Swedish Film Magazine #1 2013
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Sistemas Distribuidos
+ Sistemas P2P Debate Rodrigo Santamaría + 2 Introducción Los sistemas P2P tienen una historia cruzada en la que se mezcla Informática Derecho Economía Política … Filosofía? + 3 P2P y Derecho Aspectos relevantes Primera generación P2P -> Juicio a Napster (1999) Culpable de ‘colaboración ilegal en la distribución de material con derechos de copia’ ‘La copia de productos comprados legalmente es ilegal si se realiza en masa/con ánimo de lucro’ Segunda generación P2P -> Juicio a Pirate Bay (2008) Culpable de ‘colaboración legal en la distribución de material con derechos de copia’ Casos tangenciales -> Megaupload (2012) Procesos legislativos -> Ley Sinde, ACTA, SOPA, PIPA + 4 P2P y Derecho Actualidad legal Directiva europea sobre derechos de copia1 – Art 15, “impuesto por enlace”: se impone un impuesto a los enlaces a contenidos con derecho de copia2 ● Antecedentes: tasa Google en España – Art 17, “filtro de subida” o “prohibición de memes”: se obliga a los servidores de implementar filtros para detectar infracciones del derecho de copia3, 4 Licencias con libertad de copia (copyleft): – Creative Commons, GPL 3.05 1 https://en.wikipedia.org/wiki/Directive_on_Copyright_in_the_Digital_Single_Market 3 Carta abierta a Axel Voss sobre el art. 15 (inicialmente 11): http://vis.usal.es/rodrigo/documentos/sisdis/seminarios/openLetterArt11.pdf 2 Opinión de Jaime Altozano (Youtuber) https://www.youtube.com/watch?v=ilEsBgbm7Fo 3 Carta abierta de Berners Lee et al. sobre el art. 17 (inicialmente 13): http://vis.usal.es/rodrigo/documentos/sisdis/seminarios/openLetterArt13.pdf 5 Declaración de Richard Stallman sobre GPL3.0 https://www.gnu.org/licenses/rms-why-gplv3.html + 5 P2P y Derecho Preguntas ¿Debe primar el derecho de copia/propiedad intelectual o el derecho de información/expresión? ¿Qué efectos tiene sobre ambos derechos la directiva sobre copyright de la UE (esp. -
10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
Scenvår 2013 Onsdag Den 20 Februari 2013
2 scenvår 2013 Onsdag den 20 februari 2013 Leklust Folkteatern i Gävle firar 30 år med Alice i Underlandet SEX GÅNGER UNGT IBSEN-VÅR Grace Ellen Barkey NINA SANDSTRÖM NY DANS vill befria vårt sinne GUIDE MARIA ERIKSSON ANNA ÅNGSTRÖM TIPSAR OM DANS 2 SCENVÅR SvD onsdag 20 februari 2013 Det är djuriskt och mänskligt; kulörta lyktor, skönhet och drastisk humor; dynga och poesi. Det är makalöst. Karin Helander om ”Hjälp sökes” på innehåll Orionteatern, Stockholm. M KRÖNIKA LARS RING Vi bevarar våra stolta traditioner Svenska Dagbladet är just nu bildligt talat en bygg- arbetsplats. Nu förbereder vi på kulturredaktionen vår del av den nya tidning som ska presenteras under våren. Kulturen blir då en stor och viktig del av nyhetsdelen. Kulturmaterialet på webben ska förstärkas – och vi ska fortsätta vår idoga bevakning av svensk scenkonst. Vi kommer att recensera pre- miärer på institutionsteatrar, regionala scener och fria grupper. Vi vet att intresset för scenkonst är mycket stort och vi vill fortsätta vår stolta tradition att vara på plats vid viktiga premiärer landet runt. FOTO:LARS PEHRSON Vi förbereder också söndagarnas nya, tjocka kulturbilaga där vi samlar stora reportagejobb, recensioner, intervjuer och krönikor. Där kommer också scenkonsten att få stort utrymme. Att ta ställning Svenska Dagbladet Ibsens kvinnor lever vidare kommer också fort- till en uppsätt- 18 sättningsvis fungera Annika Hallin spelar Nora i ”Ett dock en tid och en fråga snarare än som en ras vidare öden av dramatikern som en mötesplats ning /…/ hand- hem” på Stockholms stadsteater, person. Ibsens kvinnoroller är aktuel Elfriede Jelinek. På Uppsala stads för att hjälpa en hennes första Ibsenroll. -
DVD Und Blu-Ray
kultur- und medienzentrum altes rathaus lü bbecke Neuerwerbungen DVD und Blu-ray Mediothek Lübbecke Juli 2016 – Dezember 2016 Mediothek Lübbecke, Am Markt 3, 32312 Lübbecke, Tel.: (05741) 276-401 Diese Liste ist als pdf-Datei unter: www.luebbecke.de/mediothek hinterlegt . 1 Mediothek Lübbecke Am Markt 3, 32312 Lübbecke Telefon: (0 57 41) 276-401 [email protected] Öffnungszeiten Montag: geschlossen Dienstag: 11:00 18:30 Uhr Mittwoch: 13:00 – 18:30 Uhr Donnerstag: 13:00 – 18:30 Uhr Freitag: 11:00 – 18:30 Uhr Samstag: 10:00 – 13:00 Uhr 2 DVD + Blu-ray A Royal Night Out - 2 Prinzessinnen. 1 Nacht. / Regie: Julian Jarrold. Drehb.: Trevor De Silva ... Kamera: Christophe Beaucarne. Musik: Paul Englishby. Darst.: Sarah Gadon ; Bel Powley ; Jack Reynor ... - Grünwald : Concorde Home Entertainment , 2016. - 1 DVD (ca. 94 Min.)FSK: ab 6. - Orig.: Großbritannien, 2015. - Sprache: Deutsch, Englisch Nach der bedingungslosen Kapitulation der deutschen Wehrmacht am 8. Mai 1945 wollen die beiden Töchter des britischen Königs an den Siegesfeiern teilnehmen. Als die Prinzessinnen Elizabeth und Margaret ihren Aufpassern entwischen und getrennt werden, beginnt eine Odyssee durch die Londoner Nacht, bei der Elizabeth zarte Bande mit einem jungen Soldaten knüpft. Furiose, einfallsreiche Screwball-Komödie, die auf höchst amüsante Weise ein „Was wäre wenn“-Szenario mit der britischen Königsfamilie entfaltet. Vor allem dank der fulminanten Hauptdarstellerin verbinden sich mit bemerkenswerter Leichtigkeit märchenhafte und realistische Elemente. - Ab 14. (Filmdienst) Blu-ray A war / Filmregisseur: Tobias Lindholm ; Drehbuchautor: Tobias Lindholm ; Bildregisseur: Magnus Nordenhof Jønck ; Musikalischer Leiter: Sune Rose Wagner ; Schauspieler: Pilou Asbæk, Tuva Novotny, Dar Salim [und andere] . - Berlin : Studiocanal GmbH, 2016. -
IIT Bombay X - Fdp101x Foundation Program in ICT for Education Course Journal
IIT Bombay X - FDP101x Foundation Program in ICT for Education Course Journal Prepared by S. Suneel Kumar Associate Professor, VJIT College of Engineer, Hyderabad, Telangana. Page 0 INDEX o INTRODUCTION TO FDP o WEEK-1: MOVING FROM PHYSICAL TO ONLINE CLASSROOMS o WEEK-2: WEB PRESENCE FOR TEACHERS o WEEK-3: LEARNING MANAGEMENT SYTEMS & FLIPPED CLASSROOM ACTIVITY, VISUAL PRESENTATION SKILLS o WEEK-4: CREATING YOUR OWN VIDEO RESOURCES o WEEK-5: PUTTING IT ALL TOGETHER o CONCUSION S. Suneel kumar Page 1 INTRODUCTION Teaching is a continual process to share the information to students or mentors through various processes like traditional teaching method using blackboard & chalk. As technology developed this type of traditional teaching may not reaching to brains of students. Now technical aspects of teaching required for students. For this teacher and students both should be technically skilled to teach and learn. This FDP on “Foundation program in ICT for Education” helpful for teacher to implement the Hybrid Technology in teaching. This course contents helpful in learning aspects related to basic computer applications utilization in preparation of contents, visual presentation skills, data storage and implementation through wordpress, course contents by using moodle and drupal, screen cast recording of video and creative contents preparation. This course helps in preparation of video to implementation of course for hybrid teaching process. S. Suneel kumar Page 2 1) INTRODUCTION TO FDP 1. Introduction by Prof. Deepak Phatak, the Principal Investigator of T10KT project at IIT bombay. 2. Introduction focused on reasons for technology education from conventional or tradition education as information provider to become learning facilitators. -
Production Notes
A Film by John Madden Production Notes Synopsis Even the best secret agents carry a debt from a past mission. Rachel Singer must now face up to hers… Filmed on location in Tel Aviv, the U.K., and Budapest, the espionage thriller The Debt is directed by Academy Award nominee John Madden (Shakespeare in Love). The screenplay, by Matthew Vaughn & Jane Goldman and Peter Straughan, is adapted from the 2007 Israeli film Ha-Hov [The Debt]. At the 2011 Beaune International Thriller Film Festival, The Debt was honoured with the Special Police [Jury] Prize. The story begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (played by Academy Award winner Helen Mirren) and Stephan (two-time Academy Award nominee Tom Wilkinson) about their former colleague David (Ciarán Hinds of the upcoming Tinker, Tailor, Soldier, Spy). All three have been venerated for decades by Israel because of the secret mission that they embarked on for their country back in 1965-1966, when the trio (portrayed, respectively, by Jessica Chastain [The Tree of Life, The Help], Marton Csokas [The Lord of the Rings, Dream House], and Sam Worthington [Avatar, Clash of the Titans]) tracked down Nazi war criminal Dieter Vogel (Jesper Christensen of Casino Royale and Quantum of Solace), the feared Surgeon of Birkenau, in East Berlin. While Rachel found herself grappling with romantic feelings during the mission, the net around Vogel was tightened by using her as bait. At great risk, and at considerable personal cost, the team’s mission was accomplished – or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations that compel Rachel to take matters into her own hands. -
The Silent Years Do Nothing…” (John 5:30) a Divine Apprenticeship in All Those Silent Years, He Learned Not to Live, but to Let ANOTHER Live Through Him
The Silent Years TheSilentYears All Jesus ever did, he never did. “I can of mine own self The Silent Years do nothing…” (John 5:30) A Divine Apprenticeship In all those silent years, He learned not to live, but to let ANOTHER live through him. That is the only way it will ever work! “Thou in me, I in them, that we all may be perfect in ONE.” (John 17:23) Arthur Burt ISBN 0-9667720-2-4 Arthur Burt The Silent Years — A Divine apprenticeship… Jesus’ eighteen silent years, from 12 to 30… He took on our humanity… He humbled Himself. He was in all points tempted, yet He never sinned. He learned obedience… (Heb 5:8) He was coupled. He learned to let Another live through Him. He was learning… And His mission began when He finished His apprenticeship … at the set time. The Silent Years A Divine Apprenticeship Arthur Burt Published By The Emmanuel Foundation Stuart, Florida The Silent Years A Divine Apprenticeship © Copyright 2000 by Arthur Burt All rights reserved. Illustrations: © Copyright 2000 by Brett Duncalf All rights reserved. Illustrations, including Cover... by Brett Duncalf Published by The Emmanuel Foundation Stuart, Florida 34996 USA Email: [email protected] Scriptures indicated are paraphrased or quoted and referenced for the readers. Unless otherwise indicated, Scriptural quotations are from the King James Version. Scripture emphasis and paraphrasing are the author’s own. Printed in the United States of America. ISBN 0-9667720-2-4 Dedicated to the Most Wonderful Man in the World! The Crucified Jew — The Crucified Jew being the mightiest among the holy and the holiest among the mighty has with his pierced hands lifted empires off their hinges, turned the stream of centuries and still governs the ages. -
Larry D. Horricks Society of Motion Picture Stills Photographers
Larry D. Horricks Society of Motion Picture Stills Photographers www.larryhorricks.com Feature Films: Spaceman of Bohemia – Netflix – Johan Renck Director Cast – Adam Sandler, Carey Mulligan Producers: Michael Parets, Max Silva, Ben Ormand, Barry Bernardi White Bird – Lionsgate – Marc Forster Director (Unit + Specials_ Cast: Gillian Anderson ,Helen Mirren, Ariella Glaser, Orlando Schwerdt Producers: Marc Forster, Tod Leiberman, David Hoberman, Raquel J. Palacio Oslo – Dreamworks Pictures / Amblin / HBO / Marc Platt Prods.– Bart Sher Director (Unit + Specials) Cast: Ruth Wilson, Andrew Scott, Jeff Wilbusch,Salim Dau, Producers: Steven Spielberg, Kristie Macosko Krieger, Marc Platt, Cambra Overend, Mark Taylor Atlantic 437 – Netflix. Ratpack Entertainment – Director Peter Thorwath Producers: Chritian Becker,Benjamin Munz The Dig – Netflix, Magnolia Mae Films – Simon Stone Director Cast: Ralph Fiennes, Carey Mulligan, Lily James, Ken Stott, Johnny Flynn Producers: Gabrielle Tana, Carolyn Marks Blackwood, Redmond Morris A Boy Called Christmas – Netflix – Gil Kenan Director (Unit + Specials) Cast: Sally Hawkins, Kristen Wiig,Maggie Smith, Jim Broadbent, Toby Jones, Michiel Huisman, Harry Lawful Producers: Graham Broadbent, Pete Czernin, Kevan Van Thompson Minamata - Metalwork Pictures /HanWay Films / MGM - Andrew Levitas Director (Unit + Specials) Cast: Johnny Depp, Bill Nighy, Minami, Hiro Sanada, Ryo Kase, Sato Tadenobu, Jun Kunimura Producers: Andrew Levitas,Gabrielle Tana, Jason Foreman, Johnny Depp, Sam Sarkar, Stephen Deuters, Kevan -
Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19
WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P. -
The Rhetoric of the Benign Scapegoat: President Reagan and the Federal Government
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 The Rhetoric of the Benign Scapegoat: President Reagan and the Federal Government. Stephen Wayne Braden Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Braden, Stephen Wayne, "The Rhetoric of the Benign Scapegoat: President Reagan and the Federal Government." (2000). LSU Historical Dissertations and Theses. 7340. https://digitalcommons.lsu.edu/gradschool_disstheses/7340 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
SKIVLISTA 1-2017 Hello Music Lovers, the Following Items Will Be Sold on Open Auction Which Means You Can Ask About Leading Bids by Phone Or Mail
AUCTION – AUKTION SKIVLISTA 1-2017 Hello music lovers, The following items will be sold on open auction which means you can ask about leading bids by phone or mail. Please send your starting bids by mail, phone or post before the last day of auction. Hoppas allt är bra med er och era vinylskivor. Låt oss mjukstarta 2017 med en liten skivauktion. För er som lämnar Auction deadline is Monday, January 30, 2017 at 22.00 / 10 PM Central grundbud och sedan inte kollar ledande bud kan det kanske vara ett vettigt alternativ att ange ett tak för vad skivan European time (21.00 / 9 PM UTC/GMT) får kosta. Vid behov höjer jag då med 10% tills taket är uppnått. Många bud blir slagna med endast ett överbud på STOPPDATUM ALLTSÅ MÅNDAGEN DEN 30 JANUARI 2017 KL. 22.00 SVENSK grund av att budgivarna inte höjer sina grundbud och det är ju synd. TID. Jag har märkt att en del budgivare lämnar in grundbud och sedan inte hör av sig för att Denna gång finns en hel del Elvisskivor med, både EP:n och singlar. Det är ju inte alltför ofta sådant dyker upp i bra kolla sina bud. Detta leder oftast till att budet blir slaget med en höjning. För att undvika skick så passa på att komplettera samlingen nu. detta kan du sätta ett tak för vad du är beredd att betala för en viss skiva så höjer jag med 10% för din räkning tills taket är uppnått. Om du exempelvis bjuder 100 kronor på Rutan fyllde nio månader den 17 januari och även om jag inte vägt henne på ett tag misstänker jag att hon börjar en skiva kan du sätta 200 kronor som tak. -
Final Appendices
Bibliography ADORNO, THEODOR W (1941). ‘On Popular Music’. On Record: Rock, Pop and the Written Word (ed. S Frith & A Goodwin, 1990): 301-314. London: Routledge (1publ. in Philosophy of Social Sci- ence, 9. 1941, New York: Institute of Social Research: 17-48). —— (1970). Om musikens fetischkaraktär och lyssnandets regression. Göteborg: Musikvetenskapliga in- stitutionen [On the fetish character of music and the regression of listening]. —— (1971). Sociologie de la musique. Musique en jeu, 02: 5-13. —— (1976a). Introduction to the Sociology of Music. New York: Seabury. —— (1976b) Musiksociologi – 12 teoretiska föreläsningar (tr. H Apitzsch). Kristianstad: Cavefors [The Sociology of Music – 12 theoretical lectures]. —— (1977). Letters to Walter Benjamin: ‘Reconciliation under Duress’ and ‘Commitment’. Aesthetics and Politics (ed. E Bloch et al.): 110-133. London: New Left Books. ADVIS, LUIS; GONZÁLEZ, JUAN PABLO (eds., 1994). Clásicos de la Música Popular Chilena 1900-1960. Santiago: Sociedad Chilena del Derecho de Autor. ADVIS, LUIS; CÁCERES, EDUARDO; GARCÍA, FERNANDO; GONZÁLEZ, JUAN PABLO (eds., 1997). Clásicos de la música popular chilena, volumen II, 1960-1973: raíz folclórica - segunda edición. Santia- go: Ediciones Universidad Católica de Chile. AHARONIÁN, CORIúN (1969a). Boom-Tac, Boom-Tac. Marcha, 1969-05-30. —— (1969b) Mesomúsica y educación musical. Educación artística para niños y adolescentes (ed. Tomeo). 1969, Montevideo: Tauro (pp. 81-89). —— (1985) ‘A Latin-American Approach in a Pioneering Essay’. Popular Music Perspectives (ed. D Horn). Göteborg & Exeter: IASPM (pp. 52-65). —— (1992a) ‘Music, Revolution and Dependency in Latin America’. 1789-1989. Musique, Histoire, Dé- mocratie. Colloque international organisé par Vibrations et l’IASPM, Paris 17-20 juillet (ed. A Hennion.