Radio Goes on a Killer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
Libraryonwheels Sparksinterest
EMI Records Aligns with Erick Sermon and Def Squad Label EMI Records (EMI have always wanted for Def /Chrysalis /SBK) today Squad Records. announced a label agreement with 1 look forward to working Def Squad Records, led with Davitt by rap recording artist/producer Sigerson and the Erick whole EMI team and to having Sermon. Under this a arrangement. Sermon will very successful'relationship submit artists together." exclusively to Sermon first made his mark EMI who concentrate on devel¬ in and the rap community as half of oping producing new the classic EPMD combo. Teachers from the Bethlehem Hills ~~HFhas since Released two Happy Child Care Center brouse through the Smart Start Bookmobile. label and will continue produc¬ solo Teachers selected books for students in their class. Keith albums. No Pressure and ing Redman, Murray and Double or other established artists. Nothin' on Def Jam Def In addition to and Squad will have offices and a finding pro¬ y ducing new talent, staff based out of the EMI including On Wheels New Das EFX, Redman and Keith Library Interest York Headquarters. * By MAURICE CROCKER Sparks Murray, Sermon has also chosen for the bookmobile are Commented Davitt pro¬ Community News Reporter The first stop of the book¬ Siger- duced singles for a diverse selected by the library heads at mobile was the son, president and CEO, EMI of each Bethlehem "Erick array artists such as Super- The branch. Happy Hills Child Care Center. Records, is always cat, Blackstreet, Forsyth County Some of the books are focused or His record Shaquille Library has started a new cho¬ "I think this is a good quality. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
PICTURE THIS Rendering of A-Park-Ment Tower Ignites Firestorm of Angry E-Mails
BROOKLYN’S REAL NEWSPAPERS Including The Bensonhurst Paper Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2005 Brooklyn Paper Publications • 18 pages •Vol.28, No. 29 BRZ •Saturday, July 23, 2005 • FREE PICTURE THIS Rendering of a-park-ment tower ignites firestorm of angry e-mails By Jess Wisloski The Brooklyn Papers Proving that a picture is truly worth a thousand words, a com- munity activist and longtime sup- porter of the plan to build a Brooklyn Bridge Park set off a flurry of anxious e-mails this week when he distributed a com- puter-generated image of what he believes a planned 30-story con- dominium tower at the park’s Hall Borough southern end would look like. Borough President Marty Markowitz, pictured last month with Kofi Annan, U.N. Secretary-General, is Roy Sloane, a member of the Cob- building bridges that may result in the international agency setting up permanent offices here. ble Hill Association who owns a small advertising agency and special- izes in graphic design, circulated an e-mail with an image he created de- picting how the park would appear from a western-facing view at At- lantic Avenue. U.N.-BELIEVABLE “My goal was to get an accurate picture out there and have an open discussion,” said Sloane, who oppos- es plans by the park’s state-appointed Seek permanent office development corporation to finance the annual $15.2 million operating budget by building five luxury resi- dential buildings. -
THE BARD OBSERVER Ltlilw."I May 3, 2006
N 0 0 °" THE BARD OBSERVER ltlilW."I May 3, 2006 Bard students who seemed happy enough just not to be in night with the arrival of the DJ. The ~A-run party was Spring Fling 2006 Kline. hopping, though the hopscotch was not. Evan Pritts, a member of the sound crew for the Sunday fea tured the inflatable games which are a Blue skies dispel winter Spring Fling music tent, said that the weekend went Spring Fling staple. Bard students and community chil ,..,..,...,_~ .. dren alike enjoyed the obstacle course, slide, moon bounce, ' .. and of course the gladiator's ring. Other students could be blues and bring Bard seen lying prone under the hot sun for hours, no doubt in shock that this could be the same campus which only students together weeks ago was frigid and inhospitable. Many vendors also lined the Qiad on Sunday, selling everything from cloth ing and jewelry, to henna tattoos, to toast. In addition, not one but two ice cream "trucks" capitalized on the warm BY CHRlSTINE NIELSEN weather, both run by enterprising Bard students. In the evening, after performances by the Flying Spring Fling was a hit among Bard students, owing in no Fiddlers and others, the weekend's musical selections small part to the weather, which was universally touted as wound to a close with an old favorite, the Foundation. "spectacular." Not a single cloud marred the sky from T hey were followed by a nighttime screening of Narnia, Friday to Sunday, and Bard's beautiful grounds put out projected drive-in style on the green and enjoyed by the their greenery just in time to celebrate. -
Bowlography of Rock and Pop Concerts
BOWLOGRAPHY OF ROCK AND POP CONCERTS 1979 DESMOND DECKER with Geno Washington, Sat 8th September 1980 POLICE with Squeeze, UB40, Skatfish, Sector 27, Sat 26th July 1981 THIN LIZZY with Judie Tzuke, The Ian Hunter Band, Q Tips, Trimmer and Jenkins,Sat 8th August 1982 QUEEN, with Heart, Teardrop Explodes, Joan Jett and the Blackhearts, Sat 5th June GENESIS, with Talk Talk, The Blues Band, John Martyn, Sat 2nd October 1983 DAVID BOWIE, with The Beat and Icehouse Fri 1st, Sat 2nd, Sun 3rd July 1984 STATUS QUO with Marillion, Nazareth, Gary Glitter, Jason and the Scorchers, Sat 21st July 1985 U2 with REM, The Ramones, Billy Bragg, Spear Of Destiny, The Men They Couldn’t Hang, Faith Brothers, Sat 22nd June 1986 SIMPLE MINDS with The Bangles, The Cult, Lloyd Cole and The Commotions, Big Audio Dynamite, The Waterboys, In Tua Nua, Dr and The Medics, Sat 21st June MARILLION with special guests, Gary Moore, Jethro Tull, Magnum, Mamas Boys, Sat 28th June 1988 Amnesty International event with Stranglers, Aswad, The Damned, Howard Jones, Joe Strummer, Aztec Camera, B.A.D, Sat 18th, Sun 19th June MICHAEL JACKSON, with Kim Wilde, Sat 10th September 1989 BON JOVI with Europe, Vixen and Skid Row, Sat 19th August 1990 DAVID BOWIE, with Gene Loves Jezebel, The Men They Couldn’t Hang, Two Way Street, Sat 4th, Sun 5th August ERASURE, with Adamski, Sat 1st September 1991 ZZ TOP with Bryan Adams, Liitle Angels, The Firm, Thunder Sat 6th July SIMPLE MINDS, with Stranglers, OMD Sat 21st August 1993 BRUCE SPRINGSTEEN, Sat 23rd May GUNS 'n’ ROSES, The Cult, Soul -
Toadies Bring Dia De Los Toadies Festival Home
TOADIES BRING DIA DE LOS TOADIES FESTIVAL HOME A DOZEN BANDS TO PLAY ACROSS TWO STAGES AT PANTHER ISLAND PAVILION IN SEPTEMBER AT SIXTH ANNUAL DIA DE LOS TOADIES FESTIVAL. FORT WORTH – After five years of hosting their annual end-of-summer throw down at various locations throughout the state, the Toadies are taking the sixth Dia De Los Toadies to their hometown of Fort Worth. This year’s festival, set to feature a dozen bands performing across two stages, will take place on Saturday, September 14, at Panther Island Pavilion, just minutes from downtown Fort Worth. Per tradition, the band will also host an intimate “fireside/almost acoustic” showcase on Friday, September 13, the evening before their day-long bash. Since Dia De Los Toadies 2008 debut, in conjunction with the band’s return-to-the-spotlight No Deliverance LP, the festival has evolved into one of the most hotly anticipated events on Texas’ yearly music calendar -- a carefully curated and reliably rocking affair that’s seen memorable performances from such celebrated acts as Ben Kweller, Black Angels, Black Joe Lewis and the Honeybears, Bowling for Soup, Centro-matic, Heartless Bastards, Helmet, Mariachi El Bronx, Riverboat Gamblers, The Secret Machines and The Sword, plus dozens of up-and-coming, underground acts from the Toadies home turf of Texas. “It's been great moving the Dia festival around Texas, but at a certain point, we realized that we need to share it with our hometown, Fort Worth, where the band is still based. We played Billy Bob's last year and it reminded us what a hometown crowd is like, so moving the festival made perfect sense,” says Toadies guitarist, Clark Vogeler. -
Saladdays 26 Web.Pdf
26 11/01/16 16:03 THEHEATHROWPRESTIGE WITH TOMMY FYNN \ THE HEATHROW PRESTIGE \ TREBOUX PHOTO DCSHOES.COM DC_HEATHROW-240x225+5.indd 1 One mag two Covers WHAT’S HOT Pete Rock Obey x Everlast (House Of Pain) Rigablood Rigablood Editor In Chief/Founder - Andrea Rigano Art Director - Antonello Mantarro [email protected] Advertising - Silvia Rapisarda [email protected] Photographers Luca Benedet, Arianna Carotta, Alessio Fanciulli Oxilia, Steen Kevett, Alex Luise, Luca Pagetti, Enrico Rizzato, Alex Ruffini, Alberto Scattolin, Milan Tykal, Federico Tognoli Artwork Wondee Contributors Francesco Banci, Milo Bandini, Piero Beninato, Marco Capelli, Matteo Cavanna, Cristiano Crepaldi, Fabrizio De Guidi, Kristina Kokesova, Max Mameli, Marco Mantegazza, Max Mbassadò, Simone Meneguzzo, Turi Messineo, Angelo Mora (donas), Eros Pasi, Marco Pasini, Davide Perletti, Sayko, SECSE, Alexandra Romano, Tina Tonelli, Marco ‘X-Man’ Xodo Stampa Tipografia Nuova Jolly - Viale Industria 28 35030 Rubano (PD) Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. Born To Lose, Live To Win // Ian Fraser "Lemmy" Kilmister (1945 – 2015) // ph. Rigablood Get in touch www.saladdaysmag.com [email protected] 06 Mick Jones 60 Face Your Enemy facebook.com/saladdaysmag 10 Pete Rock - The Soul Survivor 66 Part One - New York Graffiti twitter.com/SaladDays_it 16 Enko4 70 2MD Instagram - @saladdaysmagazine Don’t Sweat The Tecnique 76 James Kerr aka Scorpion Dagger saladdaysmag.tumblr.com 26 30 Iron Reagan 82 #lostinbudapestbmx - The Full Story L’editore è a disposizione di tutti gli interessati nel 34 Tattoo In The Hood 86 American Nightmare collaborarecon testi immagini. Tutti i contenuti di que- 40 Ornamental Conifer 88 August Burn Red sta pubblicazione sono soggetti a copyright, é vietata 44 Tutti I Colori Del Buio 92 This Is Barber Life la riproduzione anche parziale di testi, documenti e foto senza l’autorizzazione dell’editore. -
EPMD, Head Banger [Redman] Negroes!!!!!!!!
EPMD, Head Banger [Redman] Negroes!!!!!!!! [x6] [Hit Squad] The head banger, WHAT? [Hit Squad] The head banger Parrish Smith gettin wreck [Hit Squad] The head banger [Verse One: Parrish Smith] Ka-rank the boombox as my sound knock from blocks as I chill, and bust grills you take snapshots of the maniac, dressed in black, carry round a strap Kid you play me too close (slow down and catch a cap, POW!!) Cause I don't play games, an outlaw like Jesse James To hell with the bitches and the so-called fame (uh-huh) Strictly biz to hard (kid yeah) as I climb charts Bustin ass daily as I compose like Mozart Just stand, say you're mad damn, why him? Z-oh-one Tonka, five-sixty Benz I'm sick and mad deep no shorts and no sleep I'm bugged like a tapped phone, hard like concrete So get a GRIP and don't SLIP or catch a CLIP from the infrared aimed at your head as I blast my TARGET The Bozack, I rip up flows that make an MC stop and chill and say HE'S ALL THAT Hardcore no R&B singer Roll with the Hit Squad... down with the head banger [x4] (Hit Squad) The head banger, WHAT? "Yeahhh, head crack, head crack" -- Grand Puba, Slow Down [x3] (Hit Squad) The head banger, WHAT? Erick Sermon break it down (Hit Squad) The head banger "Yeahhh, head crack, head crack" [Verse Two: Erick Sermon] SURPRISE, you wonder where I've been, I've been workin But sounds makin danger, and black birds chirpin A real Damian, Omen possessed by the devil You dig the rhythm, and I'll play the RUNNIN REBEL Changed my style, so I can freak the funk Yo pass the -
Le Confort Moderne Espace Bar Mezzanine Le Double
LE CONFORT MODERNE Association L'Oreille est Hardie -185 rue du Fbg du Pont Neuf 86000 Poitiers tel 05 49 46 08 08 fax 05 49 61 30 34 w ww.confort-moderne.fr b [email protected] Licences N° 1-136838 / N° 2-19623 / N° 3-19624 LE CONFORT MODERNE 1985>2005 Cette année, le Confort Moderne a 20 ans. Et fêtera ça les 24 & 25 septembre (voir plus loin). ESPACE BAR MEZZANINE L'espace bar mezzanine a été repensé et en partie rénové (nouveau comptoir & mobilier, nouvelles couleurs) et surtout, nous avons commandé aux plasticiens Christian Robert-Tissot et Ingrid Luche des oeuvres spécifiques. Christian Robert-Tissot Né en 1960, vit à Genève. Ce plasticien suisse a créé deux oeuvres spécifiques pour l’espace bar : un mobile et un lettrage néon. L’artiste explore toutes les possibilités d’émergence du mot en l’inscrivant dans un espace de représentation qui associe langage et pratiques picturales (peinture murale, panneau imprimé, lettrage en volume). Ses «mots-images» modifient la perception que le spectateur peut avoir de son environnement architectural et/ou culturel. Ingrid Luche Née en 1971, vit à Poitiers. L’artiste a créé deux oeuvres spécifiques pour l’espace bar : un stras mural et un lustre. Les installations protéiformes (sculptures, dessins muraux, vidéo...) d’Ingrid Luche composent des paysages poétiques dont l’étrangeté appelle le souvenir. L’incertitude des sources iconographiques renvoie autant à une mémoire personnelle qu’à la construction de narrations équivoques. La Boutique / La Salle de Projection Ces deux nouveaux espaces sont implantés sur la mezzanine et fonctionneront les soirs de concert. -
December 2002
PORTABLE • BILL STEWART • CONSUMERS POLL RESULTS DENNISDENNIS CHAMBERS,CHAMBERS, KARLKARL PERAZZO,PERAZZO, RAULRAUL REKOWREKOW SSANTANAANTANA’’SS FFINESTINEST RRHYTHMHYTHM TTEAMEAM?? WWEEZEREEZER’’SS PPATAT WWILSONILSON TTHROUGHHROUGH TTHEHE YYEARSEARS WWITHITH TTERRYERRY BBOZZIOOZZIO NNEWEW FFOUNDOUND GGLORYLORY’’SS CCYRUSYRUS BBOLOOKIOLOOKI TTRADINGRADING FFOURSOURS WWITHITH PPHILLYHILLY JJOEOE $4.99US $6.99CAN 12 PPLUSLUS CCARLOSARLOS SSANTANAANTANA TTALKSALKS DDRUMMERSRUMMERS!! 0 74808 01203 9 ContentsContents Volume 27, Number 12 Cover photo by Paul La Raia SANTANA’S DENNIS CHAMBERS, RAUL REKOW, AND KARL PERAZZO The heaviest rhythm section in rock has just gotten heavier. Even Carlos Santana himself is in awe of his new Dennis Chambers–led ensemble. a a by Robin Tolleson i i a a R R a a L L l l u u a a 56 P P UPDATE 24 Portable’s Brian Levy WEEZER’S Wayward Shamans’ Barrett Martin AT ILSON 80 P W Fugazi’s Brendan Canty From Neil Peart obsessive to Muppet hostage, Pat Wilson has Mickey Hart been through a lot in ten years with Daryl Stuermer’s John Calarco pop gods Weezer. Oh, he plays the heck out of the drums, too. by Adam Budofsky MD CONSUMERS POLL RESULTS 50 The best in today’s gear—according to you. A DIFFERENT VIEW 74 a a i i a a NEW FOUND R R CARLOS SANTANA a a L L Just a sample of his drum cohorts over the l l GLORY’S u u a a years: Michael Shrieve, Jack DeJohnette, Horacio P P CYRUS BOLOOKI Hernandez, Tony Williams, Carter Beauford, 150 Chester Thompson, and now, Dennis Chambers. Even a disastrous fall from a Take your seats, class is about to begin.