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Kavramsal Renkler Sayfa3 Genco Gülan : Kavramsal Renkler Genco Gülan: Kavramsal Renkler Genco Gülan : Kavramsal Renkler sayfa3 Genco Gülan : Kavramsal Renkler Genco Gülan: Kavramsal Renkler Sanatçı ile Söylesi Seçme Makaleler DVD Marcus Graf çaùdaü sanat Istanbul 2008 sayfa3 2 Genco Gülan : Kavramsal Renkler Genco Gülan: Kavramsal Renkler Marcus Graf ÇEVİRİ: Bengi Gün, Tezer Gülan, Yeşim Özsoy Gülan, Okyanus Ezgi Göç, Emrah Irzık PRODÜKSİYON: Özer Aslan, Ekin Anıl PROJE ASİSTANLARI: Burcu Kızılırmak, Pınar Sönmez, Seda Ütügen, Gökhan Toptaş REDAKSİYON: Pınar Yılmaz, Gökçe C. Akyıldız, Yeşim Özsoy Gülan, H. Can Kurban SANAT DANIŞMANI: Vahit Tuna GRAFİK: Özlem Aslan, Filiz Pekiyici TASARIM, UYGULAMA: Ebru Özbakır BASKI: A4 Ofset Donanma Sokak, No:16 Kağıthane, İstanbul, 34418 TR. 1. Basım: Şubat / 2008 Baskı Adedi: 500 ISBN: 978-9944 - 0160-0-1 Ek: Etkleşimli DVD Çığlık (Scream) ,Genco Gülan 2005 KAPAK: Nevist. 2005. Uzun metrajlı video. 90 dakika. Galatasaray ve Galata arasındaki yer altı tünellerindeki çekimler sırasında bir kare. (Fotoğrafçı: M. Deniz Seven) ARKA KAPAK: LCD Adam, Kamera Adam serisi. 2006. 7 Monitör, DVD (Tekrar Musa, 2006, 60”, Eti Behar Koleksiyonu) DVD oynatıcı ve Kablolar. (Fotoğrafçı: Ferhat Özgür) Genco Gülan, Incheon, Kore’deki sergide montaj sırasında. Creative Commons Lisansı: Bu yapıtın bazı hakları saklıdır. Yazılar ve görsel malzemeler izin alınarak ve referans verilerek yayınlanbilir. Kitaptaki yazılı malzemelerin yayın hakları ilgili yazarlara aittir. Kitaptaki tüm görsel malzemelerin yayın hakları Genco Gülan’a aittir. Genco Gülan Marcus Graf röportajı 2008 Marcus Graf, Genco Gülan 2008 Marcus Graf, Genco Gülan http://www.gencogulan.com http://www.webbiennial.org http://www.istanbulmuseum.org ENGLISH TRANSLATION @ http://www.gencogulan.com/conceptualcolors GalataPerform Yayınları: Sanat No:1 Büyük Hendek Caddesi No:21/1 Galata Kuledibi, Beyoğlu, İstanbul, 34420 TR Tel: 90 (0212) 243 99 91 Fax: 90 (212) 211 63 53 e-mail: [email protected] http://www.galataperform.com İçindekiler Giriş: Sanat ............................................................. 7 Bölüm 1: Üniversite .................................................... 13 Bölüm 2: Stüdyo .............................................................. 47 Bölüm 3: Galeri ................................................................ 67 Bölüm 4: Müze .................................................................. 89 Bölüm 5: Kütüphane ................................................... 101 Başar Başarır ........................................................................ 105 Ahu Antmen ......................................................................... 109 Bill Barker ............................................................................. 113 Greg A. Wolff ........................................................................ 115 Nilgün Özayten...................................................................... 117 Ayşegül Sönmez..................................................................... 121 Edip Emil Öymen.................................................................... 123 Taner Ceylan ......................................................................... 125 Zeynep Yasa Yaman............................................................... 127 Sanem Öge ........................................................................... 131 Tim Hailey ............................................................................ 137 Barış Acar ............................................................................. 141 Andrej Tisma ......................................................................... 147 Marcus Graf .......................................................................... 149 Burhan Kum ......................................................................... 153 Bölüm 6: DVD ................................................................... 157 Çığlık (Scream) ...................................................................... 159 Sözlük / Dictionary ................................................................ 163 Marcus Graf Bio..................................................................... 168 Görsel İndex .......................................................................... 169 Kod........................................................................................ 181 sayfa7 Genco Gülan : Kavramsal Renkler Giris sayfa9 Genco Gülan : Kavramsal Renkler 5 Genco Gülan Sanatı Her ne kadar birçok farklı mecra ile üretim yapsam da hala [...] renkleri seviyorum, [...] en az kavramları sevdiğim kadar... (Genco Gülan, 2007.) K avramsal Renkler, Genco Bu kargaşa Genco Gülan’ın en önemli il- Gülan’ın sanatı ve düşünceleri üzerine bir ham perisi. Şehir, devasa ve büyüleyici gü- analizdir. Kitap, 2006 yılında İstanbul’da zellikteki bin bir yüzüyle, Gülan’ın sanatsal sanatçıyla yaptığımız konuşmalardan oluşur. araştırmalarının zeminini oluştururken, Söyleşilerde sanatçının çalışmalarının yanı sanat ve toplum arasındaki sınır birçok kez sıra Türkiye’deki toplumsal yapı ve sanat seyirci lehine aşılıyor. 1980’lerden bu yana ortamının kültürel, politik ve ekonomik du- Gülan; mahrem ve kamusalı; kişisel, ulusal rumu tartışılır: Modern öncesi ile sonrası, ya da uluslararası mitolojileri karşılaştırarak İslamcılarla Kemalistler, Yeni-Osmanlıcılık toplumsal sanat yapıtları üretiyor. Sosyal karşısında Amerikancılaştırılmış bir genç- ve politik temalar, yeni teknoloji, bireysel lik, küçülen bir orta sınıftan, sıra dışına iti- farklılıklar, günlük alışkanlıklar ve psikolojik len alternatifl er, giderek genişleyen fa- tarih işlerinin karakterini oluşturuyor. kirlik karşısında ciddi bir şekilde ayrışıp zenginleşen iş dünyası elitleri sorgulanır. Gülan, sıkça, küreselleşme, şarkiyatçılık, Gülan’ın da dediği gibi, Türkiye sadece robot bilimi, terör, spor, aşçılık gibi farklı depremlerden dolayı sarsılmıyor, aynı konulara dalar ve bunları birbirleriyle dokur. zamanda medeniyetinin ve kültürünün Onun için özel olan geneldir ve hiçbir şey getirdiği farklı modellerin çarpışmalarının mükemmel ya da sorgulanamaz değildir. yarattığı şoklar yüzünden de sallanıyor. Zaten günümüzde mutlak gerçekliğin Fakat Türkiye radikal değişimlere her an kaybolması, prefabrike modellerin kırılması, hazır olan bir ülke. Bu coğrafyada, şu anda Gülan’ın güncel pasifl iğimize gerçek bir hareketsiz durmak imkânsız, devinim her yol göstermesine yardım ediyor. Onun için yöne olabilir. İşte tam da bu nedenlerle, sanat, var olma mücadelesinin ayrılmaz bir ekonomik ve kültürel bir dünya şehri olarak parçası olduğu kadar post-modernizmin İstanbul, sanatçılar ve kültür üreticileri için getirdiği sorulara sonsuz cevaplar ürete- mükemmel bir yer. Kaosun yönettiği bu bilme özgürlüğü ve kendi hayat mo- şehirde doğaçlama, esneklik ve yaratıcılık delimizi kendi kendimizin kurabileceğine hayatta kalmayı başarabilenlerin başlıca dair bir kanıttır. Gülan, işini şansa bırakmaz karakterleri olarak ön plana çıkıyor. ve mutlaka bir şekilde mesajını iletir; sayfa9 Genco Gülan : Kavramsal Renkler 6 yirmi senelik sanat kariyeri bağlam, me- parıldayan ekran olduğu depresyon toplu- kan ve/veya zamana özel işlerden oluşur. munda kim soru sorar? Gülan’ın işleri işte bu hareketli görüntü müptelası toplumu Çok yönlü Gülan’ın sanatsal temeli eleştirir. Sanatçı yapıbozumcu karakteri farklı kavram, biçim, mecra ve yöne- sayesinde güncel düzensizliğin büyüsüne limlerin toplamının yoğrulmasından işaret eder ve sağlıklı toplumsal gelişim oluşmakta. Bu noktada yeni medya için farklı çözüm önerilerinde bulunur. ve elektronik sanat farklı bir sanat- sal iz oluşturmasında önemli rol oynuyor. Genco Gülan için sanat bir iletişim metodu- Çoğunlukla ürettiği disiplinler ve medyalar dur. Bu yüzdendir ki sanatçılar ve seyir- arası, karşılıklı etkileşimli yapıtlar, heterojen ciler arasındaki iletişim için olmazsa olmaz ve çoğulcu bir estetik ile bizlerin parçalanmış olan Çağdaş Sanat Müzesi’nin eksikliği, gerçekliğimizi araştırır. Gülan, hiçbir döne- onun 1997 yılında İstanbul’daki ilk müzeyi minde baskın bir stil ya da mecra kullanmaz; kurmasına neden olmuştur. Onun sanatsal resim, heykel, yerleştirme, video, dijital ve ve entelektüel yönü, organize ettiği Web İnternet sanatı yapıtlarını beraberce üretir. Bienali, yaptığı sergiler, atölyeler, konfer- Sanatın temeliyle uğraşır; yeni ara yüzler ans ve makalelerinde kendini gösterir. Bu ve etkileşimleri araştırmayı, klasik galeri kitap ve ekindeki DVD’nin de sanatçının mekanı, sanatçıları ve ilişkilerine tercih eder. hedefl ediği bütünsel iletişime yönelik olum- lu bir adım olabileceğini düşünüyorum. İkinci Dünya Savaşı’nın dışa dönük patlaması Umarım siz sayın okuyucular da bu kitabı ve tarihsel avangardın tükenmesiyle, içe okurken en az bizim röportajı yaparken dönük yaşayan Avrupa modernizminden aldığımız kadar çok keyif alırsınız… sonra, post-modernizme geçişin eklektik kültürel üretimi, sayısız sanatsal stratejileri Son olarak, Genco ile beraber, bu kitabın içeren lüks bir depresyona yol açtı. Bu du- gerçekleşmesinde emeği geçen, katkıda rum, kendimizi ölümüne eğlendirdiğimiz bulunan herkese; ekibe, arkadaşlarımıza, (Neil Postman), şu dönemde hala devam öğrenci ve asistanlarımıza teşekkür ede- etmekte, 1980’lerin sonlarından beri riz. Özellikle en büyük ilham ve enerji Türkiye’de de hissedilmektedir. Bu sayede kaynağımız olarak ailelerimize; Yeşim, Sinan herkes burada da 15 dakikalığına meşhur Can, Nisan Su Gülan ve Şebnem, Lukas Tan olabilir. Fakat herkes yıldız olursa seyirci Graf’a bu kitabı adamak isteriz. ne olacak? Yegane ışık kaynağının binlerce Sizler en güçlü renklersiniz.
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