONA FOMA, Dark MOFO, Party in the Paddock, and a festival called Panama, are gaining worldwide attention and putting Tasmania on the music map. Apart from their talent, the people working in the Tasmanian music sector are highly committed and resourceful in an environment where funding is scarce, paid opportunities limited, and the music marketplace is increasingly competitive and globalised. Some of the challenges faced by musicians are endemic to the nature of this evolving artform; others however, are more determined by the local music ecosystem in Tasmania. In August 2016, Music Tasmania, in partnership with APRA AMCOS and the Live Music Office, facilitated a statewide consultation to understand the challenges and opportunities facing the Tasmanian sector. The consultation involved face-to-face sessions with key stakeholders, -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 7/8/2020 Semisonic “You’re Not Alone” The first single from their You’re Not Alone EP, out 9/18 BDS Monitored #1 Most Added before add week! Early: KCMP, KCSN, WRNR, WXPK, WFUV, WTMD, WFPK, KTBG, Music Choice, WPYA, WOCM, KYSL, WFIV, WJCU, KNBA, KSLU, WUKY, WOXL This is their first new music in almost 20 years Tons of great press “Like their greatest hits of yesteryear” - Consequence of Sound Margo Price “Letting Me Down” The first single That’s How Rumors Get Started, produced by Sturgill Simpson, out this Friday Appeared on CBS This Morning BDS Monitored New & Active, JBE Tracks 49*, Public 23*! New: WEVL ON: WRLT, WFUV, WXPN, Music Choice, WYEP, WFPK, WTMD, KTBG, KJAC, WRSI and more Tons of recent and upcoming press Watch the creative video on my site now Buzzard Buzzard Buzzard “Double Denim Hop” The first single from The Non-Stop EP, out this Friday New: WCNR, WYCE ON: KCSN, KJAC, WCLX, WCBE, WBJB, WOCM, WFIV, KROK “Think Thin Lizzy or T-Rex in the back room of a pub, riffs and tunes intact but with an endearing slacker attitude.” - The Guardian Great UK press! Topping the Alt Press list of the Best New British Guitar-Rock Bands: “Theirs is the ground floor to be on, friends.” Joshua Speers “Bad Night” From his Human Now EP, out now New: WYCE, KROK, WCBE, KSLU ON: KSMF, KCLC, WFIV, KUWR “The five-track project is such an enamoring listen, kind of perfect for quarantine, whether with a cup of coffee—or whiskey.. -
Chris Badgley Interviewer: Leif Fredrickson Date of Interview: November 21, 2019 Project: Missoula Music History Oral History Project
Archives and Special Collections Mansfield Library, University of Montana Missoula MT 59812-9936 Email: [email protected] Telephone: (406) 243-2053 This transcript represents the nearly verbatim record of an unrehearsed interview. Please bear in mind that you are reading the spoken word rather than the written word. Oral History Number: 473-007 Interviewee: (John) Chris Badgley Interviewer: Leif Fredrickson Date of Interview: November 21, 2019 Project: Missoula Music History Oral History Project Leif Fredrickson: This is Leif Fredrickson interviewing Chris Badgley. Did I pronounce your name right? Chris Badgley: Perfect. LF: November 22, 2019, or 21st—one of those two. CB: I think it's the 2ast. LF: Yeah, the 21st century, somewhere in there, and we're in Missoula, Montana. So, let's just start. Can you tell me where you were born and raised? CB: Certainly, I was born in Ohio; however, I don't feel I’ve ever been there because we left after six months. My father was at Johns Hopkins after that where we were until my mother had stroke and we moved back to Missoula when I was six, I believe. They were both born and raised here and so moved back here because they knew where they stood, and Mom needed a lot of help. I moved back to Missoula then and was raised here up until I was 18. Went through the Missoula county public school system, Hellgat High, and graduated half a year early and got out of town in search of music, a scene, excitement—all those things one leaves home for. -
Violent Femmes Hotel Last Resort Bio FINAL 2
VIOLENT FEMMES HOTEL LAST RESORT bio Gordon Gano: lead vocal, guitar Brian Ritchie: acoustic bass guitar, baritone guitar, vocal, percussion John Sparrow: BBQ, snare, tom, percussion, vocal Blaise Garza: baritone, contrabass and sopranino saxophones, vocal, piano, harmonium, theremin, percussion Violent Femmes 10th studio album, HOTEL LAST RESORT, resides among the groundbreaking band’s finest work, simultaneously refining and redefining their one-of-a-kind take on American music, mingling front porch folk, post punk, spiritual jazz, country blues, avant garde minimalism and golden age rock ‘n’ roll into something still altogether their own. Founded and fronted of course by singer/ guitarist Gordon Gano and acoustic bass guitarist Brian Ritchie, the Milwaukee-born combo remains as warm, wise and weird as ever before, with such new favorites as “Another Chorus” and “Everlasting You” continuing to mine the vast range of ideas, melodic complexity and organic sonic craftsmanship that has characterized the band’s body of work since their landmark self-titled 1983 debut. “I think it’s probably the best [album] we’ve made since HALLOWED GROUND,” Ritchie says. “We didn’t really know that we had something to say, but it turns out that the songs are really good and we were able to sink our teeth into them and come up with something which is just as good as anything we’ve ever done. I’m even a little bit surprised myself.” Violent Femmes are undeniably one of the most inventive and original bands of this or any other era, constantly pushing forward with their singular blend of folk and punk, sarcasm and spirituality.