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Water Gardening27.Pdf
Visit us on the Web: www.gardeninghelp.org Water Gardening A water garden in the landscape brings an immediate sense of tranquility and intrigue. Like no other feature in the garden, a small pond of water lilies, cattails and Japanese Koi can transform and ordinary outdoor living space into an oasis. Ancient Egyptians and Far Eastern cultures were of the first to develop water gardens in the landscape. It was common to find lotus plants, papyrus, water lilies and other aquatic plants used to accent and focus on man’s relationship with nature. Since that time, Europeans have traditionally incorporated water gardens into the landscape and used Roman and Greek statuary to create formal pools and spectacular fountains such as those found at Tivoli Gardens in Rome and Versailles in France. Still a common practice in European countries, water gardens are finding a place in American gardens today. Fast becoming a favorite hobby for experienced and beginning gardeners, a water garden can be quite sophisticated with a series of waterfalls and pond levels, as interesting as a single 3 to 4 foot pool in the corner of the yard, or as simple as a half wooden barrel filled with floating plants and small water lilies. Installation of a Water Garden The most popular type of water garden installed today uses a synthetic liner to form the sides and bottom. There is very little time involved in installing this type water garden because these materials are lightweight, portable and adaptable to a variety of shapes and sizes. However, for one which will give years of enjoyment you will need to begin by making some careful plans. -
Comunicato Ufficiale N° 35 Del 18/01/2018 Attività Di Lega Nazionale Dilettanti
Federazione Italiana Giuoco Calcio Lega Nazionale Dilettanti DELEGAZIONE PROVINCIALE DI VITERBO Via della Ferrovia, 40 – 01100 VITERBO Tel.:0761 303565 - Fax 0761 325389 Indirizzo Internet: www.lnd.it – www.crlazio.org e-mail: [email protected] Stagione Sportiva 2017/2018 Comunicato Ufficiale N° 35 del 18/01/2018 Attività di Lega Nazionale Dilettanti NUOVO PRONTO AIA 06.41217705 RICHIESTE PER VARIAZIONI GARE fax 0761325389 - email: [email protected] APERTURA UFFICI D.P. Lunedì e Giovedì: ore 10:00 – 12:00 e 16:30 – 18:30 Martedì - Venerdì: ore 16:30 – 18:30 Mercoledì e Sabato: CHIUSO INDICE Segreteria Avvisi alle Società Pag. 2 Risultati gare del 13 e 14 Gennaio 2018 Pag. 3 Giustizia Sportiva 3a Categoria Pag. 4/5 Juniores – Under 18 Pag. 6 Allegati Pag. 7 VITERBO 35/2 - 1. SEGRETERIA 1.1. Avvisi alle societa’ Si rammenta che il 15 Gennaio 2018 scade il termine per pagamento della seconda rata relativa alle iscrizioni ai Campionati della corrente stagione sportiva: Il versamento di quanto dovuto può essere effettuato mediante: - Assegno circolare non trasferibile intestato a COMITATO REGIONALE LAZIO LND da consegnare a mano presso la Delegazione Provinciale di Viterbo; - Bonifico bancario alle seguenti coordinate: IBAN IT20M0832703395000000004120 c/c intestato a Comitato Regionale Lazio LND indicando nella causale la matricola societaria (in tale eventualità, copia della ricevuta del bonifico dovrà essere trasmessa a mezzo fax allo 0761 325389 ) Con l’entrata in funzione del nuovo sito ufficiale del Comitato Regionale Lazio, i Comunicati Ufficiali Regionali e Provinciali, sia di Lega Dilettanti che di Settore Giovanile di Calcio a 11 e di calcio a 5 sono ora consultabili e scaricabili all’indirizzo LAZIO.LND.IT Si ricorda che gli stessi Comunicati ufficiali sono consultabili anche sull’app del CR Lazio ILndlazio Sulla vecchia piattaforma 2lnd.it resteranno consultabili esclusivamente i vecchi Comunicati Ufficiali. -
How to Install a Hidden Water Fountain
How To Install A Hidden Water Fountain Detailed techniques and tips for installing a water feature in your yard. By: Robert Robillard © AConcordCarpenter.com All Rights Reserved How To Install A Hidden Water Fountain Introduction: Disappearing fountains, statues, vases and rock fountains are becoming popular backyard focal points. Just go to any garden shop and you’ll see dozens of options of for Koi ponds, waterfalls and basin fountains. Installing a disappearing or hidden basin water fountain does not take up as much space as a waterfall or Koi pond but still gives you that bubbling water sound and great looking landscape focal point. With a disappearing fountain, water is pumped from a hidden reservoir buried in the ground through and out a fountain standpipe, the water then overflows the basin rim seemingly disappearing into the ground. Installing a hidden or disappearing water fountain is a great DIY project and a way to add that incredibly relaxing sound of moving water to a patio, pool or flower garden area. How To Install A Hidden Water Fountain Safety Information It's very likely that you'll choose to use power tools and a propane torch for this project. Power tools can cause serious injury or death so be VERY careful. Before you use any power tool it's very important that you carefully read all of the manufacturers operating instructions and safety guidelines. If you don't feel comfortable using power tools it's imperative that you stop and find that confidence through practice. This eGuide does not offer advice on how to safely use the tools featured in it. -
The Court Theatres of the Farnese from 1618 to 1690
This dissertation has been microfilmed exactly as received 68—2969 COBES, John Paul, 1932- THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690. [Figures I-V also IX and X not microfilmed at request of author. Available for consultation at The Ohio State University Library], The Ohio State University, Ph.D., 1967 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan (S) Copyright by- John Paul Cobes 1968 THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690 DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio S tate U niversity By John Paul Cobes, B.S., M.A. ******** The Ohio State University 1967 Approved by Z. Adviser Department of Speech PLEASE NOTE: Figures I-V also IX and X not microfilmed at request of auth or. Available for consultation at The Ohio State University Library. UNIVERSITY MICROFILMS. The author wishes to acknowledge, with dee nest gratitude, the assistance, suggestions, and guidance of the following persons, all of whom were instrumental in the camnletion of this study; Dr. Row H. Bowen, adviser to this study, and all the nersonnel of the Theatre Division of the Deonrtment of Speech at the Ohio State University. Dr. John ft. McDowell and Dr. John q . Morrow, advisers to this study, a".d nil +V> -•ersonnel of the Theatre Collection of the Ohio State Universit.w, D r. A l^ent M ancini of th e I t a l i a n D iv isio n o f th e Romance La.-wn.aTes Department of the Ohio State University’. -
3.1 – Presenza Di Aree a Rischio Idrogeologico in Attuazione Della
3.1 – Presenza di aree a rischio idrogeologico In attuazione della Legge 183/89 è stato emanato il D.L. n. 180 dell’11 giugno 1998 (Decreto Sarno) con la finalità di individuare le aree a più elevato rischio idrogeologico e di adottare idonee misure di salvaguardia e prevenzione. La difesa del suolo diviene in tal modo, se pur sulla base della emotività scatenata dalla tragedia di Sarno, una attività preventiva e non, come in precedenza, riparativa di danni ormai avvenuti sul territorio. Lo stesso decreto fu convertito con modificazioni dalla legge n. 267 del 3 agosto 1998 e promulgato il D.P.C.M 29 settembre 1998 per la individuazione dei criteri relativi agli adempimenti da compiere in merito alla perimetrazione delle aree esposte a diversi livelli di rischio. Esso traccia, inoltre, la fase di programmazione della mitigazione del rischio attraverso elaborazioni, anche grafiche tali da individuare le tipologie di interventi da realizzare per mitigare o rimuovere lo stato di rischio. In attesa di un riordino successivo all’entrata in vigore del nuovo Decreto legislativo 152/2006 si riportano le strategie di intervento fino ad oggi attuate per quanto riguarda la difesa del suolo. Esse si inquadrano nell’ambito della pianificazione di bacino che le 5 Autorità di bacino competenti sul territorio regionale (Tevere, Liri-Garigliano, Fiora, Tronto, Bacini regionali) elaborano ed approvano. Lo strumento pianificatorio attualmente approvato e vigente su tutto il territorio regionale è il Piano Straordinario per l’Assetto Idrogeologico (PSAI). Le Autorità di Bacino che interessano il territorio provinciale sono tre, di seguito si riportano i dati salienti (Tab. -
1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
Le Vedute Di Paesaggi Nel Palazzo Farnese Di Caprarola* LUCIANO PASSINI**
Le vedute di paesaggi nel Palazzo Farnese di Caprarola* LUCIANO PASSINI** a moda cinquecentesca di riempi- di vedute di rovine inquadrate in trovano nel Salone d’ingresso al Lre gli scomparti delle superfici scenari campestri ove a volte sono Palazzo. In nessuna raffigurazione si dipinte con grottesche o con vedute presenti anche figure umane; trova l’indicazione del luogo ma, di paesaggi più o meno immaginari b. paesaggi misti: si tratta di figure escluse quelle della volta che raffigu- 2 può essere riscontrata anche nel di persone, cose, edifici o altro di rano paesaggi di fantasia , la maggior Palazzo Farnese di Caprarola, capo- fantasia, collocati in luoghi real- parte di esse sono facilmente indivi- lavoro architettonico ed artistico del mente esistenti; oppure viceversa: duabili perché rappresentano località periodo manieristico. Tra il 1560 ed persone, cose, edifici o altro, real- inconfondibili e da tempo conosciu- il 1610 al fianco dei famosi fratel- mente esistenti ma inquadrate in te. li Zuccari, del Bertoja, di Giovanni scenari immaginari; Infatti, oltre a due immagini di De Vecchi, di Giovanni Antonio da c. paesaggi reali: quindi vedute di Caprarola (una vista da Est e l’altra Varese e di Antonio Tempesti, si tro- luoghi realmente esistenti oppure da Sud-Est), si vedono quella del vavano numerosi altri artisti, per lo che esistevano all’epoca della rea- porto di Messina da dove, nel 1565, più sconosciuti, i quali si sono occu- lizzazione del dipinto. partì la flotta in difesa dell’isola di pati delle rifiniture e delle decorazio- Malta il cui assedio, da parte dei ni pittoriche di secondo piano. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Catalogue-Guided-Tours-Kids.Pdf
C A T A L O G U E G U I D E D T O U R S K I D S E D I T I O N The Colosseum, the largest amphitheater in the world Duration: 2 hours Our guide will be waiting for you in front of the Colosseum, the largest and most famous amphitheater in the world. You will discover together what happened inside this "colossal" building where about 50,000 spectators could enter to watch the gladiator shows offered by the Roman emperors until the fifth century. Place of incredible fun for the ancient Romans. Exotic animals, gladiators acclaimed and loved as heroes, spectacular death sentences and grandiose naumachiae. We will unveil many curiosities and false legends about the largest amphitheater in the world. The Palatine, from the Hut of Romulus to the Imperial Palace Duration: 2 hours A long time ago, between history and legend, Rome was born ... but where exactly?! On the Palatine Hill! We will start from the mythical origin of the Eternal City, when the two brothers Romulus and Remus fought for its dominion, discovering that everything started from small wooden huts, to arrive in an incredible journey through time and archaeology to the marbles and riches of the imperial palaces, admired throughout the ancient world. You will meet kings and emperors, but also shepherds and farmers! Castel Sant'Angelo, the Mausoleum of Hadrian Duration: 2 hours Our guide will be waiting for you in front of the Castle's main door to let you discover the secrets of one of the most famous monuments of ancient Rome. -
THE DECORATION and FURNISHING of the CITY No
THE DECORATION AND FURNISHING OF THE CITY No. 5.--Fountains 'Vater is an essential attribute to every landscape or architectural composrtion, No park or garden is strictly complete which does not possess its cascade, fountain, basin, and canal, and no city which pretends to be artistically embellished is fully adorned without waterways, rond points, drinking fountains, and jets d'eau. The city which may fitly display fountains must abound in pleasure places and be something more than a commercial town. It must have prospered and developed beyond this elementary stage. The purpose of the Iountain is non-utilitarian; it transcends all mundane ideas.· It is a work of art set up for art's. sake alone. 'Vater is animate, and a fountain is a living thing; little wonder that poets and artists ever people them with gods, demi-goels, animals, and nymphs. Schemes for the beautiful treatment of water have ever been created during the great artistic epochs of the world. Ancient Rome was a city running with water, but the fountains of Rome have long ago been obliterated and lost, though numerous remaine of sculptured baths and basins, spouts and vases have been preserved. Probably the earliest of the fountains which are still running with water and which are of greatest importance to us as such to-day, are the Italian fountains of the 15th and 16th centuries, most of which are to be seen in the gardens of the villas around Florence and Rome. From the highest terrace of these gardeIls water pours forth from a chateau d'eau, a grotto, art archway, or from the cleft in a rock; it becomes a cascade and is artfully.., broken into a series of falls ; it pirouettes, tumbles, and empties itself into a deep pool, then, disappearing it reappears on the lowest terrace as a jet, or as a thousand jets throwing UF) glistening spray, and finally settles in a "bain des Dieux." SUCll is the treatment of water in the world's oldest gardens and parks; particularly fine examples are to be seen in the gardens of the Villa Torlonia and in the Villa d'Este. -
Ancient Cities: the Archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, Second Edition
ART 2311: Art and Architecture in Rome Fall 2016 A Days (Mondays and Wednesdays), 11:30am-1:00pm Aula Magna (plus site visits on some Wednesday afternoons) COURSE DESCRIPTION: This course gives students the unique opportunity to immerse themselves in the development of the city of Rome through a study of its art, architecture and urban transformation. It focuses on the major artistic and architectural movements occurring primarily in Italy (as well as their Greek antecedents) from roughly the 8th century BCE to the 20th century CE. In the study of each period we will strive to understand Rome’s artistic and architectural works within the contexts in which they were created. Our study of art, architecture and urban planning will therefore take into account the historical, political, social, religious and cultural contexts of the patrons, artists and viewers. Particular emphasis will be placed on ancient Greece and Rome, early Christianity, the Renaissance and the Baroque periods. We will also explore the reuse, borrowing and revival of ancient artistic and architectural themes in later periods. Instructor: Office Hours: Dr. Elizabeth Robinson Monday 4:00-6:00pm, or by appointment. [email protected] If you cannot make it to these office hours, Office: 560 please let me know and we can work out Office Phone: extension 560 another time to meet. REQUIRED TEXTS: (G) Gates, C.F. Ancient Cities: The archaeology of Urban Life in the Ancient Near East, Egypt, Greece and Rome, second edition. (Routledge, 2011). (C) Claridge, A. Rome. An Oxford Archaeological Guide. (Oxford 1998). (CP) Coursepack (consisting of several different readings assembled specifically for this course) ADDITIONAL READINGS: Occasionally texts, articles and handouts that will supplement the texts listed above may be assigned. -
Renaissance Gardens of Italy
Renaissance Gardens of Italy By Daniel Rosenberg Trip undertaken 01-14 August 2018 1 Contents: Page: Introduction and overview 3 Itinerary 4-5 Villa Adriana 6-8 Villa D’Este 9-19 Vatican 20-24 Villa Aldobrindini 25-31 Palazzo Farnese 32-36 Villa Lante 37-42 Villa Medici 43-45 Villa della Petraia 46-48 Boboli Gardens 49-51 Botanical Gardens Florence 52 Isola Bella 53-57 Isola Madre 58-60 Botanic Alpine Garden Schynige Platte (Switz.) 61-62 Botanic Gardens Villa Taranto 63-65 Future Plans 66 Final Budget Breakdown 66 Acknowledgments 66 Bibliography 66 2 Introduction and Overview of project I am currently employed as a Botanical Horticulturalist at the Royal Botanic Gardens Kew. I started my horticultural career later in life and following some volunteer work in historic gardens and completing my RHS level 2 Diploma, I was fortunate enough to secure a place on the Historic and Botanic Garden training scheme. I spent a year at Kensington Palace Gardens as part of the scheme. Following this I attended the Kew Specialist Certificate in Ornamental Horticulture which gave me the opportunity to deepen my plant knowledge and develop my interest in working in historic gardens. While on the course I was able to attend a series of lectures in garden history. My interest was drawn to the renaissance gardens of Italy, which have had a significant influence on European garden design and in particular on English Gardens. It seems significant that in order to understand many of the most important historic gardens in the UK one must understand the design principles and forms, and the classical references and structures of the Italian renaissance.