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Turkish-Bible-History-Version-S-In-Preparation.Pdf
A History of Turkish Bible Translations Annotated chronology with historical notes and suggestions for further research © Bruce G. Privratsky, Ph.D. With thanks to all who have suggested corrections of previous editions Please cite: Version “S” – April 2014 Download updated versions from: http://historyofturkishbible.wordpress.com/ Send evaluations and corrections to: [email protected] Table of Contents Introduction Chapter 1: Turkish in Arabic Letters (Ottoman Turkish, Osmanlıca) Chapter 2: Turkish in Hebrew Letters (Hebræo-Turkish) Chapter 3: Turkish in Greek Letters (Græco-Turkish, Karamanlıca) Chapter 4: Turkish in Armenian Letters (Armeno-Turkish) Chapter 5: Turkish in Latin Letters (Modern Turkish, Yeni Türkçe) Chapter 6: Turkish in Cyrillic Letters (Bulgarian Turkish) Chapter 7: Non-Turkish languages of Anatolia and Rumelia Chapter 8: History of the Koran in Turkish translation: A Brief Excursus Appendix I: A list of all Turkish Bibles and Bible portions in strict chronological order but without annotations Appendix II: Turkish versions of the Lord’s Prayer Appendix III: Sample comparisons of Ali Bey’s Bible manuscript with Haki’s text and with the first printed Turkish Bible Appendix IV: The life of Wojciech Bobowski (Ali Bey), the first successful translator of the Turkish Bible, as a slave and free man Appendix V: An overview of slavery in the 17th-century Ottoman Empire, without which the life of Ali Bey cannot be understood 2 Introduction The Turkish1 Bible has a history almost as old as the English, French and German Bibles of the Protestant Reformation. Two Turkish translations of the Bible were completed 350 years ago. The first was a draft manuscript by Yahya b. -
The Patriarch Nikon of Moscow, the Prince Mihnea III Radu of Walachia and the Great Church of Constantinople1
chapter 9 Orthodoxy and Politics: The Patriarch Nikon of Moscow, the Prince Mihnea III Radu of Walachia and the Great Church of Constantinople1 Ovidiu Olar Even a fool, if he questioneth about wisdom, shall be counted wise … Prov. 17: 28 ∵ “Warnerus hath been my condiscipulus at Bremen, found always a very honest and studious man, and a singular lover of ye oriental tongues”—that is how Henry Oldenburg, the first secretary of the Royal Society, portrayed the Dutch Resident in İstanbul in a letter dated November 19, 1659.2 Undoubtedly, the testimonial was accurate.3 After publishing several tracts, which substantiated a solid scholarly reputation, the Lippe-born, Leiden-educated Levinus Warner had chosen to head east, towards the spellbinding capital of the Ottoman Empire (1644). Turning his back on the comfort of an academic career, and in 1 I would like to express my sincere gratitude to the Scaliger Institute (Leiden). The present re- search would not have been possible without the Fellowship granted in September–October 2009. Particular thanks are due to Prof. Dr. Harm Beukers, to Kasper van Ommen, MA, and to Dr. Arnoud Vrolijk. Their warm welcome and constant support facilitated tremendous- ly my use of the Special Collections of the Leiden University Library. My thanks also go to Mrs Manuela Mihuţ, Mrs Vera Tchentsova, and Mr Andrei Pippidi for their valuable comments. 2 The Correspondence of Henry Oldenburg I, 1641–1662, ed. Alfred Rupert Hall and Marie Boas Hall (Madison, WI; London: University of Wisconsin Press, 1965), 281 (Oldenburg to Samuel Hartlib). 3 For Warner and his achievements, see Wilhelmina Maria Cornelia Juynboll, Zeventiende- eeuwsche beoefenaars van het Arabisch in Nederland (Utrecht: Kemink & Zoon, 1931), 222– 234; Levinus Warner and His Legacy. -
Ali Ufkî Bey (Wojciech Bobowski) – Well-Known Musician, Forgotten Political Figure
Stosunki Międzynarodowe – International Relations ISSN 0209-0961 nr 1 (t. 52) 2016 doi: 10.7366/020909611201614 Ali Ufkî Bey (Wojciech Bobowski) – Well-Known Musician, Forgotten Political Figure. A Luminary in the 600 Years of Turkish–Polish Diplomatic Relations1 İpek Aynuksa University of Warsaw In 2014, Turkey and Poland celebrated the 600th anniversary of the establishment of their diplomatic relations. The six-century-old relations have been full of ne- gotiations, agreements, peaceful times and conflicts, commercial ties and cultural interplay. Among the cultural interactions, many figures have played important roles for the cultural and political history of both countries. Ali Ufkî Bey (Wojciech Bobowski) (1610?–1675?) is certainly one of those personalities who deserve more scholarly debate. From a historical perspective, his contributions in the fields of culture, diplomacy, music, theology and linguistics illustrate how important the role of an individual as a non-state actor might be in the discipline of International Relations (IR), which constitutes the main focus of this article. Ali Ufkî (Bobowski) is certainly one of those individuals whose contributions need to be analysed in a profound manner, with special emphasis on inter-religious and inter-cultural dialogue. This article also aims at accentuating the historic importance of the 600 years of diplomatic ties in today’s foreign policy making process, which might be the subject of further study in IR. Keywords: Turkey, Poland, 600 years, Ali Ufkî Bey (Wojciech Bobowski), role of individual in IR, inter-cultural and inter-religious dialogue, cultural diplomacy, area studies. İpek Aynuksa – PhD Student, University of Warsaw, career diplomat at the Ministry of Foreign Affairs of the Republic of Turkey. -
Arab Scholars and Ottoman Sunnitization in the Sixteenth Century 31 Helen Pfeifer
Historicizing Sunni Islam in the Ottoman Empire, c. 1450–c. 1750 Islamic History and Civilization Studies and Texts Editorial Board Hinrich Biesterfeldt Sebastian Günther Honorary Editor Wadad Kadi volume 177 The titles published in this series are listed at brill.com/ihc Historicizing Sunni Islam in the Ottoman Empire, c. 1450–c. 1750 Edited by Tijana Krstić Derin Terzioğlu LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: “The Great Abu Sa’ud [Şeyhü’l-islām Ebū’s-suʿūd Efendi] Teaching Law,” Folio from a dīvān of Maḥmūd ‘Abd-al Bāqī (1526/7–1600), The Metropolitan Museum of Art. The image is available in Open Access at: https://www.metmuseum.org/art/collection/search/447807 Library of Congress Cataloging-in-Publication Data Names: Krstić, Tijana, editor. | Terzioğlu, Derin, 1969- editor. Title: Historicizing Sunni Islam in the Ottoman Empire, c. 1450–c. 1750 / edited by Tijana Krstić, Derin Terzioğlu. Description: Boston : Brill, 2020. | Series: Islamic history and civilization. studies and texts, 0929-2403 ; 177 | Includes bibliographical references and index. -
La Porta D'oriente
la porta d‘oriente marco beasley kiya tabassian constantinople Marco Beasley voice Kiya Tabassian setar, voice Didem Basar¸ kanun Tanya LaPerrière baroque violin Stefano Rocco archlute, baroque guitar Fabio Accurso lute Patrick Graham percussion Elinor Frey baroque cello Kiya Tabassian direction la porta d‘oriente 1 Dalla porta d’Oriente Giulio Caccini (c 1551-1618) 5:02 10 Versi Hafez (c 1325-c 1390) & Torquato Tasso 0:52 Nuove Musiche e nuova maniera di scriverle (Florence, 1614) Ghazal 3 & Gerusalemme liberata XII. 59-61 2 Zarb-e Fath (instr.) Ali Ufki (c 1610-1675) 3:57 11 Dialogo dei duellanti Claudio Monteverdi 1:46 MS Turc 292, National Library of France, Paris Combattimento di Tancredi e Clorinda (Venice, 1624) 3 Quest’amore, quest’arsura Claudio Saracini (1586-1630) 4:55 12 La Canella (instr.) Pietro Paolo Borrono (1490-1563) 2:49 Le Seconde Musiche per cantar e sonar (Venice, 1620) Lautentabulaturen BSB-Hss Mus.ms 266 4 Che si può fare? Barbara Strozzi (1619-1677) 8:11 13 La campana sona! (tarantella) Anonymous (16th c.) 3:14 Arie a voce sola, op. 8 (Venice, 1664) 14 Samai Frenci Ali Ufki 1:45 5 Uyan ey Gözlerim Ali Ufki 5:39 MS Turc 292, National Library of France, Paris MS Turc 292, National Library of France, Paris 15 Samai Nishaburak (instr.) Ali Ufki 3:24 6 Prologo alla Notte Torquato Tasso (1544-1595) 1:21 MS Turc 292, National Library of France, Paris Gerusalemme liberata XII. 52-54 16 Como sencza la vita (tarantella, Naples) Anonymous 3:12 7 Notte, che nel profondo Claudio Monteverdi (1567-1643) 3:17 Combattimento di -
Rolling Stones Do Gather: MS Istanbul Aya Sofya 3610 and Its Collection of Mineralogical Texts
Lucia Raggetti Rolling Stones Do Gather: MS Istanbul Aya Sofya 3610 and Its Collection of Mineralogical Texts Abstract: In the multiple-text manuscript (MTM) Istanbul Aya Sofya 3610, around a peculiar recension of the Pseudo-Aristotle On Stones, a constellation of texts dealing with stones, mineral and their use has gathered. This collection of texts represents an anthology of many different streams of tradition received in the early Abbasid time by the Arabo-Islamic cultural milieu, alongside with some of original compositions from the same period inspired by the reception of ancient and late-antique knowledge. The comparison with another MTM on stones, Paris BnF 2775, shows the formation of clusters of texts around a central one―that becomes the driving force of the collection―and their circulation as such. The focus on the layout and other codicological features of Aya Sofya 3610 reveals an interest for some of these technical materials in the late Mamluk time and hints at their possible inclusion in the Mamluk curriculum. 1 The collection of texts The multiple-text manuscript (MTM) Istanbul Aya Sofya 3610 transmits the most inclusive version of the Pseudo-Aristotle (hereafter Ps. Aristotle) On Stones, along with a number of other technical texts about stones, minerals, and their manipulation.1 The elements of its textual architecture represent a summa of the different streams of tradition collected in the early Abbasid period (ninth to tenth centu- ry), deeply embedded in the multilingual atmosphere of the translation move- ment. These texts deal with minerals, stones, talismans, amulets, and mineral ingredients for medicine and alchemy. -
Dissertation Final Draft
Copyright © 2012 John Jin Gill All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation or instruction. THE EVANGELICALISM OF ALEXANDER CARSON A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by John Jin Gill May 2012 APPROVAL SHEET THE EVANGELICALISM OF ALEXANDER CARSON John Jin Gill Read and Approved by: __________________________________________ Michael A. G. Haykin (Chair) __________________________________________ David L. Puckett __________________________________________ Thomas J. Nettles Date______________________________ TABLE OF CONTENTS Page LIST OF ABBREVIATIONS . vi PREFACE . vii Chapter 1. INTRODUCTION . 1 Carson’s Gospel-centered Evangelicalism . 1 The Life of Alexander Carson . 8 2. ALEXANDER CARSON ON THE BIBLE . 36 Context of the Apocrypha Controversy . 37 Carson’s Doctrine of Plenary Verbal Inspiration . 42 Defense of Plenary Inspiration . 42 The nature and extent of inspiration can only be learned from Scripture . 43 Carson’s rejection of novel criteria for distinguishing between inspired and uninspired biblical texts . 49 Defense of Plenary Verbal Inspiration . 58 The manner and matter of Scripture . 61 Degrees of inspiration . 64 Principle of necessity . 67 Variant readings of Scripture not contradictory to plenary verbal . 69 iii Chapter Page Carson’s Views on Bible Translation . 71 Controversy over Ali Bey’s Turkish New Testament . 71 Controversy the British and Foreign Bible Society over the Translation of βαπτίζω . 81 Carson on the Divine Preservation of the Bible . 88 Conclusion . 94 3. ALEXANDER CARSON ON THE CROSS . -
Old New Unknown
Charlotta Forss Charlotta Forss The Old, the New and the Unknown This thesis investigates early modern ways of looking at the world through an analysis of what the continents meant in three settings of knowledge making in seventeenth-century Sweden. Combining text, maps and images, the thesis anal- yses the meaning of the continents in, frst, early modern scholarly ‘geography’, second, accounts of journeys to the Ottoman Empire and, third, accounts of journeys to the colony New Sweden. The investigation explores how an under- standing of conceptual categories such as the continents was intertwined with processes of making and presenting knowledge. In this, the study combines ap- proaches from conceptual history with research on knowledge construction and circulation in the early modern world. The thesis shows how geographical frameworks shifted between settings. There was variation in what the continents meant and what roles they could fll. Rather THE than attribute this fexibility to random variation or mistakes, this thesis inter- The Old, the New and Unknown OLD prets fexibility as an integral part of how the world was conceptualized. Reli- gious themes, ideas about societal unities, defnitions of old, new and unknown knowledge, as well as practical considerations, were factors that in different way shaped what the continents meant. THE NEW A scheme of continents – usually consisting of the entities ‘Africa,’ ‘America,’ ‘Asia,’ ‘Europe’ and the polar regions – is a part of descriptions about what the world looks like today. In such descriptions, the continents are often treated as existing outside of history. However, like other concepts, the meaning and sig- nifcance of these concepts have changed drastically over time and between con- AND THE texts. -
A Selection for the Harjah Amadan Xhibition
A Selection for the !harjah "amadan #xhibition on display from !" April until # May !$!% at Sharjah Publishing City ’t Goy, !e Netherlands Vienna, Austria "#"$ FORANTIL UARIAUMAT A Selection for the !harjah "amadan #xhibition on display from $% April until & May $'$( at Sharjah Publishing City ’t Goy, !e Netherlands Vienna, Austria "#"$ Items jointly o4ered for sale by Antiquariaat FORUM, ‘t Goy, !e Netherlands Antiquariat INLIBRIS, Vienna, Austria Extensive descriptions and images available on request All o4ers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are 5678 (9). Postage and insurance are not included. :;< is charged at the standard rate to all 56 customers. 56 customers: please quote your :;< number when placing orders. Preferred mode of payment: in advance, wire transfer or bankcheck. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: https://www.ilab.org/eng/ilab/code.html. New customers can be requested to provide references when ordering. FORANTIL UARIAUMAT Antiquariat INLIBRIS Antiquariaat FORUM BV Gilhofer Nfg. GmbH Tuurdijk $% Rathausstraße $' &''( )* ‘t Goy $#$# Vienna !e Netherlands Austria Phone: ++, (-)+- .-,,/00 Phone: +2& (#)$ 2#'%$'## Fax: ++, (-)+- .-,,1,+ Fax: +2& (#)$ 2#'%$'#' E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.inlibris.com www.forumislamicworld.com Front cover: no. -
Musical Note Writing Systems Developed Between 17'Th and 19
2012 International Conference on Humanity, History and Society IPEDR vol.34 (2012) © (2012) IACSIT Press, Singapore Musical Note Writing Systems developed between 17’Th and 19’Th century Oguz Karakaya1 Traditional Turkish Music Department of Dilek Sabancı State Conservatory of Selcuk University, Konya- Turkey Abstract. Besides transferring the spoken language into written one, the human searched numerous methods to transfer the music into writing. One of the first efforts to notate that were known in the history was carried out by the Sumerians. Sumerians provided the samples of first notating activities reach to present days through using symbols similar to their writings. In Turkish music, the first notating samples are seen in the forms of letters. In this system (ebced) developed by Yakub Al Kîndi (790 – 874) for the first time, the letters in Arabic alphabets was thought to be equal to a sound. Later on, this system was used with a different method of expression by Nâyî Osman Dede (1652-1730) who was an important composer and performer in Turkish music. It was developed by Abdülbâkî Nâsır Dede (1765-1821), an important composer and performer of Turkish music; some sample works were notated through this method and were transferred to present days. Another name that developed an alternative notating system in the same period with Nâsır Dede is Hamparsum (Hampartzum) Limonciyan (1768-1839). This system, also known as Hamparsun notes, was formed using the letters in the Armenian alphabet. In Turkish music, another name who has developed a distinctive method in the notating system that depends on letters is the Prince of Moldova Demetrius Cantemir (1673-1727). -
Inventory of the Oriental Manuscripts of the Library of the University of Leiden
INVENTORIES OF COLLECTIONS OF ORIENTAL MANUSCRIPTS INVENTORY OF THE ORIENTAL MANUSCRIPTS OF THE LIBRARY OF THE UNIVERSITY OF LEIDEN VOLUME 2 MANUSCRIPTS OR. 1001 – OR. 2000 REGISTERED IN LEIDEN UNIVERSITY LIBRARY IN THE PERIOD BETWEEN 1665 AND 1871 COMPILED BY JAN JUST WITKAM PROFESSOR OF PALEOGRAPHY AND CODICOLOGY OF THE ISLAMIC WORLD IN LEIDEN UNIVERSITY INTERPRES LEGATI WARNERIANI TER LUGT PRESS LEIDEN 2007 © Copyright by Jan Just Witkam & Ter Lugt Press, Leiden, The Netherlands, 2006, 2007. The form and contents of the present inventory are protected by Dutch and international copyright law and database legislation. All use other than within the framework of the law is forbidden and liable to prosecution. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of the author and the publisher. First electronic publication: 27 October 2006. Latest update: 13 August 2007 © Copyright by Jan Just Witkam & Ter Lugt Press, Leiden, The Netherlands, 2006, 2007 2 PREFACE The arrangement of the present volume of the Inventories of Oriental manuscripts in Leiden University Library does not differ in any specific way from the volumes which have been published earlier. For the sake of brevity I refer to my prefaces in those volumes. A few essentials my be repeated here. Not all manuscripts mentioned in the present volume were viewed by autopsy, but many were. The sheer number of manuscripts makes this impossible. At a later stage this may be achieved, but trying to achieve this at the present stage of inventorizing would seriously hamper the progress of the present project. -
List of Converts to Islam from Christianity
List of Converts to Islam from Christianity Source (Link) http://en.wikipedia.org/wiki/List_of_converts_to_Islam_from_Christianity Institute of Objective Studies 162, Jogabai Main Road, Jamia Nagar, New Delhi – 110025 ([email protected]) http://en.wikipedia.org/wiki/List_of_converts_to_Islam_from_Christianity List of Converts to Islam from Christianity Wikipedia, the free encyclopedia A Kareem Abdul-Jabbar (Lew Alcindor) - retired basketball player & the NBA's all-time leading scorer.[1] He initially converted from Christianity to The Nation of Islam to mainstream Sunni Islam. [2] Mahmoud Abdul-Rauf (Chris Jackson) - retired basketball player Tariq Abdul-Wahad (Olivier Saint-Jean) - originally from France, former basketball player for the Mavericks and Kings[3] [4] Thomas J. Abercrombie - photographer Éric Abidal (changed his name to Bilal) - French football player, currently playing for FC Barcelona, converted to Islam after marriage.[5] [6][7] Ivan Aguéli (Johan Agelii) - Swedish painter. [8] Akhenaton - French rapper and producer of French hip hop. Muhammed al-Ahari born January 6, 1965 as Ray Allen Rudder is an American essayist, scholar and writer on the topics of American Islam, Black Nationalist groups, heterodox Islamic groups and modern occultism. [9] Abdul-Karim al-Jabbar (Sharmon Shah) - former NFL player Sana al-Sayegh, dean of the Science and Technology Faculty at Palestine International University, converted to Islam in August 2007. Fatah has accused its political rival Hamas of forcing the professor to convert from Christianity, a charge Hamas denies.[10] [11][12] Muhammad Ali (born Cassius Marcellus Clay, Jr.; January 17, 1942), from Baptist to The Nation of Islam to Sunni Islam.[13] Famous American professional boxer (3 time world heavyweight champion), philanthropist and social activist.