FOR IMMEDIATE RELEASE American Academy in Rome Announces New Rome Prize Winners and Italian Fellows Artists and scholars to join new director Avinoam Shalem in Rome New York and Rome (July 23, 2020) – The American Academy in Rome (AAR) today announced ​ the winners of the 2020–21 Rome Prize and Italian Fellowships. These highly competitive fellowships support advanced independent work and research in the arts and humanities. This year, Fellowships were awarded to twenty-two American and two Italian artists and scholars, who will each receive a stipend, workspace, and room and board for a period of four to seven months at the Academy’s eleven-acre campus in Rome. Given the impact of COVID-19, the 2020–21 residential Fellowship season will begin in January and end in August. Starting in September, Academy staff will host a series of online programs for the Fellows, including orientations, language classes, presentations, and individual support with their upcoming projects. The Academy’s new director, Avinoam Shalem (2016 Resident), will begin his three-year term in January 2021, coinciding with the Fellows arrival in Rome. Currently the Riggio Professor for the Arts of Islam in the Department of Art History and Archaeology at Columbia University, Shalem specializes in the history of Islamic art, with a strong emphasis on Arab art in the Mediterranean Basin, the Near East, and the Levant, as well as in Spain, southern Italy, and Sicily. He also focuses on the art of the object, including secular and sacred aesthetics, as well as Jewish, Christian, and Islamic artistic interactions in the Mediterranean. “We look forward to welcoming Avinoam and some of the world’s brightest artists and scholars to the Academy in January,” said Mark Robbins, AAR President and CEO. “Avinoam’s expansive and global scholarship will bring an exciting aspect to the season’s programming, which will focus thematically on The City.” ​ To ensure the safety of Fellows and staff, while also preserving its unique environment, the Academy community will be smaller than usual to allow for proper social distancing. In addition, next season AAR expects to welcome a very limited number of Residents and Affiliated Fellows, while the Visiting Artists and Scholars Program will be evaluated at a later date. All residential guests will be given the space to self-isolate upon arrival in Rome and public events are suspended for the time being. Rome Prize winners are selected annually by independent juries of distinguished artists and scholars through a national competition. The eleven disciplines supported by the Academy are: Literature, Music Composition, Visual Arts, Architecture, Landscape Architecture, Design, and Historic Preservation and Conservation, as well as Ancient Studies, Medieval Studies, Renaissance and Early 7 EAST 60TH STREET, NEW YORK, NY 10022 USA VIA ANGELO MASINA 5, 00153 ROMA ITALIA AAROME.ORG ​ 1 Modern Studies, and Modern Italian Studies. Nationwide, 1,031 applications were received from 46 US states plus Puerto Rico, the District of Columbia, and 15 different countries. The ages of the winners range from 29 to 59. In addition to the Rome Prize winners, the Academy announced the recipients of two Italian Fellowships, through which Italian artists and scholars live and work in the Academy community, pursuing their own projects in a collaborative, interdisciplinary environment with their American counterparts. The Italian Fellows are also selected through a national jury process. A full list of the 2020–21 Rome Prize winners and Italian Fellows, as well as the international jurors who selected them, is attached. American Academy in Rome Founded in 1894, the American Academy in Rome is the oldest American overseas center for independent study and advanced research in the arts and humanities. It is the only privately funded not-for-profit institution among the national academies in Rome. In addition to the Rome Prize and Italian Fellowships, the Academy invites a select group of Residents, Affiliated Fellows, and Visiting Artists and Scholars to work together within this exceptional community. To learn more about the American Academy in Rome, please visit aarome.org. Media Inquiries Marques McClary Director of Communications 212-751-7200, ext. 342 [email protected] Christopher Howard Communications Manager 212-751-7200, ext. 340 [email protected] 7 EAST 60TH STREET, NEW YORK, NY 10022 USA VIA ANGELO MASINA 5, 00153 ROMA ITALIA AAROME.ORG ​ 2 INTRODUCING: Millicent Mercer Johnsen/ Irene Rosenzweig Rome Prize Christy Q. Schirmer PhD Candidate, Department of Classics, University of Texas at Austin Exploiting Riverine Resources in the Roman Empire ARCHITECTURE The 2020–2021 Rome Prize in Architecture Katy Barkan Rome Prize winners Lecturer, Department of Architecture and Urban Design, University of California, Los Angeles and Italian Fellows Obelisks: A History of Uncertainty Meet the American Academy in Rome’s newest group of scholars, Arnold W. Brunner/Katherine Edwards artists, writers, and composers, representing some of the most Gordon/Frances Barker Tracy Rome Prize talented minds in the United States and Italy. David Serlin Associate Professor, Department of Communication, University of California, San Diego Sensory Design and Architectural Empathy in the “Progetto Ophelia” DESIGN Cynthia Hazen Polsky and Leon Polsky Rome Prize Steven Parker Lecturer, College of Liberal and Fine Arts, University of Texas at San Antonio; Curator, SoundSpace at the Blanton Museum of Art Futurist Opera Mark Hampton/Jesse Howard Jr. Rome Prize Terese Wadden Costume Designer, Brooklyn The Clothes of Rome HISTORIC PRESERVATION AND CONSERVATION ANCIENT STUDIES Christy Schirmer will treat the practice Suzanne Deal Booth Rome Prize of river fishing in the Roman provinces as Jean Dommermuth Arthur Ross/Andrew W. Mellon a lens through which we can more fully Lecturer, Conservation Center, Institute Foundation Rome Prize recognize the processes of social and of Fine Arts, New York University; Dillon Gisch economic change that followed Roman Conservator, ArtCare, New York PhD Candidate, Department of Classics, imperial expansion. Sixteenth-Century Florentine Stanford University Canvas Painting Ancient Rome to Renaissance Italy Replication and Difference in Images of “Modest Venus,” 200 BCE–600 CE Andrew Heiskell Rome Prize Adele Chatfield-Taylor Rome Prize Maggie L. Popkin Paulette Marie Singley Samuel H. Kress Foundation/ Robson Junior Professor, Associate Professor, Department of Architecture, Emeline Hill Richardson Rome Prize Professor, Department of Art History and Woodbury University Rebecca Levitan Art, Case Western Reserve University Preserving Perishables: Strategies for PhD Candidate, Department of the History Souvenirs and the Experience of Empire in Conserving the Cultural History of Cuisine of Art, University of California, Berkeley Ancient Rome in Contemporary Rome The Pasquino Group: Sculpture, Conversation, and Resistance from Rome Prize in Renaissance and Early Modern Studies Rebecca Messbarger Professor of Italian, Affiliate Professor of History, Art History, Performing Arts, and Women, Gender, and Sexuality Studies, Department of Romance Languages and Literatures, Washington University in St. Louis Ghostly Light: How Criminal Corpses Animated the Italian Enlightenment Samuel H. Kress Foundation/ Donald and Maria Cox Rome Prize Lindsay Sheedy PhD Candidate, Department of Art History LANDSCAPE ARCHITECTURE Matthew Ellis illuminates a neglected and Archaeology, Washington University dimension of Italian colonialism in Libya— in St. Louis Prince Charitable Trusts/Kate Lancaster namely, the experience of Libyan migra- Un’orrida bellezza: Religious Polychrome Brewster Rome Prize tion to and exile in Egypt, and the critical Sculpture in the Kingdom of Naples Kevin Benham role that Italian rule played in fostering (1503–1714) Assistant Professor, Jon Emerson/ a new era of mobility and cross-border Wayne Womack Design Professorship, politics between Egypt and Libya. VISUAL ARTS Robert Reich School of Landscape Architecture, Louisiana State University Nancy B. Negley Rome Prize A Line in the Land: Tracing the Paul Mellon/Andrew W. Mellon Jennifer Packer Transhumance Foundation Rome Prize Assistant Professor, Department of Matthew H. Ellis Painting, Rhode Island School of Design Garden Club of America Rome Prize Professor, Department of History, Fantasy in the Hold Robert Gerard Pietrusko Sarah Lawrence College Associate Professor of Landscape In the Shadows of Italian Empire: Libya, Architecture, Graduate School of Design, Egypt, and the Politics of Cross-Border Harvard University Migration and Exile, 1911–1970 Additional leadership grant support for the Adapting the Viticultural Landscape Rome Prize program is provided by: MUSICAL COMPOSITION The Brown Foundation LITERATURE National Endowment for the Arts Elliott Carter Rome Prize The Gladys Krieble Delmas Foundation John Guare Writer’s Fund Rome Prize, Katherine Balch A gift of Dorothy and Lewis B. Cullman Composer, New York Endowment support provided by: Alexandra Kleeman Kalesa Ed Kaluca: Music for double Frank E. and Jaquelin G. Brown Fund Assistant Professor, Department of bass (and) Anthony Clark Memorial Fund Clarke & Rapuano Fund Writing, The New School Phyllis W. G. Gordan The Taxon Cycle: A Novel Luciano Berio Rome Prize William Dougherty Graham Foundation MEDIEVAL STUDIES Department of Music, Columbia University Andrew W. Imbrie Memorial Fund New Works for Konus Quartett, TILT Brass, in Music