DOCSLIB.ORG

The Archives' Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Archives' Contents The Archives’ Contents 13 december 2009 The International Archives For The Jazz Organ c/o Jürgen Wolf P.O. Box 900709 D-51117 Köln/Germany Tel. +49 2203 932882 Fax +49 2203 932213 email: [email protected] http://www.iajo.org organ player title LP/CD co-players title page 2 Hans-Günther Adam Back To The Roots Ali Claudi The Cat Uwe Haselhorst I Don’T Like You No More Kurz Billker I Feel Good Got You On My Mind Sister Sadie Midnight Creeper I’d Walk A Little More For You Lazy Days The Marching Saints Perdido Peter Adamietz Gididad Andreas Blüml Gididad Jens Liebau Mad Bed Bill Molenhof My Roof Is On Fire Rainer Berneth Hot Dog Two Weeks In L.A. Hello Miss Puffpeng Getatable Chachic Simon Alcott Blues & Electronics Herb Geller Red Tuesday Peter Haesslein Destination Unknown Roy Alexander J.W. & Panama Francis’ Jimmy Witherspoon Everyday I Have The Blues Savoy Sultans Eugene Edward Welcome To Me Pretty Baby Maurice Simon Stormy Monday Blues T’Ain’t Nobody Business I Had A Dream Jim Alfredson Waiting For The Joe Gloss Meet Me @ 11 Boogaloo Sisters Randy Marsh Jimmy Smith Goes To Washington Clap Yo‘ Hands Life Wish Blake‘s Shake You Don‘t Want To Do That Young‘s Dream Pre Dawn Rain Decoder Jim Alfredson This Is The Place Joe Gloss Wealthy Street Randy Marsh Greaze Monkey Johnny Gist Brother Ray Bill Vits Smoking Section Stomp Yo‘ Feets Intro Tenderly Play Nice Peaches En Regalia Pumpkin Pie Geri Allen Moden Day Jazz Stories Courtney Pine Prelude - The Water Of Life Charnette Moffett The 37th Chamber Ronnie Burrage Don’t Xplain Eddie Henderson Dab Blessing Cassandra Wilson In The Garden Of Eden Mark Whitfield Cration Stepper After The Damaja Absolution Each One (Must) Teach One The Unkwon Warrier I’ve Known Rivers Outro - Guiding Light Prince Of Peace organ player title LP/CD co-players title page 3 Rick Allen B-3 King Tim Green Tail Bone Richard Taylor The River Robert Wilson Groovin’ Home Roger Branch Blues After Hours Kerry Brown Manhattan Standard Time Viva Selena Louisiana Soul Fry Angola Prison Get Out My Life Woman Christoph Anders Perfect Worlds Chris Cutler Dust & Ashes Heiner Goebbels Crusoe’s Landing Miraculo Prometheus Sleep Armed In A Room Toda Dia Orpheus’ Mirror I Tried To Reach You Christoph Anders Es Herrscht Heiner Goebbels Burroughs Haiku Uhu Im Lande Alfred Harth Wertkauf Paul Lovens Ländliches Rolf Riehm Autobahn Annemarie Roelofs El Salvador Echter Lachs Ich Nicht Mich Dich Mahlzeit Meinen Eltern Schotten Dicht Welt Voll Irrsinn Uhu Geigensäge Riesel Riesel Säge Superbirdsong Ehorn-Uhu Durch Den Wald Der Main Knecht U. Tilt! Clarence Anderson Jug Gene Ammons Namely You Dough Watkins Ray Barretto Clarence Anderson Preachin’ Gene Ammons Sweet Hour Sylvester Hickman Yield Not Dorral Anderson Abide With Me Blessed Assurance The Prayer You’ll Never Walk Alone I Believe Precious Memories What A Friend Holy Holy The Light Clarence Anderson Billy Mitchell J And B Bobby Hutcherson Sophisticated Lady Herman Wright Just Waiting Otis Finch organ player title LP/CD co-players title page 4 Joe CadillacAnderson The Adventures Of Aaron Williams $50 Bill Cadillac Joe & The Kent Dice Hamele Break Song #29 Blind Wolf Blues Band Mike Morgenthaler Drive Me Crazy Bob Corbit Creepin’ In Blind Wolf Dues For The Blues A Storm A Comin’ The Adventure Monty’s Mood Green Grass Joe Cadillac Andersen Live At The Aaron Williams Take The Coltrane Restaurant Magnus Mike Turk Blues For Mike & Teju Autumn Leaves Sir Charles Akos C.C. Rider Soft Winds Watermelon Man The Champ Minority You Reap What You Sow Break Song #29 Lance Anderson The Toronto Sessions Michael Fonfara (organ) Magic Carpet Ride Neil Chapman Mitchell Lewis Dennis Pendrith Ritchie Hayward Lance Anderson The Toronto Sessions Denis Keldie (organ) Big Chief Richard Bell Neil Chapman Mitchell Lewis Dennis Pendrith Ritchie Hayward Lance Anderson Footworks Michael Sloski Funk You Up George Oliver She Caught The Katie Steven Ambrose Down At The Ottawa House World Of Love Right Place Wrong Time Footwork Chillin’ Devil With The Blue Dress Michael’s Blues Superstition Gospel Time Will It Go Around In Circles All About My Ol’ Bitch Where There Is Love Peter Apfelbaum Luminous Charms Jeff Cressman Song Of Corrosion Will Bernard Petroglyph/Marwa John Shifflett Deszon Claiborne Josh Jones Georges Arvanitas Orgue Hammond Jean-Claude Olivier Moanin’ Jacky Samson Cry Me A River Charles Saudrais Misty How Insensitive organ player title LP/CD co-players title page 5 Bluesette The Man I Love Trois Trois Deux Blues Triste Lyon’s Blues Satin Doll Please Bossa Tenderly Twistiti The Girl From Ipanema Mood Indigo Stranger In Paradise Blues For Joe Mack The Knife Mickey Atkins Funkadelic B. Nelson Mommy, What's A Funkadelic Tiki Fulwood I Bet You - Funkadelic, Barnes, Sidney Tawl Ross Music For My Mother E. Hazel I Got A Thing, You Got A Thing, Everybody's Got A Thing Good Old Music Qualify And Satisfy What Is Soul Brian Auger Doldinger Klaus Doldinger Handmade Jubilee Concert Johnny Griffin Freedom Jazz Dance Volker Kriegel Schirokko Wolfgang Schmidt Rockport Pete York Rock Me Baby Curt Dress Lemuria’s Dance Kristian Schultze Brian Auger Bumpin’ On Sunset Finally Find You Out Brian Auger Encore Julie Tippetts Spirit David McDaniels Don’t Let Me Be Misunderstood George Doering Git Up Dave Crigger Freedom Highway Future Pilot Rope Ladder To The Moon No Time To Live Nothing Will Be as It Was Lock All The Gates Brian Auger Streetnoise Julie Driscoll Tropic Of Capricorn Clive Thacker Czechoslovakia Dave Ambrose Take Me To The Water A Word About Colour Light My Fire Indian Rope Man When I Was Young Flesh Failures Ellis Island In Search Of The Sun Finally Found You Out Looking In The Eye Of The World Vauxhall To Lambeth Bridge All Blues I’ve Got Life Save The Country Brian Auger Planet Earth Ho Young Kim Planet Earth Calling organ player title LP/CD co-players title page 6 Calling George Doering Voyager 3 Dave McDaniels I’m Gone Terry Baker Golden Gate Brian Auger Summer Drumming Louie Bellson The Hawk Talks Wolfgang Schmid Brian Auger Big City Lennie White Big City and others And We Meet Again Brian Auger Oblivion Express Barry Dean Dragon Song Jim Mullen Total Eclipse Robbie McIntosh The Light On The Road The Sword Oblivion Express Brian Auger Open Brian Auger Trinity In And Out Isola Natale Black Cat Lament For Miss Baker Good Bye Jungle Telegraph Brian Auger Attention! Vic Briggs Back At The Chicken Shack Ricky Brown The In-Crowd Mick Waller Tiger Let’s Do It Tonight Can I Get A Witness Kiko Foolkiller Own Up Lady Astor Come Back To Croydon Holy Smoke Cry Me A River Brian Auger Olympic Rock & Chris Farlowe New Orleans Street March Blues Circus John Marshall I Never Loved A Girl Steve Richardson Motorboat Charly Eichert The Devil Rides The Speed Boat Pete York Everything’s Wrong Jeff Reynolds Crocodile James Campagnola Andrew Pet Brian Auger Steaming Pete York No One Colin Hodgkinson Freedom Jazz Dance Catcote Rag San Francisco Bay Blues Take The A-Train Prelude To A Kiss The Hawk Talk Season Of The Witch All About My Girl Going Down Slow Compared To What Brian Auger Second Wind Jim Mullen Truth Barry Dean Don't Look Away Robbie McIntosh Somebody Help Us Alex Ligertwood Freedom Jazz Dance Just You, Just Me Second Wind Freedom Jazz Dance (Live) organ player title LP/CD co-players title page 7 Brian Auger Closer To It! Barry Dean Whenever You're Ready Jack Mills Happiness Is Just Around The Bend Lennox Laington Light On The Path Godfrey MacLean Compared To What Inner City Blues Voices Of Other Times Brian Auger Voices Of Other Times John Oliva It Burns Me Up Dan Lutz Isola Natale Chris Clermont Voices Of Other Times Savannah Auger Splatch Karma Auger Indian Rope Man Soul Glow Victor's Delight Circles Never Gonna Come Down Jam Side Down Brian Auger Looking In The Eye Savannah Grace Auger Happy Overture Of The World Karma Auger Butterfly Chris Golden Troubleman Katisse Buckingham Freddie's Flight Larry Williams Homeward Light My Fire Meet Mr. Eddie Looking In The Eye Of The World Ghostown The Night Town Season Of The Witch Mugusic Soundcheck Eddie Baccus Feel Real Mose Fowler Feel Real George Cook Out Of Nowhere Charles Crosby Stranger On The Shore Theoshis Tannis Blues At Dawn A Breath In The Wind Flight 464 Phoebe In A Minor Groove Eddie Baccus Hometown Sessions Joe Lovano Stablemates Tony Big T Lovano Now Is The Time Lawrence ‘Jacktown’ Body And Soul Jackson You’re A Weaver Of Dreams Anthony Lovano Eddie Baccus Live At Public Library Son Eddie jr no titles available Kenny Davis Cecil Rucker Greg Bandy Matthias Bätzel Open Sunroof Torsten Zwingenberger Open Sunroof Fiete Felsch F.M.B. Kalli Gerhards Yours Is My Heart Alone Helmar Marczinski Besame Mucho Giorgio Crobu Memories Of Norway Sandu Matthias Bätzel Strong Winds Fiete Felsch Strong Winds Ingolf Burckhardt Is There Any Answer? Matthias Pogoda Save Your Love For Me organ player title LP/CD co-players title page 8 Alexander Bätzel On The Street Where You Live Matthias Bätzel With Hands And Feet Jörg Seidel Hands And Feet Frank Delle These Are Soulful Days Florian Poser Here Or Nowhere Paulo Cardoso You Don’t Know What Love Is Michael Kersting If I Should Loose You Alexander Bätzel Canadian Sunset Alone Together Tea For Two Lover Man I Love You Matthias Bätzel Hommage Martin Weiß Blues For Steph & Stuff Jörg Seidel Rendezvous Alexander Bätzel Vette Vous Et Moi Lentement, Mademoiselle Artillerie Lourde Nuits De St.
Load more

Recommended publications
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • JREV3.8FULL.Pdf
    JAZZ WRITING? I am one of Mr. Turley's "few people" who follow The New Yorker and are jazz lovers, and I find in Whitney Bal- liett's writing some of the sharpest and best jazz criticism in the field. He has not been duped with "funk" in its pseudo-gospel hard-boppish world, or- with the banal playing and writing of some of the "cool school" Californians. He does believe, and rightly so, that a fine jazz performance erases the bound• aries of jazz "movements" or fads. He seems to be able to spot insincerity in any phalanx of jazz musicians. And he has yet to be blinded by the name of a "great"; his recent column on Bil- lie Holiday is the most clear-headed analysis I have seen, free of the fan- magazine hero-worship which seems to have been the order of the day in the trade. It is true that a great singer has passed away, but it does the late Miss Holiday's reputation no good not to ad• LETTERS mit that some of her later efforts were (dare I say it?) not up to her earlier work in quality. But I digress. In Mr. Balliett's case, his ability as a critic is added to his admitted "skill with words" (Turley). He is making a sincere effort to write rather than play jazz; to improvise with words,, rather than notes. A jazz fan, in order to "dig" a given solo, unwittingly knows a little about the equipment: the tune being improvised to, the chord struc• ture, the mechanics of the instrument, etc.
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • |||GET||| RIEP Chart Basic Electricity 1St Edition
    RIEP CHART BASIC ELECTRICITY 1ST EDITION DOWNLOAD FREE David Zellmer | 9781484973738 | | | | | File Under Symfo 280298 They started as a popband and turned into progressive rock direction later. Between August and May Barend toured with Bert Heerink formerly vocalist of Vandenbergwho was very successful RIEP Chart Basic Electricity 1st edition Holland thanks to his vocal appearance in a series of Heineken-commercials. This selection ranges from toand really is just a drop in the bucket. So the band spilt up in autumn of At Hydro International, we often receive permission requests to use our articles for republishing purposes. During this RIEP Chart Basic Electricity 1st edition, Jan Akkerman also jammed with the Thijs van Leer Trio on suggestion of their bassplayer Martijn Dresden, who knew Jan from organizing gigs for the Dutch college circuit. As a temporary solution a drumcomputer was bought and despite the incomplete line-up, things were slowly but surely developing good. Towards the end ofElegy embarked for an extensive tour of Europe as the support for Finnish progressive metal band Stratovarius. Readers will also get a quick briefing on mathematical theory and a simple explanation of operation along with enjoyable descriptions of key electronics topics such as various methods of acceleration, power conditioning, energy storage, magnetism, and kinetics. He succeeded in all of this and finally stayed ten months instead of the intended six! Free Shipping Free global shipping No minimum order. In contrary to other countries like Germany, France, Italy or even Japan, where the mothertongue is a common feature in progressive rock. From the album a single was taken, but never really RIEP Chart Basic Electricity 1st edition.
    [Show full text]
  • Magazin Ausgabe 05
    2 Oldie Markt 05/04 Plattenbörsen Oldie Markt 05/04 3 Plattenbörsen 2004 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teu- ren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher, Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. Mai Saarbrücken Congresshalle ReRo (02 34) 30 15 60 1. Mai Frankfurt/Main Jahrhunderthalle Wolfgang W. Korte (061 01) 12 86 62 2. Mai Nürnberg Meistersingerhalle First & Last (03 41) 699 56 80 2. Mai Wiesbaden Kurhaus ReRo (02 34) 30 15 60 8. Mai Salzburg/Österreich Kleingmainer Saal Werner Stoschek (085 09) 26 09 9. Mai Dortmund Westfalenhalle-Goldsaal Manfred Peters (02 31) 48 19 39 9. Mai Köln Tanzbrunnen Wolfgang W. Korte (061 01) 12 86 62 9. Mai Innsbruck/Österreich Hüttenberger Saal Werner Stoschek (085 09) 26 09 15. Mai Halle Händelhalle First & Last (03 41) 699 56 80 16. Mai Dortmund Westfalenhalle 2 ReRo (02 34) 30 15 60 16. Mai Berlin Berlin-Arena First & Last (03 41) 699 56 80 16. Mai Linz/Österreich Volkshaus Bindermichl Werner Stoschek (085 09) 26 09 22. Mai München Kolpinghaus Werner Stoschek (085 09) 26 09 22. Mai Amsterdam/Holland Jaap Edenhal ARC (00 31) 229 21 38 91 23. Mai Münster Halle Münsterland ReRo (02 34) 30 15 60 23.
    [Show full text]
  • History of Jazz Tenor Saxophone Black Artists
    HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz.
    [Show full text]
  • John Clark Brian Charette Finn Von Eyben Gil Evans
    NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving.
    [Show full text]
  • Download (1MB)
    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
    [Show full text]
  • Primary Sources: an Examination of Ira Gitler's
    PRIMARY SOURCES: AN EXAMINATION OF IRA GITLER’S SWING TO BOP AND ORAL HISTORY’S ROLE IN THE STORY OF BEBOP By CHRISTOPHER DENNISON A thesis submitted to the Graduate School-Newark Rutgers University, The State University of New Jersey In partial fulfillment of the requirements of Master of Arts M.A. Program in Jazz History and Research Written under the direction of Dr. Lewis Porter And approved by ___________________________ _____________________________ Newark, New Jersey May, 2015 ABSTRACT OF THE THESIS Primary Sources: An Examination of Ira Gitler’s Swing to Bop and Oral History’s Role in the Story of Bebop By CHRISTOPHER DENNISON Thesis director: Dr. Lewis Porter This study is a close reading of the influential Swing to Bop: An Oral History of the Transition of Jazz in the 1940s by Ira Gitler. The first section addresses the large role oral history plays in the dominant bebop narrative, the reasons the history of bebop has been constructed this way, and the issues that arise from allowing oral history to play such a large role in writing bebop’s history. The following chapters address specific instances from Gitler’s oral history and from the relevant recordings from this transitionary period of jazz, with musical transcription and analysis that elucidate the often vague words of the significant musicians. The aim of this study is to illustratethe smoothness of the transition from swing to bebop and to encourage a sense of skepticism in jazz historians’ consumption of oral history. ii Acknowledgments The biggest thanks go to Dr. Lewis Porter and Dr.
    [Show full text]
  • The Subdudes the Manhattan Transfer & Take 6 Present
    The Subdudes The Manhattan Transfer & Take 6 present “The Summit” welcome to North Central College recently had one of those days where Speaking of friends (now that was smooth, wasn’t everything seemed to go wrong. The world it?), what about joining Friends of the Arts? I was really out to get me, or so it seemed. You’r tax-deductible donation helps us bring in Everything was bad and just could not get any the great artists you see, while we give back to worse. Then something happened that reminded me you. For example, our Impresario members are that the troubles were really not that important after treated to private receptions prior to three concerts all. I mean, look at what I get to do for a living? I get (and during intermission if the artist has an to bring some of the greatest artists in the business intermission), including the prestigious Impresario right here to North Central College in Naperville. Dinner on March 11—the night Los Lonely Boys I get to rub elbows with some of the icons in performs—and a private gallery reception. It’s our entertainment. I get to greet all of you in either the way of saying ‘thank you’ to those who give so much grande dame of performance spaces in this area, to support the arts. You’ll find more information in Pfeiffer Hall, or the finest concert hall for miles the program about the different membership levels around, the Wentz Concert Hall. I get to see your for Friends of the Arts.
    [Show full text]
  • Jazz Flute Repertoire List
    Jazz Flute repertoire list 1 September 2016 – 31 December 2022 Jazz Flute Grades Contents Page Introductory Notes .................................................................................................... 3 Publications ................................................................................................................... 4 Downloads ..................................................................................................................... 4 Acknowledgement ..................................................................................................... 4 Examination Formats ............................................................................................... 5 Free Choice Memory Option .................................................................................. 6 Step 1 ............................................................................................................................... 7 Step 2 ............................................................................................................................... 7 Grade 1 ........................................................................................................................... 8 Grade 2 ........................................................................................................................... 10 Grade 3 ........................................................................................................................... 12 Grade 4 ..........................................................................................................................
    [Show full text]