The Mirrorless Camera
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About Raspberry Pi HQ Camera Lenses Created by Dylan Herrada
All About Raspberry Pi HQ Camera Lenses Created by Dylan Herrada Last updated on 2020-10-19 07:56:39 PM EDT Overview In this guide, I'll explain the 3 main lens options for a Raspberry Pi HQ Camera. I do have a few years of experience as a video engineer and I also have a decent amount of experience using cameras with relatively small sensors (mainly mirrorless cinema cameras like the BMPCC) so I am very aware of a lot of the advantages and challenges associated. That being said, I am by no means an expert, so apologies in advance if I get anything wrong. Parts Discussed Raspberry Pi High Quality HQ Camera $50.00 IN STOCK Add To Cart © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 3 of 13 16mm 10MP Telephoto Lens for Raspberry Pi HQ Camera OUT OF STOCK Out Of Stock 6mm 3MP Wide Angle Lens for Raspberry Pi HQ Camera OUT OF STOCK Out Of Stock Raspberry Pi 3 - Model B+ - 1.4GHz Cortex-A53 with 1GB RAM $35.00 IN STOCK Add To Cart Raspberry Pi Zero WH (Zero W with Headers) $14.00 IN STOCK Add To Cart © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 4 of 13 © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 5 of 13 Crop Factor What is crop factor? According to Wikipedia (https://adafru.it/MF0): In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. -
Page 16 of 128 Exhibit No. Description Deposition
Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 1 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-168 7/16/2003, Technical Reference Napoli Ex. Manual [DM270] (EKCCCI007053- 132 836) PTX-169 2003, Data Sheet for TMS320DM270 Processor (AX200153-55) PTX-170 10/30/2002, DM270 Preliminary Napoli Ex. Register Manual Rev. b0.6 131 (EKCCCI001305-495) PTX-171 TI DM270 Imx Hardware Akiyama Programming Interface, Version 0.0 Ex. 312 (EKCNYII005007249-260) PTX-172 3/3/2003, DM270 Preliminary Data Ohtake Ex. Sheet Rev. b0.7C (EKCCCI008094- 123 131) PTX-173 Fact Sheet for TMS320DM270 Lacks Processor (AX200150-52) authenticity; Hearsay; Lacks foundation; Lacks relevance PTX-174 6/04, Data Sheet rev 0.5 for Hynix Ligler Ex. Lacks HY57V561620C[L]T[P] (AX200163- 13 (ITC) authenticity; 74) Hearsay; Lacks foundation; Lacks relevance PTX-175 Sharp RJ21T3AA0PT Data Sheet Hearsay; (EKCCCI017389-413) Lacks foundation; Lacks relevance PTX-176 DX7630 Thumbnail Test Lacks (AXD022568-81) authenticity; Hearsay; Lacks foundation; Lacks relevance; Inaccurate/ incomplete description PTX-177 1/11/2005, DM270 IP Chain ver. 0.7 Yoshikawa with translation (EKC001021025-31, Ex. 348 AX211033-42) PTX-178 1/26/2004, Bud Camera F/W Task Lacks foundation; Interface Capture Main <-> Image ISR Lacks relevance (DX7630) ver. 0.07 / Takeshi Domen with translation (EKCCCI002404-19, AX211607-26) Page 16 of 128 Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 2 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-179 2/17/2003, Budweiser Camera EXIF Akiyama Lacks foundation; File Access Library Spec (DX7630) Ex. -
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner Digital cameras flashed onto the technology scene a few years ago, threatening the future of conventional photography. Employing the same elements as traditional cameras, digital cameras convert images into a series of pixels that computers can understand and display directly on-screen. These digital images transmit easily through e-mail attachments and are instantly ready to use. The quality of digital images improved drastically over the last five years. In addition, digital cameras offer the benefits of speed, flexibility, and cost savings. Digital photographs are easy to retouch and manipulate through programs such as Photoshop. Furthermore, digital images do not need to be scanned. Therefore, defects introduced by the scanning process are eliminated. Types of Digital Cameras The digital photography market offers consumers three types of cameras: low-, mid-, and high-range. Buyers of digital cameras should choose a camera depending on their specific needs and the type of job to be done. Low-end digital cameras cost around $1,000 and are equivalent to conventional point-and- shoot cameras. Their low resolution, usually about 640 ´ 480 pixels, makes them a cost-effective tool for jobs that do not require high quality, sharpness, or color accuracy. This range of cameras can produce quality prints up to 2.4 ´ 1.8 inches at 133 lpi (266 ppi), which is sufficient for small brochures, advertisements, and catalog images. The next group of digital cameras, called mid-range, cost between $5,000 and $15,000. These cameras are essentially traditional Single Lens Reflex (SLR) camera bodies. -
Openimageio 1.7 Programmer Documentation (In Progress)
OpenImageIO 1.7 Programmer Documentation (in progress) Editor: Larry Gritz [email protected] Date: 31 Mar 2016 ii The OpenImageIO source code and documentation are: Copyright (c) 2008-2016 Larry Gritz, et al. All Rights Reserved. The code that implements OpenImageIO is licensed under the BSD 3-clause (also some- times known as “new BSD” or “modified BSD”) license: Redistribution and use in source and binary forms, with or without modification, are per- mitted provided that the following conditions are met: • Redistributions of source code must retain the above copyright notice, this list of condi- tions and the following disclaimer. • Redistributions in binary form must reproduce the above copyright notice, this list of con- ditions and the following disclaimer in the documentation and/or other materials provided with the distribution. • Neither the name of the software’s owners nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIB- UTORS ”AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT- NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUD- ING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABIL- ITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION
AUTO LENS ADAPTER USER MANUAL LAE-CM-CEF Canon EF/EF-S Lens to Canon EOS-M Camera INTRODUCTION Thank you for purchasing the Vello LAE-CM-CEF Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera. This adapter allows you to mount any Canon EF or EF-S lens to a Canon EOS-M camera. With an EF or EF-S lens mounted to a Canon EOS-M camera using this adapter, all automatic functions, such as auto focus and auto exposure, are available and fully operational. A removable tripod mount collar with a ¼" socket is included. 2 CONTENTS INCLUDE • Vello LAE-CM-CEF Auto Lens Adapter - Canon EF/EF-S Lens to Canon EOS-M Camera • Front and rear caps • Removable tripod mount collar • User manual 3 INTRODUCTION The Vello Auto Lens Adapter – Canon EF/EF-S Lens to Canon EOS-M Camera can expand the arsenal of lenses for your Canon EOS-M camera using lenses you already own. With this adapter, you can mount any Canon EF or EF-S lens to a Canon EOS-M camera. Just attach the adapter to your EF or EF-S lens, then mount the lens and adapter to your Canon EOS-M camera. 4 When using an EF lens, there will be a crop factor of 1.6x, so that the apparent focal length of the lens will be 1.6x of the actual focal length. With EF-S lenses, there is no apparent change in the focal length. All camera functions will operate normally, including auto focus, auto exposure, and touch-screen modes. -
The M 0.8 Line of Lenses Consists of 7 Focal Lengths from 21 Mm to 90 Mm
M 0.8 The M 0.8 line of lenses consists of 7 focal lengths from 21 mm to 90 mm. The lenses use the high speed full frame M-Mount to maintain their small size while offering a variety of design improvements to make them more compatible with the cinema production environment. ICONIC IMAGES, CLASSIC CHARACTER The Leitz M 0.8 lenses bring a unique interpretation of light, skin tones and color that has inspired photographers and cinematographers for years. Naturally the lenses offer a sharp and focused center with gradual and pleasing fall off of contrast and light toward the edges, leading the view to the image center as well as adding dimensionality to the scene. This look and feel is now available to the cinematographer searching for something new. INCREDIBLY SMALL AND LIGHTWEIGHT The compact size of the Leitz M 0.8 lenses is made possible by retaining the Leica M-Mount. They range from 74 mm to 98 mm and weigh between 380-835 g. They are a dream combination for cameras in drone or gimbal configurations. Each lens has a standardized 80 mm front diameter with a 77 mm screw-in filter thread. The 0.8 module gear rings allow lens motors and follow focus systems to work seamlessly. CAMERA COMPATIBILITY The Leitz M 0.8 lenses use the Leica M-Mount rather than a PL-Mount to maintain their small size. Many cameras with interchangeable mounts or adapters can still use these lenses. Sony Venice, ARRI ALEXA Mini LF, Mini and AMIRA cameras can use the M-Mount adapter from Leitz for the cameras. -
Electronic Imaging
Rental Price List Spring 2007 517 Dexter Avenue North RENTAL HOURS: MONDAY-SATURDAY 8:30-5:00 CLOSED SUNDAY Seattle , WA 98109 p. 206 233 0211 f. 206 233 0255 Electronic Imaging DIGITAL STILL CAMERA - NIKON DIGITAL VIDEO Nikon D2X Digital Body..................$175.00 All Digital Cameras include 2 gb memory 12.4 Megapixels Mini DV Camcorder card, camera software and connection cables. USB II interface (except point-shoot cameras have 1 gb cards) Canon Nikon D2H Digital Body..................$100.00 Canon Optura 30..............................$50.00 - CANON 4 Megapixels Canon Optura 60..............................$50.00 Canon EOS 1DS Mark II................$200.00 USB ll interface Canon 3CCD XL-2.....................$175.00 16 Megapixels Canon XH A1 HD...........................$175.00 Full Frame Nikon D200 Digital...........................$150.00 (High Def 1 CCD) Firewire (6 Pin) and USB II Connection 10.2 Megapixels, USB Interface Canon XLH1...................................$300.00 (High Def 3CCD) Canon EOS 1D Mark II..................$100.00 Nikon D80 Digital Body.....................$85.00 8.2 Megapixels 10.2 Megapixels , USB Interface Firewire (6 Pin) and USB II connection SONY Nikon D70 Digital Body.....................$75.00 Sony HandyCam DCR-HC46 ............$40.00 Canon EOS 5D................................$150.00 6 Megapixels , USB Interface Sony HDR-HC3 HandyCam........... $100.00 12 Megapixels (1 Chip High Defi nition Camera) Full Frame Nikon D50 Digital Body......................$60.00 Sony HDR FX-1............................ $225.00 USB II connection 6 Megapixels,USB Interface (3 CCD High Defi nition Camera) Canon 30D Digital Body.................$85.00 VIDEO PROJECTION AND DECKS 8.2 Megapixels Accessories Lenses Canon SX-50 LCD Projector USB II Interface 3x Wide Angle Zoom for XL1........... -
Canon EOS M5 60550-2 Titelei 21X24.Qxp X 28.06.17 11:55 Seite 3
www.franzis.de ChristianAndreas HaaszHerrmann CanonFUJIFILM EOSX-T1 M5 Das große Handbuch für perfekte Bilder mit der kompakten Canon-Hochleistungskamera 60550-2 Titelei_21x24.qxp_X 28.06.17 11:54 Seite 1 Christian Haasz Canon EOS M5 60550-2 Titelei_21x24.qxp_X 28.06.17 11:55 Seite 3 ChristianAndreas HaaszHerrmann CanonFUJIFILM EOSX-T1 M5 Das große Handbuch für perfekte Bilder mit der kompakten Canon-Hochleistungskamera 60550-2 Titelei_21x24.qxp_X 28.06.17 11:55 Seite 4 Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte Daten sind im Internet über http://dnb.ddb.de abrufbar. Hinweis: Alle Angaben in diesem Buch wurden vom Autor mit größter Sorgfalt erarbeitet bzw. zusammengestellt und unter Einschaltung wirksamer Kontrollmaßnahmen reproduziert. Trotzdem sind Fehler nicht ganz auszuschließen. Der Verlag und der Autor sehen sich deshalb gezwungen, darauf hinzu- weisen, dass sie weder eine Garantie noch die juristische Verantwortung oder irgendeine Haftung für Folgen, die auf fehlerhafte Angaben zurückgehen, über- nehmen können. Für die Mitteilung etwaiger Fehler sind Verlag und Autor jederzeit dankbar. Internetadressen oder Versionsnummern stellen den bei Redaktionsschluss verfügbaren Informationsstand dar. Verlag und Autor übernehmen keinerlei Verantwortung oder Haftung für Veränderungen, die sich aus nicht von ihnen zu vertretenden Umständen ergeben. Evtl. beigefügte oder zum Download angebotene Dateien und Informationen dienen ausschließlich der nicht gewerblichen Nutzung. Eine gewerbliche Nutzung ist nur mit Zustimmung des Lizenzinhabers möglich. © 2017 Franzis Verlag GmbH, 85540 Haar bei München Alle Rechte vorbehalten, auch die der fotomechanischen Wiedergabe und der Speicherung in elektronischen Medien. Das Erstellen und Verbreiten von Kopien auf Papier, auf Datenträgern oder im Internet, insbesondere als PDF, ist nur mit ausdrücklicher Genehmigung des Verlags gestattet und wird widri- genfalls strafrechtlich verfolgt. -
Farewell to the Kodak DCS Dslrs
John Henshall’s Chip Shop FAREWELL TO THE KODAK DCS John Henshall looks at Kodak’s legacy as the end of its DSLR production is announced . hen Kodak introduced the the world’s first totally portable Digital W Camera System – the DCS – in 1991 it established Eastman Kodak as the world leader of professional digital image capture. Fourteen years later, Kodak has just announced that it is ending production 1992: DCS200 of Digital Single Lens Reflex cameras. The DCS was a product launched ahead of its potential market, but one which indelibly marked the start of the future of photography. Kodak was smart. It housed its DCS in something photographers were already at home with: a Nikon F3 camera body. All the F3’s functions were retained, and the DCS used standard Nikon lenses. Only the 1991: The original Kodak DCS [100] and DSU 2005: Last of the line – the DCS ProSLR/c focusing screen was changed. A new Kodak-produced digital The relative sensitivity of the camera back was fixed to the Nikon F3 DCS camera back was ISO100. body. A light sensitive integrated circuit Exposure could be ‘pushed’ by – Charge Coupled Device – was fitted one, two or three ƒ-stops to into its film plane. ISO200, 400 or 800 on an This CCD image sensor had an individual shot-by-shot basis. incredible 1.3 million individual pixels It was not necessary to m o c . – more than four times as many as in expose a whole ‘roll of film’ at e r t n television cameras – arranged in a the same ISO rating, as was e c - i 1024 x 1280 pixel rectangle measuring necessary when shooting film. -
AG-AF100 28Mm Wide Lens
Contents 1. What change when you use the different imager size camera? 1. What happens? 2. Focal Length 2. Iris (F Stop) 3. Flange Back Adjustment 2. Why Bokeh occurs? 1. F Stop 2. Circle of confusion diameter limit 3. Airy Disc 4. Bokeh by Diffraction 5. 1/3” lens Response (Example) 6. What does In/Out of Focus mean? 7. Depth of Field 8. How to use Bokeh to shoot impressive pictures. 9. Note for AF100 shooting 3. Crop Factor 1. How to use Crop Factor 2. Foal Length and Depth of Field by Imager Size 3. What is the benefit of large sensor? 4. Appendix 1. Size of Imagers 2. Color Separation Filter 3. Sensitivity Comparison 4. ASA Sensitivity 5. Depth of Field Comparison by Imager Size 6. F Stop to get the same Depth of Field 7. Back Focus and Flange Back (Flange Focal Distance) 8. Distance Error by Flange Back Error 9. View Angle Formula 10. Conceptual Schema – Relationship between Iris and Resolution 11. What’s the difference between Video Camera Lens and Still Camera Lens 12. Depth of Field Formula 1.What changes when you use the different imager size camera? 1. Focal Length changes 58mm + + It becomes 35mm Full Frame Standard Lens (CANON, NIKON, LEICA etc.) AG-AF100 28mm Wide Lens 2. Iris (F Stop) changes *distance to object:2m Depth of Field changes *Iris:F4 2m 0m F4 F2 X X <35mm Still Camera> 0.26m 0.2m 0.4m 0.26m 0.2m F4 <4/3 inch> X 0.9m X F2 0.6m 0.4m 0.26m 0.2m Depth of Field 3. -
"Agfaphoto DC-833M", "Alcatel 5035D", "Apple Ipad Pro", "Apple Iphone
"AgfaPhoto DC-833m", "Alcatel 5035D", "Apple iPad Pro", "Apple iPhone SE", "Apple iPhone 6s", "Apple iPhone 6 plus", "Apple iPhone 7", "Apple iPhone 7 plus", "Apple iPhone 8”, "Apple iPhone 8 plus”, "Apple iPhone X”, "Apple QuickTake 100", "Apple QuickTake 150", "Apple QuickTake 200", "ARRIRAW format", "AVT F-080C", "AVT F-145C", "AVT F-201C", "AVT F-510C", "AVT F-810C", "Baumer TXG14", "BlackMagic Cinema Camera", "BlackMagic Micro Cinema Camera", "BlackMagic Pocket Cinema Camera", "BlackMagic Production Camera 4k", "BlackMagic URSA", "BlackMagic URSA Mini 4k", "BlackMagic URSA Mini 4.6k", "BlackMagic URSA Mini Pro 4.6k", "Canon PowerShot 600", "Canon PowerShot A5", "Canon PowerShot A5 Zoom", "Canon PowerShot A50", "Canon PowerShot A410", "Canon PowerShot A460", "Canon PowerShot A470", "Canon PowerShot A530", "Canon PowerShot A540", "Canon PowerShot A550", "Canon PowerShot A570", "Canon PowerShot A590", "Canon PowerShot A610", "Canon PowerShot A620", "Canon PowerShot A630", "Canon PowerShot A640", "Canon PowerShot A650", "Canon PowerShot A710 IS", "Canon PowerShot A720 IS", "Canon PowerShot A3300 IS", "Canon PowerShot D10", "Canon PowerShot ELPH 130 IS", "Canon PowerShot ELPH 160 IS", "Canon PowerShot Pro70", "Canon PowerShot Pro90 IS", "Canon PowerShot Pro1", "Canon PowerShot G1", "Canon PowerShot G1 X", "Canon PowerShot G1 X Mark II", "Canon PowerShot G1 X Mark III”, "Canon PowerShot G2", "Canon PowerShot G3", "Canon PowerShot G3 X", "Canon PowerShot G5", "Canon PowerShot G5 X", "Canon PowerShot G6", "Canon PowerShot G7", "Canon PowerShot