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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor PROJECTS DIRECTOR STUDIO & PRODUCERS “WARCRAFT” DUNCAN JONES ATLAS ENTERTAINMENT Stereo Consultant LEGENDARY PICTURES Alex Gartner, Jon Jashni, Charles Roven, Thomas Tull “GODZILLA” GARETH EDWARDS WARNER BROS. PICTURES Stereo Consultant LEGENDARY PICTURES Jon Jashni, Mary Parent, Brian Rogers, Thomas Tull LEGENDARY PICTURES LOGO EMILY CASTEL LEGENDARY PICTURES Stereo Consultant TRAILER PARK Jake Rice “THE SEVENTH SON” SERGEI BODROV LEGENDARY PICTURES Stereographic Supervisor Basil Iwanyk, Thomas Tull, Lionel Wigram “WRATH OF THE TITANS” JONATHAN LIEBESMAN WARNER BROS. PICTURES Post Stereographer/Stereo Producer Basil Iwanyk, Polly Johnsen Film nominated for I3DS Callum McDougall (Best Post Supervision 2D to 3D) “STAR WARS: EPISODE I – GEORGE LUCAS TWENTIETH CENTURY FOX THE PHANTOM MENACE 3D” LUCASFILM Stereo Producer (Prime Focus) Rick McCallum + Stereography Support - UC “THE CHRONICLES OF NARNIA:THE MICHAEL APTED TWENTIETH CENTURY FOX VOYAGE OF THE DAWN TREADER” WALDEN MEDIA Stereoscopic Support Andrew Adamson, Mark Johnson, (Prime Focus) Philip Steuer “DEAD CRAZY” FRANK SCANTORI THE FILM THEATRE COMPANY Cinematographer “YELLING TO THE SKY” VICTORIA MAHONEY ELEPHANT EYE FILMS Digital Intermediate Producer (Deluxe NYC) “LAST NIGHT” MASSY TADJEDIN GAUMONT/NICK WECHSLER PRODS. D. I. Manager (Deluxe New York) "SHANGHAI" MIKAEL HAFSTROM PHOENIX PICTURES Digital Intermediate Manager (Deluxe NYC) “LETTERS TO JULIETTE” GARY WINICK SUMMIT ENTERTAINMENT Digital Intermediate Manager (Deluxe NYC) "THE BOUNTY HUNTER" ANDY TENNANT COLUMBIA PICTURES D. I. Manager (UC) (Deluxe New York) Marcus Alexander -Continued- "REMEMBER ME" ALLEN COULTER SUMMIT ENTERTAINMENT D. I. Manager (Deluxe New York) "GREENBERG" NOAH BAUMBACH FOCUS FEATURES Digital Intermediate Producer (EFILM) "THE LAST SURVIVOR" (Documentary) MICHAEL KLEIMAN RIGHTEOUS PICTURES D.I. -
Ciné Récré Des Films Pour Les Enfants Dans Les Cinémas De Nice
CINÉ RÉCRÉ DES FILMS POUR LES ENFANTS DANS LES CINÉMAS DE NICE 9 - 10 - 16 - 17 NOVEMBRE 2019 CINÉMATHÈQUE - MERCURY - RIALTO - VARIÉTÉS PATHÉ LINGOSTIÈRE - PATHÉ MASSÉNA - PATHÉ GARE DU SUD LES AVANT-PREMIÈRES Le Cristal magique Dès 3 ans Sortie le 11 décembre 2019 de Nina Wels et Regina Welker / 2019/ Animation / Allemagne /1h21 Bantour, le roi des ours, a volé le cristal magique qui permet de faire revenir l’eau dans la forêt. Amy la petite hérissonne et son ami Tom l’écureuil décident de partir à sa recherche… Samedi 16 novembre à 13h40/ Dimanche 17 novembre à 15h40 RIALTO La Famille Addams Dès 6 ans Sortie le 4 décembre 2019 de Conrad Vernon et Greg Tiernan / 2019 / Animation / USA /1h27 Les nouvelles aventures étranges, drôles et mobides de la Famille Addams. Dimanche 17 novembre à 16h45 PATHÉ LINGOSTIÈRE / PATHÉ MASSÉNA / PATHÉ GARE DU SUD Mission Yéti Dès 3 ans Sortie le 29 janvier 2020 de Pierre Gréco et Nancy Florence Savard / 2017 / Animation / Canada / 1h20 Nelly, détective privée, et Simon, assistant de recherche, partent à l’aventure au cœur de l’Himalaya à la rencontre du Yéti. Samedi 9 novembre à 13h40 / Dimanche 10 novembre à 15h40 Samedi 16 novembre à 15h40 / Dimanche 17 novembre à 13h40 VARIÉTÉS SamSam Dès 3 ans Sortie le 5 février 2020 de Tanguy de Kermel / 2019/ Animation / France, Belgique. SamSam, le plus petit des grands héros, part à la recherche son premier super pouvoir… Avec l’aide de Méga, la nouvelle élève mystérieuse de son école, il se lance dans une aventure pleine de monstres cosmiques. -
Austin's Bold Journey
news Issue #4 • Summer 2013 Austin’s bold journey as told by Daelyn, Austin’s mom Eventually, Austin needed 35 rounds of chemo. He did 30 rounds, some were a week apart, some a day. Thirty Rounds of chemo, very invasive, aimed at the tumors that were in his pelvis. He also did 28 days of radiation into his pelvis, which is the main area of your bone marrow production. Of course, you sign your life away with every treatment, and you wonder if your baby is n April 9, 2010, Austin was diagnosed with a rare going to make it through the next one. After 30 rounds of chemo form of cancer called Alveolar Rhabdomyosarcoma. they told us his bone marrow couldn’t take it any more. It took me a while to figure out how to spell it. We O We kind of prepared…and I spent every morning, waking up didn’t do anything about it that first night, because we were in denial. and going into his room, wondering if I was going to wake him up or if he was going to be gone already. And I have to admit Austin had been watching his something grow, since it was very that nearly three years later, I still did that. tiny, right in his pelvis and he had just turned 14. Austin and his brother Chance’s dad died five months before, so he was Austin went into remission for about nine months. We had still trying to grieve the loss of his dad while watching this thing scans every three months. -
Open Pbaxter Thesis Final110308.Pdf
The Pennsylvania State University The Graduate School College of Communications A COMPARATIVE STUDY OF THE U.S. AND KOREAN FILM INDUSTRIES: HISTORY, STRUCTURE, AND FINANCE A Thesis in Media Studies by Patrick D. Baxter © 2008 Patrick D. Baxter Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2008 This thesis of Patrick D. Baxter was reviewed and approved* by the following: Krishna Jayakar Associate Professor of the Department of Telecommunications Thesis Adviser Amit Schejter Assistant Professor of the Department of Telecommunications C. Michael Elavsky Assistant Professor of the Department of Film-Video and Media Studies John S. Nichols Professor of the Department of Film-Video and Media Studies Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School iii ABSTRACT This project is a comparative case-study of the U.S. and Korean (South Korea) film industries along historical, structural, and financial dimensions. The genesis of this thesis came through an overall fascination with the film industry globally as nations compete and cooperate with each other, as well as contend with the dominance of the U.S. film industry. It uses the industrial organization model focusing primarily on "market structure." Further, it applies A.J. Scott’s bipartite (major, independent) and tripartite (major, subsidiary, independent) models of the U.S. film industry. The analysis is mainly descriptive being informed by historical development. To elaborate on market structure, samples of studio/mainstream and independent films were collected in both the U.S. and Korean film industries. The samples were analyzed along production company affiliation, distribution affiliation, sources of funding, and other elements. -
DAVID WITZ PRODUCER/UPM DGA FEATURES SHAZAM New Line Cinema Prod: Peter Safran, Geoff Johns, Dir: David Sandberg (Co-Producer/UPM) Jeffrey Chernov DUNKIRK Warner Bros
DAVID WITZ PRODUCER/UPM DGA FEATURES SHAZAM New Line Cinema Prod: Peter Safran, Geoff Johns, Dir: David Sandberg (Co-Producer/UPM) Jeffrey Chernov DUNKIRK Warner Bros. Pictures Prod: Emma Thomas, Jake Myers Dir: Christopher Nolan (UPM) *Nominated for the 2018 Academy Award for Best Picture *Nominated for the 2018 DGA Award for Outstanding Directorial Achievement in Feature Film *Nominated for the 2018 PGA Award for Best Picture *Nominated for the 2018 Golden Globe Awards for Best Drama and Best Director of Motion Picture BAYWATCH Paramount Pictures Prod: Beau Flynn, Ivan Reitman Dir: Seth Gordon (Co-Producer/UPM Reshoot) GHOSTBUSTERS Sony Pictures Prod: Ivan Reitman, Michelle Imperato-Stabile Dir: Paul Feig (UPM) PIXELS Sony Pictures/1492 Pictures Prod: Barry Bernardi, Christopher Columbus Dir: Christopher Columbus (Assoc. Producer) Adam Sandler GONE GIRL 20th Century Fox Prod: Cean Chaffin, Joshua Donen, Arnon Milchan Dir: David Fincher (UPM) WHAT TO EXPECT Lionsgate Prod: Mike Medavoy, Mark Bakshi Dir: Kirk Jones WHEN YOU’RE EXPECTING Douglas McKay (UPM) MONEYBALL Columbia Pictures Prod: Michael De Luca, Scott Rudin Dir: Bennett Miller (UPM) DUE DATE Warner Bros. Pictures Prod: Scott Budnick, Daniel Goldberg Dir: Todd Phillips (Co-Producer/UPM) STAR TREK Paramount Pictures Prod: Roberto Orci, Alex Kurtzman Dir: J.J. Abrams (Co-Producer/UPM) Jeffrey Chernov TIN TIN DreamWorks Prod: Kathleen Kennedy, Peter Jackson Dir: Steven Spielberg (Line Producer/UPM – Test Shoot) SPIDERWICK CHRONICLES Paramount Pictures Prod: Kathleen Kennedy, Larry Franco Dir: Mark Waters (UPM) THE HEARTBREAK KID DreamWorks Prod: Bradley Thomas, Mark Charpentier Dir: Bobby Farrelly (Co-Producer/UPM – Reshoots) Peter Farrelly MISSION IMPOSSIBLE 3 Paramount Pictures Prod: Paula Wagner, Tom Cruise Dir: J.J. -
Waimea Ocean Film Festival Experience
THIRD ANNUAL OCEAN FILM FESTIVAL January 3-6, 2013 Waimea, Mauna Kea Resort + Kohala Coast January 7-11, 2013 Four Seasons Resort Huala¯ lai sponsors contents + about our area LODGING AND VENUE SPONSORS contents 4 About the Festival 5 Letter from the Director 6 Host Venues and Map 8 Films 23 Waimea Morning Activities KOHALA COAST 24 Waimea Schedule 28 Waimea Breakfast Talks 30 Four Seasons Schedule 32 Four Seasons Breakfast Talks 34 Jake Eberts Tribute 36 Guest Speakers and Presentations INNER CIRCLE SPONSORS 60 Artists and Exhibits Artwork by Becky Holman 65 About Our Leaders 68 Thank You to Our Contributors about our area The Island of Hawai’i, known as The else in the world, inhabit these reefs Big Island to avoid confusion with the along side Hawaiian Hawksbill turtles, state, was formed as five volcanoes octopuses, eels and smaller reef sharks. MEDIA SPONSORS overlapped one another and became Spinner dolphins come to rest in shallow one land mass. The still active Kı¯ lauea bays during the day before returning sits at the heart of Volcanoes National to deeper waters to hunt at night. Park, while Mauna Kea, Mauna Loa and Humpback whales frolic along the coast Hual¯a lai rise above the Kohala and Kona during winter months filling the ocean coastline, where stark lava fields meet with the sound of their beautiful song. turquoise waters and white and black People watch enthralled as they breach sand beaches. The gentle slopes of the or surface for air. Kohala Mountains, now extinct, provide FOOD AND BEVERAGE SPONSORS the backdrop to the town of Waimea The town of Waimea, also known as and to Hawi and Kapa’au in the north. -
2002 Hugo Nominating and Voting Statistics
2002 Hugo Nominating and Voting Statistics Presented at ConJosé, September 1, 2002 in San José, Calfornia , USA Of the 626 total valid nominating ballots received, 371 were cast electronically through the ConJosé web site and 255 received by mail: 389 from members of ConJosé (236 voting electronically, 153 by mail) and 237 from members of the Millennium Philcon (135 voting electronically, 102 by mail). 924 valid final voting ballots were received (681 electronic, 226 by mail, 17 by fax), with an additional 16 invalid ballots. (Eligibility was verified only for the finalists.) Nominating Finalist Total Category Ballots Range Nominees Nominations Final Ballots Novel 486 44-121 226 1,469 794 Novella 300 40-55 58 738 629 Novelette 292 27-43 144 823 607 Short Story 331 21-35 263 929 653 Related Book 252 22-68 88 514 549 Dramatic Presentation 452 89-343 130 1,303 885 Professional Editor 382 87-121 91 979 676 Professional Artist 323 36-83 156 862 635 Semiprozine 283 31-116 45 573 614 Fanzine 237 29-43 100 531 439 Fan Writer 248 26-51 164 531 436 Fan Artist 248 17-59 93 410 448 Web Site 365 36-75 240 941 609 Campbell Award 272 29-53 101 653 441 Novel (486 people nominated) 121 American Gods (Neil Gaiman; Morrow) 78 Passage (Connie Willis; Bantam) 71 Curse of Chalion (Lois McMaster Bujold; Eos) 64 Perdido Street Station (China Miéville; Macmillan, Del Rey) 44 Cosmonaut Keep (Ken MacLeod; Orbit, Tor) 44 The Chronoliths (Robert Charles Wilson; Tor) ------------------------- 33 Declare (Tim Powers; Subterranean Press; HarperCollins/Morrow) 33 Revelation Space (Alastair Reynolds; Ace) 27 Nekropolis (Maureen F. -
Starlog Magazine
Celebrate Isaac Asimov's BICENTENNIAL MAN 2 Leonard * V Heather Nimoy Graham, speaks in ALIEN — AUSTIN POWERS' VOICES lady love 1 40 (PIUS) £>v < -! STAR WARS CA J OO Queen Amidala rules o> O) CO TOY STORY 2 </) 3 O) Tooning up the sequel ft CD GO JAMES BOND The two Q THE TRUTH If you're a fantasy sci-fi fanatic, and if you're into toys, comics, collectibles, Manga and anime. if you love Star Wars, Star Trek, Buffy, Angel and the X-Files. Why aren't you here - WWW.ign.COtH mm INSIDE TOY STORY 2 The Pixarteam sends Buzz & Woody off on adventure GALAXY QUEST: THE FILM Questarians! That TV classic is finally a motion picture HEROES OF THE GALAXY Never surrender these pin- ups at the next Quest Con! METALLIC ATTRACTION Get to know Witlock, robot hero & Trouble Magnet ACCORDING TO TIM ALLEN He voices Buzz Lightyear & plays the Questarians' favorite commander THAT HEROIC GUY Brendan Fraser faces mum mies, monsters & monkeys QUEEN AMIDALA RULES Natalie Portman reigns against The Phantom Menace THE NEW JEDI ORDER Fantasist R.A. Salvatore chronicles the latest Star Wars MEMORABLE CHARACTER Now & Again, you've seen actor ! Cerrit Graham 76 THE SPY WHO SHAGS WELL Heather Graham updates readers STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., 475 Park Avenue South, New York, on her career moves NY 10016. STARLOG and The Science Fiction Universe are registered trademarks of Starlog Group Inc' (ISSN 0191-4626) (Canadian GST number: R-124704826) This is issue Number 270, January 2000. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
TFG Cabreromatesanze
Facultad de Ciencias de la Comunicación Universidad Rey Juan Carlos La saga Harry Potter: análisis comparativo de la narrativa literaria y la cinematográfica Resumen: Este trabajo estudia todas las películas de la saga Harry Potter desde el punto de vista de la adaptación del lenguaje literario al cinematográfico. TRABAJO DE FIN DE GRADO Autora: Elena Cabrero Matesanz Directora: Susana Lozano Moreno Grado en Comunicación Audiovisual Curso 2013/2014 - Convocatoria: Febrero/Marzo 2014 Facultad de Ciencias de la Comunicación Universidad Rey Juan Carlos Autora: Elena Cabrero Matesanz. Directora: Susana Lozano Moreno. La saga Harry Potter: análisis comparativo de la narrativa literaria y la cinematográfica. Subtítulo del trabajo (optativo) Índice Introducción 4 1. De la realidad a la ficción: J. K. Rowling 6 2. Harry Potter como obra cinematográfica 17 3. El héroe monomítico: Harry Potter 21 3.1. La partida del héroe 21 3.1.1. La llamada a la aventura 21 3.1.2. El rechazo a la llamada 21 3.1.3. Ayuda sobrenatural 22 3.1.4. El cruce del umbral 22 3.1.5. El vientre de la ballena 23 3.2. La iniciación 23 3.2.1. El camino de las pruebas 23 3.2.2. El encuentro con la Diosa 23 3.2.3. La mujer como tentación 23 3.2.4. La reconciliación con el padre 24 3.2.5. La apoteosis 25 3.2.6. La gracia última 25 3.3. El regreso 25 3.3.1. La negativa al regreso 25 3.3.2. La huida mágica 25 3.3.3. El rescate del mundo exterior 26 3.3.4.