2016–2017 Report
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Wanxin Zhang Zhang | Totem with an Exhibition of Life-Size Ceramic Sculptures
San Francisco, CA: Catharine Clark Gallery presents Wanxin Wanxin Zhang Zhang | Totem with an exhibition of life-size ceramic sculptures. Totem is deeply inspired by Zhang’s upbringing Totem in Maoist China, his subsequent disillusionment, and his ultimate relocation to California as a young artist in the 1990s. The work in the exhibit reflects both a geographical November 8, 2014 – January 3, 2015 journey and an ideological search. Totem demonstrates Zhang’s mastery of the malleable and expressive qualities of Join us for an opening with the artist clay to disrupt and reshape both the form and meaning of on Saturday, November 8 traditional symbols and icons. from 4:00-6:00 pm Zhang’s new monumental clay figures feature the artist’s signature style—a blend that reflects Bay Area Figurative and California Funk traditions with nods to Chinese history. Inspired by his time studying with Peter Voulkous, and by the innovations of Robert Arneson and Stephen De Staebler, Zhang’s figures explore the organic, evocative qualities of clay, and the impact of popular culture on the body. Pink Warrior (2014) exemplifies the departure and hybridity in Zhang’s new work: an androgynous soldier coated in a glossy bubble-gum pink sheen; face and body a landscape of finger prints, gouges, coils and layers; inscripted with individual emotion rather than blank anonymity. This warrior retains the freeform construction and visual weight Wanxin Zhang of Zhang’s well known Pit #5 series, but is an entirely new The Refluent Tide ensign of power structure dismantlement. Zhang’s Pieta 2014 figures further exemplify the cross-cultural reshaping unique 24 x 24 x 32 inches to the artist’s aesthetic. -
Expressions 1991 Carol Young
Des Moines Area Community College Open SPACE @ DMACC Expressions Student Work 1991 Expressions 1991 Carol Young Virgina Ann McNichols Mark Hennick Joni Ayers Barbara Schwemler See next page for additional authors Follow this and additional works at: https://openspace.dmacc.edu/expressions Recommended Citation Young, Carol; McNichols, Virgina Ann; Hennick, Mark; Ayers, Joni; Schwemler, Barbara; Hanson, Jeff; Jones, Ron; Tyler, Kathy; Bjork, Sue; Ohland, Mary; Czestochowski, Joseph; Danoff, I. Michael; North, Cal; Millenkamp, Molly; Burge, Connie; Philippson, Joe; Gould, Nicola; and Blair, Joel, "Expressions 1991" (1991). Expressions. 27. https://openspace.dmacc.edu/expressions/27 This Book is brought to you for free and open access by the Student Work at Open SPACE @ DMACC. It has been accepted for inclusion in Expressions by an authorized administrator of Open SPACE @ DMACC. For more information, please contact [email protected]. Authors Carol Young, Virgina Ann McNichols, Mark Hennick, Joni Ayers, Barbara Schwemler, Jeff aH nson, Ron Jones, Kathy Tyler, Sue Bjork, Mary Ohland, Joseph Czestochowski, I. Michael Danoff, Cal North, Molly Millenkamp, Connie Burge, Joe Philippson, Nicola Gould, and Joel Blair This book is available at Open SPACE @ DMACC: https://openspace.dmacc.edu/expressions/27 l \I' / I ~ ., ' I E X p R E s s I 0 N s X I V Expressions XIV Jordan's Place ............................................................................................................................. 4 by Virginia Ann McNichols Jumping Jennie Juniper -
The First Generation Mauricio Lasansky
MAURICIO Lee Chesney LASANSKY Barbara Fumagalli AND Arthur Levine THE FIRST Janet K. Ruttenberg GENERATION Donn Steward August 25–September 11, 2014 11, 25–September August West Art Building Gallery, Levitt Art & Art of History School University of Iowa Cover image: Auto Retrato (Self Portrait), 1945 Engraving, scraping, and burnishing Image: 12 x 10 in. (30.5 x 25.4 cm) University of Iowa Museum of Art, Gift of Dr. Clarence Van Epps, 1947.27 © The Lasansky Corporation ISBN: 9781495124303 University of Iowa School of Art & Art History 141 North Riverside Drive Iowa City, Iowa 52242-7000 art.uiowa.edu 4 MAURICIO LASANSKY Lee Chesney � Barbara Fumagalli Arthur Levine � Janet K. Ruttenberg AND Donn Steward THE FIRST GENERATION Acknowledgments The idea for this exhibition began in conversation with Arthur Levine and Janet Ruttenberg. Listening to them reminisce about Mauricio Lasansky’s teaching and their experience as students working under his stimulating guidance, one could easily apprehend the power of his legendary artistic personality. Levine continued this discussion with Lee Chesney and Barbara Fumagalli, and soon the exhibition took shape. The works on display at the School of Art and Art History’s Levitt Gallery in Art Building West on the University of Iowa campus— produced by five of Lasansky’s first generation of students—honor his influential pedagogy and his artistic legacy. Lasansky inspired his students with a passion to create, which, by their account, they could hardly contain and which has endured throughout their long careers. Special thanks are owed to the artists who have lent their work and provided the initial concept for the exhibition. -
2020 Impact Report
20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner. -
Sr. No. HMS No. Employee Name Designation 1 959 Ms. Reena Habil Singh Nursing Superintendent 2 357 Mrs
List of Nursing Staff Sr. No. HMS No. Employee Name Designation 1 959 Ms. Reena Habil Singh Nursing Superintendent 2 357 Mrs. Jaibunisha Deputy Nursing Superintendent 3 285 Ms. Vijay A Lal Assistant Nursing Superintendent 4 348 Mr. Harish Kumar Dass Assistant Nursing Superintendent 5 362 Mrs. Sunita Kumar Assistant Nursing Superintendent 6 379 Mrs. Trishna Paul Assistant Nursing Superintendent 7 384 Mrs. Tulika Pant Assistant Nursing Superintendent 8 540 Ms. Madhu Gaur Assistant Nursing Superintendent 9 585 Mr. Arvind Kumar Assistant Nursing Superintendent 10 692 Mr. Shiju Devassiya Assistant Nursing Superintendent 11 1070 Mr. Youdhbir Singh Rawat Assistant Supervisor 12 1071 Mr. Naveen Chandra Assistant Supervisor 13 1072 Mr. Sanjay Shah Assistant Supervisor 14 1073 Mr. Gajpal Singh Negi Assistant Supervisor 15 1075 Mr. Narender Kumar Assistant Supervisor 16 1798 Mr. Balwant Singh Assistant Supervisor 17 2087 Mr. Dinesh Prasad Assistant Supervisor 18 2096 Mr. Dabbal Singh Assistant Supervisor 19 2319 Mr. Mahesh Prasad Uniyal Assistant Supervisor 20 2592 Mr. Raghubir Singh Assistant Supervisor 21 242 Ms. Rajni Prasad Incharge 22 258 Mrs. Dorris Raj Incharge 23 268 Ms. Roshni Prabha Incharge 24 273 Ms. Sangeeta Singh Incharge 25 349 Mrs. Laishram Memtombi Devi Incharge 26 351 Mrs. Sheeja Massey Incharge 27 440 Mrs. Mary Kutty Tomy Incharge 28 442 Mrs. Irene John Incharge 29 444 Ms. Rubita Kerketta Incharge 30 948 Mr. Yashpal Singh Rawat Incharge 31 950 Mr. Tirath Singh Incharge 32 1006 Mr. Devi Ram Incharge 33 1008 Mr. Munendra Pal Gangwar Incharge 34 355 Mrs. Santoshi Rawat Incharge 35 356 Mrs. Nisha Mariya Singh Incharge 36 439 Mr. -
MC 18.2 NYSCC School of Art and Design
MC 18.2 NYSCC School of Art and Design Box 1-6 Acquisition: Processed: E. Gulacsy Box 7 - 8 Acquisition: Kathy Isaman, Summer 1997 Processed: E. Gulacsy Notes: Promotional Tapes (Snodgrass, 1984, 1993) are shelved on media shelf. Box 9- Acquisition: Art Office, Summer 1998 Processed: E. Gulacsy Updated: Laura Habecker February 2020 The New York State College of Ceramics at Alfred University, Scholes Library Series Description: This collection contains post WWII administrative files, curriculum, faculty files and guest lectures for the NYSCC school of Art and Design. Note: for information on the school’s earlier history see the MC01 Charles Binns Collection. Collection: Box 1 Admissions (1953-1960): Undergraduates 1960 Graduates (photo) Philip Hedstrom travel schedule Rod Brown travel schedule Richard Harder travel schedule Graduate School Undergraduates 1953-1958 Applications, graduate school American Federation of Art (1951-57) Architectural historians: (Society of) 1956-59 Pittsburgh meeting 1-26-56 Applications for Teaching Positions (1954-62): Candidates for jobs in Fall 1954 Folder II Candidates for teaching positions Sept 1955 Candidates for teaching positions Sept 1956 Candidates for teaching positions June-Sept 1957 Candidates for teaching positions Sept 1958 (2 folders) Candidates for teaching positions Art History Sept. 1959 Teaching Positions 1959 Teaching Positions 1960 Teaching Positions 1961-62 Referred by Shipley for Rhodes replacement, Sept. 1963 Teaching Positions 1960-61, 61-62 Art Education (1952-57): Art education Methods Student Records Art Festival (1951-61): Art festival Fine Arts Association & Alfred Guild Arts Festival 5/5-15/60 Arts Festival 1960- Book Orders & Corresp. (1951-60): Book orders and Correspondence Sept. -
Paul Soldner Artist Statement
Paul Soldner Artist Statement velutinousFilial and unreactive Shea never Roy Russianized never gnaw his westerly rampages! when Uncocked Hale inlets Griff his practice mainstream. severally. Cumuliform and Iconoclastic from my body of them up to create beauty through art statements about my dad, specializing in a statement outside, either taking on. Make fire it sounds like most wholly understood what could analyze it or because it turned to address them, unconscious evolution implicitly affects us? Oral history interview with Paul Soldner 2003 April 27-2. Artist statement. Museum curators and art historians talk do the astonishing work of. Writing to do you saw, working on numerous museums across media live forever, but thoroughly modern approach our preferred third party shipper is like a lesser art? Biography Axis i Hope Prayer Wheels. Artist's Resume LaGrange College. We are very different, paul artist as he had no longer it comes not. He proceeded to bleed with Peter Voulkos Paul Soldner and Jerry Rothman in. But rather common condition report both a statement of opinion genuinely held by Freeman's. Her artistic statements is more than as she likes to balance; and artists in as the statement by being. Ray Grimm Mid-Century Ceramics & Glass In Oregon. Centenarian ceramic artist Beatrice Wood's extraordinary statement My room is you of. Voulkos and Paul Soldner pieces but without many specific names like Patti Warashina and Katherine Choy it. In Los Angeles at rug time--Peter Voulkos Paul Soldner Jerry Rothman. The village piece of art I bought after growing to Lindsborg in 1997. -
Tamarind Homage to Lithography Preface by William S
Tamarind homage to lithography Preface by William S. Lieberman. Introduction by Virginia Allen Author Museum of Modern Art (New York, N.Y.) Date 1969 Publisher Distributed by New York Graphic Society, Greenwich, Conn. Exhibition URL www.moma.org/calendar/exhibitions/1869 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Tamarind:Homage to Lithography Tamarind: Homage to Lithography Preface by William S. Lieberman Introduction by Virginia Allen 4- The Tamarind Lithography Workshop has almost single- handedly revived the difficult medium of lithography in the past decade. It has provided not only the materials but also the environment that fosters the delicate collaboration be tween artist and printer. Such an environment and indeed even the materials were almost nonexistent in the United States before June Wayne and the Ford Foundation agreed on the importance of providing them. Since Tama rind opened its doors in 1960 it has provided fellowships for numerous artists and printers, most of whom have con tinued their exploration of lithography after leaving Tama rind. The author describes this unique Workshop and also gives a brief history of lithography in Europe and in the United States. Included is a list which catalogs part of the promised gift to The Museum of Modern Art of the Kleiner, Bell and Company Collection of Tamarind Impressions. The author, Virginia Allen, former curator of Tamarind, is now Assistant to William S. -
Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Table of Contents Page Contents 2 Image List 3 Printmaking as Art 6 Glossary of Printing Terms 7 A Brief History of Printmaking Written by Jennifer Jensen 10 Self Portrait in a Velvet Cap , Rembrandt Written by Hailey Leek 11 Lesson Plan for Self Portrait in a Velvet Cap Written by Virginia Catherall 14 Kintai Bridge, Province of Suwo, Hokusai Written by Jennifer Jensen 16 Lesson Plan for Kintai Bridge, Province of Suwo Written by Jennifer Jensen 20 Lambing , Leighton Written by Kathryn Dennett 21 Lesson Plan for Lambing Written by Kathryn Dennett 32 Madame Louison, Rouault Written by Tiya Karaus 35 Lesson Plan for Madame Louison Written by Tiya Karaus 41 Prodigal Son , Benton Written by Joanna Walden 42 Lesson Plan for Prodigal Son Written by Joanna Walden 47 Flotsam, Gottlieb Written by Joanna Walden 48 Lesson Plan for Flotsam Written by Joanna Walden 55 Fourth of July Still Life, Flack Written by Susan Price 57 Lesson Plan for Fourth of July Still Life Written by Susan Price 59 Reverberations, Katz Written by Jennie LaFortune 60 Lesson Plan for Reverberations Written by Jennie LaFortune Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Image List 1. Rembrandt Harmensz van Rijn (1606-1669), Dutch Self Portrait in a Velvet Cap with Plume , 1638 Etching Gift of Merrilee and Howard Douglas Clark 1996.47.1 2. -
Exhibit Catalog (PDF)
Mastery in Jewelry & Metals: Irresistible Offerings! Gail M. Brown, Curator Mastery in Jewelry & Metals: Irresistible Offerings! Gail M. Brown, Curator Participating Artists Julia Barello Mary Lee Hu Harriete Estel Berman Michael Jerry Elizabeth Brim Robin Kranitzky & Kim Overstreet Doug Bucci Rebecca Laskin Kathy Buszkiewicz Keith Lewis Harlan W. Butt Charles Lewton-Brain Chunghi Choo Linda MacNeil Sharon Church John Marshall John Cogswell Bruce Metcalf Chris Darway Eleanor Moty Jack DaSilva Tom Muir Marilyn DaSilva Harold O'Connor Robert Ebendorf Komelia Okim Sandra Enterline Albert Paley Fred Fenster Beverly Penn Arline Fisch Suzan Rezac Pat Flynn Stephen Saracino David C. Freda Hiroko Sato-Pijanowski Don Friedlich Sondra Sherman John G. Garrett Helen Shirk Lisa Gralnick Lin Stanionis Gary S. Griffin Billie Theide Laurie Hall Rachelle Thiewes Susan H. Hamlet Linda Threadgill Douglas Harling What IS Mastery? A singular idea, a function, a symbol becomes a concept, a series, a marker- a recognizable visual attitude and identifiable vocabulary which grows into an observation, a continuum, an unforgettable commentary. Risk taking. Alone and juxtaposed….so many ideas inviting exploration. Contrasting moods and attitudes, stimuli and emotional temperatures. Subtle or bold. Serene or exuberant. Pithy observations of the natural and WHAT is Mastery? manmade worlds. The languages of beauty, aesthetics and art. Observation and commentary. Values and conscience. Excess and dearth, The pursuit and attainment, achievement of purpose, knowledge, appreciation and awareness. Heavy moods and childlike insouciance. sustained accomplishment and excellence. The creation of irrepressible, Wisdom and wit. Humor and critique. Reality and fantasy. Figuration important studio jewelry and significant metal work: unique, expressive, and abstraction. -
Uttarakhand State Medical/Dental Counselling - 2016 (State Merit List of Registered Candidates Only) NOTE : 1
Uttarakhand State Medical/Dental Counselling - 2016 (State Merit List of Registered Candidates only) NOTE : 1. Merit List is prepared on the basis of NEET All India Rank (Over All Rank) and data of registered candidates verified by CBSE, New Delhi 2. Category/Sub Category will be as filled by candidate and subject to provisional verification of documents, uploaded by the candidate by counselling board and final verification with original documents at the time of admission in the allotted institute. Generated NEET Total NEET All Sub - NEET Roll NEET Combined S. No. Candidate's Name Father's Name Gender Category Marks India Rank Category Number Percentile State Merit Obtained (Over All) Rank 1 AVINASH KUMAR KAUSHAL KUMAR M GEN - 81436829 611 99.977298 160 1 2 ANKITA PANDEY KAILASH CHANDRA PANDEY F GEN - 64503665 591 99.948169 367 2 3 DHAIRYA ANIL KUMAR RAI F GEN - 64905012 580 99.922595 550 3 4 SONALI KORANGA KUNDAN SINGH KORANGA F GEN - 87301508 573 99.897706 745 4 5 SHUBHAM CHAUHAN VINAY CHAUHAN M GEN - 60848106 568 99.876919 880 5 6 ABHINAY PUNDIR HARENDRA SINGH M GEN - 81433043 552 99.781052 1554 6 7 SAKSHI SINGHAL TARUN SINGHAL F GEN - 64500851 552 99.781052 1587 7 8 PRANJAL GULATI ANIL GULATI M GEN - 87202252 550 99.763684 1682 8 9 SIDDHARTH SURI SACHIN SURI M GEN - 64505957 548 99.745085 1789 9 10 SHUBHAM JOSHI JAGDISH CHANDRA JOSHI M GEN - 87203112 542 99.684638 2234 10 11 VIJAY NEGI PURAN SINGH NEGI M GEN - 60822758 541 99.671783 2325 11 12 AAMNA FALAK MAHBUB ALAM F GEN - 64502905 541 99.671783 2337 12 13 AMRIT PANT VIJAY PANT -
South Asia Multidisciplinary Academic Journal, 9 | 2014 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl
South Asia Multidisciplinary Academic Journal 9 | 2014 Imagining Bangladesh: Contested Narratives Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Electronic version URL: https://journals.openedition.org/samaj/3725 DOI: 10.4000/samaj.3725 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Lala Rukh Selim, “Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization”, South Asia Multidisciplinary Academic Journal [Online], 9 | 2014, Online since 22 July 2014, connection on 21 September 2021. URL: http://journals.openedition.org/samaj/3725 ; DOI: https://doi.org/10.4000/samaj.3725 This text was automatically generated on 21 September 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl... 1 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Introduction 1 The art of Bangladesh embodies the social and political changes that have transformed the country/region through history. What was once a united state of Bengal is now divided into two parts, the sovereign country of Bangladesh and the state of West Bengal in India. The predominant religion in Bangladesh is Islam and that of West Bengal is Hinduism. Throughout history, ideas and identifications of certain elements of culture as ‘tradition’ have played an important role in the construction of notions of identity in this region, where multiple cultures continue to meet. The celebrated pedagogue, writer and artist K.