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Completed and Resubmitted Within the Time Frame Speci!Ed Journal of Urban Culture Research Executive Director Suppakorn Disatapandhu, Chulalongkorn University, Thailand Editor in Chief Kjell Skyllstad, University of Oslo, Norway International Editor - Webmaster Alan Kinear, Chulalongkorn University, Thailand Contributing Editor Bussakorn Binson, Chulalongkorn University, Thailand Managing Editor Pornprapit Phoasavadi, Chulalongkorn University, Thailand Editorial Board Frances Anderson, College of Charleston, USA Bussakorn Binson, Chulalongkorn University, Thailand Naraphong Charassri, Chulalongkorn University, Thailand Dan Baron Cohen, Institute of Transformance: Culture and Education, Brazil Gavin Douglas, University of North Carolina, USA Geir Johnson, Music Information Centre MIC-Transposition, Norway Zuzana Jurkova, Charles University, Czech Republic Prapon Kumjim, Chulalongkorn University, Thailand Le Van Toan, National Academy of Music, Vietnam Shin Nakagawa, Osaka City University, Japan Svanibor Pettan, University of Ljubljana, Slovenia Leon Stefanija, University of Ljubljana, Slovenia Deborah Stevenson, University of Western Sydney, Australia Pornsanong Vongsingthong, Chulalongkorn University, Thailand Layout & Design Alan Kinear Template by Yodkwan Sawatdee & Minchaya Chayosumrit Copyright It is a condition of publication that the Journal assigns copyright or licenses the publication rights in their articles, including abstracts, to the authors. Contact Information: Journal of Urban Culture Research Faculty of Fine and Applied Arts Chulalongkorn University Payathai Road, Pathumwan Bangkok, Thailand 10330 Voice/Fax: 662-218-4582 Email: [email protected] Website: www.cujucr.com Cover image of Bangkok, Thailand provided by Alan Kinear This publication is a non-pro!t educational research journal not for sale. ContentsWelcoming Message from the Executive Director Dedication This Volume is Lovingly Dedicated to the Brave Citizens of Bangkok & Thailand 4 Images and Text by Bussakorn Binson Contributing Editor & Alan KInear International Editor Editorial Urban Crisis Management – New Research Challenges 10 Kjell Skyllstad Editor in Chief Guest Author 14 Creative Copyrighting for the Cyberworld – Some Models and Solutions Sæmund Fiskvik (Norway) Journal Policy 36 Articles (This Section is in Memoriam of Japan’s March 11th Tsunami) Keeping It Alive – Mapping Bangkok’s Diverse Living Culture 42 Bussakorn Binson, Pattara Komkam, Pornprapit Phaosavadi, & Kumkom Pornprasit (Thailand) City Culture at the Crossroads 60 Hilde Kvam (Norway) Nurturing Creativity & Developing Empathy Globally 70 Ashfaq M. Ishaq (USA) 3FEFÎOJOH1MBDFTGPS"SU 80 Helen Lancaster & Huib Schippers (Australia) Go Inter 96 Paphutsorn Wongratanapitak (Thailand) & Erlina Ramli (Singapore) Recent Projects by Young Researchers Emotional Literacy for the iPod® Generation: )PX.PCJMF.VTJD$PVME)FMQJOUIF3FTPMVUJPOPG$POÏJDU 116 Charlie Irvine (USA) The Ancient Colors of Mural Painting in the Bhuddhaisawan Chapel: Re-Imaging of Faith 122 Pichai Thutongkinanon (Thailand) Conference Reports Design Activism and Social Change Barcelona September 2011 132 Kjell Skyllstad Editor in Chief Creative Economy – Creative Development: A Report from Thailand’s International Creative Economy Forum (TICEF) Bangkok November 2010 134 Kjell Skyllstad Editor in Chief Reviews Video Review - A Song of Remembrance – Somtow Sucharitkul: Requiem in Memoriam 9/11 138 Kjell Skyllstad Editor in Chief Dedication: This Volume is Lovingly Dedicated to the Brave Citizens of Bangkok & Thailand The "ooding is widespread and is affecting millions of people. Some wait patiently. Some their patience has run out. Dedication: This Volume is Lovingly Dedicated to the Brave Citizens of Bangkok & Thailand | 5 Some have gotten creative. People are okay with 20cm of water as one can drive and gen- erally go about life. The kids think it is great fun. It all changes when it gets above your knee, and changes again when it gets above your waist. It changes again when it lasts for more than 2 weeks with no end is in sight. 6 | Some remain an island. Some kids have fun. Some do not know the dangers. Dedication: This Volume is Lovingly Dedicated to the Brave Citizens of Bangkok & Thailand | 7 Some signs are now ironic that used to be welcoming. 8 | Home became a re"ective isolating island for some and others left leaving the door open. Dedication: This Volume is Lovingly Dedicated to the Brave Citizens of Bangkok & Thailand | 9 Going to the store became different. Some went to the quickie mart and Images and text by quickly ended up running for their lives. Bussakorn Binson, Contributing Editor Alan Kinear, International Editor Editorial: Urban Crisis Management – New Research Challenges Kjell Skyllstad+ Editor in Chief On July 22 I was sitting at the breakfast table with my sister in Stockton, California when BREAKING NEWS news "ashed across the TV screen. It was followed by the terrible unfolding as it happened of the Oslo terrorist attack that shook the world. We were all in a state of unbelief and shock. How would our small country respond to such a despicable act? Soon our Prime Minister appeared on the screen with his response: More openness, more democracy, more dialogue, more inclusion. We all remember his appeal, repeated again and again. And a whole people seemed to agree: The perpetrator should not succeed in destroying what we had been working for during the last decades, showing a way forward for Europe: dignity replacing humiliation, inclusion replacing exclusion. 78 young activists paid with their lives for promoting these ideals. Their sacri!ce should not be in vain. The words of the Prime Minister and the reaction of the people stunned the outside world. There is no doubt in my mind: The Norwegian nation would not have come this long way in af!rming and extending our democratic traditions had it not been for determined day to day efforts by dedicated pioneers and bridge builders, men and women of good will of the cultural community. I am not speaking of one time intercultural events like festivals or concerts, important as they me be as openers of eyes and hearts. But there is no substitute for the will to determined and persistent action that propelled this movement. It all started when activists from the artist community more than three decades ago formed an alliance across ethnic, cultural and religions divisions in the capital Oslo to share the artistic heritage of immigrant traditions, an initiative that quickly spread to the other sectors of cultural life, gaining support from the city and national governments. The !nancial crises we see unfolding in Europe today is accompanied by signs of a new build up of a process of social polarization in step with increasing unemployment, especially among the youth, amplifying social tension. Large numbers of our immigrant populations in major European cities still !nd themselves locked in a state of social seclusion. Recent experiences show how + Dr. Kjell Skyllstad, Professor Emeritus, University of Oslo, Department of Musicology, Norway Editorial: Urban Crisis Management – New Research Challenges | 11 immigrant ghettos can act as dangerous isolates. This seclusion also acts to separate immigrant groups from each other, providing obstacles towards common action. Shortly before the recent London riots, the Guardian (22 July 2011) predicted a coming crisis: “While budget cuts leading to the loss of facilities that kept many inner-city youths of all races occupied, experts predict a rise in crime.” The paper speaks of child poverty and run-down schools and a “lost generation,” hardest hit by the economic downturn. The city recently slashed 41 million pounds off support for youth activities. A borough in North London hit by the riots had its youth service budget slashed by 75%. Under the heading “Farewell youth clubs, hello street life and gang warfare” the Guardian comments:”How do you create a ghetto? By taking away the very services that people depend upon to live to better themselves” It has been pointed out that urban Islamic activism could be a direct result of this policy. Islamic activism has both social and cultural roots. The movement offers young migrants to the cities a way out of social isolation caused by their transition from provincial small town dwellers to urban students or workers. For these people the confrontation with city life and the liberal norms of secularized urban colleagues is experienced as a cultural chock. They see our cultural forms as expressions of moral convictions and lifestyle, which judged by their own standards can only provoke derision. The movement then is for many the only accessible social group that offers acceptable and recognizable norms. On the backdrop of to-days crises cultural bridge builders (and arts managers) are confronted with an increasing cultural entrenchment and isolation among the majority population as well, encouraged by ostentatious declarations by big nation leaders of multiculturalism as a failed policy and an attempt to bolster a crumbling European cultural identity by identifying its imagined and threatening opposite – Islam. What really has failed is the ability and will to implement policies that these same politicians have coined. In 2003 the European Ministers for Cultural Affairs met in Croatia to formulate a Declaration on Intercultural Dialogue and Con"ict Prevention. The Declaration bases its recommendations on the awareness that cultural “impoverishment” and marginalization, on the one hand, as well as prejudice and ignorance, on the
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