ECHOS of DRUDE by Rev
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Sketch of the Red River Valley
A harvest crew in the Dakota wheat fields, 1887 On the PRAIRIE A Sketch of the Red River Valley KNUT HAMSUN Translated by JOHN CHRISTIANSON KNUT HAMSUN, the Norwegian novelist Hamsun worked for a time in a Madelia who was awarded the Nobel Prize in 1920, lumberyard and later went to Minneapolis is widely knoum as the author of Hunger, as secretary to the Norwegian poet and Uni Pan, and the monumental Growth of the tarian minister, Kristofer Janson. His second Soil, each of which has appeared in several trip in 1886 took him first to Chicago, where American editions. But it is not so well he was a streetcar conductor for a short time. known that he spent several years in the Then during the summer and autumn of United States, and particularly, in Minne 1887, Hamsun hired out as a laborer on a sota. During his first sojourn in the New huge bonanza farm in the Red River Valley. World, from 1882 until the autumn of 1885, Whether he was employed by Oliver Dal rymple cannot now be definitely estab MR. CHRISTIANSON is a native of Mankato and lished. When the season ended, he went a graduate student in history in the University of Minnesota. His previous publications include back to Janson and other friends in Minne an article on the sixteenth century Danish apolis, and remained toith them until his astronomer, Tycho Brahe, which appeared in return to Norway in 1888. His first book, Scientific American for February, 1961. published the folloiving year, was a bitter September 1961 265 attack on the materialism of American The sun was brutal. -
Vikings of the Midwest: Place, Culture, and Ethnicity in Norwegian-American Literature, 1870-1940
VIKINGS OF THE MIDWEST: PLACE, CULTURE, AND ETHNICITY IN NORWEGIAN-AMERICAN LITERATURE, 1870-1940 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kristin Ann Risley, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Steven Fink, Adviser Professor Georgina Dodge _________________________ Adviser Professor Susan Williams Department of English Copyright by Kristin Ann Risley 2003 ABSTRACT Although immigration is one of the defining elements of American history and ideology, texts written in the United States in languages other than English have been overlooked within American literary studies, as have the related categories of immigrant, ethnic, and regional writing and publishing. My project addresses the need for studies in multilingual American literature by examining the concept of home or Vesterheimen (literally, “the western home”) in Norwegian-American literature. I argue that ethnic writers use the notion of home to claim and/or criticize American values and to narrate individual and collective identities—in essence, to write themselves into American literature and culture. Hence these “hyphenated” American authors are united in the common imaginative project of creating a home and history in the United States. My project locates and examines Vesterheimen in three main contexts: place, community, and culture. The first part of the dissertation focuses on Norwegian- American print culture as a dynamic force in shaping and promoting ethnic consciousness. The first and second chapters provide case studies on Augsburg Publishing House and one of its feature publications, the Christmas annual Jul i Vesterheimen. -
The Sydney Unitarian News
The The Unitarian Church in NSW PO Box 355, Darlinghurst NSW 1300 15 Francis Street, East Sydney (near Museum Station) Tel: (02) 9360 2038 SUN www.sydneyunitarianchurch.org Editor: M.R. McPhee Sydney Unitarian News April/May 2017 MODERN UNITARIANISM IN CONTINENTAL EUROPE (Part 1) In three previous instalments, we traced the history of Unitarianism in the United Kingdom and Ireland from about 1600 to the present day. Now, we will survey the advances made by our confreres in Europe in that period and you will probably be surprised to learn how many countries our denomination is now represented in. Given the diversity of European countries and peoples, we can only expect a similar variety in the origins and histories of these national Unitarian bodies. First, we must go back to our ancestral homeland of Transylvania, where the followers of Francis Dávid had managed to keep their church system operating despite increasing pressure from the Catholic monarchy. The second Bishop was György Enyedi (1555–97), elected in 1592 and later known as the ‘Unitarian Plato’ for his writings. His most famous work was the anti-Trinitarian Explicationes (1598), which was reprinted in Holland and circulated widely in Europe. While the term, ‘Unitarian’, was first mentioned in official documents in 1600, the name was not formally adopted by the church until 1638. That same year saw the most savage op- pression the church had ever experienced, with most of its properties confiscated and its publications banned. Bishop Mihály Lombard de Szentábrahám (1683–1758, pictured far left), elected in 1737, is regarded as the second founder of the Transylvanian church, as he rallied its forces and laid down its statement of faith in his Summa Universae Theologiae Christianae secundum Unitarios (A Digest of Christian Theology according to the Unitarians), published posthumously in 1787. -
Melville, Kafka, Hamsun, and Wright DANIEL REES DANIEL
DANIEL REES Hunger and Modern Writing Melville, Kafka, Hamsun, and Wright DANIEL REES DANIEL Hunger and Modern Writing Melville, Kafka, Hamsun, and Wright Inauguraldissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig-Maximilians-Universität München vorgelegt von Daniel Rees aus Guelph, Ontario, Kanada 2015 Erstgutachter: Prof. Dr. Klaus Benesch Zweitgutachter: PD Dr. Sascha Pöhlmann Datum der mündlichen Prüfung: 23.01.2015 Contents Acknowledgements VII Summary IX I. Introduction 1 I.i Methodology and structure 6 II. Theoretical Overview of Hunger and Modern Writing 15 II.i Hunger and the body 15 II.ii The writer under conditions of modernity 22 Part 1: Herman Melville and Franz Kafka 27 1. “‘I would prefer not to’”: Absence and Appetite in Herman Melville’s “Bartleby, the Scrivener” 29 1.1 “Dollars damn me…” 30 1.2 The Wall Street lawyer 33 1.3 The mechanical scrivener 39 1.4 Visionary, artist, or madman? 42 2. Alienation and the Unknown Nourishment in Franz Kafka’s Die Verwandlung and “Ein Hungerkünstler” 49 2.1 Kafka’s modernism 53 2.2 Kafka’s Die Verwandlung 56 2.3 Kafka’s “Ein Hungerkünstler” 69 Part 2: Knut Hamsun and Richard Wright 83 3. Starvation and Self-Destructiveness in Knut Hamsun’s Hunger (Sult) 85 3.1 Hunger 86 3.2 Hunger and subjectivity 95 3.3 “Cheap happiness” 102 3.4 “Noble suffering” 108 4. Hunger and Self-Fashioning in Richard Wright’s Black Boy (American Hunger) 111 4.1 Wright’s naturalism 114 4.2 The grim, hostile stranger 122 VI Contents 4.3 Hunger, reading, and the self-made man 126 4.4 Wright’s American Hunger 133 Conclusion 139 Abbreviations and Works Cited 143 Acknowledgements I would like to express my sincere gratitude to my supervisor, Prof. -
Skrifter Om Ivar Aasen
Skrifter om Ivar Aasen Teikning av Bjarne Restan, Arbeidermagasinet 25. november 1939. Foto: Prøysen-huset. 320 Ivar Aasen i stort og smått Ludvig Eikaas’ portrett ti Ivar Aasen-året 1996. Eigar og foto: Nynorsk kutursentrum / Ivar Aasen-tunet. 321 SETNINGA STÅR på side 208. Orda er så få at dei er lette å oversjå, nett slik skrivaren av orda overser emnet sitt. 1200 år norsk historie skulle inn på 576 store, tette sider, så det gjaldt å skunde seg. Det står skrive på side 208 i Grunnbok i Norges historie fra vikingtid til våre dager, utgitt i Språkåret 2013: Ivar Aasens arbeid med å skape et nytt norsk skriftspråk med grunn- lag i dialektene ble til å begynne med møtt med velvilje i akademiske miljøer. Meir var ikkje å seie om Aasen der og då. Det var det heller ikkje på side 188 i den første utgåva av boka i 1991. Skulle ein først samle Aasens liv og verk og historiske rolle éi setning, var der mange andre ord å velje mellom med ein heilt annan historisk presi- sjon enn denne. Litt seinare, på side 266 i 2013, kjem tre avsnitt om det som følgde med Ivar Aasen. «Hver gang målfolket ville ha obligatorisk opplæring i nynorsk i nye skoleslag, brøt rabalderet løs.» Nokre linjer seinare går Bjørnstjerne Bjørnson «i spissen for å danne Norsk Rigsmaalsforening (1899), siden den gang en aldri sovende vakthund i språksaken». Slik skriv Edgar Hovland i ei innføringsbok for studentar i norsk historie. Den eine sida er på vakt, den andre lagar bråk. Noko føredøme for balansert historieskriving er ikkje dette. -
The Idea of the City
The Idea of the City The Idea of the City: Early-Modern, Modern and Post-Modern Locations and Communities Edited by Joan Fitzpatrick The Idea of the City: Early-Modern, Modern and Post-Modern Locations and Communities, Edited by Joan Fitzpatrick This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Joan Fitzpatrick and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-0146-1, ISBN (13): 978-1-4438-0146-1 TABLE OF CONTENTS Editor’s Introduction Joan Fitzpatrick......................................................................................... 1 Introductory Essay Counter-Urbanisation: An Historian’s View John Martin.................................................................................................. 7 Part I: Medieval and Early Modern Cities: Performance and Poetry Chapter One The Politics of Civic Drama and Ceremony in Late Medieval and Early Modern Britain Alexandra Johnston ................................................................................... 21 Chapter Two Sin City? The Image of Babylon in Petrarch’s Canzoniere Alexander Lee .......................................................................................... -
Their Minneapolis
Their Minneapolis Novels of Norwegian-American Life in Minneapolis By Kine Dahlen Soleng A Thesis Presented to The Department of Literature, Area Studies, and European Languages University of Oslo In Partial Fulfilment of the Requirements for the MA Degree Fall Term 2007 Acknowledgments I would like to thank everyone who has helped and supported me with my thesis, especially Siri for reading and giving me invaluable advise and support. Helle, Ellinor, Helga Marie, Selja, and Rune – thank you for coffee breaks and for cheering me on, I could not have done this without you. I am thankful for all the help I have got from Ken Luebbering, Dina Tolfsby, everyone at the NAHA Archives, and Minnesota Historical Society. Thanks to Micheal, Rebecca, and Caroline for letting me stay with you in St. Paul. Finally I wish to thank my wonderful parents and grandparents for their support. 1 Table of Contents 1. Introduction ............................................................................................................................ 3 1.1. The Novels ...................................................................................................................... 5 1.2. Literature vs. History....................................................................................................... 8 1.3. Literary trends and periods............................................................................................ 13 1.4. Structure ....................................................................................................................... -
Disenchantment in Two Minneapolis Novels from the 1880S / Gerald
"1 have heefi like the child in the fairy tale \^ ' . ,j ' who ran after the shining stars „ .. , , - • . - .' hut found only, tinsel and dust on his fingers.. .. , ..L' \- ^.. i. ''7. *• • -. • -' • . ' • • ' -.'' #"'-•• •*** DRUDE -KROG JANSON • . €. 'i^SS* from her novel, Mhci " ' > .-^ Disenchantment in Two Minneapolis Novels from the 1880s TIHSEL ANP DUST Gerald Thorson MINNEAPOLIS in the 1880s xx'as an apt setting for a bol of xvealtb. Not far axx'ay, on Hennepin and Fifth, xx'as nexv romance — perhaps even worthy ol celebration by a the eight-stiiry West Hotel that for decades continued to young Walt Whitman. Progress and prosperity xvere be a shoxvpiece to xx'hich all nexv arrivals and visitors ex'ident everyxvhere, xvith the skyline and landscape con xvere taken — a building acclaimed by one early histo stantly changing as the city pushed out from its center of rian as "one of the most palatial and best appointed activity, the Gatexvay section near the Falls of St. An hotels in the United States — xvbich is to say, in the thony. As the brick and mortar xvere transformed into xvorld. " During the decade a nexv public library xvas engineering and architectural triiiinphs, such as the erected, plans xvere under xvay for a nexv city hall and Metropolitan Building or the fabulous residences of courthouse, and the city's park system xvas extended. It Charles A. Pillsbury and Senator William D. Washburn xx'as indeed a period of change and expansion: Betxveen that arose on Stevens Avenue, certainly the poet in the 1880 and f890, the popidation of the leading flour- city xx'ould be sufficiently stirred to compose his paeans milling city in the United States quadrupled, reaching a in honor ofthe nexv metropolis. -
Hunger and Modern Writing
DANIEL REES Hunger and Modern Writing Melville, Kafka, Hamsun, and Wright DANIEL REES DANIEL Daniel Rees · Hunger and Modern Writing Herausgegeben von Modern Academic Publishing (MAP) 2016 MAP (Modern Academic Publishing) ist eine Initiative an der Universität zu Köln, die auf dem Feld des elektronischen Publizierens zum digitalen Wandel in den Geisteswissenschaften beiträgt. MAP ist angesiedelt am Lehrstuhl für die Geschichte der Frühen Neuzeit von Prof. Dr. Gudrun Gersmann. Die MAP-Partner Universität zu Köln (UzK) und Ludwig-Maximilians-Universität München (LMU) fördern die Open-Access-Publikation von Dissertationen forschungsstarker junger Geisteswissenschaftler beider Universitäten und verbinden dadurch wissenschaftliche Nachwuchsförderung mit dem Transfer in eine neue digitale Publikationskultur. www.humanities-map.net Daniel Rees Hunger and Modern Writing Melville, Kafka, Hamsun, and Wright Herausgegeben von Modern Academic Publishing Universität zu Köln Albertus-Magnus-Platz 50923 Köln Gefördert von der Ludwig-Maximilians-Universität München Text © Daniel Rees 2016 Erstveröffentlichung 2016 Zugleich Dissertation der Ludwig-Maximilians-Universität München 2015 Umschlagbild: Pablo Picasso, Das Mahl des Blinden, 1903, Öl auf Leinwand, Metropolitan Museum of Art, New York, © VG Bild-Kunst Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http:/dnb.dnb.de abrufbar. ISBN (Hardcover): 978-3-946198-16-1 ISBN (PDF): 978-3-946198-19-2 ISBN (EPUB): 978-3-946198-17-8 ISBN (Mobi): 978-3-946198-18-5 DOI: http://dx.doi.org/10.16994/baf Diese Arbeit ist veröffentlicht unter Creative Commons Licence BY 4.0. Eine Erläuterung zu dieser Lizenz findet sich unter http://creativecommons.org/licenses/by/4.0/. -
Final ETD File
ABSTRACT LARSON, STEPHEN LARRY. The Birth, Death, and Re-Birth of an Auteur: the Analog to Digital Conversion of Carl Theodor Dreyer’s Films. (Under the direction of Hans Kellner.) This dissertation explores how DVD and digital media can deviate from an original filmmaker’s intent by being used as a tool for re-mediation. It addresses an important issue about what happens to an author’s work of art from the pre-electronic age to the present when it is re-mediated or repurposed via a new platform. The Scandinavian filmmaker Carl Theodor Dreyer (1889–1968) is an ideal prototype for studying the phenomenon of re- mediation. Dreyer began directing movies at the peak of the silent years and made his first talkie at the beginning of the sound era. Thirteen out of the fourteen feature films that Dreyer directed are available on LaserDisc, DVD, Blu-ray, and digital streaming platforms. Dreyer deserves a renewed appraisal and fresh investigation into his life and work. Why Dreyer and why in this postmodern era of digital cinema? Dreyer’s oeuvre has always been in a state of re-mediation through continuous, changing circumstances. Some rather infamous instances illustrate how the original aesthetic intentions of his films were either compromised or altered. For example, in 1951 the Italian-born film historian Joseph-Marie Lo Duca acquired an original negative of La Passion de Jeanne d’Arc (The Passion of Joan of Arc, 1928) and cropped the left side of the picture in order to accommodate a sound track of preexisting music. He also marred the image by superimposing some intertitles over the shots. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Das Amerikabild in der norwegischen Literatur (1830-1900) Verfasser Dominik Timmermann angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 394 Studienrichtung lt. Studienblatt: Skandinavistik Betreuer: O. Univ.-Prof. Dr. Sven Hakon Rossel Inhaltsverzeichnis 1. Einleitung 3 2. Die norwegische Emigration nach Amerika 5 2.1. Norwegische Siedlungsgebiete im Mittleren Westen 7 3. Die amerikanische Unabhängigkeitserklärung als Symbol Eidsvolls 8 4. Die norwegische Literatur im Kontext der Emigration 10 4.1. Das Amerikabild in der liberalen norwegischen Literatur 11 5. Henrik Wergelands Amerikabild 13 5.1. „Norge til Amerika“ – Wergelands Huldigung an Ole Bull 15 5.2. Der große Exodus als negativer Wendepunkt in Wergelands Amerikabild 16 5.3. Fjeldstuen – Wergelands letztes Klagelied 17 6. Søren Jaabæks Amerikabild 20 7. Marcus Thranes Amerikabild 22 7.1. Thranes Emigration in die Vereinigten Staaten 24 7.2. Das norwegische Theater in Chicago 27 7.3. Die Auflösung des utopischen Traumes 31 7.4. Thranes Bruch mit amerikanischen Idealen 35 8. Bjørnstjerne Bjørnsons Amerikabild 36 8.1. Der positive Wandel in Bjørnsons Betrachtung Amerikas 38 8.2. Bjørnsons Reise durch Amerikas Nordosten 41 8.2.1. New England – das kulturelle, politische und intellektuelle Zentrum der Vereinigten Staaten 43 8.3. Bjørnsons Reise durch den Mittleren Westen 45 8.4. Amerikabezüge in Bjørnsons Werken 47 9. Kristofer Jansons Amerikabild 49 9.1. Jansons Reise durch den Mittleren Westen 50 9.2. Jansons Bild der amerikanischen Gesellschaft 53 9.3.