Michael Southgate Interviewed by Linda Sandino
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Westminsterresearch the Feminine Awkward
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Feminine Awkward: Graceless Bodies and the Performance of Femininity in Fashion Photographs Shinkle, E. This is an Accepted Manuscript of an article published by Taylor & Francis in Fashion Theory, doi: 10.1080/1362704X.2016.1252524 The final definitive version is available online: https://dx.doi.org/10.1080/1362704X.2016.1252524 © 2017 Taylor & Francis The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] The feminine awkward: graceless bodies and the performance of femininity in fashion photographs Eugenie Shinkle The past decade or so has seen fashion photography embracing a catalogue of uncomfortable attitudes. Anxious, embarrassed gazes. Knotted hands. Knees and elbows, necks and torsos, bent and folded at uncomfortable angles. Mottled skin and disembodied limbs. Grating, uneasy relationships between bodies and garments. This idiom, particularly prevalent within the alternative fashion press and increasingly within photographic art as well, is one that I’ve come to think of as the ‘feminine awkward’.1 Awkwardness, as I understand it here, is a negative or “agonistic” affect, organised by “trajectories of repulsion;” (Ngai 2005, 11) a feeling that tends to repel rather than to attract. It involves a combination of emotional and bodily unease – gawky, bumbling embarrassment and physical discomfort; a mild torment of body and mind. -
As Americans Fixated on Modern Art and the Space Race, Harper's
POP GOES BAZAAR As Americans fixated on modern art and the space race, Harper’s Bazaar editor Nancy White pushed fashion to its outer limits By Stephen Mooallem ON APRIL 9, 1959, NASA announced the start of Project Mercury, a program whose goal was to send the rst astronauts into orbit. It was the latest volley in the Cold War–era space race, as the U.S. and the Soviet Union competed to conquer outer space. Harper’s Bazaar soon got in on the action too. For a fashion story in the February 1960 issue, Richard Avedon traveled to the NASA space center at Cape Canaveral, Florida, where he photographed the model Dovima in a series of con- spicuously modish looks with geometric shapes. At one point during the shoot, Dovima posed in front of a launch pad rigged with an SM-65 Atlas, which was not actually a spacecraft but the rst intercontinental ballistic missile capable of carrying a nuclear warhead. There was still a month to go in the 1950s, but the 1960s had already arrived. Nancy White, a longtime fashion editor at Hearst’s Good Housekeeping, had succeeded Carmel Snow as the editor of Bazaar two years earlier. White was the daughter of Hearst executive Tom White—and Snow’s niece—and her appointment was intended to help ease the transition as Snow, whose physical health had begun to decline as her drinking increased, moved to an emeritus role at the magazine. ‰ FOUNDATION © THE RICHARD AVEDON PHOTOGRAPH: COVER Jean Shrimpton, helmet by Mr. John, on the cover of the April 1965 issue, photographed by Richard Avedon 132 hite wasn’t a grande verging, and Bazaar raced to keep up. -
Cutting a Figure: Fashioning Black Portraiture
7/28/2017 Cutting a Figure: Fashioning Black Portraiture Critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies Search About caa.reviews May 25, 2010 CAA News Subscribe to Book Reviews Richard J. Powell CAA News Cutting a Figure: Fashioning Black Portraiture The newsletter of the Exhibition Reviews College Art Association Chicago: University of Chicago Press, 2009. 296 pp.; 40 color ills.; 76 b/w ills. Cloth $55.00 (9780226677279) Essays Review Categories Gwendolyn DuBois Shaw Recent Books in the Arts CrossRef DOI: 10.3202/caa.reviews.2010.54 Dissertations With the recent ushering in of the second decade of the twentyfirst century and the Era Supporters of Obama, the study of the black body has fully entered the field of arthistorical and visual culture studies, along with being one of the most popular sites of social, cultural, and political contestation. In fact it has long been a particularly fertile field for academic View CAA Journals rumination and semiotic dissection as well as the subject of numerous art collections and archival projects, including Dominique de Menil’s singular Archive of the Image of Visit the CAA Website the Black in Western Art, now in the care of the W. E. B. DuBois Institute for African American Research at Harvard University. In the past decade, the challenge of making sense of the various ideologies and geographical constellations that one might interrogate when researching this topic has been taken up by a number of scholars in the fields of art history and cultural studies, critics who have produced an increasingly expansive discourse on photographs, paintings, sculpture, film, and other media, including including Kellie Jones, Deborah Willis, and Charmaine Nelson. -
Entertainment Reviews DANNY LA
Chair’s Blog ear readers, welcome to your August magazine. You may just read this before the end of July as the magazine is published a week prior to the end of each month, so you may be able to get to the last event in the July calendar, Weston-S-Mare Pride. D This is an important event for us and as I am writing this in the middle of July so you will have to wait for the September magazine for a report on it. The reason I have mentioned it is that this year has been and still is a very busy time for GayWest and also very exciting. One of the advantages of the group is that we are completely self- funding and all the income we receive is from yourselves and donations. By being self-funding we are in control of our finances, good or bad and are not reliant on council or state grants that can be stopped at any time. We have heard of many LGBT organisations having to disband due to losing their grants this year. Over the last couple of years we have been able to increase our membership and it now stands at almost 90 members. 60% of you receive this magazine online which keeps the printing cost down considerably, however being the generous lot that we are we have splashed out this month on a full colour addition as we celebrate our summer events. There will be a limited number of magazines for sale at the Rainbow Café for £2.00p each, and of course you can download and print as many of them as you wish yourselves. -
Antonio1970 Pkit 2.Pdf
PRESS KIT Antonio Lopez 1970: Sex Fashion & Disco A Film by James Crump Featuring Jessica Lange, Bob Colacello, Jerry Hall, Grace Coddington, Patti D’Arbanville, Karl Lagerfeld, Juan Ramos, Bill Cunningham, Jane Forth, Yves Saint Laurent, Donna Jordan, Paul Caranicas, Joan Juliet Buck, Corey Tippin and Michael Chow. Summitridge Pictures and RSJC LLC present a film by James Crump. Edited by Nick Tamburri. Cinematography by Robert O’Haire and Alex Themistocleous. Produced by James Crump and Ronnie Sassoon. Sex Fashion & Disco is a feature documentary-based time capsule concerning Paris and New York between 1969 and 1973 and viewed through the eyes of Antonio Lopez (1943-1987), the dominant fashion illustrator of the time, and told through the lives of his colorful and some-times outrageous milieu. A native of Puerto Rico and raised in The Bronx, Antonio was a seductive arbiter of style and glamour who, beginning in the 1960s, brought elements of the urban street and ethnicity to bear on a postwar fashion world desperate for change and diversity. Counted among Antonio’s discoveries— muses of the period—were unusual beauties such as Cathee Dahmen, Grace Jones, Pat Cleveland, Tina Chow, Jessica Lange, Jerry Hall and Warhol Superstars Donna Jordan, Jane Forth and Patti D’Arbanville among others. Antonio’s inner circle in New York during this period was also comprised of his personal and creative partner, Juan Ramos (1942-1995), also Puerto Rican-born and raised in Harlem, makeup artist Corey Tippin and photographer Bill Cunningham, among others. Lower Manhattan in the late 1960s was a cauldron of creative talent, extremely selective, but inclu- sive of and tolerant to the seemingly disparate creative camps that cut a broad swath through culture; music, fashion, the visual arts, film and entertainment. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
A Queer History of Modeling Work! Elspeth H
A Queer History of Modeling Work! Elspeth H. Brown Work! 218-77755_ch00_4P.indd 1 02/25/19 2:33 pm WoDuke University Press Durham and London 218-77755_ch00_4P.indd 2 02/25/19 2:33 pm A ueer History of Modeling Wo rk! . 218-77755_ch00_4P.indd 3 02/25/19 2:33 pm © . All rights reserved. Printed in Korea by Four Colour Print Group, Louisville, Kentucky. Designed by Courtney Leigh Baker Typeset in Garamond Premier Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Brown, Elspeth H., [date] author. Title: Work! : a queer history of modeling / Elspeth H. Brown. Other titles: Queer history of modeling Description: Durham : Duke University Press, . | Includes bibliographical references and index. Identiers: (print) | (ebook) (ebook) (hardcover : alk. paper) (pbk. : alk. paper) Subjects: : Photography of women— Social aspects— United States. | Fashion photography— United States— History—th century. | Commercial photography— United States— History—th century. | Models (Persons)— United States. | Women in popu lar culture— United States— History— th century. | Femininity in popu lar culture— United States— History—th century. | Sex in advertising— United States— History—th century. | Queer theory. Classication: . (ebook) | . (print) | /.— dc rec ord available at https:// lccn . loc . gov / Duke University Press gratefully acknowledges the Social Sciences and Humanities Research Council of Canada, which provided funds toward the publication of this book. Cover art: Donyale Luna, -
10Th ANNIVERSARY SHOW PROGRAM BOOK
A DECADE OF DIVERSITY ON THE RUNWAY FEBRUARY 16, 2021 I am truly grateful about presenting the 10th Anniversary Emerge! Fashion Show during New York Fashion Week virtually! When I created Emerge! 10 years ago my purpose was to highlight the creativity and art that designers create for the runway. I am always at awe at the talent and gifts that designers bring to light. February 2020 was the Emerge! last show before the pandemic hit and the world was shut down! To say the year 2020 was a challenging one is an understatement. But, when met with challenges, creators create. It’s just what they do. They adapt, originate, overcome and birth new concepts. One shining example of this spirit to create will be found in this innovative virtual runway presentation. I am excited to present this dynamic virtual presentation, it is chock full of great design, fashion icons, performance and so much more! I am equally excited about honoring Law Roach with the Fashion Innovator Award. Stylist and Image Architect, LAW ROACH, undeniably transforms celebrities into fashion icons and I am grateful to him for accepting this award. Enjoy this 10th Anniversary edition of the Emerge! Fashion Show and I am honored you are here to enjoy this journey! I want to thank Claire Sulmers of Fashion Bomb Daily, On behalf of our talented designers, production sta and all Andre’ Leon Talley & Fern Mallis who have participated in of our sponsors, I welcome you to witness Emerge! 10th the show and have supported me through this journey. I love Anniversary Virtual Show. -
AIDS - the First 20 Years
Downloaded from simongarfield.com © Simon Garfield 2005 AIDS - The First 20 Years On 5 June 1981, a medical journal reported a mysterious illness that had killed five young gay men in Los Angeles. A lot has happened since then. The Observer, June 2001 Part one: The Memory 1 Dan versus Danny Soon it will be time for Danny La Rue to sing. At the Pleasance theatre in north London at the beginning of May 2001, the 73-year-old entertainer stands onstage in a blue dress and high white hair and announces that he has been in show business for 51 years. He has some personal observations about Bill Clinton ('He propositioned me in the Oval Office!') and Zsa Zsa Gabor ('She was wearing so many feathers you could have stuck them up her arse and she'd have flown home'), and then he launches into a suggestive song he used to sing on the Good Old Days. As he sings, the occasional glittery bead and sequin drops from his dress. This, bizarrely, is rather good entertainment, and is relished by an enthusiastic audience of sweet-smelling moneyed gay men, tonight being a fundraising night for the Aids charity Crusaid. Tickets cost £30 per head, including a smoked-salmon titbit in the interval and a post-show video-signing session with Danny in the foyer. The night is divided into two parts. In the first, 'Danny La Rue' shimmies around doing his rude- marrow song and Marlene Dietrich routine, and in the second 'Dan' comes out in black shirt and gold medallion and slightly less make-up, and talks about his friendships with Barbara Windsor, Ronnie Corbett and his eventful and unique career as an actor, singer, club owner, window dresser and drag artist. -
7.10 Nov 2019 Grand Palais
PRESS KIT COURTESY OF THE ARTIST, YANCEY RICHARDSON, NEW YORK, AND STEVENSON CAPE TOWN/JOHANNESBURG CAPE AND STEVENSON NEW YORK, RICHARDSON, YANCEY OF THE ARTIST, COURTESY © ZANELE MUHOLI. © ZANELE 7.10 NOV 2019 GRAND PALAIS Official Partners With the patronage of the Ministry of Culture Under the High Patronage of Mr Emmanuel MACRON President of the French Republic [email protected] - London: Katie Campbell +44 (0) 7392 871272 - Paris: Pierre-Édouard MOUTIN +33 (0)6 26 25 51 57 Marina DAVID +33 (0)6 86 72 24 21 Andréa AZÉMA +33 (0)7 76 80 75 03 Reed Expositions France 52-54 quai de Dion-Bouton 92806 Puteaux cedex [email protected] / www.parisphoto.com - Tel. +33 (0)1 47 56 64 69 www.parisphoto.com Press information of images available to the press are regularly updated at press.parisphoto.com Press kit – Paris Photo 2019 – 31.10.2019 INTRODUCTION - FAIR DIRECTORS FLORENCE BOURGEOIS, DIRECTOR CHRISTOPH WIESNER, ARTISTIC DIRECTOR - OFFICIAL FAIR IMAGE EXHIBITORS - GALERIES (SECTORS PRINCIPAL/PRISMES/CURIOSA/FILM) - PUBLISHERS/ART BOOK DEALERS (BOOK SECTOR) - KEY FIGURES EXHIBITOR PROJECTS - PRINCIPAL SECTOR - SOLO & DUO SHOWS - GROUP SHOWS - PRISMES SECTOR - CURIOSA SECTOR - FILM SECTEUR - BOOK SECTOR : BOOK SIGNING PROGRAM PUBLIC PROGRAMMING – EXHIBITIONS / AWARDS FONDATION A STICHTING – BRUSSELS – PRIVATE COLLECTION EXHIBITION PARIS PHOTO – APERTURE FOUNDATION PHOTOBOOKS AWARDS CARTE BLANCHE STUDENTS 2019 – A PLATFORM FOR EMERGING PHOTOGRAPHY IN EUROPE ROBERT FRANK TRIBUTE JPMORGAN CHASE ART COLLECTION - COLLECTIVE IDENTITY -
Members of the Cast of Fifth of July
Members of the cast Fifth July. www.ExpressGayNews.com • December 2, 2002 Q1 CYMK Q_COVERstory The Mosaic Theatre is housed in a small theater at the American Heritage High School Curtain Up on Local Theaters in Plantation. Earlier this year, it presented Durang Durang, an evening of one-act plays Nonprofit Theaters Take the Spotlight by playwright Christopher Durang and By Mary Damiano joined forces with American Heritage for a Arts & Entertainment Editor spectacular production of Titanic. “That was Like Blanche DuBois, Tennessee a fabulous production because the students Williams’ faded southern belle, non profit were working side by side with the actors,” theaters have always depended upon the he says. “Everyone was learning and that’s kindness of strangers. what the project was about,”says Simon. South Florida’s theatrical landscape Simon has a history with American has changed dramatically in recent years. Heritage—he attended high school there. When Gone are the days when theater lovers had Simon was in Chicago, the president of American to wait for the Broadway shows to tour, or Heritage contacted him and told him of the be left with a regional production of a school’s plans to build a 5 million dollar performing timeworn show. arts facility. He asked Simon if he would be Now, new theaters intent on doing interested in coming home and doing something cutting edge work are popping up all the in conjunction with the theater. time. South Florida boasts more than 25 “My mentor, Jim Usher is still here, and he theaters, doing musicals, comedies and ran the fine arts program when I was here,” says alternative works that 10 years ago would Simon. -
New African Fashion
NEW AFRICAN FASHION NAF_180411.indb 1 10.08.11 14:05 2 HELEN JENNINGS NEW AFRICAN FASHION NAF_180411.indb 2 10.08.11 14:05 Introduction PRESTEL Munich • London • New York 3 NAF_180411.indb 3 10.08.11 14:05 CONTENTS NAF_180411.indb 4 10.08.11 14:05 FOREWORD by Iké Udé 6 FACES 172 Kinée Diouf Super Model 174 INTRODUCTION 8 Alek Wek Model Citizen 178 Under cover Agents Candice Swanepoel, Behati Prinsloo and Heidi Verster 182 Armando Cabral Sole Man 184 FASHION 18 Flaviana Matata Class Act 188 Duro Olowu Prints Charming 20 Nana Keita Bamako Beauty 190 Xuly Bët Recycling Pioneer 26 The Harlem Boys Ger Duany, Salieu Jalloh Mimi Plange Afro-disiac 30 and Sy Allasane 192 Casely-Hayford Two of a Kind 32 Faces of Africa Oluchi Onweagba, FAFA Destination Nairobi 38 Kate Tachie-Menson and Lukundo Nalungwe 196 Gloria Wavamunno Loud Speaker 42 David Agbodji Man About Town 200 Amine Bendriouich Medina Maverick 44 Georgie Baddiel Ouagadougou Girl 202 Maki Oh The Thinker 46 Ty Ogunkoya Bright Eyes 206 Eric Raisina Spiritual Explorer 52 Ataui Deng & Ajak Deng Fabulous Two 208 Omer Asim & Maya Antoun Great Minds 56 Ozwald Boateng Bespoke Couturier 58 Mataano Sisters in Style 64 ART 212 Lanre Da Silva Ajayi Silver Siren 68 Karl-Edwin Guerre Fine Dandy 214 Black Coffee Bastion of Bauhaus 70 Hassan Hajjaj Arabian Knight 220 Momo Renaissance Woman 76 Chris Saunders Happy Snapper 226 Bunmi Koko Power Couple 80 Nkwo Bird of Paradise 82 Stiaan Louw (Un)traditionalist 84 Loin Cloth & Ashes Daydreamer 90 GLOSSARY Tsemaye Binitie Glamazon 94 Tiffany Amber Cruise Controller 96 & FURTHER READING 234 Buki Akib Quintessential Nigerian 102 Bridget Awosika City Slicker 106 INDEX 236 Accessories Alex Folzi, Kwame Brako, Anita Quansah, Albertus Swanepoel, Free Peoples Rebellion 108 CONTACTS 238 David Tlale Hot Ticket 114 Ré Bahia Mummy’s Girl 118 PICTURES CREDITS 239 Jewel by Lisa Star Bright 120 Emeka Alams Slave to the Rhythm 126 Suzaan Heyns Fashion’s Frankenstein 130 Deola Sagoe Queen Bee 132 A.