DOCSLIB.ORG

Music Video Is a 'TALKING HEADS WILD WILD LIFE Warner Bros

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Video Is a 'TALKING HEADS WILD WILD LIFE Warner Bros EMI AS OF Dec. 3, 1986 : deo music PROGRAMMING Ja MIl1CTHEYI1IOM This report does not include videos in recurrent or oldie rotation. Y BON JOVI LIVING ON A PRAYER Mercury/PolyGram SNEAK W W JULIA COPE WORLD SHUT YOUR MOUTH Island LIGHT C)11.1 CI ? DEBBIE HARRY FRENCH KISSIN' Geffen BREAKOUT Q (_n IRON MAIDEN STRANGER IN A STRANGE LAND Capitol BREAKOUT 0 _ DON JOHNSON HEARTACHE AWAY Epic MEDIUM 0W GRACE JONES I'M NOT PERFECT, BUT I'M PERFECT FOR YOU Manhattan LIGHT > PAUL MCCARTNEY STRANGLEHOLD Columbia BREAKOUT MEGADETH PEACE SELLS BUT WHO'S BUYING Capitol LIGHT QUIET RIOT TWILIGHT HOTEL Epic BREAKOUT BRUCE SPRINGSTEEN WAR Columbia HEAVY STABILIZERS ONE SIMPLE THING Columbia LIGHT DWEEZIL ZAPPA LET'S TALK ABOUT IT Barking Pumpkin SNEAK (J) ERIC CLAPTON IT'S IN THE WAY THAT YOU USE IT Warner Bros. 4 Of LJJ W JOHN FOGERTY CHANGE IN THE WEATHER Warner Bros. 4 W FRANKIE GOES TO HOLLYWOOD WARRIORS OF THE WASTELAND Island 2 CL CLBOB GELDOF THIS IS THE WORLD CALLING Atlantic 5 he KANSAS ALL I WANTED MCA 2 Q W THE KINKS ROCK'N ROLL CITY MCA 3 NZ STEVE MILLER BAND I WANT TO MAKE THE WORLD TURN AROUND Capitol 3 RIC OCASEK TRUE TO YOU Geffen 2 DAVID LEE ROTH THAT'S LIFE Warner Bros. 3 Shown at the "Artists on Video" panel are Warner Bros. act Ronnie James Dio, at left, and moderator Harvey Leeds, vice TINA TURNER TWO PEOPLE Capitol 5 president, promotion, Epic /Portrait /Associated Labels. (Photos: Attila Csupo). PAUL YOUNG SOME PEOPLE Columbia 3 >- CINDERELLA NOBODY'S FOOL PolyGram I 1 BILLBOARD "ARTISTS ON VIDEO" PANEL z GENESIS LAND OF CONFUSION Atlantic 2 (Co n l i n ued from preceding page) Q 0 _ < GEORGIA SATELLITES KEEP YOUR HANDS TO YOURSELF Elektra 7 Brown of the new PolyGram act part of being an artist." "As budgets go up, I find that the 0 BRUCE HORNSBY & THE RANGE THE WAY IT IS RCA 11 CC A =440 noted that there were On the question of what consti- most exciting videos are the cheap °BILLY IDOL TO BE A LOVER Chrysalis 12 "three strikes" against the medium tutes good video programming, Dio ones because you've got to come up *HOWARD JONES YOU KNOW I LOVE YOU. DON'T YOU Elektra 7 from the outset. and Brown both pointed to repeti- with a great idea instead of a great HUEY LEWIS & THE NEWS HIP TO BE SQUARE Chrysalis 5 "One is that it's a secondary art tive programming as the biggest effect," he said. "We're trying to re- MADONNA OPEN YOUR HEART Sire /Warner Bros. 4 form -it's something that is derived flaw in most TV music formats. think it in terms of making less ex- ROBBIE NEVIL C'EST LA VIE EMI 8 from music, and you have to create Defending the mix, Small said, pensive videos that we can justify, *BENJAMIN ORR STAY THE NIGHT Elektra 7 another piece of art based on a pre- "MTV to me is like radio -it's pro- either internationally, for local ca- *PRETENDERS DON'T GET ME WRONG Warner Bros. 9 vious thing. It's also expensive, so if grammed, and they're only going to ble shows, or for clubs, and not put ROD STEWART EVERY BEAT OF MY HEART Warner Bros. 7 you fail doing it, you've had an ex- play what's on the charts. If it's a all the eggs in the MTV basket." SURVIVOR IS THIS LOVE Scotti Bros. /CBS Associated 5 pensive failure. strange video that's not getting air- As to whether music video is a 'TALKING HEADS WILD WILD LIFE Warner Bros. 13 "The third is thing that with the play, hey, it's gonna be hard to keep negative influence on children, as TIMBUK 3 THE FUTURE'S SO BRIGHT, I GOTTA WEAR SHADES I.R.S. 15 rush as the video age came in, we it in rotation on MTV. the Parents Music Resource Center VAN HALEN BEST OF BOTH WORLDS Warner Bros. 3 saw all the established artists get "We're in that state, and I don't (PMRC) claims, Dio and Sparrow/ 'WANG CHUNG EVERYBODY HAVE FUN Geffen 10 their feet wet. Then some of them, a think it's ever gonna change," he Capitol recording artist Steve Tay- la Journey, were saying, 'You know, added. "What I think the record lor both said that video's impact has W Z CHEAP TRICK ITS ONLY LOVE Epic 4 we'd rather be making music like companies have to do is only make been blown far out of proportion. THE ROBERT CRAY BAND SMOKING GUN PolyGram 4 we have for a long time.' All three videos of going to be I-1- songs that are "It gets down to the industry < DAVID & DAVID SWALLOWED BY THE CRACKS A &M 2 of these factors have created this hits." cleaning up," Dio added. "The o itself 0 'DURAN DURAN NOTORIOUS Capitol 6 little dip in the video excitement." Gold suggested that less costly PMRC should just be negated and EUROPE THE FINAL COUNTDOWN Epic 23 Added Brown: "A lot of new videos may be the best way up of tak- not even thought about. It's to *EURYTHMICS THORN IN MY SIDE RCA 9 bands are growing up seeing that ing the form out of the hands of the artists and the companies them- GLASS TIGER SOMEDAY EMI 6 the video challenge is just a larger monolithic programmers. selves." CYNDI LAUPER CHANGE OF HEART Epic 3 OMD (FOREVER) LIVE AND DIE A &M 11 RATT DANCE Atlantic 6 SMITHEREENS BEHIND THE WALL OF SLEEP Enigma 8 New Videoclips VINNIE VINCENT INVASION BOYZ ARE GONNA ROCK Chrysalis 5 M z BLACK'N'BLUE I'LL BE THERE FOR YOU Geffen 3 0 CHICAGO WILL YOU STILL LOVE ME Warner Bros. 5 This weekly listing of new video - I'll Be There For You Warriors Of The Wasteland Its I- Nasty. Nasty /Geffen Liverpool /Island W < FINE YOUNG CANNIBALS EVER FALLEN IN LOVE MCA 5 clips generally available for pro- Bill Sisca, Kris Mathur /Avatar Films Equinox Army Studios M I- JANET JACKSON CONTROL A &M 4 Bill Sisca Nick Burgess Jones 0 gramming and /or promotional CC LOVE & ROCKETS ALL IN MY MIND Big Time 5 purposes includes artist, title, al- BON JOVI ARETHA FRANKLIN bum (where applicable). label, pro- Living On A Prayer Jimmy Lee JOHN PARR BLAME IT ON THE RADIO Atlantic 2 Slippery When Wet /Mercury /PolyGram Aretha Arista THE RAINMAKERS DOWNSTREAM Mercury /PolyGram 6 ducer /production house, director. George J. Roewe 111 Frank Hilton /MGMM Please send information to Bill- Wayne !sham Brian Grant WORLD PARTY SHIP OF FOOLS Chrysalis 2 board, New Videoclips, 1515 BOOMERANG KENNY G. Broadway, New York, N.Y 10036'. These Boots Are Made For Walkin' Songbird I- Z CROWDED HOUSE NOW WE'RE GETTING SOMEWHERE Capitol 2 Boomerang /Atlantic Duotones /Arista 0 DEAD OR ALIVE BRAND NEW LOVER Epic 6 Chip Miller /Focus Filmgroup Peter Lippman /The Company O BANANARAMA Martin Abrahams Peter Lippman Q< DEPECHE MODE BUT NOT TONIGHT Warner Bros. 4 Trick Of The Night JULIAN COPE PETER HIMMELMAN LLI ARETHA FRANKLIN JIMMY LEE Arista 2 True Confessions /London /Polygram CC 0cc Alastair Bates /Limelight Film World Shut Your Mouth Eleventh Confession CO PET SHOP BOYS SUBURBIA EMI 7 Peter Care Julian Cope /Island This Father's Day /Island John Mills Jim Hershleder, Peter Himmelman GEORGE THOROGOOD NIGHT TIME EMI 4 BLACK AND BLUE Jim Hershleder WOODENTOPS GIVE IT TIME Columbia 4 FRANKIE GOES TO HOLLYWOOD IT'S IMMATERIAL ZEBRA CAN'T LIVE WITHOUT Atlantic 3 Space Siren Alastair Bates /Limelight I- Z BIG AUDIO DYNAMITE C'MON EVERY BEATBOX Columbia 6 Peter Care 0 FASTWAY AFTER MIDNIGHT Columbia 4 TAO JONES __j Q GENE LOVES JEZEBEL DESIRE Geffen 7 F- PROMOTIONAL All Night Long 4 0 PETER HIMMELMAN 11TH CONFESSION Island Magnum Opus cc Anne Stone/Stonecraft Co. ROBYN HITCHCOCK & THE EGYPTIANS RAYMOND CHANDLER EVENING Relativity 3 Bob Coffey HUNTERS & COLLECTORS IS THERE ANYBODY IN THERE I.R.S. 4 THE POINTER SISTERS JOAN JETT & THE BLACKHEARTS GOOD MUSIC Epic 4 MUSIC VIDEO Goldmine and other Hot Together/ RCA MARTI JONES CHANCE IN A LIFETIME A &M 4 Available on 1 Hour Tape Compilations to colleges, nite clubs, Simon Straker /Pendulum Productions THE LUCY SHOW A MILLION THINGS Big Time 3 public venues throughout America. Tony Greco NEW MODEL ARMY 51ST STATE Capitol 3 We provide: Newest Releases Call us today to see if you BRUCE SPRINGSTEEN Quick Service qualify to receive promotional War PRICE -SULTON SHOTGUN SHY CBS 2 on a monthly basis. Bruce Springsteen & the E. Street Band Live/1975-85 RAGE TO LIVE ENOUGH IS NEVER ENOUGH Bar None 2 Highest Quality videos Thrill Hill Productions Low Cost Arthur Rosato SAXON NORTHERN LADY Capitol 2 Denotes Sneak Preview Recurrent. MTV Exclusive. L'aurzene£ Entezp.zi.ses, ffne. Dial (201) 667 -7575 For further information, contact Jeanne Yost, director of music programming, #1 way of staying on top of video music MTV, 1775 Broadway, New York, N.Y. 10019. 42 BILLBOARD DECEMBER 13, 1986 www.americanradiohistory.com.
Load more

Recommended publications
  • Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
    ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987.
    [Show full text]
  • Gideon Ponte Production Designer
    ECHO ARTISTS LTD UNIT 3 DE BEAUVOIR BLOCK 92-96 DE BEAUVOIR ROAD LONDON N1 4EN +44 (0) 203 567 0777 WWW.ECHOARTISTS.COM GIDEON PONTE PRODUCTION DESIGNER FILM/TELEVISION FILTH + WISDOM Director: Madonna Producer: Semtex Films, HSI London + IFC Films Nominated, Best Feature, Berlin International Film Festival (2008) NACHO LIBRE Director: Jared Hess Producer: Paramount Pictures + Nikelodeon Movies THE NOTORIOUS BETTIE PAGE Director: Mary Harron Producer: HBO Films + Killer Films Nominated, Best Feature, Berlin International Film Festival (2006) THE DANGEROUS LIVES OF ALTAR BOYS Director: Peter Care Producer: Egg Pictures, IEG + Trilogy Entertainment Group Winner, Best First Feature, Film Independent Spirit Awards (2003) HAMLET Director: Michael Almereyda Producer: Double A Films, Channel Four Films + Miramax Nominated, Sutherland Award First Feature Competition, London Film Festival (2018) AMERICAN PSYCHO Director: Mary Harron Producer: Lionsgate Films, Muse Productions + Universal Pictures BUFFALO ‘66 Director: Vincent Gallo Producer: Lionsgate Films + Muse Productions Nominated, Best Foreign Independent Film, BIFAs (1999) Nominated, Best Feature Film, Film Independent Spirit Awards (1999) Nominated, Grand Jury Prize – Dramatic, Sundance Film Festival (1998) I SHOT ANDY WARHOL Director: Mary Harron Producer: Playhouse International Pictures, The Samuel Goldwyn Company + Killer Films Nominated, Golden Camera, Cannes Film Festival (1997) Nominated, Best First Feature, Film Independent Spirit Awards (1997) Nominated, Grand Jury Prize – Dramatic, Sundance Film Festival (1996) DIRECTORS / COMMERCIALS GLEN LUCHFORD Fenty x Puma, Gucci Ouverture, Gucci Bloom, Gucci Memoire, Gucci Guilty, Hugo Boss DAVID SIMS Palace x Machino, Balenciaga, Alexander McQueen STEVEN KLEIN Gucci Tailoring FW16, Dolce & Gabana STEVEN MEISEL Dolce & Gabana, Balenciaga KARL LAGERFELD Chanel DIRECTORS / MUSIC VIDEOS STEVEN KLEIN Lady Gaga “Marry The Night”, Lady Gaga “Alejandro” BIG TV Lauryn Hill “Doo Wop (That Thing” Winner, Best Art Direction in a Video, MTV Video Music Awards (1999) .
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • JEFF CRONENWETH, ASC Director of Photography
    JEFF CRONENWETH, ASC Director of Photography o f f i c i a l w e bs i te FEATURES/ TV (partial list) BEING THE RICARDOS Amazon Studios Dir: Aaron Sorkin Prod: Desi Arnaz, Jr., Stuart M. Besser *TALES FROM THE LOOP (Pilot) Amazon Studios Dir: Mark Romanek Trailer Prod: Matt Reeves, Nathaniel Halpern A MILLION LITTLE PIECES Warner Bros. Dir: Sam Taylor-Johnson Trailer Prod: John Wells GONE GIRL 20th Century Fox Dir: David Fincher Trailer Prod: Reese Witherspoon, Ceán Chaffin HITCHCOCK Fox Searchlight, Dir: Sacha Gervasi Trailer Montecito Picture Co. Prod: Tom Pollock, Ivan Reitman **THE GIRL WITH THE DRAGON TATTOO Sony Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Ceán Chaffin ***THE SOCIAL NETWORK Columbia Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Michael De Luca ONE HOUR PHOTO Fox Searchlight Dir: Mark Romanek Trailer Prod: Christine Vachon, Pam Koffler DOWN WITH LOVE 20th Century Fox Dir: Peyton Reed Trailer Prod: Dan Jinks, Bruce Cohen K-19 Paramount, Dir: Kathryn Bigelow Trailer Intermedia Prod: Kathryn Bigelow, Christine Whitaker FIGHT CLUB 20th Century Fox Dir: David Fincher Trailer Prod: Art Linson, Cean Chaffin *2020 Emmy Award Nominee – Outstanding Cinematography for a Single-Camera Series (One Hour) **2011 Academy Awards Nominee – Best Cinematography **2011 American Society of Cinematographers Awards Nominee – Best Cinematography ***2010 Academy Awards Nominee – Best Cinematography ***2010 American Society of Cinematographers Awards Nominee – Best Cinematography, Feature Film COMMERCIALS (partial list) EA
    [Show full text]
  • LINE POSTMYR CV +1.213.280 4600 / +34.660199201 PRODUCER 2.2.2021 [email protected]
    LINE POSTMYR CV +1.213.280 4600 / +34.660199201 PRODUCER 2.2.2021 [email protected] COMMERCIALS PROD CO DIRECTOR AT&T MJZ FREDRIK BOND LEXUS JOJX ACE NORTON BOOKING.COM MJZ FREDRIK BOND GMC MJZ DANTE ARIOLA HEWLETT PACKARD MJZ LONDON FREDRIK BOND APPLE MJZ FREDRIK BOND MILLER LITE SOMESUCH DANIEL WOLFE KAYAK SPANG/SMILE AMBER SCHAEFER GET OUT THE VOTE RADICAL MEDIA JODIE FOSTER IBM MJZ FREDRIK BOND FRONTIER MJZ PERLORIAN BROTHERS IBM MJZ FREDRIK BOND ALTICE MJZ PERLORIAN BROTHERS HULU MJZ FREDRIK BOND ZELLE MJZ PERLORIAN BROTHERS HALOS MJZ PERLORIAN BROTHERS GILLETTE RADICAL MEDIA SEBASTIAN STRASSER APPLE DIRECT RADICAL MEDIA LEONARDO DALLESANDRI TOYOTA ICONOCLAST PAUL GAUSEBROEK CADILLAC INDEPENDENT MEDIA JANUSZ KAMINSKI APPLE RADICAL MEDIA RALF SCHMERBERG ACURA/STARWARS VR RADICAL MEDIA SEBASTIAN STRASSER NBA ICONOCLAST WE ARE FROM LA GOOGLE PHONE DIRECTORS BUREAU MELODIE McDANIEL LG MJZ FREDRIK BOND BUD LIGHT MJZ FREDRIK BOND NATIONWIDE MJZ FREDRIK BOND ACURA MJZ FREDRIK BOND NIKE HSI THE MALLOYS SAMSUNG DIRECTOR’S BUREAU TODD SELBY GOOGLE MJZ HOFFMAN/METOYER LEVIS MJZ FREDRIK BOND ORANGE IRENE/SONNY LONDON FREDRIK BOND COMCAST MJZ FREDRIK BOND WALGREENS SUPPLY&DEMAND ROBERT LOGEVALL KIA MJZ CARL ERIK RINSCH NJOY SUPPLY/DEMAND ROBERT LOGEVALL CENTRUM MJZ CARL ERIK RINSCH MOEN MJZ CARL ERIK RINSCH FOOTJOY BOB INDUSTRIES BRAD PARKER K-MART BOB INDUSTRIES ZACH MATH iPHONE ICONOCLAST/RESET SO ME FACEBOOK HOME MJZ FREDRIK BOND DIET COKE MJZ FREDRIK BOND CAPRI SUN @RADICAL JOAKIM REVEMAN PISTACHIOS(Psy) MOTION THEORY MATHEW CULLEN LINE POSTMYR CV +1.213.280 4600 / +34.660199201 PRODUCER 2.2.2021 [email protected] COMMERCIALS cont.
    [Show full text]
  • The Dysphoric Style in Contemporary American Independent Cinema David C
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ......................
    [Show full text]
  • Russell Swanson Resume 2017
    41 Union Square West, Suite 435 | New York, NY 10003 | 212.924.8505 Russell Swanson Director of Photography Films Arias with a Twist Working Pictures - Dir. Bobby Sheehan Tonight and Every Night Waif & Stray - Dir. Christina Eliopolous Cayman Went Working Pictures - Dir. Bobby Sheehan Anna and the Asteroid Well Read Doofus - Dir. Scott Sherman Carine & Gigi in Bed Jed Root - Dir. Marco & Maria Anything For You Celsius Pictures - Dir. Laura Belsey Nowhere Fast No Smoke - Dir. Adam Jone Television Last Week Tonight with John Oliver; S. 1-3 HBO - Various dirs. Dr. Who (NYC DP); NYC episode BBC - Dir. Nigel Kidd Party; Pilot MTV - Dir. Pam Thomas Late Show with Stephen Colbert; Promos CBS SNL Opening NBC NFL on TNT; Promo TNT Monster High; Promo Disney Person of Interest; S. 2 (1 episode) CBS Documentaries: DGA Doc. Celsius Pictures - Dir. Glenn Trottinger Motor City Rising Ovation TV - Dir. Bobby Sheehan Bar d’O Working Pictures - Dir. Bobby Sheehan Truth in Motion Anonymous Pictures - Dir. Brett Morgen Jeff Koons - Beyond Heaven Ovation TV - Dir. Bobby Sheehan Listen to the World Ovation TV - Dir. Bobby Sheehan Mr Prince Ovation TV - Dir. Sara Sheehan Gonzo Music Diaries Universal Beef - Dir. Roy Szuper The Incomparable Rose Hartman (addl. DP) Artists Company - Dir. Otis Mass Commercials Coca Cola, Mercedes Benz, Nissan, Ford, Reebok, Nike, Dodge, Toyota, Garnier, McDonald’s, American Express, Levi’s, MAC, Verizon, Sprint, AARP, Dairy Queen, United Airlines, Southwest Airlines, NY Knicks, NY Rangers, Keurig, Sears, Red Stripe, Subway, Crest
    [Show full text]
  • Fandango Portobello
    Presents WIENER-DOG A film by Todd Solondz (90 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia SHORT SYNOPSIS From director Todd Solondz, WIENER-DOG is a dark, starkly funny story of a single dog and the many different people she touches over her short lifetime. Man’s best friend starts out teaching a young boy some contorted life lessons before being taken in by a compassionate vet tech named Dawn Wiener. Dawn reunites with someone from her past and sets off on a road trip. After leaving Dawn, Wiener-Dog encounters a floundering film professor, as well as an embittered elderly woman and her needy granddaughter—all longing for something more. Solondz’s perversely dark comedy offers an appallingly honest look at the American experience, brought to life by its all- star cast. DIRECTOR'S STATEMENT I love dogs and would love one of my own, the only problem being that I don't like walking them or feeding them or cleaning them or having to stay home because of them. When I was a child we (my family) went through a lot of them, and they never lasted very long. Todd Solondz ABOUT THE PRODUCTION DINA It’s sad, but true. We’re a dog’s only friend. Writer/Director Todd Solondz’s idiosyncratic comedies force his audiences to explore the difficult truths of the human existence.
    [Show full text]
  • The Dangerous Lives of Altar Boys
    Kinderfilm/IFB 2003 THE DANGEROUS LIVES OF ALTAR BOYS LOST HEAVEN PARADIS PERDU Regie:Peter Care USA 2001 Darsteller Pater Casey Vincent D’Onofrio Länge 104 Min. Schwester Assumpta Jodie Foster Format 35 mm, 1:1.85 Francis Doyle Emile Hirsch Farbe Tim Sullivan Kieran Culkin Wade Scalisi Jake Richardson Stabliste Joey Anderson Tyler Long Buch Jeff Stockwell Margie Flynn Jena Malone Michael Petroni, Donny Flynn Arthur Bridges nach dem Roman Newsie Scott Simpson von Chris Fuhrman Mrs.Doyle Melissa McBride Kamera Lance Acord Mr.Doyle Mike Harding Kameraführung Mark J.Rainsford Forscher Chandler McIntyre Kameraassistenz Jamie Felz Prof.Sullivan Jeffrey West Animation Todd McFarlane Mrs.Sullivan Yvonne Erickson Schnitt Chris Peppe Colin Gibbney Nicky Olson Ton Doug Cameron Jay Flynn Carson Pigott Mischung Carl Rudisill Musik Marco Beltrami Production Design Gideon Ponte Ausstattung Geoffrey S.Grimsman Emile Hirsch, Kieran Culkin, Jake Richardson,Tyler Long Requisite Jim Ferrell Spezialeffekte Michael Schorr Kostüm Marie France LOST HEAVEN Maske Lynn Barber Georgia in den 70er Jahren. In einer katholischen Schule führen Pater Casey Regieassistenz Scott Cameron und Schwester Assumpta ein strenges Regiment. Beten, lernen, gehorsam Casting Laray Mayfield sein und auf keinen Fall herumträumen, lautet das Bildungsideal, gegen das Produktionsltg. Tim Harbert der 13-jährige Tim und sein Freund Francis Sturm laufen. Die beiden ver- Produzenten Meg Lefauve Jay Shapiro treiben sich lieber ihre Zeit mit Selbstversuchen im Trinken von Alkohol, Jodie Foster gefährlichen Mutproben und vor allem mit ihrem Comic „Atomic Trinity“, in Executive Producers Graham King den die Jungen den ganzen Frust einarbeiten. Guy McElwaine Dann verliebt sich Francis in Margie und die Freundschaft der Jungen droht John Watson zu zerbrechen.
    [Show full text]
  • Power to the People: British Music Videos 1966 - 2016
    Power To The People: British Music Videos 1966 - 2016 200 landmark music videos TRL314A_BKLT_R2018.indd 1 17/01/2018 12:46 Disc 1 contains Performance Videos - a genre which has its roots in mid-1960s films such Power To The People: as A Hard Day’s Night (1964). The core deceit of the performance video is that the band British Music Videos 1966 - 2016 do not perform the track live for filming but mimic performance by singing and playing their instruments in synch to audio playback of the track. Some bands and directors Introductory Essay by the curator Professor Emily Caston have rebelled against this deception to create genuine live performance videos such as Joy Division’s ‘Love Will Tear Us Apart’ (1980). There are precedents for the styles used in pre-1966 video jukebox and other short film clips. Directors who excelled in the performance genre often came from a music or record company background, or came This is a collection of some of the most important and influential music videos made in to video directing through album design. Britain since 1966. It’s the result of a three-year research project funded by the Arts and Humanities Research Council and run in collaboration with the British Film Institute and From the 1980s onwards video directors fashioned more and more original locations the British Library. The videos were carefully selected by a panel of over one hundred and devices for those artists who were willing to experiment with the performance directors, producers, cinematographers, editors, choreographers, colourists and video genre: Tim Pope & The Cure’s ‘Close To Me’ (1985), Sophie Muller & Blur’s ‘Song 2’ commissioners.
    [Show full text]
  • Central Florida Future, Vol. 19 No. 31, December 11, 1986
    University of Central Florida STARS Central Florida Future University Archives 12-11-1986 Central Florida Future, Vol. 19 No. 31, December 11, 1986 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 19 No. 31, December 11, 1986" (1986). Central Florida Future. 674. https://stars.library.ucf.edu/centralfloridafuture/674 r: Wrnter only ten days away; get ready for above freezing temperatures Thu day, December 11, 1986 The Central Florida Future Volume 19 Number 31 University of Central Florida/Orlando Twelve pages UCF preserve saves plants and trees by Jackie Miltner bridges, and planted items CENTRAL FLORIDA FUTURE. such as the endangered . Florida needle palms,'' said Cecie Catron, chairwoman of On the east side of campus, the arboretum project for the opposite the greenhouse and biology club. portable classsrooms, is About five of the 12 acres UCF's arboretum, meaning currently dedicated to the "tree place." arboretum have been The arboretum is a semi­ developed since Whittier and structured, natural the biology club began in environment consisting of November 1985. rare and endangered native Land owners in Oviedo Florida plants, as well as recently gave Whittier other kinds of plants found in permission to remove the U.S.
    [Show full text]
  • SIF and the Emergence of Independent Film and Video in Sheffield
    SIF and the emergence of independent film and video in Sheffield WILSON, Alex Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/16221/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/16221/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. SIF AND THE EMERGENCE OF INDEPENDENT FILM AND VIDEO IN SHEFFIELD ALEX GLEN WILSON (STUDENT NUMBER: 25042732) A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS OF SHEFFIELD HALLAM UNIVERSITY FOR THE DEGREE OF MASTER OF RESEARCH BY HISTORY OCTOBER 2016 1 ABSTRACT The purpose of this thesis is to investigate the emergence and development of independent film and video culture in Sheffield using a case study of the Sheffield Independent Film group (SIF) as a lens through which to frame the moving image community of the period loosely defined, 1976-1985. The study will ask: what were the enablers for SIF’s establishment? Who were the primary figures and filmmaking groups at its centre, and what types of production were being made? How did SIF’s strategy evolve during this period? What was the relationship between production in Sheffield and the wider British film and video of the time? What role did local and national government policy play in developing a moving image culture in the city? As the second half of the 1980s begin, what future did SIF and its members face? Answers to these questions will enable new light to be shed on the relationship between regional film and video development policy and entrepreneurial activity in the cultural industries and, for the first time, unveil the neglected history of an independent moving image praxis in South Yorkshire.
    [Show full text]