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Masculinity and Transnational Hindu Identity
Nidān, Volume 3, No. 2, December 2018, pp. 18-39 ISSN 2414-8636 Muscular Mahabharatas: Masculinity and Transnational Hindu Identity Sucheta Kanjilal University of Tampa [email protected] "Hence it is called Bharata. And because of its grave import, as also of the Bharatas being its topic, it is called Mahabharata. He who is versed in interpretations of this great treatise, becomes cleansed of every sin. Such a man lives in righteousness, wealth, and pleasure, and attains to Emancipation.” - Mahābhārata (18.5) translation by K. M. Ganguli Abstract The climax of the Sanskrit Mahābhārata is undeniably muscular, since it involves a kṣatriya family fighting a brutal but righteous war. Many 21st century Mahabharata adaptations not only emphasize the muscularity of the epic, but also flex these muscles in an arena beyond the Kurukṣetra battlefield: the world. Through an analysis of texts such as Chindu Sreedharan’s Epic Retold (2015) and Prem Panicker’s Bhimsen (2009), I suggest that the increased visibility of epic warrior narratives across global platforms indicates a desire to re-fashion a hypermasculine identity for Hindus in the transnational religio-political sphere. I see this as an attempt to distance Hinduism from Gandhi’s ‘passive resistance’ and colonial conceptions of the ‘effeminate native’. Instead, it aligns with the nationalist and global aims of Prime Minister Narendra Modi, who emphasizes the importance of Hindu traditions and physical fitness for collective prosperity. While these new epic adaptations certainly broaden the reach of Hindu culture beyond national boundaries, I suggest exhuming only warrior narratives from the epic texts oversimplifies Hindu values and threatens a range of gender identities and religious affiliations. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
On Music Therapy
Vol.20 No. 5 May - 2019 FILM FESTIVAL : MAHATMA GANDHI-150 ......YET ANOTHER SUCESS STORY Shri Nagathihalli Chandrasekhar, Chairman, Karnataka Chalanachitra Academy, lighting the lamp to mark the inauguration of three days film festival on Mahatma Gandhi. From left Shri H.B. Dinesh, Registrar, Karnataka Chalanachitra Academy, Shri H.N. Suresh, Director, BVB, Shri Chiranjiv Singh, IAS (Retd.) Former Ambassador of India to UNESCO and Dr. Wooday P. Krishna, Chairman, Karnataka Gandhi Smaraka Nidhi. Gandhiji’s life was an whose heart beat for the extraordinary example of a downtrodden. This being the visionary leader and a 150th year of his birthday, compassionate human being Bharatiya Vidya Bhavan in 1 [email protected] Shri Nagathihalli Chandrasekhar, inaugurates the stamp exhibition on Mahatma Gandhi from left Ms. Sridevi, Stamp Collector, Dr. Wooday P. Krishna, Shri Chiranjiv Singh, Shri H.N. Suresh and Dr. B. V. A. Rao, President of the Indian Montessori Centre. collaboration with Karnataka as in the audience to the film Chalanachitra Academy festival. organised the film festival: Inaugurating the event, Mahatma Gandhi-150. Nagathihalli Chandrashekar, The inaugural event was Chairman, Karnataka held on April 9, 2019. Chalanachitra Academy said, The inaugural event of the “When Sreedhara Murthy, director, Madhyama Bharathi, film festival Mahatma Gandhi- told me that Bharatiya Vidya 150 was an event of significant Bhavan would hold a festival on importance and befittingly the Gandhi’s films, the Karnataka members who sat on the dais Chalanachitra Academy was very were august personalities. happy. We have read about H N Suresh, Director of Gandhi in our childhood, we read Bharatiya Vidya Bhavan, his book called My Experiments extended a warm welcome to all with Truth. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Interconnections and Uneasy Alliances Between the Black and South Asian Diasporas: a Study of Hip Hop Videos, Film, and Literature
INTERCONNECTIONS AND UNEASY ALLIANCES BETWEEN THE BLACK AND SOUTH ASIAN DIASPORAS: A STUDY OF HIP HOP VIDEOS, FILM, AND LITERATURE VISHA GANDHI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2014 © Visha Gandhi, 2014 Interconnections and Uneasy Alliances Between the Black and South Asian Diasporas: A Study of Hip Hop Videos, Film, and Literature This dissertation challenges the belief that racialized communities do immediately support and identify with each other; my research on the Black and South Asian diasporas unearths the Orientalist thoughts and anti-Black racisms that exist in each respective community. Using the work of Edward Said in his text, Orientalism, and research on racial triangulation by Asian Americanist Claire Jean Kim, my work attempts to clarify the often-conflicted relations and dynamics between South Asians, Blacks, and whites. Chapter two of this dissertation looks at romantic and sexual involvement between different racial communities; I specifically look at the films Mississippi Masala and Bhaji on the Beach to delve into the cultural rarity that is the Black-South Asian romance. Chapter three discusses Black Orientalism in American hip hop videos by such artists as Truth Hurts, and Timbaland and Magoo. Finally, chapter four looks at gendered dynamics and longings for blackness in the texts Consensual Genocide, by Leah Lakshmi Piepzna-Samarasinha, and Londonstani, by Gautam Malkani. ii This dissertation is dedicated to my family, and especially to Catherine Thompson, for her unending support. And to all hip hop brown girls who practice their appreciation respectfully. -
Clataholic Mock Test Series 2020
CLATaholic Mock Test Series 2020 Mock Test 1 Section I- English Q.- Each set of questions is based on the passage. Questions are to be answered on the basis of what is stated or implied in the passage. For decades, there has been a deep rift between poetry and fiction in the United States, especially in academic settings; graduate writing programs in universities, for example, train students as poets or as writers of fiction, but almost never as both. Both poets and writers of fiction have tended to support this separation, in large part because the current conventional wisdom holds that poetry should be elliptical and lyrical, reflecting inner states and processes of thought or feeling, whereas character and narrative events are the stock-in-trade of fiction. Certainly it is true that poetry and fiction are distinct genres, but why have specialized education and literary territoriality resulted from this distinction? The answer lies perhaps in a widespread attitude in U.S. culture, which often casts a suspicious eye on the generalist. Those with knowledge and expertise in multiple areas risk charges of dilettantism, as if ability in one field is diluted or compromised by accomplishment in another. Fortunately, there are signs that the bias against writers who cross generic boundaries is diminishing; several recent writers are known and respected for their work in both genres. One important example of this trend is Rita Dove, an African American writer highly acclaimed for both her poetry and her fiction. A few years ago, speaking at a conference entitled “Poets Who Write Fiction,” Dove expressed gentle incredulity about the habit of segregating the genres. -
Viceroy's House
Nick Davis Film Discussion Group September 2017 Viceroy’s House (dir. Gurinder Chadha, 2017) On Camera Jeet Kumar, Hindu servant: Manish Dayal: 90210 (TV 11-12), The Hundred-Foot Journey (14) Aalia Noor, Muslim translator: Huma Qureshi: Actress and model, Gangs of Wasseypur (12) Dickie Mountbatten, viceroy: Hugh Bonneville: Iris (01); Downton Abbey (10-15) Edwina Mountbatten, his wife: Gillian Anderson: The X Files (93-18); The House of Mirth (00) Pamela Mountbatten, daughter: Lily Travers: Kingsman: The Secret Service (14) Ali, Aalia’s blind father: Om Puri: Eminent veteran of 300 Indian, US, and UK films Asif, Aalia’s fiancé: Arunoday Singh: rising star in India, with 15 other film credits Duleep Singh, Sikh servant: Jaz Deol: rising star in the UK; two dozen film and TV credits Muhammad Jinnah: Denzil Smith: The Best Exotic Marigold Hotel (12) Jawaharlal Nehru: Tanveer Ghani: Two prior movies with Gurinder Chadha Mahatma Gandhi: Neeraj Kabi: Coming to CIFF in In the Shadows (17) “Pug” Hastings, chief of staff: Michael Gambon: Dumbledore! Also Victoria & Abdul (17) Cyril Radcliffe, border-drawer: Simon Callow: Eulogized in Four Weddings and a Funeral (94) Off Camera Writer/Director: Gurinder Chadha: Has specialized in comedies up to this point in her career Cinematography: Ben Smithard: Belle (13), The Second Best Exotic Marigold Hotel (15) Original Score: A.R. Rahman: Oscar winner for Slumdog Millionaire (08); 165 other credits Art Direction: Laurence Dorman: a specialist in low-budget British independent films Costume Design: Keith Madden: upcoming Ian McEwan adaptation On Chesil Beach (17) Film Editing: Valerio Bonelli: Philomena (13), Florence Foster Jenkins (16) Victoria Boydell: Belle (13), Goodbye Christopher Robin (17), at CIFF Also directed by Gurinder Chadha … Bhaji on the Beach (1993) – Comedy about Indian women taking a vacation at the English seaside What’s Cooking? (2000) – Follows families of four ethnicities celebrating Thanksgiving in L.A. -
Lucky Number Slevin Production Notes
PRODUCTION NOTES Release Date: April 7th, 2006 Run Time: 110 minutes Rated R Press Contacts: NY: Liz Berger 646-862-3809 [email protected] Regional: Lisa Giannakopulos 646-862-3810 [email protected] LUCKY NUMBER SLEVIN is a thriller that twists and turns its way through an underworld of crime and revenge. Set in New York City, a case of mistaken identity lands Slevin (Josh Hartnett) into the middle of a war being plotted by two of the city's most rival crime bosses; The Rabbi (Ben Kingsley) and The Boss (Morgan Freeman). Slevin is under constant surveillance by relentless Detective Brikowski (Stanley Tucci) as well as the infamous assassin Goodkat (Bruce Willis) and finds himself having to hatch his own ingenious plot to get them...before they get him. Also starring Lucy Liu, LUCKY NUMBER SLEVIN is directed by Paul McGuigan and written by Jason Smilovic. The Weinstein Company and Ascendant Pictures present a FilmEngine/VIP 4 Production in association with Capitol Films, a film by Paul McGuigan starring Josh Hartnett, Morgan Freeman, Sir Ben Kingsley, Lucy Liu, Stanley Tucci and Bruce Willis. The film was written by Jason Smilovic, directed by Paul McGuigan and produced by Chris Roberts, Christopher Eberts, Kia Jam, Anthony Rhulen, Robert Kravis, and Tyler Mitchell. Director of Photography is Peter Sova, ASC. Production Designer is Francois Seguin. Editor is Andrew Hulme. Costume Designer is Odette Gadoury. Music by J. Ralph. 2 ABOUT THE PRODUCTION LUCKY NUMBER SLEVIN began in screenwriter Jason Smilovic’s imagination in 1997 as a story “about a guy who was just incredibly unlucky,” as Smilovic puts it, and evolved over the years into a clever, dark, genre-bending thriller with surprising plot twists and irreverent characters. -
Many Gandhis on Our Screens
08 hindustantimes YEARS ON 1869 - 2019 PERSPECTIVE RATNOTTAMA SENGUPTA MANY GANDHIS ON OUR SCREENS n Veteran actor, Rohini Hattangadi, at her residence in Mumbai. AALOK SONI / HT INTERVIEW A young woman n Gandhi film MOVING IMAGE Through the years, filmmakers have been director, Richard inspired by MK Gandhi and the ideas that he espoused as a Attenborough, who played an (left) and leader of the freedom struggle. Each generation has actor, Ben Kingsley, who responded to the Mahatma differently, picking up various played the elements of his vast influence over our collective psyche Mahatma, on aging Kasturba set, 1982. ©COLUMBIA/ Sonal Kalra tough. We were supposed to research our COURTESY EVERETT n [email protected] characters. While Ben found a lot of litera- ALAMY STOCK PHOTO ture on Mahatma Gandhi, I only found two n her tastefully done up apartment in books on Kasturba — Hamari Ba by Van- Mumbai’s Bandra, it is humbling to mala Parikh, and Ba Aur Bapu Ki Sheetal I watch actor Rohini Hattangadi juggle Chhaya Mein by Sushila Nayar. Both between playing host to us and doing books were very personal recollections of ohandas Karamchand Gan- curate film festivals on Gandhi in Delhi (Octo- scourge of untouchability. Pratap, a Brahmin n A still from her own makeup. The 68-year-old is the the authors, and, therefore, limited. dhi. Gandhiji. Mahatma. ber 2018 and January 2019), Kolkata (August- and Kasturi, from a lower caste, are ill-fated Mahatma first Indian actor to win a BAFTA Bapu. One man, so many October 2019), and Singapore (begins Friday lovers in Achhut Kanya (1936), the Bombay Gandhi: 20th (awarded by the British Academy of Film After he read Gandhi’s biography by Louis Fis- lives! and continues till September 30). -
Gandhi, the Making of the Mahatma, and Gandhi, My Father
The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father C.S.H.N. MURTHY, [email protected] OinamBedajit Meitei, Dapkupar TARIANG Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu Abstract For over half a century Gandhi has been one of the favored characters of a number of films – Nine hours to Rama (1963) to Gandhi, My Father (2007). Gandhian ethos, life and teachings are frequently represented in varied ways in different films. The portrayal of Gandhi in different films can be grouped into two broad categories: i. revolving around his life, percept and practice as one category and ii. involving his ideas, ideals and views either explicitly or implicitly. Using Bingham’s (2010) discursive analysis on biopic films, the study seeks to show how Gandhi is perceived and depicted through the lenses of these three eminent directors vis-à-vis others from the point of intertextuality both ideologically and politically. Further the study would elaborate how different personal and social events in Gandhi’s life are weaved together by these directors to bring out the character of Bapu or Mahatma from Gandhi. For all the above critique, Gandhi’s autobiography-The Story of My Experiments with Truth-has been taken as a base referent. Keywords: Comparative analysis, Inter-textuality, Gandhian Ethos, Portrayal, crisscross critiquing, Mahatma, etc. CINEJ Cinema Journal : The Tale of Gandhi through the lens New articles in this journal are licensed under a Creative Commons Attribution 3.0 United Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu 4 States License. -
Silas Marner'
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 1985 ON LOCATION WITH 'SILAS MARNER' Kathleen Adams Follow this and additional works at: https://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Adams, Kathleen, "ON LOCATION WITH 'SILAS MARNER'" (1985). The George Eliot Review. 21. https://digitalcommons.unl.edu/ger/21 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ON LOCATION WITH 'SILAS MARNER' By Kathleen Adams If you have ever regarded the life of an actor to be a glamorous one, it would have been something of an eye-opener to have visited the location of the BBC Television film of 'SHas Marner' on a cold March day. The day had followed one of almost continuous rain, and I have never seen such mud, nor so much of it. The setting was in the Cotswolds, chosen because this area remains one of the last almost totally unspoilt regions in England. The production team, eager to be as authentic as possible, had travelled the length and breadth of George Eliot's own North Warwickshire but nothing remotely resembling early nineteenth century Raveloe could be found. The Cotswolds, however, yielded up a 'stone cottage that stood among the nutty hedgerows' (Chap. 0; or, at least, three stone walls and a pile of rubble. -
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