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Seeds of Progress
Seeds of Progress 2011 ANNUAL REPORT Table of Contents Planting Seeds of Progress 2 Saving Lives Through Early Detection of Lung Cancer 5 Foundation Boosts Community Programs Coast-to-Coast 6 Mammovan 8 Breast Health Education (BHE) 8 ¡Celebremos la vida! 9 Dialogue for Action Conference 10 Screening Saves Lives: “Getting Behind” Colorectal Cancer Screening 11 Social Media and Networking 12 Confess!—Delivering Excellence in Interactive Education 12 “Save Your Skin” Awareness Campaign 13 Prevent Cancer on Capitol Hill 14 Congressional Families Lend Their Voices to Prevention 15 Breakaway From Cancer— Our Reach Continues to Grow 16 Bad Beat on Cancer Capitol Hill Poker Tournament 17 Annual Spring Gala 19 Prevent Cancer Foundation 5K 20 Beneficiary Events 21 Officers & Directors 22 Medical Advisory Board 23 Bad Beat on Cancer™ Advisory Council 24 Scientific Review Panel 25 Our Deepest Thanks 26 The Prevent Cancer Foundation is a national, non-profit health foundation whose mission is saving lives through cancer prevention and early detection. Dear Friends, A seedling of an idea 25 years ago, the Prevent Cancer Foundation has grown and branched out to affect the lives of millions. In marking the milestone of our Silver Jubilee anniversary, I am proud of so many of the Foundation’s far-reaching achievements. We are pleased and comforted that the fruits of our labor are being realized, as more and more people are not only understanding ways that cancer prevention and early detection work, but incorpo- rating them into their daily lives. And we know our many accomplishments could not have been possible without the selfless giving of so many of you. -
The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 43Rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 43rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Daytime Emmy Awards To be held at the Westin Bonaventure Hotel and Suites on May 1st Daytime Creative Arts Emmy® Awards Gala on April 29th Individual Achievement in Animation Honorees Announced New York – March 24th, 2016 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 43rd Annual Daytime Emmy® Awards. The awards ceremony will be held at the Westin Bonaventure Hotel and Suites on Sunday, May 1st. The Daytime Creative Arts Emmy Awards will also be held at the Bonaventure on Friday, April 29th, 2016. The 43rd Annual Daytime Emmy Award Nominations were revealed today on the Emmy-winning show, “The Talk,” on CBS. “After last year’s critically successful Daytime telecast, it is with great disappointment that The National Academy of Television Arts & Sciences (NATAS) announces that there will not be a broadcast of the 43rd Annual Daytime Emmy ® Awards,” said Bob Mauro, President. “After months of negotiations to find show sponsorship, the NATAS Executive Board has decided that the current climate for awards shows prohibits the possibility of a telecast this year. With that said, we will be putting on a world-class awards celebration honoring the best and brightest of Daytime television and look forward to an exciting show. All efforts regarding returning the annual gala to television in 2017 are underway.” “We are especially grateful for our passionate Daytime fans and are looking forward to producing a grand gala that honors the talents and artistries of all the professionals that represent Daytime television,” said David Michaels, SVP, Daytime Emmy Awards. -
50Th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED
1 50th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED The 50th Annual Northern California Area EMMY® Awards were presented Saturday evening, June 5th for the second time via webcast only. The EMMY® Award is presented for outstanding achievement in television by The National Academy of Television Arts & Sciences (NATAS). San Francisco/ Northern California is one of the nineteen chapters awarding regional Emmy® statues. Northern California is composed of media companies and individuals from Visalia to the Oregon border and includes Hawaii and Reno, Nevada. Entries aired during the 2020 calendar year. A total of 912 entries were received, 765 English and 195 Spanish in 68 English Categories and 34 Spanish Categories. Nominations were announced on May 5th with 195 English and 76 Spanish. Electronic ballots were submitted by a minimum of seven peer judges from other NATAS chapters and were sent directly to our accountant. The Spanish and English awards are judged and scored separately and then presented at the ceremony. 353 Emmy® statues were handed out to 263 individuals. The top two recipients were Maikel D'Agostino, Photograpoher/Editor, KUVS Unvision 19, Sacramento with ten, and Jonathan Bloom, Video Journalist, KNTV NBC Bay Area, with Six. The Emmy® is awarded to individuals but there is a lot of interest in the station counts: KNTV NBC Bay Area took home 16 for the English contest and KUVS Univision 19 with 12 for the Spanish contest. The overall Excellence Emmy® awards went to KNTV NBC Bay Area, English and KUVS Univision 19, Spanish. The prestigious Governors’ Award, the highest honor a regional chapter can award was presented to Wayne Freedman, Reporter, KGO ABC 7, San Francisco. -
The Producer Written by Ivo Burum
The Producer written by Ivo Burum There are various producer titles each relating to a role in the development, production, delivery and marketing cycle of a film, video, or online media project. Figure 1 Shows a hierarchical order of producing for a magazine and a current affairs show.: Executive Producer or EP credits in television are received by individual(s) who report to the networks, studios, or companies funding and distributing the series/show. The Executive Producer (Showrunner) has final responsibility for the creative and business aspects of producing a series. S/he will have direct authority over a majority of the producing functions throughout all phases of series production. The Executive Producer is often responsible for the creation of the series, including the concept, format and other production elements. Over the course of production, the Executive Producer is expected to serve as the primary point-of-contact with the network, studio, and/or production company regarding the development, production, post-production and marketing of the series. During development of the pilot and/or series, the Executive Producer will supervise or participate in story or script meetings, approve all storylines, and supervise the creation of the series "bible.” The Executive Producer will select or approve the hiring of all series directors, as well as the casting of all on camera talent including hosts and journalists. S/he will similarly select or approve of the hiring of key members of the producing team, such as the production manager, director of photography, and composer. The Executive Producer must supervise or approve the series budget and production schedule. -
34Th Winner List
The 34th Annual Boston/New England Emmy® Recipients Newscast-Evening Larger Markets (1-49) Chris Roach, Executive Producer NewsCenter 5 at 11pm: May 13, 2010 WCVB Newscast-Evening Smaller Markets (50-100+) Amy Beveridge, Producer News 8 at Six - February Flooding WMTW General Assignment Report Jonathan Elias, Reporter / Producer America's Most Famous Illegal WBZ Dominick Aielli, Photojournalist Spot News Jim Altman, Reporter Bridgeport Tornado: Surviving the Storm WTIC-TV FOX CT Sharon Burke, Photographer/Editor Continuing Coverage Within 24 Hours ***TIE*** Andrew Vrees, News Director The Massacre in Mattapan WCVB John Verrilli, News Director March Floods WBZ Continuing Coverage No Time Limit Darren Perron, Reporter Mission: Afghanistan WCAX Lance MacKenzie, Photographer Investigative Report Mike Beaudet, Investigative Reporter Fox Undercover Composite WFXT Kevin Rothstein, Producer Jonathan Wells, Executive Producer Richard Ward, Photographer Jim Goff, Photographer Todd Krupa, Editor Allan DiMaio, Editor Feature News Report Light Feature Jim Altman, Reporter Band of Brothers WTIC-TV FOX CT Mike Piskorski, Photographer/Editor Feature News Report Light Series ***TIE*** Sarah French, Reporter Make A Wish Mondays WTIC Jennifer Berryman, Producer The Patients Of Boston Med WCVB Liz Brunner, Reporter News Specialty Report Arts/Entertainment Scott LaPierre, Producer/Videographer 5,000 labels for 5,000 artworks? www.boston.com-The Boston Globe News Specialty Report Business/Consumer Hank Phillippi Ryan, Reporter Consumer Composite WHDH Mary -
NAB's Guide to Careers in Television
NAB’s Guide to Careers in Television Second Edition by Liz Chuday TABLE OF CONTENTS Table of Contents…………………………………..……………………......... 1-3 Introduction………………………………………………………………... ......... 4 Acknowledgements…………………………………………………………....... 6 A Word About Station Ownership………………..…………… ..................…7 The General Administration Department…………………. ...................... 8-9 General Manager……………..……………….……………… ..................... 8 Station Manager……..…………………………………………….. .............. 8 Human Resources…………………………..………………........................ 8 Executive Assistant…………………………..…………………… ............... 9 Business Manager/Controller…………………………… ........................... 9 The Sales and Marketing Department………………………….............. 10-11 Director of Sales…………………..………………………….. ................... 10 General Sales Manager…………………………………………................ 10 National Sales Manager……...……………………..……......................... 10 Marketing Director or Director of Non-Traditional Revenue……….……………...................... 10 Local Sales Manager..……………………………………………. ............. 11 Account Executive..……………………….………………………............. .11 Sales Assistant..………………………….…………………………............ 11 The Traffic Department………………..…………………………................... 12 Operations Manager…………………………………………..................... 12 Traffic Manager…………………………………….………………. ............ 12 Traffic Supervisor………………………………….……………….............. 12 Traffic Assistant…………………………………………….………............. 12 Order Entry Coordinator/Log Editors………………………. .................... 12 The Research Department………………………………………. -
Broadcasting I Feb 29
The Fifth Estate R A D I O T E L E V I S I O N C A B L E S A T E L L I T E Broadcasting i Feb 29 V WBBM -TV KAUT-TV WCAU -TV WWMT -TV WBZ -TV KENS -TV WLNE-TV WJBK-TV WNEP-TV WHAS-TV WFAA-TV WFMY-TV WJ LA-TV TV WTVR- V-TV WJR1 WTLV-TV WAGA-TV In just 6 weeks of selling .. W H EC-TV OL-TV MEW MTV-TV VV KING-TV \ BUSINESS WSVN-TV ILR-TV WDE TAJ-TV VV KM OV-TV KMGH-TV AR-TV WE\ TillS 1W/i/C NE-TV WO KXTV-TV \ WRDW-TV NE-TV W I L: -TV WTOC- ' W I FR-TV WJHL-TV KA-TV WJ -TV KFDA- WMAR-TV WJW-TV V11 . AW-TV WI TV KSWO- WMAZ-TV <TPX-TV W' DAY--TV KH TV KLBK- KCCI-TV V\ BS-TV WIB WISH-TV WFSB-TV W BTW-TV -TV WKYT-T TV KGTV KOIN-TV WTVF-TV WCPO-TV WISN-TV WOME-TV WEAR-TV WCBS-TV WFTV KCBS-TV WVUE-TV WSPA-TV 2119E lV ll3HXtlW SCbT 9019 ZZ T wQC1b s vS-lnV C6 /ACM )47I b9£Zl TI4£ Most People Only Know The So Wdd LikeToShowTF 'lb most people in the most ambitious and reveal- West, the Soviet Union is ing look into the very heart a mysterious giant. A and soul of Soviet life: geographic titan most Portrait of the Soviet often portrayed as a Union. -
Buying Compliance: Governmental Advertising and Soft Censorship in Mexico
Buying Compliance: Governmental Advertising and Soft Censorship in Mexico www.wan-ifra.org Buying Compliance: Governmental Advertising and Soft Censorship In Mexico © 2014 WAN-IFRA PUBLISHED BY: RESEARCH PARTNERS: WAN-IFRA Center for International Media Assistance 96 bis, Rue Beaubourg National Endowment for Democracy 75003 Paris, France 1025 F Street, N.W., 8th Floor www.wan-ifra.org Washington, DC 20004, USA www.cima.ned.org WAN-IFRA CEO: Vincent Peyrègne Open Society Justice Initiative 224 West 57th Street EdiTorial coordinaTOR: New York, New York 10019, USA Mariona Sanz Cortell www.opensocietyfoundations.org RESEARCHERS: Justine Dupuy (Fundar) and Ana Cristina Ruelas (Article 19) - lead researchers Antonio Martínez, Diego de la Mora, Regina Ganem and Ricardo Luevano EDITOR: Thomas R. Lansner 2 RESEARCH PARTNERS meXico: SUPPORTED BY: Fundar, Centro de Análisis e Investigación Open Society Foundations Cerrada Alberto Zamora, num. 21 www.opensocietyfoundations.org Colonia Villa Coyoacán, Del. Coyoacán C. P. 04000, México, D. F. SPecial ThanKS TO: www.fundar.org.mx Darian Pavli; Senior Attorney at Open Society Justice Initiative, for his advice on the research methodology, legal and policy questions; the interviewees and survey participants; and all col- leagues who made this research possible. ARTICLE 19, oficina para México y Centroamérica DESIGN AND PREPRESS: José Vasconcelos 131, Col. San Miguel Snezana Vukmirovic, Ivan Cosic, Plain&Hill Serbia Chapultepec Delegación Miguel Hidalgo, c.p. 11850, México D.F. © 2014 WAN-IFRA www.articulo19.org -
Communication Studies 1
Communication Studies 1 Personnel Staff · Public Service Agency Staff · Corporate Media Director COMMUNICATION STUDIES · Communication Consultant · Public Relations Professional · Video Editor · Video Producer or Director · Health Educator · Fund Raiser · Media College of Arts and Letters Sales and Promotion Staff · Multimedia Project Manager · Community College Instructor · Lobbyist · Speech Writer · Minister · Lawyer · Politician Program Description · Consumer Market Researcher · Staff Analyst · Focus Group Leader · Communication Studies is a broad-based discipline concerned with Political Campaign Staff · Public Affairs Director · Advertising Account the exchange of messages in interpersonal and mediated situations Executive and with the impact of such exchanges on society. Courses focus on Reporter · Editor · Columnist · Editorial Writer · Magazine Writer · Speech understanding the communication process and developing skills to Writer · Correspondent · Public Affairs Manager · Legislative Assistant communicate effectively. The Department offers a wide range of courses · Press Relations Officer · Public Information Specialist · Technical in interpersonal, group, and organizational communication, rhetorical Writer/Editor · Broadcast Journalist · News Director · Disc Jockey · News theory and criticism, public relations, mass communication and research Producer · Online Journalist methodologies. Videographer · Cinematographer · Production Coordinator · Production The Sacramento State Journalism program provides both a general Assistant -
44Th Boston/New England Emmy® Award Nominations
Revised 5/5/2021 44TH BOSTON/NEW ENGLAND EMMY® AWARD NOMINATIONS NEWSCAST-MORNING LARGER MARKETS NewsCenter 5 EyeOpener: November 8, 2020 WCVB Jenny Barron, Executive Producer Samantha Ford, Producer Antoinette Antonio, Anchor Rhondella Richardson, Reporter Kelly Ann Cicalese, Meteorologist Jennifer Eagan, Reporter Donna Hennessey, Director NewsCenter 5 EyeOpener: June 3, 2020 WCVB Jenny Barron, Executive Producer Erika Tarantal, Anchor Cindy Fitzgibbon, Meteorologist Katie Thompson, Anchor Sera Congi, Reporter Clarke Dempsey, Director Ted Wayman, Reporter 7News Today In New England: Boston Riots The Morning After WHDH Kevin Wiles Jr, Assignment Editor Kris Anderson, Anchor Amaka Ubaka, Anchor Michael Fahey, Executive Producer 1 Emma Doherty, Producer Marina Giordano, Director Miguel Da Cruz, Technical Director Kerri Corrado, Reporter Alaina Pinto, Reporter Juliana Mazza, Reporter Polikseni Manxhari, Reporter Boston 25 Morning News - President Trump COVID-19 Boston 25 News Anthony Smith, Executive Producer Timothy Capasso, Producer Heather Hegedus, Anchor/Reporter Jessica DeThomas, Producer Julie Ann Szilagyi, Senior Producer Madeline Eggers, Producer Daniel Miller, Anchor Sara Underwood, Anchor Elizabeth Hopkins, Anchor Emily Murphy, Director WBZ This Morning WBZ Samantha Neely, Executive Producer Aileen Pollard, Producer Melissa Pagano, Producer Emily Manzik, Producer Kate Merrill, Anchor Liam Martin, Anchor Zack Green, Meteorologist Anna Meiler, Reporter Nicholas Giovanni, Reporter WBZ This Morning - President Trump Tests Positive -
Chapter 2 Working in the Television Production Industry 37
This sample chapter is for review purposes only. Copyright © The Goodheart-Willcox Co., Inc. All rights reserved. Objectives After completing this chapter, you will be able to: • Explain how the responsibilities of each production staff position are dependent on the functions of other production staff positions. • Identify the primary responsibilities of each production staff position. • Recall the activities in each step of a production workfl ow. Introduction To understand an individual role in the broadcasting industry, you must be familiar with Professional Terms all aspects of the production process. Each production area is interconnected to many others, anchor makeup with the interrelationships resembling a spider web, assignment editor makeup artist Figure 2-1. To learn proper camerawork, you must assistant director (AD) news director understand proper lighting technique. Proper lighting audio photographer (photog) technique is dictated by the colors used on the set audio engineer photojournalist and on the costumes. The colors of the set and camera operator post-production costumes directly affect the kind of special effects cast pre-production used in the program. Special effects are created in the CG operator producer special effects generator, but must be edited. Knowing content specialist production the tools and techniques of editing is also required. crew production assistant (PA) To learn television production, you must have a solid cue production manager understanding of all the contributing roles. director production switching distribution production team editing production values editor reporter executive producer (EP) robo operator fl oor director scenery fl oor manager scriptwriter frame special effects framing staff gaffer talent graphic artist video grip video engineer lighting director VTR operator maintenance engineer video operator 35 36 Television Production & Broadcast Journalism Chapter 2 Working in the Television Production Industry 37 Figure 2-1.