DOCSLIB.ORG

Radio Goes on a Killer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Radio Goes on a Killer 872.01 [cover] 6/30/04 3:42 PM Page 1 REVIEWS MERGE 15 • THEY MIGHT BE GIANTS • BITTER, BITTER WEEKS • CHINESE STARS • FAT HED • M83 • AND MORE ISSUE NO. 872 • JULY 12, 2004 • WWW.CMJ.COM NEW MUSIC REPORT® CMJSPOTLIGHT REVIEW Radio Goes On A FAITHLESS Killer NO ROOTS FINAL SAY Spree FRANZ PRODUCER TORE JOHANSSON IS TOTALLY SWEDE! REGISTER NOW CMJ MUSIC MARATHON NEWS TO US $76 Million Of Staggering Mediocrity! Radio’s #1 Most Added SONIC YOUTH WHO NEEDS LOLLA? SY STILL TOPS RETAIL: BE-BOP RECORDS: “WE FROM THAT M-I-CROOKEDLETTACROOKEDLETTA-I...” 872.02 [MM04] 6/30/04 2:25 PM Page 2 4DAYS4DAYS 6060 CLUBS CLUBS 10001000 BANDS BANDS The Largest and Longest REGISTER EARLY Running New Music Festival FOR THE BEST in the United States SAVINGS Special Discounts for college students and groups HEY YOU WITH www.cmj.com/marathon THE BAND! Your Big Break Awaits. Be Seen. Be Heard. Be Signed. DONT MISS: Accepting showcase applications • Dozens of seminars, workshops and tradeshow exhibits through July 16th at • Hundreds of the best new music artists www.sonicbids.com/cmj2004 • Thousands of broadcast, music and film industry VIPs Receive a one-year subscription to SPIN, free with your CMJ Music Marathon registration. • CMJ FilmFest - explore the convergence of music and film Sponsored by • CVC@CMJ: CVC Report's annual Music Video Conference Powered by Photo of The Mars Volta at Music Marathon ’03 by Kevin Scanlon 872.03 [news] 6/30/04 3:44 PM Page 3 CMJ New Music Report® EDITORIAL Editor Steve Ciabattoni Retail Editor NEWS TO US Gerry Hart Associate Editors Nicole Keiper Tom Mallon Christopher R. Weingarten ISSUE 872 Having last released Retail Assistant Editor an album when “electronica” was a Kory Grow hot-button word in Lexis-Nexis Editorial Assistant searches (and Lexus commercials), Matthew Field U.K. knob-twiddlin’ firestarters the Loud Rock Editor Amy Sciarretto Prodigy are gearing up for the long- RPM Editor awaited, briefly forgotten, and then Justin Kleinfeld long-awaited-again follow-up to Contributing Writer 1997’s The Fat Of The Land with a Brad Filicky nifty little art-project/download. Interns “Memphis Bells,” the first track off Daniel Levin Becker their upcoming Always Outnumbered, Joe Giordano Never Outgunned, will be available in Joe Martin a “strictly limited edition” of 5,000— CUSTOMER SERVICE each of the downloads being a unique version of the song accompanied by a Fulfillment/Business Services Brandon Boyd of Incubus stopped by West Babylon, New York hotspot Looney Tunes to sign Manager unique variation of the artwork. copies of his new book, the macho-sounding White Fluffy Clouds. Brandon, pictured here with Jason Glastetter Taking inspiration from Andy Looney’s Karl Groeger Jr., drew one of the biggest crowds ever to descend on Looney—which Customer Service Coordinator Warhol’s famed multiple-Marilyn- ordered 555 books and sold every last one to the 600 folks that showed up (many of whom Greg Burgett Monroe painting (smack my diptych camped out). Brandon then was crowned the winner of the Prefuse 73 Look-Alike Contest! up?), fans will be able to go onto the ART Web and create their own unique ver- Art Director sion of the song, choosing various e The same class-action suit against Staying Power and 144 copies of Steve Cassidy melodies, drum sounds, guitar the music industry that netted you a Meredith Brooks’ “Bitch”-ariffic cut- options and mixes. The download whopping $13.86 was intended to out-bin fave Blurring The Edges.And PUBLISHING what student wouldn’t enjoy 48 CEO & Publisher e-tails for two pounds, which is… benefit society too, ya know… which Robert K. Haber um… like 700 American dollars if is why the judge ordered that $76 mil- copies of Martha Stewart’s Scary Chief Operating Officer our math is correct. lion (half the total settlement) in CDs Sounds For Halloween… none of the Jay B. Ziskrout be sent to libraries, colleges and sounds on which are as frightening as Editorial Director e Califone’s got the blues all right, schools. The first batch has rolled into those contained in the 204 copies of Scott Frampton and not of the Heron King variety— Washington state (one of 46 involved Everclear’s Good Time For A Bad Consultant the band recently had a large portion in the suit) and of course the music Attitude. Law enforcement blames a Michael Herson industry provided $76 million dollars computer glitch. Other treats include Vice President & General Manager of their equipment stolen in a San Francisco van break-in. Among the of the most educational, important seven copies of An All-4-One Mike Boyle Christmas, one copy of country Director Of Sales fallen: a 1917 Milano violin (ouch), a and stimulating music, right? Jerry Rubino jumbo-size Campbell-Drury acoustic Beethoven, Bach, Beatles… Big “funnyman” Cledus T. Judd’s guitar with fake blood by the sound- Punisher? That’s right… Washington Juddmental, 52 copies of The Gift Of CIRCULATION hole, a custom blonde ’71 Telecaster school districts in King and Pierce Game by prissy nü-metallers Crazy Distribution & Fulfillment and a ’60s gold Danelectro guitar, as County received 356 copies of the Town, nine copies of Yanni’s In The [email protected] well as a number of smaller items. So gloriously explicit Big Punisher (quite Mirror (which, turned over, works 917.606.1908 if anyone on a street corner tries to frankly, his messages about “I love best as an actual mirror), 52 Mandy Moores, seven Myas, three John CMJ NETWORK, INC. sell you a huge, bloodstained guitar or from butter pecan to blackberry Robert K. Haber a set of Tibetan bells, call Thrill Jockey molass’/ I don’t discriminate, I regu- Poppers, and 41 Toad The Wet Joanne Abbot Green at 312.492.9634 so they can throw late every shade of the ass” can do Sprockets. The CDs should come in someone in the convict pool. Oh wait, wonders for racial equality). Not to handy for next semester’s “Contemp- CMJ New Music Report (ISSN 0890 0795) mention 356 copies of Barry White’s orary Ethics: Cruelty In Media.” is published weekly, except for one week in wrong band. January, by The CMJ Network, Inc. with offices at 151 W. 25th St., 12th Fl.; New York, NY 10001. 4 REVIEWS Subscription rates are $345.00 for 48 issues; $575.00 for 96 issues. Sorry, no refunds. 7 POINTS OF IMPACT Subscription offices: 151 W. 25th St., 12th Fl.; 8 RADIO 200 / CORE / ADDS New York, NY 10001. Tel 917.606.1908. Periodicals postage paid at New York, NY 14 RETAIL and additional mailing offices. Polyphonic Spree sing the 20 LOUD ROCK CMJ New Music Report is copyright ©2004 by The CMJ Network, Inc. all rights reserved; praises of being this week’s 22 RPM nothing may be reproduced without written No. 1 Most Added PAGE 15 23 TRIPLE A / HIP HOP consent of publisher. Unless indicated otherwise, all letters sent to CMJ are eligible for publication CONTENTS 24 NEW WORLD / JAZZ and copyright purposes, and are subject to CMJ’s right to edit and comment editorially. 25 UPCOMING RELEASES Unsolicited manuscripts, photos and artwork 26 FINAL SAY are welcome; please enclose a self-addressed, stamped envelope to facilitate return. Postmaster: send address changes to CMJ New Music Report, 151 W. 25th St., 3 12th Floor; New York, NY 10001. CMJ JULY 12, 2004 872.04 [now] 6/30/04 2:40 PM Page 4 THIS WEEK’S NOW ESSENTIAL NEW RELEASES FAITHLESS VARIOUS ARTISTS THEY MIGHT No Roots (Arista) Old Enough To Know Better: 15 Years Of BE GIANTS Like fellow U.K. pioneers Massive Attack, Faithless have Merge (Merge) The Spine (Idlewild-Rounder-Universal) mastered the art of making powerful art out of dance- Celebrating 15 years of indie excellence, Old Enough To Following up the career-spanning documentary able music. The lyrics of the lead single “Mass Know Better packages 61 love songs (well, not all of them) Gigantic and a successful venture into children’s Destruction” also give you a sense of the message Maxi into a three-disc history lesson featuring Superchunk, music with the acclaimed No!, They Might Be Giants Jazz, Sister Bliss and Rollo are delivering in between the Magnetic Fields, Lambchop, Spoon, Neutral Milk Hotel, return with another record aimed at brainy adults beats. No Roots features some heady grooves, and its Trail Of Dead and many other Merge flagships. Disc three with a quick sense of humor. Hook-laden and rife atmospheric bass and keyboard lines almost make it features rare and unreleased material from the label’s cur- with their patented clever lyrics, The Spine is classic more suited for headphone tripping than dancefloor rent roster (as well as classics like Spent). In terms of col- They Might Be Giants: hard not to love, and will have skipping. Keep an eye out for guest vocalist LSK. lege-rock posterity, this collection could be considered the everybody jumping. Old and New Testament. WEB: www.faithless.co.uk WEB: www.mergerecords.com WEB: www.tmbg.com ATTN: Politico-minded trip-hoppers, massive Massive Attack ATTN: Slack Motherfuckers, indie-rock shoegazers and pogoers ATTN: Maturing music nerds, fans of high-IQ laughs and die-hard Dido fans RELEASE DATE / ADD DATE: July 13 RELEASED DATE / ADD DATE: July 13 RELEASE DATE / ADD DATE: Out now / at radio RADIO: Christina Rentz, [email protected] RADIO: Erin Chandler, [email protected] RADIO: Todd Blumenfeld, [email protected] KEY TRACKS: “Freaks In Charge” (Superchunk), “Happily Ever KEY TRACKS: “Thunderbird,” “Prevenge,” “Museum Of Idiots” KEY TRACKS: “Mass Destruction,” “I Want More: Part 2,” After” (the Rosebuds), “San Francisco Song” (Camera Obscura) OF NOTE: This is the 10th album from the heroes of geek-rock, “Sweep” OF NOTE: All sales proceeds go to the Future Of Music Coalition and the band will tour to support it through this month.
Load more

Recommended publications
  • Tom Jennings
    12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd.
    [Show full text]
  • Libraryonwheels Sparksinterest
    EMI Records Aligns with Erick Sermon and Def Squad Label EMI Records (EMI have always wanted for Def /Chrysalis /SBK) today Squad Records. announced a label agreement with 1 look forward to working Def Squad Records, led with Davitt by rap recording artist/producer Sigerson and the Erick whole EMI team and to having Sermon. Under this a arrangement. Sermon will very successful'relationship submit artists together." exclusively to Sermon first made his mark EMI who concentrate on devel¬ in and the rap community as half of oping producing new the classic EPMD combo. Teachers from the Bethlehem Hills ~~HFhas since Released two Happy Child Care Center brouse through the Smart Start Bookmobile. label and will continue produc¬ solo Teachers selected books for students in their class. Keith albums. No Pressure and ing Redman, Murray and Double or other established artists. Nothin' on Def Jam Def In addition to and Squad will have offices and a finding pro¬ y ducing new talent, staff based out of the EMI including On Wheels New Das EFX, Redman and Keith Library Interest York Headquarters. * By MAURICE CROCKER Sparks Murray, Sermon has also chosen for the bookmobile are Commented Davitt pro¬ Community News Reporter The first stop of the book¬ Siger- duced singles for a diverse selected by the library heads at mobile was the son, president and CEO, EMI of each Bethlehem "Erick array artists such as Super- The branch. Happy Hills Child Care Center. Records, is always cat, Blackstreet, Forsyth County Some of the books are focused or His record Shaquille Library has started a new cho¬ "I think this is a good quality.
    [Show full text]
  • John Zorn Artax David Cross Gourds + More J Discorder
    John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request.
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • PICTURE THIS Rendering of A-Park-Ment Tower Ignites Firestorm of Angry E-Mails
    BROOKLYN’S REAL NEWSPAPERS Including The Bensonhurst Paper Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2005 Brooklyn Paper Publications • 18 pages •Vol.28, No. 29 BRZ •Saturday, July 23, 2005 • FREE PICTURE THIS Rendering of a-park-ment tower ignites firestorm of angry e-mails By Jess Wisloski The Brooklyn Papers Proving that a picture is truly worth a thousand words, a com- munity activist and longtime sup- porter of the plan to build a Brooklyn Bridge Park set off a flurry of anxious e-mails this week when he distributed a com- puter-generated image of what he believes a planned 30-story con- dominium tower at the park’s Hall Borough southern end would look like. Borough President Marty Markowitz, pictured last month with Kofi Annan, U.N. Secretary-General, is Roy Sloane, a member of the Cob- building bridges that may result in the international agency setting up permanent offices here. ble Hill Association who owns a small advertising agency and special- izes in graphic design, circulated an e-mail with an image he created de- picting how the park would appear from a western-facing view at At- lantic Avenue. U.N.-BELIEVABLE “My goal was to get an accurate picture out there and have an open discussion,” said Sloane, who oppos- es plans by the park’s state-appointed Seek permanent office development corporation to finance the annual $15.2 million operating budget by building five luxury resi- dential buildings.
    [Show full text]
  • THE BARD OBSERVER Ltlilw."I May 3, 2006
    N 0 0 °" THE BARD OBSERVER ltlilW."I May 3, 2006 Bard students who seemed happy enough just not to be in night with the arrival of the DJ. The ~A-run party was Spring Fling 2006 Kline. hopping, though the hopscotch was not. Evan Pritts, a member of the sound crew for the Sunday fea tured the inflatable games which are a Blue skies dispel winter Spring Fling music tent, said that the weekend went Spring Fling staple. Bard students and community chil­ ,..,..,...,_~ .. dren alike enjoyed the obstacle course, slide, moon bounce, ' .. and of course the gladiator's ring. Other students could be blues and bring Bard seen lying prone under the hot sun for hours, no doubt in shock that this could be the same campus which only students together weeks ago was frigid and inhospitable. Many vendors also lined the Qiad on Sunday, selling everything from cloth­ ing and jewelry, to henna tattoos, to toast. In addition, not one but two ice cream "trucks" capitalized on the warm BY CHRlSTINE NIELSEN weather, both run by enterprising Bard students. In the evening, after performances by the Flying Spring Fling was a hit among Bard students, owing in no Fiddlers and others, the weekend's musical selections small part to the weather, which was universally touted as wound to a close with an old favorite, the Foundation. "spectacular." Not a single cloud marred the sky from T hey were followed by a nighttime screening of Narnia, Friday to Sunday, and Bard's beautiful grounds put out projected drive-in style on the green and enjoyed by the their greenery just in time to celebrate.
    [Show full text]
  • Bowlography of Rock and Pop Concerts
    BOWLOGRAPHY OF ROCK AND POP CONCERTS 1979 DESMOND DECKER with Geno Washington, Sat 8th September 1980 POLICE with Squeeze, UB40, Skatfish, Sector 27, Sat 26th July 1981 THIN LIZZY with Judie Tzuke, The Ian Hunter Band, Q Tips, Trimmer and Jenkins,Sat 8th August 1982 QUEEN, with Heart, Teardrop Explodes, Joan Jett and the Blackhearts, Sat 5th June GENESIS, with Talk Talk, The Blues Band, John Martyn, Sat 2nd October 1983 DAVID BOWIE, with The Beat and Icehouse Fri 1st, Sat 2nd, Sun 3rd July 1984 STATUS QUO with Marillion, Nazareth, Gary Glitter, Jason and the Scorchers, Sat 21st July 1985 U2 with REM, The Ramones, Billy Bragg, Spear Of Destiny, The Men They Couldn’t Hang, Faith Brothers, Sat 22nd June 1986 SIMPLE MINDS with The Bangles, The Cult, Lloyd Cole and The Commotions, Big Audio Dynamite, The Waterboys, In Tua Nua, Dr and The Medics, Sat 21st June MARILLION with special guests, Gary Moore, Jethro Tull, Magnum, Mamas Boys, Sat 28th June 1988 Amnesty International event with Stranglers, Aswad, The Damned, Howard Jones, Joe Strummer, Aztec Camera, B.A.D, Sat 18th, Sun 19th June MICHAEL JACKSON, with Kim Wilde, Sat 10th September 1989 BON JOVI with Europe, Vixen and Skid Row, Sat 19th August 1990 DAVID BOWIE, with Gene Loves Jezebel, The Men They Couldn’t Hang, Two Way Street, Sat 4th, Sun 5th August ERASURE, with Adamski, Sat 1st September 1991 ZZ TOP with Bryan Adams, Liitle Angels, The Firm, Thunder Sat 6th July SIMPLE MINDS, with Stranglers, OMD Sat 21st August 1993 BRUCE SPRINGSTEEN, Sat 23rd May GUNS 'n’ ROSES, The Cult, Soul
    [Show full text]
  • Toadies Bring Dia De Los Toadies Festival Home
    TOADIES BRING DIA DE LOS TOADIES FESTIVAL HOME A DOZEN BANDS TO PLAY ACROSS TWO STAGES AT PANTHER ISLAND PAVILION IN SEPTEMBER AT SIXTH ANNUAL DIA DE LOS TOADIES FESTIVAL. FORT WORTH – After five years of hosting their annual end-of-summer throw down at various locations throughout the state, the Toadies are taking the sixth Dia De Los Toadies to their hometown of Fort Worth. This year’s festival, set to feature a dozen bands performing across two stages, will take place on Saturday, September 14, at Panther Island Pavilion, just minutes from downtown Fort Worth. Per tradition, the band will also host an intimate “fireside/almost acoustic” showcase on Friday, September 13, the evening before their day-long bash. Since Dia De Los Toadies 2008 debut, in conjunction with the band’s return-to-the-spotlight No Deliverance LP, the festival has evolved into one of the most hotly anticipated events on Texas’ yearly music calendar -- a carefully curated and reliably rocking affair that’s seen memorable performances from such celebrated acts as Ben Kweller, Black Angels, Black Joe Lewis and the Honeybears, Bowling for Soup, Centro-matic, Heartless Bastards, Helmet, Mariachi El Bronx, Riverboat Gamblers, The Secret Machines and The Sword, plus dozens of up-and-coming, underground acts from the Toadies home turf of Texas. “It's been great moving the Dia festival around Texas, but at a certain point, we realized that we need to share it with our hometown, Fort Worth, where the band is still based. We played Billy Bob's last year and it reminded us what a hometown crowd is like, so moving the festival made perfect sense,” says Toadies guitarist, Clark Vogeler.
    [Show full text]
  • Saladdays 26 Web.Pdf
    26 11/01/16 16:03 THEHEATHROWPRESTIGE WITH TOMMY FYNN \ THE HEATHROW PRESTIGE \ TREBOUX PHOTO DCSHOES.COM DC_HEATHROW-240x225+5.indd 1 One mag two Covers WHAT’S HOT Pete Rock Obey x Everlast (House Of Pain) Rigablood Rigablood Editor In Chief/Founder - Andrea Rigano Art Director - Antonello Mantarro [email protected] Advertising - Silvia Rapisarda [email protected] Photographers Luca Benedet, Arianna Carotta, Alessio Fanciulli Oxilia, Steen Kevett, Alex Luise, Luca Pagetti, Enrico Rizzato, Alex Ruffini, Alberto Scattolin, Milan Tykal, Federico Tognoli Artwork Wondee Contributors Francesco Banci, Milo Bandini, Piero Beninato, Marco Capelli, Matteo Cavanna, Cristiano Crepaldi, Fabrizio De Guidi, Kristina Kokesova, Max Mameli, Marco Mantegazza, Max Mbassadò, Simone Meneguzzo, Turi Messineo, Angelo Mora (donas), Eros Pasi, Marco Pasini, Davide Perletti, Sayko, SECSE, Alexandra Romano, Tina Tonelli, Marco ‘X-Man’ Xodo Stampa Tipografia Nuova Jolly - Viale Industria 28 35030 Rubano (PD) Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. Born To Lose, Live To Win // Ian Fraser "Lemmy" Kilmister (1945 – 2015) // ph. Rigablood Get in touch www.saladdaysmag.com [email protected] 06 Mick Jones 60 Face Your Enemy facebook.com/saladdaysmag 10 Pete Rock - The Soul Survivor 66 Part One - New York Graffiti twitter.com/SaladDays_it 16 Enko4 70 2MD Instagram - @saladdaysmagazine Don’t Sweat The Tecnique 76 James Kerr aka Scorpion Dagger saladdaysmag.tumblr.com 26 30 Iron Reagan 82 #lostinbudapestbmx - The Full Story L’editore è a disposizione di tutti gli interessati nel 34 Tattoo In The Hood 86 American Nightmare collaborarecon testi immagini. Tutti i contenuti di que- 40 Ornamental Conifer 88 August Burn Red sta pubblicazione sono soggetti a copyright, é vietata 44 Tutti I Colori Del Buio 92 This Is Barber Life la riproduzione anche parziale di testi, documenti e foto senza l’autorizzazione dell’editore.
    [Show full text]
  • EPMD, Head Banger [Redman] Negroes!!!!!!!!
    EPMD, Head Banger [Redman] Negroes!!!!!!!! [x6] [Hit Squad] The head banger, WHAT? [Hit Squad] The head banger Parrish Smith gettin wreck [Hit Squad] The head banger [Verse One: Parrish Smith] Ka-rank the boombox as my sound knock from blocks as I chill, and bust grills you take snapshots of the maniac, dressed in black, carry round a strap Kid you play me too close (slow down and catch a cap, POW!!) Cause I don't play games, an outlaw like Jesse James To hell with the bitches and the so-called fame (uh-huh) Strictly biz to hard (kid yeah) as I climb charts Bustin ass daily as I compose like Mozart Just stand, say you're mad damn, why him? Z-oh-one Tonka, five-sixty Benz I'm sick and mad deep no shorts and no sleep I'm bugged like a tapped phone, hard like concrete So get a GRIP and don't SLIP or catch a CLIP from the infrared aimed at your head as I blast my TARGET The Bozack, I rip up flows that make an MC stop and chill and say HE'S ALL THAT Hardcore no R&B singer Roll with the Hit Squad... down with the head banger [x4] (Hit Squad) The head banger, WHAT? "Yeahhh, head crack, head crack" -- Grand Puba, Slow Down [x3] (Hit Squad) The head banger, WHAT? Erick Sermon break it down (Hit Squad) The head banger "Yeahhh, head crack, head crack" [Verse Two: Erick Sermon] SURPRISE, you wonder where I've been, I've been workin But sounds makin danger, and black birds chirpin A real Damian, Omen possessed by the devil You dig the rhythm, and I'll play the RUNNIN REBEL Changed my style, so I can freak the funk Yo pass the
    [Show full text]
  • Le Confort Moderne Espace Bar Mezzanine Le Double
    LE CONFORT MODERNE Association L'Oreille est Hardie -185 rue du Fbg du Pont Neuf 86000 Poitiers tel 05 49 46 08 08 fax 05 49 61 30 34 w ww.confort-moderne.fr b [email protected] Licences N° 1-136838 / N° 2-19623 / N° 3-19624 LE CONFORT MODERNE 1985>2005 Cette année, le Confort Moderne a 20 ans. Et fêtera ça les 24 & 25 septembre (voir plus loin). ESPACE BAR MEZZANINE L'espace bar mezzanine a été repensé et en partie rénové (nouveau comptoir & mobilier, nouvelles couleurs) et surtout, nous avons commandé aux plasticiens Christian Robert-Tissot et Ingrid Luche des oeuvres spécifiques. Christian Robert-Tissot Né en 1960, vit à Genève. Ce plasticien suisse a créé deux oeuvres spécifiques pour l’espace bar : un mobile et un lettrage néon. L’artiste explore toutes les possibilités d’émergence du mot en l’inscrivant dans un espace de représentation qui associe langage et pratiques picturales (peinture murale, panneau imprimé, lettrage en volume). Ses «mots-images» modifient la perception que le spectateur peut avoir de son environnement architectural et/ou culturel. Ingrid Luche Née en 1971, vit à Poitiers. L’artiste a créé deux oeuvres spécifiques pour l’espace bar : un stras mural et un lustre. Les installations protéiformes (sculptures, dessins muraux, vidéo...) d’Ingrid Luche composent des paysages poétiques dont l’étrangeté appelle le souvenir. L’incertitude des sources iconographiques renvoie autant à une mémoire personnelle qu’à la construction de narrations équivoques. La Boutique / La Salle de Projection Ces deux nouveaux espaces sont implantés sur la mezzanine et fonctionneront les soirs de concert.
    [Show full text]
  • December 2002
    PORTABLE • BILL STEWART • CONSUMERS POLL RESULTS DENNISDENNIS CHAMBERS,CHAMBERS, KARLKARL PERAZZO,PERAZZO, RAULRAUL REKOWREKOW SSANTANAANTANA’’SS FFINESTINEST RRHYTHMHYTHM TTEAMEAM?? WWEEZEREEZER’’SS PPATAT WWILSONILSON TTHROUGHHROUGH TTHEHE YYEARSEARS WWITHITH TTERRYERRY BBOZZIOOZZIO NNEWEW FFOUNDOUND GGLORYLORY’’SS CCYRUSYRUS BBOLOOKIOLOOKI TTRADINGRADING FFOURSOURS WWITHITH PPHILLYHILLY JJOEOE $4.99US $6.99CAN 12 PPLUSLUS CCARLOSARLOS SSANTANAANTANA TTALKSALKS DDRUMMERSRUMMERS!! 0 74808 01203 9 ContentsContents Volume 27, Number 12 Cover photo by Paul La Raia SANTANA’S DENNIS CHAMBERS, RAUL REKOW, AND KARL PERAZZO The heaviest rhythm section in rock has just gotten heavier. Even Carlos Santana himself is in awe of his new Dennis Chambers–led ensemble. a a by Robin Tolleson i i a a R R a a L L l l u u a a 56 P P UPDATE 24 Portable’s Brian Levy WEEZER’S Wayward Shamans’ Barrett Martin AT ILSON 80 P W Fugazi’s Brendan Canty From Neil Peart obsessive to Muppet hostage, Pat Wilson has Mickey Hart been through a lot in ten years with Daryl Stuermer’s John Calarco pop gods Weezer. Oh, he plays the heck out of the drums, too. by Adam Budofsky MD CONSUMERS POLL RESULTS 50 The best in today’s gear—according to you. A DIFFERENT VIEW 74 a a i i a a NEW FOUND R R CARLOS SANTANA a a L L Just a sample of his drum cohorts over the l l GLORY’S u u a a years: Michael Shrieve, Jack DeJohnette, Horacio P P CYRUS BOLOOKI Hernandez, Tony Williams, Carter Beauford, 150 Chester Thompson, and now, Dennis Chambers. Even a disastrous fall from a Take your seats, class is about to begin.
    [Show full text]