Make It on Myspace V

Total Page:16

File Type:pdf, Size:1020Kb

Make It on Myspace V Make It On MySpace – the complete guide for the Web 2.0 Artist Make It In Music …the ultimate resource to help you SUCCEED in the Music Business… Make It On MySpace – the complete guide for the Web 2.0 Artist ALL RIGHTS RESERVED ALL RIGHTS RESERVED No part of this guide may be reproduced or transmitted in any form whatsoever, electronic, or mechanical, including photocopying, recording, or by any informational storage or retrieval system without expressed written, dated and signed permission from the author. DISCLAIMER AND/OR LEGAL NOTICES The information presented herein represents the views of the author as of the date of publication. Because of the rate with which conditions change, the author reserves the right to alter and update their opinions based on the new conditions. This report is for informational purposes only and the author does not accept any responsibilities for any liabilities resulting from the use of this information. While every attempt has been made to verify the information provided herein, the author and his resellers and affiliates cannot assume any responsibility for errors, inaccuracies or omissions. Any slights of people or organizations are unintentional. NOTE: This report is neither published nor endorsed by MySpace.com or News Corp and any suggestion contained herein of any such affiliation is unintentional and denied. Support: If you have any problems with this guide or any follow-up emails from us, or indeed, if you come across any broken links in here or on Our Blog the please send us an email to [email protected] and we will do our best to rectify it as soon as possible. Published By © Illicit Entertainment Ltd t/a Make It In Music 2009 PO Box 51871, London, NW2 9BR, UK v. 1.1 January 2009 Make It In Music …the ultimate resource to help you SUCCEED in the Music Business… Make It On MySpace – the complete guide for the Web 2.0 Artist MAKE IT ON MYSPACE About Us – Who are Make It In Music? 1. Introduction • The MySpace Myth 2. MySpace Basics • Sign Up Form • Managing Your Account • Mailbox • Validating and confirming Your Account 3. Using Your MySpace • Editing Your Profile • Layout • A Few Things to Take Note Of… • Build a Mailing List • Search Engine Optimisation • MySpace Music Player • Blogging • Top Friends • Videos • Adding an Upcoming Show 4. Building and Interacting with Your Fanbase • Using the Messaging Interface • Sending Messages • Bulletins • Commenting Other Users • Other means of Communicating with your Fans on MySpace • Making the most of your Interaction Time • Who to Add? • Automating Your MySpace 5. Selling Yourself on MySpace • Advertising on MySpace 6. Using MySpace to Your Best Advantage Resources HTML Codes MySpace Terms & Conditions Make It In Music 3 …the ultimate resource to help you SUCCEED in the Music Business… Make It On MySpace – the complete guide for the Web 2.0 Artist About Us - Who are Make It In Music? Make It In Music (‘MiiM’) is a Music Industry Resource Company set up by Ian Clifford, ably assisted by Amanda McGowan. Between them they have 30 years of frontline global Music Industry experience. After working tirelessly to find, develop and hone young talent for many years, it became glaringly obvious to them that the young hopefuls always had the same questions and always made the same mistakes in their quest for fame and fortune. That quest has only become harder in the last few years with the turmoil caused by the extended death throes of the long-serving Artist and Record Company model. Nobody knows quite how the explosion of the digital age in the Music Industry (downloading, social networking, the death of the CD etc) will play out. There are theories and there are potential new models, but for now, the future is clouded. We have seen and learnt a lot already about how MySpace and other Web 2.0 sites can help in your route to the top. It’s all in this Guide. It was always difficult, in any age, to get a band together, learn to write and play, and then attract enough attention to get a shot at success. It’s even harder now that the record companies have less money and even less room for manoeuvre. But….there are now some truly feasible alternative ways to reach your future fans and even ways to financially sustain yourself outside of the record company model. MySpace is part of that and it now needs to be a core part of your strategy. It’s the lessons that the founders can impart to help in that quest that led to the creation of MiiM. Having worked as a music lawyer, artist and producer/songwriter manager, record label owner, music publisher, promoter and more, there are few things that Ian hasn’t seen in the Music Business. With No.1 records on both sides of the Atlantic and first hand experience in Rock, Pop, Indie, Hip-Hop and Dance (and even a little folk!) that knowledge can be transcribed to any artist in any genre. From a technical legal starting point, through the creative process, making the record and ultimately marketing it and the band to the public, they can share their knowledge of all of it. Amanda has more than one degree in Psychology – an immensely helpful training both in dealing with artists and also in understanding what makes people become fans. Years of on-the-road touring and street team marketing, both in the moshpit and at the front edge of the digital frontier, make the value of her insight to any emerging artist incalculable. The aim of Make It In Music is to bring you all the information, resources and help that you need to succeed in the Music Business – and they can walk the walk, not just talk the talk. This is our first guide, all about using the power of MySpace to promote your music. Read it all – there is a lot of very good information in here that we have learnt over years of hard work. You will benefit from it. To your success! Make It In Music 4 …the ultimate resource to help you SUCCEED in the Music Business… Make It On MySpace – the complete guide for the Web 2.0 Artist 1.Introduction So, you have a band, you think you’re amazing and you’re looking for ways to increase your profile, and maybe get a record deal, without spending huge amounts of cash. Is this possible? The short answer is yes…if you know how to go about it properly. Most aspiring musicians believe that the only way to success is getting a record contract with a major label, but times have changed, and are continuing to do so. There is now a healthy do-it-yourself music scene that, if you haven’t joined already, you should be part of. There are several things you can do in order to help you along the way, and social networking sites are probably the best place to start. Unless you have had your head stuck in the ground the past couple of years you will have noticed that there are now a multitude of sites on the Internet that allow you to make friends and influence people. These social networking sites provide you with the ability to create a network of online friends (potential fans if you’re a musician!), allow you to customize profiles and create a constant web presence, and do not restrict you in who you can communicate with. In fact, in as little as a couple of hours you could have fans all over the world! Establishing a web presence is now, by far, the most important way to generate interest in your music, and creating a profile on one of these sites is the easiest way to do this. There are a multitude of social networking sites for you to choose from depending on the types of audiences, and fans, you are searching for, and ideally you need to be promoting your music on as many of them as possible. You will find that this is a time consuming job but unfortunately it is now necessary due to the fact that so many musicians have taken advantage of them. There are no quick fixes in the music industry and getting recognized for your work is becoming increasingly difficult. If you are not familiar with social networking then this whole thing may seem particularly daunting, especially if you are just starting out with your band, so below is a list of the most popular social networking sites for you to have a look at and start with: MySpace Facebook YouTube Last FM Twitter Friendster Squidoo Bebo There are more links available in the resources section at the back of this book if you would like a more comprehensive list. You should make sure that you have an active profile on as many of these sites as possible. Later guides in this series will tell you how to use each of these to your best advantage but for now we are going to concentrate solely on MySpace. MySpace has over 65 million users and receives more daily hits than Google. It is therefore an absolute necessity for any musician to have a MySpace profile as it is still the first place that people look to for new music. Make It In Music 5 …the ultimate resource to help you SUCCEED in the Music Business… Make It On MySpace – the complete guide for the Web 2.0 Artist The MySpace Myth As a quick aside before we get into the details of using MySpace, you will no doubt be aware of the stories surrounding MySpace and their musical ‘Success Stories’.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • To Make Claims About Or Even Adequately Understand the "True Nature" of Organizations Or Leadership Is a Monumental Task
    BooK REvrnw: HERE CoMES EVERYBODY: THE PowER OF ORGANIZING WITHOUT ORGANIZATIONS (Clay Shirky, Penguin Press, 2008. Hardback, $25.95] -CHRIS FRANCOVICH GONZAGA UNIVERSITY To make claims about or even adequately understand the "true nature" of organizations or leadership is a monumental task. To peer into the nature of the future of these complex phenomena is an even more daunting project. In this book, however, I think we have both a plausible interpretation of organ­ ization ( and by implication leadership) and a rare glimpse into what we are becoming by virtue of our information technology. We live in a complex, dynamic, and contingent environment whose very nature makes attributing cause and effect, meaning, or even useful generalizations very difficult. It is probably not too much to say that historically the ability to both access and frame information was held by the relatively few in a system and structure whose evolution is, in its own right, a compelling story. Clay Shirky is in the enviable position of inhabiting the domain of the technological elite, as well as being a participant and a pioneer in the social revolution that is occurring partly because of the technologies and tools invented by that elite. As information, communication, and organization have grown in scale, many of our scientific, administrative, and "leader-like" responses unfortu­ nately have remained the same. We find an analogous lack of appropriate response in many followers as evidenced by large group effects manifested through, for example, the response to advertising. However, even that herd­ like consumer behavior seems to be changing. Markets in every domain are fragmenting.
    [Show full text]
  • 2018 158 Aliados Y Medios Edición Circulart 2018 Diseño Y Diagramación Maria Del Rosario Vallejo Gómez
    CONTENIDO 6 Presentación 14 Circulart Conecta 17 Invitados Eventos Teóricos 41 Sesiones de Pitch 49 Artistas Showcases / Seleccionados por convocatoria 71 Artistas Showcases / Presentados por aliados 87 Artistas Showcases / Invitados especiales 95 Profesionales Rueda de Negocios 123 Agencias de Management y/o Sellos discográficos 135 Directorio de Artistas Rueda de Negocios 145 Feria 153 Equipo Circulart 2018 158 Aliados y medios Edición Circulart 2018 Diseño y Diagramación Maria del Rosario Vallejo Gómez. DV Humberto Jurado Grisales. DV Fotografías Invitados Circulart 2018 CIRCULART es un modelo de cultura empresarial para las artes desarrollado por REDLAT COLOMBIA PRESENTACIÓN Circulart, para esta novena versión, tiene presente la nueva realidad en la que la cultura y las artes se presentan como un nuevo ámbito para la incorporación de valor a muy diversas actividades sociales y económicas. Desde esta óptica, en asocio con la Alcaldía de Medellín y Comfama, hemos asumido una perspectiva de impacto regional y local, que se suma a la plataforma latinoamericana que mantendremos con el alto nivel que ha sido su signo, y afrontaremos un trabajo continuo a lo largo del año ligado al emprendimiento y a la innovación en la industria musical. La innovación en nuestro caso constituye un fuerte vínculo que potencia la libre circulación de ideas creativas con las realidades prácticas de la vida económica. Se trata de un ámbito que requiere habilidad y competencia para avanzar en la mejora de las modalidades de actuación. Y es que uno de los principales valores agregados, tanto de productos como de bienes y servicios, proviene hoy en día en gran medida de la aplicación del conocimiento y la creatividad, de la relación con el ámbito de la investigación tecnológica, del diseño, la comunicación, la gestión y la vida cultural en las ciudades, potenciando así el rol de la música en una plataforma de emprendimiento.
    [Show full text]
  • Uila Supported Apps
    Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage.
    [Show full text]
  • Openness in the Music Business– How Record Labels and Artists May Profit from Reducing Control
    Table of Contents TECHNISCHE UNIVERSITÄT MÜNCHEN Dr. Theo Schöller-Stiftungslehrstuhl für Technologie- und Innovationsmanagement Openness in the music business– How record labels and artists may profit from reducing control Johannes L. Wechsler Vollständiger Abdruck der von der Fakultät für Wirtschaftswissenschaften der Technischen Universität München zur Erlangung des akademischen Grades eines Doktors der Wirtschaftswissenschaften (Dr. rer. pol.) genehmigten Dissertation. Vorsitzender: Univ.-Prof. Dr. I. Welpe Prüfer der Dissertation: 1. Univ.-Prof. Dr. J. Henkel 2. Univ.-Prof. Dr. F. v. Wangenheim Die Dissertation wurde am 09.12.2010 bei der Technischen Universität München eingereicht und durch die Fakultät für Wirtschaftswissenschaften am 11.05.2011 angenommen. i Table of Contents Table of Contents DETAILED TABLE OF CONTENTS .................................................................................................... II LIST OF FIGURES .................................................................................................................................. V LIST OF TABLES ................................................................................................................................. VII LIST OF ABBREVIATIONS..................................................................................................................IX ABSTRACT..............................................................................................................................................XI 1 INTRODUCTION ......................................................................................................................
    [Show full text]
  • Marginal but Significant the Impact of Social Media on Preferential Voting
    Working paper Marginal but significant The impact of social media on preferential voting Niels Spierings, Kristof Jacobs Institute for Management Research Creating knowledge for society POL12-01 Marginal but significant The impact of social media on preferential voting Niels Spierings, Radboud University Nijmegen Kristof Jacobs, Radboud University Nijmegen 1 Getting personal? The impact of social media on preferential voting Abstract Accounts of the state of contemporary democracies often focus on parties and partisan representation. It has been noted by several authors that parties are in a dire state. Parties are said to withdraw themselves from society and citizens in turn are withdrawing themselves from parties. However, two trends are rarely taken into account, namely (1) an increasing personalization of electoral systems and (2) the spread of cheap and easy- to-use social media which allow politicians to build personal ties with citizens. When considering these two trends, the process of ‘mutual withdrawal’ may be less problematic. Our research seeks to examine whether or not candidates make use of social media during election campaigns to reach out to citizens and whether citizens in turn connect to politicians. Afterwards it examines whether social media make a difference and yield a preference vote bonus. Four types of effects are outlined, namely a direct effect of the number of followers a candidate has; an interaction effect whereby a higher number of followers only yields more votes when the candidate actively uses the social media; an indirect effect whereby social media first lead to more coverage in traditional media and lastly the absence of any effect.
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • The Dynamics of Legal and Illegal Digital Music Distribution Christian Syvertsen
    Master thesis The dynamics of legal and illegal digital music distribution Christian Syvertsen 1 Preface This paper was written as a Master thesis in Informatics for Christian Syvertsen at the University of Oslo. The Master studies were started spring 2005, and the thesis is to be delivered November 2007. This Master thesis has been realized at the department of Information Systems at the Institute of Informatics at the University of Oslo, with great assistance and advice by supervisors Jennifer Blechar and Ole Hanseth. November 2007 University of Oslo, Department of Informatics Page 2 of 86 Master thesis The dynamics of legal and illegal digital music distribution Christian Syvertsen 2 Abstract In this thesis I give an overview and background of the current digital music landscape, analyse it through Actor Network Theory and see the complexity of the network as making it difficult to break down into less holistic parts. Every part of the network influences the other. As illegal downloads of illegally copyrighted music only increases, it seems apparent that the record industry have taken a wrong strategy. Copyright laws have been tightened, DRM systems have been applied and lawsuits have been made, but it seems that it has no decreasing effect on the illegal downloads. I believe what the record companies must to is to put more efforts into making a better legal music download service, that actually can offer a better product than the P2P networks, because then increasing numbers of users will prefer that legal alternative. But for something like this to be achieved, there is a long way to go.
    [Show full text]
  • Crowdfunding Platforms: Ecosystem and Evolution Full Text Available At
    Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Full text available at: http://dx.doi.org/10.1561/1700000061 Other titles in Foundations and Trends® in Marketing Entertainment Marketing Natasha Zhang Foutz ISBN: 978-1-68083-332-4 The Cultural Meaning of Brands Carlos J. Torelli, Maria A. Rodas and Jennifer L. Stoner ISBN: 978-1-68083-286-0 Ethnography for Marketing and Consumer Research Alladi Venkatesh, David Crockett, Samantha Cross and Steven Chen ISBN: 978-1-68083-234-1 The Information-Economics Perspective on Brand Equity Tulin Erdem and Joffre Swait ISBN: 978-1-68083-168-9 Full text available at: http://dx.doi.org/10.1561/1700000061 Crowdfunding Platforms: Ecosystem and Evolution Yee Heng Tan Tokyo International University Japan [email protected] Srinivas K. Reddy Singapore Management University Singapore [email protected] Boston — Delft Full text available at: http://dx.doi.org/10.1561/1700000061 Foundations and Trends® in Marketing Published, sold and distributed by: now Publishers Inc. PO Box 1024 Hanover, MA 02339 United States Tel. +1-781-985-4510 www.nowpublishers.com [email protected] Outside North America: now Publishers Inc. PO Box 179 2600 AD Delft The Netherlands Tel. +31-6-51115274 The preferred citation for this publication is Y. H. Tan and S. K. Reddy. Crowdfunding Platforms: Ecosystem and Evolution. Foundations and Trends® in Marketing, vol. 14, no. 2, pp. 53–172, 2020. ISBN: 978-1-68083-699-8 © 2020 Y. H. Tan and S. K. Reddy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, photocopying, recording or otherwise, without prior written permission of the publishers.
    [Show full text]
  • 7Digital Group Plc (“7Digital”, “The Group” Or “The Company”)
    26 September 2017 7digital Group plc (“7digital”, “the Group” or “the Company”) Interim results for the half year ended 30 June 2017 7digital Group plc (AIM: 7DIG), the global leader in end-to-end digital music solutions, today announces its interim results for the half year ended 30 June 2017 (“H1”). Highlights Strong sales momentum into the second half of the year - Total revenues up 17% on a pre currency movement basis and 9% on adjusted basis to £5.9m (H1 2016: £5.4m) - Licensing revenues up 33% to £4.0m (H1 2016: £3.0m) - MRR up 38% to £3.2m (H1 2016: £2.3m) - LBITDA reduced by 36% to £1.7m (H1 2016: £2.6m) Benefits from the acquisition of 24-7 Entertainment (“24-7”), effective from 1 June 2017, starting to come through with additional revenue of £530k in June as a result of the acquisition MediaMarktSaturn (“MMS”), Europe’s biggest electronics and entertainment retailer, becomes the Company’s largest shareholder following the acquisition of 24-7 Entertainment Contracts signed with MMS as part of the transaction with a value of £18.0m over three years Total combined value of other one/two year contracts signed in the period of £4.0m. These included contracts with all three major record labels, the re-launch of TriPlay's eMusic service in the US and a renewed contract with musical.ly across additional territories, with revenue to be recognised over the next year More than 65% of H2 licensing revenues (£7.5m out of £11.3m) already contracted or committed £2.9m raised through a placing and open offer in March 2017 which allowed
    [Show full text]
  • Singer, Musician, Choir Director, Composer, and Songwriter
    Singer, Musician, Choir Director, Composer, And Songwriter Gospel Renaissance Muzik Group Pauline Arrington (770) 450-0473 Ext 701 RELEASE DATE: September 28, 2019 [email protected] Steven Clark Hickerson, born in New Orleans, Louisiana, is an award-winning American singer, musician, choir director, composer, and songwriter in the Gospel music industry. He entered the music industry at a tender age of 4 and started playing piano at the age of 8. With both parents as singers, Steven received an encouraging atmosphere to hone his God-gifted musical talents. Steven Hickerson is revered as an up and coming singer, songwriter, producer in the Gospel and Christian music industry. He is currently living in Atlanta, GA as a result of the devastation of Hurricane Katrina in 2005, Hickerson is becoming a great contender in the ranks. Born to Sterling Sr. and Selena Hickerson, his parents immediately identified Steven’s talent when he began singing in the middle of their kitchen, with mom and sister getting in on the act. His grandmother was the first to notice that this musical child is a born singer. Among all genres, he chose to dedicate his musical services to inspire others through inspirational gospel and worship music. Steven was entitled as a chameleon artist and the “Minister of Music” at the age of 15. At the age of 12, Steven was directing choirs and performing at the 2nd Mount Calvary at the New Orleans. With numerous awards throughout his early age, Hickerson continued to receive accolades in high school and beyond. Later, Steven worked in the movie “Treasure in the Hood" starring Katt Williams, Reynaldo Rey, Todd Bridges and others.
    [Show full text]
  • EDMTCC 2014 – the EDM Guide
    EDMTCC 2014 F# The EDM Guide: Technology, Culture, Curation Written by Robby Towns EDMTCC.COM [email protected] /EDMTCC NESTAMUSIC.COM [email protected] @NESTAMUSIC ROBBY TOWNS AUTHOR/FOUNDER/ENTHUSIAST HANNAH LOVELL DESIGNER LIV BULI EDITOR JUSTINE AVILA RESEARCH ASSISTANT ACKNOWLEDGEMENTS SIMON MORRISON GOOGLE VINCENT REINDERS 22TRACKS GILLES DE SMIT 22TRACKS LUKE HOOD UKF DANA SHAYEGAN THE COLLECTIVE BRIAN LONG KNITTING FACTORY RECORDS ERIC GARLAND LIVE NATION LABS BOB BARBIERE DUBSET MEDIA HOLDINGS GLENN PEOPLES BILLBOARD MEGAN BUERGER BILLBOARD THE RISE OF EDM 4 1.1 SURVIVAL OF THE FITTEST 6 1.2 DISCO TO THE DROP 10 1.3 A REAL LIFE VIDEO GAME 11 1.4 $6.2 BILLION GLOBAL INDUSTRY 11 1.5 GOING PUBLIC 13 1.6 USB 14 TECHNOLOGY: 303, 808, 909 15 2.1 ABLETON LIVE 18 2.2 SERATO 19 2.3 BEATPORT 21 2.4 SOUNDCLOUD 22 2.5 DUBSET MEDIA HOLDINGS 23 CULTURE: BIG BEAT TO MAIN STREET 24 3.1 DUTCH DOMINANCE 26 3.2 RINSE FM 28 3.3 ELECTRIC DAISY CARNIVAL 29 3.4 EDM FANS = HYPERSOCIAL 30 CURATION: DJ = CURATOR 31 4.1 BOOMRAT 33 4.2 UKF 34 4.3 22TRACKS 38 BONUS TRACK 41 THE RISE OF EDM “THE MUSIC HAS SOMETHING IN COMMON WITH THE CURRENT ENGLISH- SYNTHESIZER LED ELECTRONIC DANCE MUSIC...” –LIAM LACEY, CANADIAN GLOBE & MAIL 1982 EDMTCC.COM What is “EDM”? The answer from top brands, and virtually to this question is not the every segment of the entertain- purpose of this paper, but is ment industry is looking to cap- a relevant topic all the same.
    [Show full text]