List of Known Cameras
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The Photographic Revolution Back in 1877 a 23 -Year-Old Bank Clerk, George Eastman, Took up Photography As a Hobby
the photographic revolution Back in 1877 a 23 -year-old bank clerk, George Eastman, took up photography as a hobby. Like all picturetakers of his time, he carried a huge camera and tripod, chemicals, a tent for a darkroom, and other equipment. He had to make a "wet plate" by coating a light-sensitive emulsion on a piece of glass immediately before he exposed it. Picturetaking at that time was hard work, but Eastman felt it could be made easier and more fun. After many experiments in his mother's kitchen, he found a way to mass- produce photographic dry plates, and in 1880 he started to make them com mercially in a rented loft in the downtown section of Rochester, N. Y . In 1884 Eastman introduced a paper-base "film," and in 1888, the No.1 Kodak Camera - the small box camera which simplified photography so that anyone could take pictures. Eastman himself coined the trademark "Kodak" and the famous advertising slogan "You press the button, we do the rest." The Kodak camera caught on quickly, and the company sold over 100,000 of them in the first eight years. Today, some 52 million Americans take more Picturetaking in the days before Kodak cameras. than two billion snapshots each year. Picture taking has become America's number- one hobby. 2 © 1962 Eastman Kodak Company -I.. .. 1 I ~ , The No. 1 Kodak The first Folding New styling was fea· The popular Brownie Camera of 1888 sim· Brownie Camera was tured in Baby Brown Starflash Camera was plified photography. offered in 1904. -
Photo History Newsletters • Vol
THE AMALGAMATED PHOTO HISTORY NEWSLETTERS • VOL. 2-2 2021 We hope that the Covid pandemic soon passes away so we can get back to normal with regular meetings and events. In the interim here are addi- tional newsletters to keeping you read- ing. Please enjoy. Ken Metcalf of the Graflex Journal has another interesting issue which should entertain you well. Another fine newsletter comes from The Western Canada Photographic Historical Association in British Colum- bia with some fine reading content. Permissions granted: Graflex Journal– Ken Melcalf The Western Canada Photographic Historical Association– Tom Parkinsion SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 3 2020 FEATURES some leather that was a good match. Thickness was right, color was good, and the pebble grain was close National Graflex Gets a New Coat by Paul S. Lewis……..….....….....….1 enough. So, I had them send me a large sheet; 12x17. Camera Group - Roger Beck………….…….………...….…..…………....2 Having a good supply would allow for some mistakes Viewing Wild Animals at Night by William V. Ward …….…...…………..4 and assure me that there would be enough length and Hold It! Part 1 by Ken Metcalf.……………….…………….…………….....5 width to cover the missing panels with one complete Graflex Patents by Joel Havens….…..………………...…………….…...12 piece. The source I used was Cameraleather ([email protected]). I did just check with them to be sure similar material is available. The report is that although the material is available, supply is limited. So, with material and camera in hand, the next step Ed: Mr. Lewis is a Graflex Journal subscriber and author was to get the new cover panels cut out and attached. -
26 W (Pat) 33/13
Bundespatentgericht 26 W (pat) 33/13 vom 24.09.2014 Markenbeschwerdeverfahren – "Avus" – Freihaltungsbedürfnis - keine Unterscheidungskraft REWIS: open. smart. legal. URL: https://rewis.io/s/u/oBq/ Datenbank für Rechtsprechung Bundespatentgericht Angaben ohne Gewähr 26. Senat 2 26 W (pat) 33/13 vom 24.09.2014 | rewis.io 26 W (pat) 33/13 vom 24.09.2014 Beschluss | Bundespatentgericht | 26. Senat Tenor In der Beschwerdesache … betreffend die Markenanmeldung 30 2009 042 812.3 hat der 26. Senat (Marken-Beschwerdesenat) des Bundespatentgerichts in der Sitzung vom 24. September 2014 unter Mitwirkung des Richters Reker als Vorsitzendem sowie der Richterin Eder und des Richters Dr. Himmelmann beschlossen: Die Beschwerde wird zurückgewiesen. Gründe I 1 Die Markenstelle für Klasse 20 des Deutschen Patent- und Markenamts hat die Anmeldung der für die Waren 2 „Klasse 6 Bauten aus Metall, Schilder aus Metall, Poller aus Metall; 3 Klasse 20 Werbevitrine, Sitzbänke; 4 Klasse 21 Abfallbehälter, Pflanzkübel“ 5 bestimmten Wortmarke 6 Avus 7 mit Beschluss vom 13. September 2010 teilweise, nämlich für die Waren 8 „Bauten aus Metall, Schilder aus Metall; Werbevitrine, Sitzbänke“ 9 3 26 W (pat) 33/13 vom 24.09.2014 | rewis.io zurückgewiesen, weil es sich bei der angemeldeten Marke um eine für diese Waren beschreibende Angabe handele (§ 37 Abs. 1 i.V.m. § 8 Abs. 2 Nr. 2 MarkenG). Die dagegen von den Markenanmeldern eingelegte Erinnerung hat die Markenstelle mit Beschluss vom 19. Februar 2013 zurückgewiesen. 10 Zur Begründung hat die Markenstelle ausgeführt, das Wort "Avus" sei die im Verkehr übliche und dem Allgemeinverkehr bekannte Abkürzung für die "Automobil-, Verkehrs- und Übungsstraße" im Südwesten Berlins. -
Katalog Over Canon-Samlingen Til Thor Andresen Canon R-Serie Canon Flex Mai 1959
Canon Katalog over Canon-samlingen til Thor Andresen Canon R-serie Canon Flex Mai 1959 The top-class 35mm camera market gradually shifted from rangefinder cameras to single-lens reflex cameras. The major reason was that SLRs could handle close-ups, photomicrography, duplication work, and other applications without being constrained by the limits of rangefinder camera lenses. When Canon introduced the Canonflex, its first SLR, there were already eight SLR models on the market. The Canonflex used a high-quality, breechlock lens mount. The lens flange ring was turned to lock the lens onto the camera flange's bayonet lugs. The lens flange and camera flange did not rub against each other like today's lens mounts.The camera used Super-Canomatic lenses which had a fast, fully- automatic diaphragm. A 130-degree winding trigger at the camera bottom enabled quick film advance. An external selenium exposure meter could also be attached. Canon R-serie Canon Flex RP September 1960 To cut costs, the camera had a fixed, eye-level pentaprism viewfinder. This was the economy or "Populaire" version of the Canonflex. The self-timer was operated by a simple lever, and the pentaprism cover was part of the single-piece top cover. Other features and performance were the same as the original Canonflex. Canon R-serie Canon Flex R2000 September 1960 Deluxe version of the Canonflex. With a top shutter speed of 1/2000 sec., the fastest ever for any camera, the R2000 was a high-performance 35mm SLR. Other than that, it was the same as the original Canonflex. -
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer. -
Bronica Product Guide
BRONICA PRODUCT GUIDE . D MARKETED BY o Ehren reich P hoto~ Opti cal Industries, Inc. ~liJ@JO 623 Stewart Avenu e, Ga rden City, New York 11530, USA '" .. (516) 248 -5200. ~ BRONICA DELUXE ("0") The Bronica Deluxe, or "0" model was the first camera introduced by Zenza Bronica. As the forerunner of an unbroken series of 2% square SlR cameras, it incorporated many design features still not found on competitive equipment after more than 16 years. The Deluxe is easily recognized by the following key features: 1. Focusing mount integral part of body. 2. No advance crank on right side. 3. Focusing scale on upper part of advance/focus knob. 4. Speed dial on outside face of advance/focus knob. 5. Self-timer scale on left side of body. 6. Double exposure dial on right side of body. 7. 3 stud male bayonet fitting on bottom of camera body. 8. Focus lock lever on right front of body. The Deluxe has double exposure capability, shutter speeds to 1/1250th second, a 2 - 10 second self-timer which also allowed timed long expo sures of 2 - 10 seconds and a locking lever to lock the camera's focusing mount at any desired point. All small bayonet mount Auto-Nikkor and Zenzanon lenses fit the De luxe, as well as all five "5" series prisms and hoods. The S2A grips, however, will not fit due to the bayonet fitting on the camera base, and a special tripod adapter #81502 was required to use either of these grips. 2 BRONICA "S" This is the second model introduced by Bronica. -
My Mother's Camera
Manning 1 Pam Manning Marydorsey Wanless Retro Camera Seminar AR399 F April 10, 2011 My Mother’s Camera The Kodak Brownie camera has a long history with the Eastman Kodak company which began in February 1900 with the introduction of a very basic cardboard box camera with a simple lens that took 2¼ inch square pictures and cost only $1. The Brownie introduced the concept of snapshot photography and was intended to introduce photography to everyone, not just professional photographers (Kodak). What is considered one of the greatest slogans in advertising history, “You push the button, we do the rest” reinforced the simplicity of the Brownie camera (American Heritage). Designed and marketed for children, the Brownie camera was named after popular characters created by Palmer Cox, a children’s author and illustrator. Cox was the Walt Disney of his day. His Brownie characters were as well known in the 1880’s as Mickey Mouse is today (Kodak). Like Disney’s characters, Cox’s Brownies often appeared in ads. They helped sell everything from candies to cigars, coffee to ice cream, and even painkillers. Brownie dolls, games, puzzles, and trading cards were eagerly sought. And so was the Brownie camera, far beyond anyone’s expectations (Kodak). My history with the Kodak Brownie began when my mother took my picture with her Kodak Brownie Hawkeye. She would direct me to stand in a certain pose or perform a certain task. When she was happy with what she saw she would then back away from me, hold the camera about waist height, look down into the viewfinder and click. -
ICV20 Tomlinson.Pub
The virtual battle: Flags in Georgian marine paintings Barbara Tomlinson Abstract The 18th century saw the development of an English school of marine painting following the example of the Dutch in the previous century. When representing naval battles, artists needed to handle numerous technical details including the depiction of British squadronal colours, distin- guishing flags and signal flags. This paper examines selected actions painted by Samuel Scott (1701/2-1772), Nicholas Pocock (1741-1821), Thomas Whitcombe (c.1752-1827) and William Anderson (1757-1837) and ask - how accurate were these artists, how did they research their paintings, how did they display flags for dramatic effect and who was their intended audience? The resources of the National Maritime Museum’s collections used to illustrate this subject in- clude prints, drawings and documents. The British maritime victories of the sailing navy era were immortalized by contemporary artists. Originally a Dutch genre, by the middle of the 18th century, marine pictures were also produced by British painters who specialised in these scenes. I would like to consider the relationship between the reality and the representation with particular reference to the way the artist shows British flags, concentrating on some of the less well-known battles. One painter who took considerable pains to include accurate detail was Nicholas Po- cock. A sketchbook survives compiled by Pocock during the Battle of the Glorious 1st of June when he was able to observe the action directly from the frigate Pegasus. These small and indistinct views remind us that in contrast to the way vessels are shown in marine paintings, in reality, everything would have been much more spread out and much further away. -
The Colours of the Fleet
THE COLOURS OF THE FLEET TCOF BRITISH & BRITISH DERIVED ENSIGNS ~ THE MOST COMPREHENSIVE WORLDWIDE LIST OF ALL FLAGS AND ENSIGNS, PAST AND PRESENT, WHICH BEAR THE UNION FLAG IN THE CANTON “Build up the highway clear it of stones lift up an ensign over the peoples” Isaiah 62 vv 10 Created and compiled by Malcolm Farrow OBE President of the Flag Institute Edited and updated by David Prothero 15 January 2015 © 1 CONTENTS Chapter 1 Page 3 Introduction Page 5 Definition of an Ensign Page 6 The Development of Modern Ensigns Page 10 Union Flags, Flagstaffs and Crowns Page 13 A Brief Summary Page 13 Reference Sources Page 14 Chronology Page 17 Numerical Summary of Ensigns Chapter 2 British Ensigns and Related Flags in Current Use Page 18 White Ensigns Page 25 Blue Ensigns Page 37 Red Ensigns Page 42 Sky Blue Ensigns Page 43 Ensigns of Other Colours Page 45 Old Flags in Current Use Chapter 3 Special Ensigns of Yacht Clubs and Sailing Associations Page 48 Introduction Page 50 Current Page 62 Obsolete Chapter 4 Obsolete Ensigns and Related Flags Page 68 British Isles Page 81 Commonwealth and Empire Page 112 Unidentified Flags Page 112 Hypothetical Flags Chapter 5 Exclusions. Page 114 Flags similar to Ensigns and Unofficial Ensigns Chapter 6 Proclamations Page 121 A Proclamation Amending Proclamation dated 1st January 1801 declaring what Ensign or Colours shall be borne at sea by Merchant Ships. Page 122 Proclamation dated January 1, 1801 declaring what ensign or colours shall be borne at sea by merchant ships. 2 CHAPTER 1 Introduction The Colours of The Fleet 2013 attempts to fill a gap in the constitutional and historic records of the United Kingdom and the Commonwealth by seeking to list all British and British derived ensigns which have ever existed. -
Leaf Credo Digital Camera Backs
© Cameron Davidson © Cameron Leaf Credo Digital Camera Backs Leaf Credo 80 80MP Leaf Credo 60 60MP Leaf Credo 50 50MP Leaf Credo 40 40MP © Maikka Trupp The Leaf Credo series of digital camera backs brings the legendary Leaf image quality along with speed, flexibility and versatility that are second to none Uncompromising Image Quality Capture One Software The Leaf Credo delivers stunning, film-like quality that has been Leaf’s Photographers are able to leverage the unique features and workflow trade-mark for many years. The large, specially designed sensor with environment of Capture One workflow software to optimize and enhance unsurpassed 14 f-stops of dynamic range provides unmatched detail, their images, create web galleries and print contact sheets directly from richness of color, low noise and beautiful tonality. Lossless 14/16-bit file the computer. compression accelerates file handling without loss of image quality. Wireless Preview, Control and Liveview High Resolution and High Speed With the Leaf Credo, you, your client, or an art director can use Capture Pilot to preview and rate images during the shoot on an Apple iPhone, The Leaf Credo uses unique, high resolution DELSA CCD sensors iPad or iPod touch, and remotely control your camera. High quality Live sensors with up to 80 Megapixel, measuring up to 53.7 x 40.3 mm. View of the Credo 50 allows for easy composition and focusing - on the The Leaf Credo 80 offers the best price-performance ratio of any 80 MP digital back, or on your mac/PC through Capture One. single-shot capture device, allowing you to take your photography further by capturing the highest quality, single-shot images possible. -
ALPA of Switzerland - Manufacturers of Remarkable Cameras P G
ALPA of Switzerland - Manufacturers of remarkable cameras p g MENU SELECT FILTER PHOTOKINA 2016 - SPECIAL SITE Here you will find all additional information regarding ALPA's presence at Photokina 2016, taking place 20 - 25 September in Cologne. ALPA will show solutions with the... - Hasselblad Multishot digital back - Phase One IQ3 100 MP, the IQ350 and the Achromatic - all new Sinarback S 30|45 You will find ALPA at stand B021 in hall 2.1 - Download Floor Plan Photokina 2016 http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras PHOTOKINA 2016 - PRESS RELEASES ARCHIVE PRESS RELEASE PACKAGES (ZIP) August 19, 2016 - ALPA Releases Additional Products for Still and Movie Photography August 25, 2016 - ALPA 70 & Years Anniversary: ALPA launches ALPA Anniversary Edition Set August 31, 2016 - Hasselblad and ALPA Sharing Expertise September 16, 2016 - ALPA introduces new control devices - ALPA SILEX, ALPA eShutter Support Sinarback S 30|45 September 17, 2016 - ALPA modularizes bellow and tripod head - ALPA SERPENT and ALPA GON PHOTOKINA 2016: ALPA SILEX - THE NEW SWISS KNIFE ALPA's credo was and is to offer their users the outmost modularity, flexibility and protection http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras of their investment. ALPA is pleased to announce in its anniversary year a number of future- oriented products for existing and new customers. ALPA aims to provide highly tailor-made photographic equipment. With 18 new products for this Photokina ALPA is underpinning this claim. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII