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Analysis of Japanese and Finnish Furniture
University of Lapland, Faculty of Art and Design Name of the Pro gradu thesis: ANALYSIS OF JAPANESE AND FINNISH FURNITURE DESIGN: A consideration for product identity and the relativity of industrial development and cultural context Writer: Akiko Nakatani Degree programme: Industrial Design Type of the work: Pro gradu thesis Number of pages: 97 pages, 3 attachments Year: Spring 2011 Summary In a globalized product design market, firms take national identity into consideration to survive among the competitors, because a particular identifying feature can be the decision making factor for customers to buy a particular product. In such a situation, you may realize something as “Japanese-like” or “Finnish-like” in designs as you hold the product in your hand. But why do you think like that? The aim of this study is to clarify the factors that characterize these ideas, in terms of furniture design, with a focus on industrial development and the cultural contexts of Japan and Finland. The study is twofold, with a theoretical framework and an empirical framework. The theoretical analysis works with cultural industrial context and also argues that the transition of industrial development significantly affects national product design orientation and helps characterize products. The empirical analysis works with questionnaires concerning product image. The results conceptualize cultural references in both Japanese and Finnish furniture design. However, the results also present the realistic difficulty of recognizing products. The paper concludes by arguing that factors affecting customer’s decision making are also influenced by not only product design but the socio-culture they belong to. Therefore, measuring product image is not the only way to define national product identity, and the image is formed by both customers and product design factors. -
The Lesson of the Japanese House
Structural Studies, Repairs and Maintenance of Heritage Architecture XV 275 LEARNING FROM THE PAST: THE LESSON OF THE JAPANESE HOUSE EMILIA GARDA, MARIKA MANGOSIO & LUIGI PASTORE Politecnico di Torino, Italy ABSTRACT Thanks to the great spiritual value linked to it, the Japanese house is one of the oldest and most fascinating architectural constructs of the eastern world. The religion and the environment of this region have had a central role in the evolution of the domestic spaces and in the choice of materials used. The eastern architects have kept some canons of construction that modern designers still use. These models have been source of inspiration of the greatest minds of the architectural landscape of the 20th century. The following analysis tries to understand how such cultural bases have defined construction choices, carefully describing all the spaces that characterize the domestic environment. The Japanese culture concerning daily life at home is very different from ours in the west; there is a different collocation of the spiritual value assigned to some rooms in the hierarchy of project prioritization: within the eastern mindset one should guarantee the harmony of spaces that are able to satisfy the spiritual needs of everyone that lives in that house. The Japanese house is a new world: every space is evolving thanks to its versatility. Lights and shadows coexist as they mingle with nature, another factor in understanding the ideology of Japanese architects. In the following research, besides a detailed description of the central elements, incorporates where necessary a comparison with the western world of thought. All the influences will be analysed, with a particular view to the architectural features that have influenced the Modern Movement. -
Delft University of Technology Tatami
Delft University of Technology Tatami Hein, Carola Publication date 2016 Document Version Final published version Published in Kyoto Design Lab. Citation (APA) Hein, C. (2016). Tatami. In A. C. de Ridder (Ed.), Kyoto Design Lab.: The tangible and the intangible of the Machiya House (pp. 9-12). Delft University of Technology. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. TATAMI Inside the Shōkin-tei, located in the garden of the Katsura Imperial Villa. A joint of three tatami. Tatami Carola Hein Use of the tatami mat reportedly goes back to the 8th century (the Nara period in Japan) when single mats began to be used as beds, or brought out for a high-ranking person to sit on. Over centuries it became a platform that has hosted all facets of life for generations of Japanese. From palaces to houses, from temples to spaces for martial art, the tatami has served as support element for life. -
(PANDEMIC ISSUE) EDITOR in CHIEF Arch
ISSN 2611-3872 N.4 DEC 2020 (PANDEMIC ISSUE) EDITOR IN CHIEF Arch. Maria Maddalena Margaria SCIENTIFIC COMMITTEE: Prof. Valeria Minucciani - POLYTECHNIC OF TURIN Dr. Katelijn Quartier - UNIVERSITY OF HASSELT Prof. Francesca Murialdo - MIDDLESEX UNIVERSITY Prof. Penny Sparke - KINGSTON UNIVERSITY Prof. Elena Dellapiana - POLITECNICO DI TORINO Prof. Ricardo Guasch Ceballos - ELISAVA Prof. Graeme Brooker - RCA LONDON Prof. Els de Vos - ANTWERPEN UNIVERSITY WWW.INNEMAGAZINE.ORG COVER AND DESIGN: DARIOBOVERO.IT LIVING IN A PANDEMIC STATE: HOW INTERIORS FACE TO ISOLATION (PANDEMIC ISSUE) Index 6 HOME OR ‘PANOPTIC’ SPACE OF WORK WRITTEN BY Pierluigi Panza, Faculty Design Sciences, University Antwerp 14 UTILIZING DESIGN CREATIVITY TO PROTECT AND CONNECT IN PANDEMIC TIMES WRITTEN BY Ashlyn Powers Assoc. AIA, Assoc. IIDA Pipa Bradbury ASID, NCIDQ, Illinois Registered Interior Designer #161.003564 20 PANDEMIC AND POST PANDEMIC. THE ANNUS HORRIBILIS AND THE DISCIPLINARY RE-CONSTITUTION WRITTEN BY Pier Federico Caliari 31 POST PANDEMIC INTERIORS - THE DESIGN INTERNS’ VISTA WRITTEN BY Mani Makhija Student of IV year of Architecture of School of Planning and Architecture, Bhopal, India 38 SPECTRUM OF SPATIAL MANIFESTATIONS IN HOMES, DURING A PANDEMIC AUTHOR: Deepiga Kameswaran Associate Professor, Faculty of Architecture, Dr.MGR Educational & Research Institute Chennai. CO AUTHOR: Anil Ravindranathan Professor, Faculty of Architecture, Dr. MGR Educational & Research Institute Chennai. 50 HEALTHIER LIVING SPACES ARCHITECTURAL DESIGN AND SCIENTIFIC-TECHNOLOGICAL INNOVATION WRITTEN BY Clelia Maria Bonardi Dott.ssa in Architecture 58 THE CHANGE IN INTERIOR SPACE AND THE CONCEPT OF WELL-BEING IN RELATION TO THE NEW CORONAVIRUS WRITTEN BY Nilufer Saglar Onay HOME OR ‘PANOPTIC’ SPACE OF WORK WRITTEN BY Pierluigi Panza Faculty Design Sciences, University Antwerp Michel Foucault (1926 – 1984) Abstract he timing of the renewal of labour strategies in the global market is too rapid for private housing, if it has a future, to adapt to it T every time. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
Specially Designed Tatami Mats with Removable Sunken Hearth for IH Heater
Flooring Tatami for Tea Ceremony Specially designed Tatami Mats with Removable Sunken Hearth for IH heater Our newly developed tatami mats can transform your room into a beautiful tea ceremony room with our sunken hearth for IH heater. The thickness of tatami mats is the same as that of sunken hearth (14cm or 5.5 inch). As there is no difference in height between tatami mats and the frame of hearth, you can perform Otemae, or tea-ceremony just like a normal sunken hearth. You may think it is hard to have an authentic tea room, however, our flooring tatami mats make it possible for you to have full-scale tea practices and tea ceremonies even if you live in an apartment. Patent pending: No.2020-203707 ©2021 Motoyama Tatami Co., Ltd. All Rights Reserved. 1 #01 Features of Removable Sunken Hearth for IH heater As there is no difference in level between our tatami mats and the sunken hearth, you don’t need to build a sunken hearth into the floor. Anyone can practice Chado (tea-ceremony) with Ro (sunken hearth) readily at home. You can practice Chado with Kyoma size tatami regardless of size of a room. Quality Chashitsume (64 weaves) is available. New lightweight materials offer you easy installation and removal work. Your legs are less likely to numb on these tatami mats. All lineups are produced by artisans and high-quality igusa (rush) from Kumamoto, Japan. The thickness (14cm or 5.5 inch) of tatami mats is the same as that of sunken hearth for IH. -
Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective. -
Japón - Resumen 1
JAPÓN - RESUMEN 1 Consejos - Los españoles no necesitamos visado, solo un pasaporte en vigor y podremos permanecer en el país con el visado de turista durante 90 días. - Hay que descalzarse para entrar en muchos sitios. - Exageradamente puntuales. - No se puede fumar en la calle, pero sí en muchos restaurantes. - La mayoría de las tapas de alcantarillas de Japón ("manhoru") están decoradas con trabajos artísticos que reflejan el atractivo de la ciudad donde están, algún monumento, festival o sus costumbres. Cada vez hay más personas que coleccionan fotos de éste fenómeno. - Los coches no pueden aparcar en las aceras. Deben hacerlo en parkings o dentro de los edificios. - En los hoteles y apartamentos suelen dejar los paraguas gratis. - No hay papeleras por la calle, pero está todo muy limpio. - Baños: o Hay baños por todas partes y están todos (o casi) impecables. o NO tocar el botón rojo: es para llamadas de emergencia. A veces pone “SOS” pero otras solo pone kanji en japonés. o En los bares no suele haber servilletas y en los baños a veces no hay papel. - Las escuelas llevan a los niños a sitios turísticos donde poder practicar el inglés con los turistas. Te hacen preguntas muy básicas y no te entretienen mucho, después te piden si pueden escribirte por correo, te regalan una grulla de Origami y se hacen una foto contigo. - En las escaleras mecánicas y por la acera, ir siempre por la izquierda, para dejar la derecha libre a aquellos que quieran desplazarse más rápido. En los peldaños comunes, subir por donde indiquen las flechas, normalmente por la izquierda también. -
10 Ways to Create Your Own Zen House Search Magazines and Websites Dedicated to Modern Decor, and Pictures of Japanese Style Interiors Are Easily Found
ZenVita Original Japanese Home Designs 10 Ways to Create Your Own Zen House Search magazines and websites dedicated to modern decor, and pictures of Japanese style interiors are easily found. Whether it be a small pot, a Zen garden or a modern reworking of a traditional Japanese room, architects and decorators turn to the east for inspiration. Behind these simple interior designs lies a very particular and distinct way of life. Zen philosophy and its teachings are studied and incorporated widely in modern Japanese architecture, enriching our understanding of what good design is all about. That being said, it is easily understood that Japanese design is not a trend. It will never be out of fashion, and it will never get old, because it forms part of a particular approach of life, a simpler one, without pretense, riches and unnecessary stylistic exaggerations. Above all it reflects the long history of Japan, and the evolution of its philosophy and architecture. The moment you decide to add Japanese style to your house, you have chosen an aesthetic principle. It is not about what kind of painting you will put on the walls anymore, but rather it goes deeper, into what kind of life you want to live. So how can we add a truly Japanese touch to our home? The first step is knowledge, and with this we can help you. Adding a little Japanese style can be easy and inexpensive with the right know-how, style tips and advice. If you are thinking of designing a Japanese style home, then these are our ten top recommendations. -
YOKOHAMA and KOBE, JAPAN
YOKOHAMA and KOBE, JAPAN Arrive Yokohama: 0800 Sunday, January 27 Onboard Yokohama: 2100 Monday, January 28 Arrive Kobe: 0800 Wednesday, January 30 Onboard Kobe: 1800 Thursday, January 31 Brief Overview: The "Land of the Rising Sun" is a country where the past meets the future. Japanese culture stretches back millennia, yet has created some of the latest modern technology and trends. Japan is a study in contrasts and contradictions; in the middle of a modern skyscraper you might discover a sliding wooden door which leads to a traditional chamber with tatami mats, calligraphy, and tea ceremony. These juxtapositions mean you may often be surprised and rarely bored by your travels in Japan. Voyagers will have the opportunity to experience Japanese hospitality first-hand by participating in a formal tea ceremony, visiting with a family in their home in Yokohama or staying overnight at a traditional ryokan. Japan has one of the world's best transport systems, which makes getting around convenient, especially by train. It should be noted, however, that travel in Japan is much more expensive when compared to other Asian countries. Japan is famous for its gardens, known for its unique aesthetics both in landscape gardens and Zen rock/sand gardens. Rock and sand gardens can typically be found in temples, specifically those of Zen Buddhism. Buddhist and Shinto sites are among the most common religious sites, sure to leave one in awe. From Yokohama: Nature lovers will bask in the splendor of Japan’s iconic Mount Fuji and the Silver Frost Festival. Kamakura and Tokyo are also nearby and offer opportunities to explore Zen temples and be led in meditation by Zen monks. -
Download Article
Advances in Social Science, Education and Humanities Research, volume 171 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017) The Culture of Japan: Pushing the Limits of Duality Nina Konovalova Scientific Research Institute of the Theory and History of Architecture and Urban Planning Central Scientific-Research and Project Institute of the Construction Ministry of the Russian Federation Moscow, Russia [email protected] Abstract—The article expresses the hypothesis that the dual existence of a central link and its dominant role in the artistic scheme is not applicable for describing a particular area of culture, architecture, and Japanese worldview. Japanese culture. The author proposes to introduce a third (central) link to the structure of dual representation. The resulting triad describes the specificities of the Japanese II. THE CATEGORY OF “BETWEENNESS” IN worldview more accurately, as the central link performs the ARCHITECTURE role of the intermediate zone, which demarcates but at the The “betweenness” principle in architecture was not only same time absorbs, the polar categories. In the view of widespread but is endowed with great significance. The Japanese, this is not merely important, but fundamental for blending with the natural environment that creates an effect understanding any phenomenon. To justify the existence of a of openness of edifices is one of the most significant features central link and its dominant role in the culture of Japan, of Japanese architecture. Although the Japanese house is examples are given from the fields of art culture, architecture, open to nature, it is absolutely closed to outsiders. Lush and, of course, the Japanese worldview. -
Tracing Japan's Traditional Design In
THINKING INSIDE THE BOX: TRACING JAPAN’S TRADITIONAL DESIGN IN MODERN JAPANESE ARCHITECTURE A DARCH PROJECT SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARCHITECTURE DECEMBER 2016 By Matthew T. Kubota DArch Committee: Pu Miao, Chairperson William Chapman Elaine Wong Keywords: Modernism, Japan, Nature, Space, Materiality Dedications This dissertation is dedicated to my family for believing in me since day one. Through all the ups and downs, I cannot express in words how much it means to me for supporting me and being there when I needed help the most. Mom, Dad and Timmy, this is for you. i Acknowledgements I would like to thank my entire committee for their help along my academic journey through the D Arch program. Pu Miao, thank you for aiding me in my final semester of graduate school as well as serving as my chair. Professor William Chapman, thank you for believing in me since I first had you as a professor for an American Studies class; the help and support that you’ve given me has helped me grow as a student as well as learned more about myself along my academic journey. Elaine Wong, thank you for aiding me along the professional world as well as taking time out of your busy schedule to help me. Lastly, Clark Llewellyn, thank you for believing me and helping me accomplish so much during my time with you. Your help and guidance from the start served as an incredible foundation for which I built my work and research upon.