DOCSLIB.ORG

Cover Art by Limonious

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Home Art by Limonious Art by Other Artists Login/Logout Cover Art by Limonious This is the main table of the archive. Here you can find all known Limonious album covers. You'll notice that for some albums the artist is indicated as "Limonious?". This means that Limonious is yet to be confirmed as the designs creator. Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Mr. Biggs Presents A Admiral Super Clash Vibes Bailey & Front Cover Back Cover Limonious interruptor With Admiral Promotion Tonto Irie Bailey And Tonto Irie Ashanti Black Crime Act 1986 Limonious interruptor Waugh Solidarity Augustus Raggamuffin Rockers Limonious? interruptor Pablo Dub Barrington Money Move Tuff Gong Limonious interruptor Levy Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Barrington Open Book Tuff Gong Limonious interruptor Levy Barrington Levy & Heartbeat Xmas Disco 1985 Limonious interruptor Peter Records Metro Carl Weh Dem Limonious interruptor Meeks Fah Carlton Rub a dub Action Limonious interruptor Rose Rebel Charlie Que Dem Limonious interruptor Chaplin Mr. Coco Coco Tea Limonious interruptor Tea Cocoa The Marshall Jammy's 1985 Limonious interruptor Tea Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Cornell Press Along Tappa 1993 Limonious? interruptor Campbell Natty Courtney Man In Love Limonious interruptor Melody Courtney melody & Protection Sunset 1988 Limonious interruptor Ninjaman Dean Dennis Star Classic 1997 Limonious interruptor Frazer UK (Org) Delroy The Dean of Mr. Tipsy 1985 Limonious? interruptor Wilson Reggae Dennis Guns don't Limonious? interruptor Alcapone argue Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Dignitary Jah Send Mi Harmodio 1986 Limonious Stylish Come Four Wheel Early B Limonious interruptor no Real Early B Ghostbusters Limonious interruptor Echo Echo Minott Minott & Meets Powerhouse 1986 Front Cover Back Cover Limonious interruptor Frankie Frankie Paul Paul Frankie Old Fire Powerhouse Limonious interruptor Jones Stick JA Frankie Shut up Limonious interruptor Paul Bway Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Frankie 20 Massive 1990 Limonious interruptor Paul Hits Frankie Handcart C&E 1986 Limonious? interruptor Paul man Frankie Rubber dub Ujama 1987 Limonious? interruptor Paul market Frankie Slow Down VP 1988 Limonious? interruptor Paul Frankie Still Alive Jammy's 1985 Limonious interruptor Paul Frankie Tidal Wave 1985 Limonious interruptor Paul Uploaded Artist Title Label Year Front Cover Back Cover Artwork by General I am Wicked Dennis Star 1989 Limonious? interruptor TK General Younger 1985 1985 Limonious interruptor Trees Horseman Gregory Chisholm Isaacs & Avenue / Redman 1986 Limonious interruptor Frankie Handcart Paul Man Half Pint In fine Style Limonious interruptor Horace Andy & Clash of the Thunderbolt Front Cover Back Cover Limonious interruptor Patrick Andy's Andy Horace Leave Limonious interruptor Ferguson Babylon Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Horace Redman Mix up 1988 Limonious interruptor Martin International Horace Watermelon Mr. Tipsy 1985 Limonious interruptor Martin Man Jack Intimate Reggae Limonious interruptor Radics Strangers Master Intl Read Up Jah Jah Bible Limonious? interruptor Bible Jah Shoulder Limonious interruptor Thomas Move Jah Jump Midnight 1983 Limonious interruptor Thomas Around Rock Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Jennifer Weekend Black 1985 Limonious interruptor Lara Loving Solidarity Reggae For Joe Lick The World In Tuff Gong Limonious interruptor Shot Dub Johnny Rasta nuh Ujama 1992 Limonious interruptor Clarke Fear Johnny Bring the Limonious interruptor Osbourne Sensi Come Johnny P, Rough mean Japanese, VP 1992 Front Cover Back Cover Limonious interruptor & Deadly Ninjaman Joseph Talk of the Limonious interruptor Cotton Town Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Josie Ruling Tuff Gong Limonious interruptor Wales Josie Undercover Limonious interruptor Wales Lover Josie Josie Wales Corner Wales & meets Early Front Cover Limonious? interruptor Stone Early B B Display Num 50 «StartPrev1 2 3 4 Next End » Page 1 of 4 Home Art by Limonious Art by Other Artists Login/Logout Cover Art by Limonious This is the main table of the archive. Here you can find all known Limonious album covers. You'll notice that for some albums the artist is indicated as "Limonious?". This means that Limonious is yet to be confirmed as the designs creator. Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Junior Progress Limonious? interruptor Reid Black King Kong Identify me 1987 Limonious interruptor Solidarity Dancehall King Stitt Limonious interruptor '63 King Limonious interruptor Tubby Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Boom Sound Vol.4 King Answer the RootsTradition Limonious interruptor Tubby dub Leroy Bank Powerhouse Limonious interruptor Smart Account Leroy We Rule Jammy's 1985 Limonious interruptor Smart Everytime Limonious 7" sleeve 1986 Limonious Chicken #1 (Strip from Limonious The 80s Limonious interruptor Jamaica Star) Limonious Chicken #2 80s Limonious interruptor (Strip from The Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Jamaica Star) River to Little John Limonious interruptor the bank True Little John Powerhouse 1984 Limonious interruptor Confession Mad Goldmine 1993 Limonious interruptor Cobra Michael I'm so Jammy's Limonious interruptor Palmer Attractive Michael Im still Limonious interruptor Palmer Dancing Michael Lick Shot Powerhouse Limonious interruptor Palmer Michael We Rule Limonious interruptor Palmer Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Michael Loving You Tuff Gong Limonious interruptor Prophet Mikey Mona Lisa Dennis Star 1988 Limonious interruptor Melody Pad Pad Anthony & Anthony Limonious interruptor King meets King Everald Everald Pray for Papa San Sonic Sounds 1992 Limonious interruptor them Animal Papa San Limonious interruptor Party Peter The D.J. Black 1986 Limonious Metro Don Solidarity Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Philip Never Let Roots 1984 Limonious interruptor Frazer Go Tradition Robert The Black Limonious interruptor Ffrench Favourite Solidarity Robert Robert Ffrench Ffrench & meets Midnight Rock Limonious interruptor Anthony Anthony Johnson Johnson Sammy Roots Early Days Limonious interruptor Dread Tradition Sanchez Falling in Dennis Star 1989 Limonious interruptor Love Uploaded Artist Title Label Year Front Cover Back Cover Artwork by The Sanchez sweetest Dennis Star 1988 Limonious interruptor Girl Sanchez, Courtney The Good Melody, The Bad Dennis Star 1988 Limonious interruptor Mikey The Ugly Melody Sly & Club Play Limonious interruptor Robbie Sly & Sound of Front Cover Limonious interruptor Robbie Taxi Vol.1 The return Sugar of Sugar Techniques 1985 Limonious interruptor Belly Belly Sugar Buy Out Limonious interruptor Minott the Bar Sugar Rydim Limonious interruptor Minott Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Si Boops Super Cat Limonious interruptor Deh Telford On The Soney Fudgie 1990 Limonious interruptor Nelson Rock Tenor Saw Lives On: Tenor Saw A Tribute Sky High 1991 Limonious interruptor To Tenor Saw Tiger Tiger & meets Kangal Front Cover Limonious interruptor Yellowman Yellowman Tony Tuff Hustling Scorcher 1981 Limonious interruptor Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Toyan Early Days Roots Limonious interruptor Tradition Hot bubble Toyan Limonious interruptor Gum Line up U Roy Limonious? interruptor and come Final VA Powerhouse Limonious interruptor Mission 10 To 1 VA Super Hits Jammy Limonious interruptor Vol.1 VA A Tribute Rave ca Limonious interruptor to Marcus Music/Sonic 1987 Garvey Sounds Uploaded Artist Title Label Year Front Cover Back Cover Artwork by VA All Round Ujama Limonious interruptor Another VA Limonious interruptor Shot VA Antheng Sonic Sounds Limonious interruptor Blue Track VA Limonious interruptor Vol 3 Display Num 50 « Start Prev 1 2 3 4 Next End » Page 2 of 4 Home Art by Limonious Art by Other Artists Login/Logout Cover Art by Limonious This is the main table of the archive. Here you can find all known Limonious album covers. You'll notice that for some albums the artist is indicated as "Limonious?". This means that Limonious is yet to be confirmed as the designs creator. Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Boom Bowers VA Limonious? interruptor Shots International Charmaine Records VA Limonious interruptor burning love Computer Corn Ujama VA Meets 1987 Limonious interruptor Black Solidarity Culture ina VA Dancehall High Times Limonious? interruptor Style Uploaded Artist Title Label Year Front Cover Back Cover Artwork by VA Dancehall Limonious interruptor Time Dancehall Youth VA Limonious interruptor Splash Vol.1 Devon D presents VA Singers & Front Cover Limonious interruptor DJs in combination Digital B VA VP 1989 Limonious? interruptor selections Dj Explosion VA ina Limonious interruptor Dancehall Style Duke Records VA presents Duke Limonious interruptor Dancehall Flex Duke Records VA presents Limonious interruptor Deh Wid You VA Duke Limonious interruptor Records presents Hot Things Uploaded Artist Title Label Year Front Cover Back Cover Artwork by Extra Fresh VA Kangal Limonious interruptor Vol.1 VA Flexable Limonious interruptor Girls them VA Limonious interruptor Chemist Granville VA Granville
Recommended publications
  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
  • Musical Imaginary, Identity and Representation: the Case of Gentleman the German Reggae Luminary

    Musical Imaginary, Identity and Representation: the Case of Gentleman the German Reggae Luminary

    Ali 1 Musical Imaginary, Identity and Representation: The Case of Gentleman the German Reggae Luminary A Senior Honors Thesis Presented in partial fulfillment of the requirements for graduation with distinction in Comparative Studies in the undergraduate colleges of The Ohio State University By Raghe Ali April 2013 The Ohio State University Project Advisors Professor Barry Shank, Department of Comparative Studies Professor Theresa Delgadillo, Department of Comparative Studies Ali 2 In 2003 a German reggae artist named Gentleman was scheduled to perform at the Jamworld Entertainment Center in the south eastern parish of St Catherine, Jamaica. The performance was held at the Sting Festival an annual reggae event that dates back some twenty years. Considered the world’s largest one day reggae festival, the event annually boasts an electric atmosphere full of star studded lineups and throngs of hardcore fans. The concert is also notorious for the aggressive DJ clashes1 and violent incidents that occur. The event was Gentleman’s debut performance before a Jamaican audience. Considered a relatively new artist, Gentleman was not the headlining act and was slotted to perform after a number of familiar artists who had already “hyped” the audience with popular dancehall2 reggae hits. When his turn came he performed a classical roots 3reggae song “Dem Gone” from his 2002 Journey to Jah album. Unhappy with his performance the crowd booed and jeered at him. He did not respond to the heckling and continued performing despite the audience vocal objections. Empty beer bottles and trash were thrown onstage. Finally, unable to withstand the wrath and hostility of the audience he left the stage.
  • Read Or Download

    Read Or Download

    afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders.
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984

    Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984

    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
  • Hard Dancehall Murderer 1985-1989 Mp3, Flac, Wma

    Hard Dancehall Murderer 1985-1989 Mp3, Flac, Wma

    Various King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989 Country: Japan Released: 2017 Style: Dancehall MP3 version RAR size: 1486 mb FLAC version RAR size: 1639 mb WMA version RAR size: 1852 mb Rating: 4.9 Votes: 596 Other Formats: VOC AIFF MP1 AHX ADX MP2 MP3 Tracklist 1 –Gregory Isaacs The Ruler 2 –Nitty Gritty Butter Bread 3 –Echo Minott I Am Back 4 –Echo Minott Trouble Nobody 5 –Johnny Osbourne Chain Robbery 6 –Banana Man Musical Murder 7 –King Kong Can't Ride Computer 8 –Robert Lee Come Now 9 –Pad Anthony By Show Down 10 –Nitty Gritty Rub A Dub Kill You 11 –Wayne Smith Like A Dragon 12 –Tonto Irie Ram Up Every Corner 13 –Pad Anthony Murderer 14 –Admiral Bailey Mi Ah The Danger 15 –Bunny General* Midnight Hour 16 –King Jammy Dangerous System Version 17 –Prince Jammy I Am Back Version 18 –Prince Jammy One Time Girlfriend Version 19 –King Jammy Chain Robbery Version 20 –Prince Jammy Musical Murder Version Barcode and Other Identifiers Barcode: 4571179531559 Other versions Category Artist Title (Format) Label Category Country Year King Jammys Dancehall 3: Hard Dub Store DSRLP019 Various Dancehall Murderer 1985-1989 DSRLP019 Japan 2017 Records (2xLP, Comp) Related Music albums to King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989 by Various King Kong / Nitty Gritty - Move Insane/ Mix Up// Sound Bwoy Bangarang King Jammy's Presents Various - Sleng-Teng Extravaganza Prince Jammy - Dub Culture Various - King Jammys Dancehall 2: Digital Roots & Hard Dancehall 1984-1991 Prince Jammy With Sly & Robbie / Black Uhuru - Uhuru In Dub Nitty Gritty - Letting Off Steam Jose Wales / King Jammy All Stars - Naw Left Ya Various - 5 The Hard Way D.J.
  • Sean Paul and His New Music 24 the KING of BLING the Joe Rodeo Is the King of Bling

    Sean Paul and His New Music 24 the KING of BLING the Joe Rodeo Is the King of Bling

    Summer 2012 Sharp & DJOE ReODtEaO MiAlSeTEdR COLLECTION NEW EDITION Fashion Quick Look A Visionary Summer to Fall Transition Motorcycle Maker “Copper Mike” creates a functioning work of art How is Dr. Shaquille O’Neal doing? Put it on and light up the surrounding. Broadway Collection Mens Diamond Watch 5ctw Diamond Weight Fine Swiss Quartz Movement Stainless-Steel Case Deployment-Buckle Clasp Black Rubber Band Summer 2012 CONTENTS Joe Rodeo magazine tries to create a culture FOR MORE INFO VISIT OUR WEBSITE is hot www.joerodeo.com inWhat this issue JOE RODEO Joe Rodeo, sophistication Copper Mike Sharp & Detailed “Copper Mike” builds and passion The eye catching jewelry and 5 motorcycles from scratch 10 The story of success Put your ear to watches has been custom by finding old antiques the new designed for Hip-Hop artists. With and then through hand The Art of Copper and Speed Keep your windows open on this Joe Rodeo released several carving, hammering Mike Cole the Long Island chopper those steamy days coming lines of exclusive and magnificent 10 copper, and blowing who makes beauty up here in Long Island. Don’t collection of Diamond Watches. glass into them, he be surprised to hear Slippaz, The Style ranges from Classic creates a functioning Felion, Fenom or Nitty one and sophisticated all the way to Dr. Shaquille O’Neal work of art. day in the car next to you. One year later after retirement 7 hip and modern. Each design is 36 unique and hand crafted to your taste. Urban Safari Summer/Fall 2012 quick look 9 Sean Paul and his new music 24 THE KING OF BLING The Joe Rodeo is the king of bling.
  • WXYC Brings You Gems from the Treasure of UNC's Southern

    WXYC Brings You Gems from the Treasure of UNC's Southern

    IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed.
  • 15,99€ 14,99€ 17,99€ 18,99€

    15,99€ 14,99€ 17,99€ 18,99€

    IRIE RECORDS GMBH IRIE RECORDS GMBH NEW RELEASE CATALOGUE NO. 426 RINSCHEWEG 26 (CD/LP/10"&12"/7") 48159 MUENSTER (01.05.2017 - 26.05.2017) GERMANY TEL. +49-(0)251-45106 HOMEPAGE: www.irie-records.de MANAGING DIRECTOR: K.E. WEISS EMAIL: [email protected] REG. OFFICE: MUENSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- OPENING HOURS: MONDAY/TUESDAY/WEDNESDAY/THURSDAY/FRIDAY 13 – 19; SATURDAY 12 – 16 IRIE EXCLUSIVE CD CD 3CD SET 2CD SET JAPAN IMPORT CD JAPAN IMPORT CD 19,99€ 17,99€ 1)18,99€ 16,99€ 1)19,99€ 17,99€ 1)17,99€ 15,99€ 1) 25,99€ 23,99€ 1) 25,99€ 23,99€ 1) 2CD CD 2CD CD CD CD 17,99€ 17,99€ 9,99€ 7,99€ 1) 13,99€ 12,99€ 1) 18,99€ 19,99€ 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL JUNE 16th, 2017! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 05/2017 PAGE 2 *** CDs *** CD CD CD CD 15,99€ 14,99€ 17,99€ 18,99€ BANYANS (feat. JOHNNY OSBOURNE/BIG YOUTH/MARANTO) (+ 3 BONUS)....... FOR BETTER DAYS:DELUXE EDITION KHANTI......... (FRA) (14/17). 19.99EUR CONGOS (REMASTERED 3CD SET WITH EXTRA TRACKS INCL. THE RARE ORIGINAL LEE PERRY ALBUM MIX)............. HEART OF THE CONGOS (3CD)..... 17 NORTH PARADE (USA) (78/17). 19.99EUR 3CD CULTURE (feat. CULTURE & MR BOJANGLES /MIGHTY TWO (3x)/JOE GIBBS & THE PROFESSIONALS (2x)/SHORTY THE PRESIDENT/CULTURE & I ROY (2x)/CULTURE & PRINCE WEEDY) (2CD SET REMASTERED WITH DISCO MIXES, DUBS AND DJ VERSIONS)....
  • Tenor Saw Roll Called Mp3, Flac, Wma

    Tenor Saw Roll Called Mp3, Flac, Wma

    Tenor Saw Roll Called mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Roll Called Country: Jamaica Style: Dancehall MP3 version RAR size: 1504 mb FLAC version RAR size: 1681 mb WMA version RAR size: 1462 mb Rating: 4.4 Votes: 884 Other Formats: VQF APE ADX VOC AAC AA WAV Tracklist Hide Credits Roll Is Called A Written-By – T. Saw* B African Beat Version Companies, etc. Distributed By – Sonic Sounds Rec. Mfg. Co. Ltd. Credits Producer – George Phang Notes side B is a mispress and contains "African Beat" riddim version Other versions Category Artist Title (Format) Label Category Country Year none Tenor Saw Roll Is Called (7", Single) Power House none Jamaica 1984 Sonic Sounds none Tenor Saw Roll Call (7", M/Print, RE) none Jamaica Unknown Oldies none Tenor Saw Roll Called (7", Single, RE) Power House none Jamaica Unknown none Tenor Saw Roll Called (7", RE) Power House none Jamaica Unknown none Tenor Saw Roll Called (7") Power House none Jamaica Unknown Related Music albums to Roll Called by Tenor Saw The Chautauqua Preachers' Quartette - The Church In The Wildwood / When The Roll Is Called Up Yonder Unknown Artist - Let It Roll Hamlin Male Quartette - When The Roll Is Called Up Yonder / Tell Mother I'll Be There Jah Tunda & IK - Roll On Roxy Male Quartette - When The Roll Is Called Up Yonder / It Is Well With My Soul Michael Palmer - Gunshot A Bust Tenor Senior - Dem Charlie Chaplin - Town Gal Jose Wales - Hail Me Tenor Saw - Ring The Alarm - Hip Hop Mix.
  • The A-Z of Brent's Black Music History

    The A-Z of Brent's Black Music History

    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
  • Pablo Moses INTERVIEW

    Pablo Moses INTERVIEW

    MAGAZINE #3 - December 2010 Rootz Underground Live in Kingston Horace Andy & Scientist Tippy Lloyd Brown Don Chandler Glen Washington Duane Stephenson Pablo Moses INTERVIEW * Israel Vibration * Sadiki * Cornadoor * Clinark * Alpheus * * Trojan * Buju Banton * Gappy Ranks * Special Delivery * J Boog * * Lloyd Brown * Frenchie * Pow Pow * Konshens * United Reggae Mag #3 - December 2010 Want to read United Reggae as a paper magazine? In addition to the latest United Reggae news, views andNow videos you online can... each month you can now enjoy a free pdf version packed with most of United Reggae content from the last month.. SUMMARY 1/ NEWS •Lloyd Brown - Special Delivery - Own Mission Records - Calabash J Boog - Konshens - Trojan - Alpheus - Racer Riddim - Everlasting Riddim London International Ska Festival - Jamaican-roots.com - Buju Banton, Gappy Ranks, Irie Ites, Sadiki, Tiger Records 3 - 9 2/ INTERVIEWS •Interview: Tippy 11 •Interview: Pablo Moses 15 •Interview: Duane Stephenson 19 •Interview: Don Chandler 23 •Interview: Glen Washington 26 3/ REVIEWS •Voodoo Woman by Laurel Aitken 29 •Johnny Osbourne - Reggae Legend 30 •Cornerstone by Lloyd Brown 31 •Clinark - Tribute to Michael Jackson, A Legend and a Warrior •Without Restrictions by Cornadoor 32 •Keith Richards’ sublime Wingless Angels 33 •Reggae Knights by Israel Vibration 35 •Re-Birth by The Tamlins 36 •Jahdan Blakkamoore - Babylon Nightmare 37 4/ ARTICLES •Is reggae dying a slow death? 38 •Reggae Grammy is a Joke 39 •Meet Jah Turban 5/ PHOTOS •Summer Of Rootz 43 •Horace Andy and Scientist in Paris 49 •Red Strip Bold 2010 50 •Half Way Tree Live 52 All the articles in this magazine were previously published online on http://unitedreggae.com.This magazine is free for download at http://unitedreggae.com/magazine/.
  • The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall1

    The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall1

    Popular Music (2006) Volume 25/3. Copyright © 2006 Cambridge University Press, pp. 447–470 doi:10.1017/S0261143006000997 Printed in the United Kingdom The riddim method: aesthetics, practice, and ownership in Jamaican dancehall1 PETER MANUEL† and WAYNE MARSHALL‡ †127 Park Ave, Leonia, NJ 07605, USA ‡88 Holworthy Street, Cambridge, MA 02138, USA Abstract The Jamaican system of recording and performance, from the 1950s to the present, constitutes a distinctive approach to notions of composition, originality and ownership. Emerging from a tradition of live performance practice mediated by (and informing) sound recordings, the relative autonomy of riddims and voicings in the Jamaican system challenges conventional ideas about the integrity of a song and the degree to which international copyright law applies to local conceptions, as enshrined in decades of practice, of musical materials as public domain. With the spread of the ‘riddim method’ to the sites of Jamaican mass migration, as evidenced by similar approaches in hip hop, reggaeton, drum’n’bass and bhangra, reggae’s aesthetic system has found adherents among artists and audiences outside of Jamaica. This paper maps out, through historical description, ethnographic data, and musical analysis, the Jamaican system as a unique and increasingly influential approach to music-making in the digital age. The advent of commercial, mass-mediated popular music genres in the twentieth century has contributed to the spread, in many music cultures worldwide, of a certain conventional ‘mainstream’ form of song, comprising an original, autonomous and reproducible entity with a relatively unique integration of lyrics, melody and chordal accompaniment. In mainstream Western music culture, the thirty-two-bar AABA structure, perhaps repeated twice or thrice with some sort of variation, constituted a quintessential type of this conventional song form.