Arthur Hiller Papers

Total Page：16

File Type：pdf, Size：1020Kb

http://oac.cdlib.org/findaid/ark:/13030/c80r9r3z No online items Arthur Hiller papers Special Collections Margaret Herrick Library© 2016 Arthur Hiller papers 301 1 Descriptive Summary Title: Arthur Hiller papers Date (inclusive): 1960s-1998 Collection number: 301 Creator: Hiller, Arthur Extent: 116 linear feet of papers.6.5 linear feet of photographs.17 posters 108 production artworks Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Arthur Hiller papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Acquisition Information Gift of Arthur Hiller, 1992-2016 Biography Arthur Hiller is a Canadian-born director and producer active in film since 1957. A life member of the Academy, he was nominated for an Academy Award for directing LOVE STORY (1970). Collection Scope and Content Summary The Arthur Hiller papers span the years 1960s-1998 and encompass approximately 116 linear feet of papers, 108 artworks, and 10 posters. The material consists of production files, scripts, subject files, correspondence, costume design drawings, production design drawings, set plans, storyboards and title art associated with the following titles: AUTHOR! AUTHOR! (1982), THE BABE (1992), THE IN-LAWS (1979), THE LONELY GUY (1984), MAKING LOVE (1982), NIGHTWING (1979) and OUTRAGEOUS FORTUNE (1987). Arrangement Arranged in the following series: 1. Graphic Arts, subseries A-B as follows: A. Production files - Produced ; B. Subject files. Indexing Terms Hiller, Arthur , 1923---Archives. directors producers Arthur Hiller papers 301 2.

Copy Link

Recommended publications

GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
[Show full text]
Arthur Hiller
---~. R+E+ P+O+R+T YOlUm( G ISSU( ~ fHll 1994 • • • OHmn YHnHffS • • • FILM CAST REUNITES AT ACADEMY Story Page 6 en m 1 Thru October 16 - Fourth Floor Gallery: FROM THE PRESIDENT FILMSCAPES: SPIELBERG, ZEMECKIS AND THE ART OF MAKING AWORLD - a mojor exhib~ i on featuring art created or collected by Production Designer Rick Corter from the fllm worlds of Steven Spielberg and Robert Zemeckis. ey, there's more to the Academy Apre produllion drawing than the Academy Awards. from BACK TOTlt E Our Awards are so prestigious and world-acclaimed that FUTUIE Pm II they sometimes tend to blind the public to the wonderful pro grams we do all year, as we ll as to the glories of our Center Sunday, September 4 - Auditorium Michel d'On.-o, for Motion Picture Study. Deauville, FrlllKe: Atribute to Hollywood and World War \I So I'm deputizing all of you : let's get the word out wher followed by a week of screenings of World War \I Hollywood ever we can - in interviews, in seminars, in teaching, in just features, shorts and dIKumentories ut the Deauville Film talking to friends and in responding to all those people who Festival. Participants will include Maureen O'Hara, Von stop you with "Oh, just one question ." Johnson, Moxene Andrews, Roddy McDowall and Arthur Hiller. Speaking, or should I say writing , about the Center, may I Friday, September 16 - 8 p.m., quote our brochure: "Housed in the old Beverly Hills Waterworks Buil ding, SOIIIUel GaldW'fll Theater - Academy Standard Screening: this world-class research and preservation facil ity contains the Margaret THE PRIMEOF MISS JEAN BRODIE and GOOOBYI MR_CHIPS .
[Show full text]
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
[Show full text]
The Secrets to Making Love Happen!
Introduction 1 The Secrets To Making Love Happen! Mastering Your Relationships Using Handwriting Analysis & Neuro-Linguistic Programming By Bart A. Baggett Empresse´ Publishing myhandwriting.com bartbaggett.com 2 The Secrets To Making Love... Happen The Secrets To Making Love... Happen! Mastering Your Relationships Using Handwriting Analysis & Neuro-Linguistic Programming by Bart A. Baggett Previous subtitle of earlier editions: How to Find, Attract, and Choose Your Perfect Mate Using Handwriting Analysis and Neuro-Linguistic Programming Published by: Empresse' Publishing P.O. Box 720355 Dallas, TX 75372 1-800-398-2278 http://www.myhandwriting.com [email protected] All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without written permission from the author, except for the inclusion of brief quotations in a review. Copyright ©1993 by Bart A. Baggett First Printing 1993 Second Printing 1994 Third Printing 1998 Fourth Printing 1999 Fifth Printing 2001 Sixth Printing 2002 Library of Congress Cataloging in Publication Data Baggett, Bart A. The Secrets To Making Love... Happen: How to Find, Attract, and Choose Your Perfect Mate Using Handwriting Analysis and Neuro Linguistic Programming / by Bart A. Baggett—6th ed. Bibliography: p. 1. Relationships—Dating, Single, Love, 2. Graphology — Handwriting Analysis, 3. Psychology, 4. Neuro-Linguistic Programming, I. Title ISBN # 1-882929-24-1 Library of Congress Catalog Number: 93-70750 Printed in the United States of America What Other ReadersIntroduction Have To Say... 3 “I’ve been liberated; I’ll never have a bad relationship again!” — Melanie Graham, Tampa, Florida “If you want to add handwriting analysis to your tool belt of vast personal resources, this book will set you in the right direction.
[Show full text]
Arthur Penn from Wikipedia, the Free Encyclopedia for Other People Named Arthur Penn, See Arthur Penn (Disambiguation)
Arthur Penn From Wikipedia, the free encyclopedia For other people named Arthur Penn, see Arthur Penn (disambiguation). This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (February 2014) This article needs additional citations for verification. Please help improve this article byadding citations to reliable sources. Unsourced material may be challenged and removed.(September 2010) Arthur Penn Born Arthur Hiller Penn September 27, 1922 Philadelphia, Pennsylvania, United States Died September 28, 2010 (aged 88) New York City, United States Occupation Film director, producer Spouse(s) Peggy Maurer (1955–2010; his death) Children Matthew Penn, Molly Penn Arthur Hiller Penn (September 27, 1922 – September 28, 2010)[1] was an American director and producer of film, television and theater. Penn directed critically acclaimed films throughout the 1960s such as the drama The Chase (1966), the biographical crime filmBonnie and Clyde (1967) and the comedy Alice's Restaurant (1969). He also got attention for his revisionist Western Little Big Man (1970). By the mid-1970s his films were received with much less enthusiasm. In the 1990s he returned to stage and television direction and production, including an executive producer role for the crime series Law & Order.[2] Contents [hide] 1 Early years 2 Career 3 Personal life 4 Work o 4.1 Filmography o 4.2 Stage 5 See also 6 References 7 External links Early years[edit] Penn was born in Philadelphia, Pennsylvania, the son of Sonia (Greenberg), a nurse, and Harry Penn, a watchmaker.[3] He was the younger brother of Irving Penn, the successful fashion photographer.
[Show full text]
Sexuality in Adolescents with Disabilities
SEXUALITY IN ADOLESCENTS WITH DISABILITIES 33 Rruga: Mihal Popi, Ndërtesa 7, ish Pallatet 1 Maji, (Vila Lami); PO Box 8185, Tiranë - Shqipëri; Tel: +355 4 2261840/ 4 2261929 E-mail: [email protected] https:// albania.savethechildren.net Savethechildrenal SaveChildrenAlb SEXUALITY IN ADOLESCENTS WITH DISABILITIES Përgatiti: Edlira HAXHIYMERI 1 This publication is supported by Save the Children. Save the Children believes every child deserves a future. Around the world and in Albania, we give children a healthy start in life, the opportunity to learn and protection from harm. We do whatever it takes for children – every day and in times of crisis – transforming their lives and the future we share. Author: Dr. Besarta Taci, Clinical Psychologist, Psycho-Sexologist Working Group: Irena Çelaj, Project Officer, Save the Children Eglantina Likaj, Project Coordinator, Help the Life Association TIRANA, 2018 This report is produced in the framework of the project Community Based Services for Children with Disabilities, implemented by Save the Children in partnership with Help the Life in the municipality of Vlora and Durrës. This project is part of Save the Children’s regional initiative simultaneously implemented in Albania, Armenia, Bosnia and Herzegovina (North-West Balkans), Georgia and Kosovo. It aims to empower children with disabilities to develop potentials, practice independence and enjoy inclusion. It also strengthens families and mobilizes communities to ensure children with disabilities are provided with quality services they need. © “All Rights Reserved. The contents of this publication may be freely used or copied for non-commercial purposes, provided that any such reproduction is accompanied by acknowledgement of the organizations, who implement, as the source” The authors views expressed in this publication do not necessarily reflect those of Save the Children.
[Show full text]
Del Reisman Papers
http://oac.cdlib.org/findaid/ark:/13030/c8sx6hgq No online items Del Reisman Papers Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/wgf-library-archive/about-the-film-and-tv-archive/ 2018 Del Reisman Papers WGF-MS-018 1 Descriptive Summary Title: Del Reisman Papers Dates: 1936-2011 (bulk 1989-2011) Collection Number: WGF-MS-018 Creator/Collector: Reisman, Del, 1924-2011 Extent: 15.65 linear feet Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The Del Reisman Papers, 1936-2011, documents Reisman’s career and life as a writer and as a board member for the Writers Guild of America West (WGAW). The collection includes Reisman’s television scripts spanning 1958 to 1987 and correspondence pertaining to his produced and unproduced television and film projects. It also contains documents created during his work with the WGA and its board from 1989-2005, including his term as President from 1991-1993. Language of Material: English Access Majority of materials stored off site. One week advance notice required for retrieval. Publication Rights The responsibility to secure copyright and publication permission rests with the researcher. Preferred Citation Del Reisman Papers. Writers Guild Foundation Archive Acquisition Information The first four series were donated by Del Reisman on October 6, 2010; the remaining materials were acquired after Reisman’s death in 2011. Biography/Administrative History Born on April 13, 1924, Del Reisman grew up in Los Angeles.
[Show full text]
John Williams
JOHN WILLIAMS AWARDS/NOMINATIONS GRAMMY AWARD (201 4) THE BOOK THIEF Best Instrumental Composition ACADEMY AWARD NOMINATION (2013) THE BOOK THIEF Best Original Score BAFTA AWARD NOMINATION (2013) THE BOOK THIEF Best Original Music GOLDEN GLOBE AWARD NOMINATION THE BOOK THIEF (2013) Best Original Score ACADEMY AWARD NOMINATI ON (2012 ) LINCOLN Best Original Score GOLDEN GLOBE AWARD NOMINATION LINCOLN (2012) Best Original Score GRAMMY AWARD NOMINATION (2012) THE ADVENTURES OF TINTIN – THE SECRET Best Score Soundtrack for Visual Media OF THE UNICORN BAFTA AWARD NOMINATIO N (2012 ) LINCOLN Best Original Music CRITIC’S CHOICE AWARD (2012) LINCOLN Best Score ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score ACADEMY AWARD NOMINATION (2011) WAR HORSE Best Ori ginal Score BAFTA AWARD NOMINATION (2011) WAR HORSE Best Original Music GOLDEN GLOBE AWARD NOMINATION (2011) WAR HORSE Best Original Score CRITICS CHOICE AWARD NOMINATION WAR HORSE (2011) Best Score 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS ANNIE AWARD NOMINATION (2011) TINTIN Best Music in a Feature Production EMMY AWARD (2009) GREAT PERFORMANCES Outstanding Original Main Title Theme Music GRAMMY AWARD (2008) “The Adventures of Mutt” Best Instrumental Composition from INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL GRAMMY AWARD (2006) “A Prayer for Peace” Best Instrumental Composition from MUNICH GRAMMY AWARD (2006) MEMOIRS OF A GEISHA Best Score Soundtrack Album GRAMMY AWARD NOMINATION (2006)
[Show full text]
Funny Feelings: Taking Love to the Cinema with Woody Allen
FUNNY FEELINGS: TAKING LOVE TO THE CINEMA WITH WOODY ALLEN by Zorianna Ulana Zurba Combined Bachelor of Arts Wilfrid Laurier University, Waterloo, Ontario, 2004 Masters of Arts Brock University, St. Catherines, Ontario, 2008 Certificate University of Toronto, Toronto, Ontario, 2009 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program of Communication and Culture. Toronto, Ontario, Canada, 2015 ©Zorianna Zurba 2015 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University and York University to lend this dissertation to other institutions or individuals for the purpose of scholarly research I further authorize Ryerson University and York University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Funny Feelings: Taking Love to the Cinema with Woody Allen Zorianna Zurba, 2015 Doctor of Philosophy in Communication and Culture Ryerson University and York University Abstract This dissertation utilizes the films of Woody Allen in order to position the cinema as a site where realizing and practicing an embodied experience of love is possible. This dissertation challenges pessimistic readings of Woody Allen’s film that render love difficult, if not impossible. By challenging assumptions about love, this dissertation opens a dialogue not only about the representation of love, but the understanding of love.
[Show full text]
Name: Jean Bodon Title: Professor and Chair Department: Mass Communication College: Fine Arts and Mass Communication
Name: Jean Bodon Title: Professor and Chair Department: Mass Communication College: Fine Arts and Mass Communication Degrees Earned B.A., Birmingham Southern College, 1973, Philosophy major. M.A., University of Alabama, 1976, Journalism major, Public Relations and Philosophy minors. Ph.D., Florida State University, 1985, Mass Communication, concentration in Cinema. Professional Licensure and Certifications None Peer-Review Publications and Artistic Performances/Exhibitions Articles Hickson, M. III., Self, W.R., Johnston, J.R., Peacock, C., & Bodon, J. (2009). Prolific Research in Communication Studies: Retrospective and Prospective Views. Communication Research Reports, 26, 4, 337-346. Eastern Communication Association. Johnson, S., Bodon, J., & McCroskey, J.C. (2008) Nature Nor Nurture: Understanding Verbal Aggression in the Military. Human Communication, 11,1, 115-131. Pacific and Asian Communication Association. Hickson, M. III., Bodon, J., & Turner, J. (2004) Research Productivity in Communication: An Analysis, 1915-2001. Communication Quarterly, 52, 4, 1-10. Eastern Communication Association. Hickson, M. III., Turner, J., & Bodon, J. (2003). Research Productivity: An Analysis, 1996-2001. Communication Research Reports, 20, 308-319. Eastern Communication Association. Powell, L., Hickson, M. III., Self, W. R., & Bodon, J. (2001). The Role of Religion and Responses to the Y2K Macro-Crisis. North American Journal of Psychology, 3, 295-302. Powell, L., Bodon, J., & Hickson, M. III. (2001). Rejection of Crisis Information: Public Apathy and the Macro-Crisis of Y2K. Communication Research Reports, 18, 84-92. Eastern Communication Association. Bodon, J. (2000). The status of communication graduation rates between 1970 and 1995 compared with other fields in social and behavioral sciences. Journal of the Association for Communication Administration.
[Show full text]
A Guild Is Born Dorothy Arzner
80-YEAR ANNIVERSARY The Screen KING VIDOR 1938 >“Women’s dramatic sense is “Directors Guild DOROTHY invaluable to the motion picture was organized industry,” said Dorothy Arzner, solely by ARZNER whose contributions include and for the First Female 80 YEARS STRONG motion picture being the first female member Member 1933 >The formation of the Directors director…. We of the Directors Guild. In early A GUILD Guild had been percolating for a are not anti- Hollywood, Arzner was a typist, number of years. Amid nationwide anything: the screenwriter, editor, and ultimately, director. IS BORN labor unrest in the country, the Guild being She is believed to have developed the boom mic, studios had been squeezing directors formed for the enabling actors to move and speak more easily purpose of both financially and creatively. The first step toward in early talkies. At one time under contract to assisting and Paramount, Arzner is organizing a guild occurred in 1933 outside the Hol- improving the lywood Roosevelt Hotel, after a meeting in which best known for directing director’s work such strong personalities the studios announced a 50 percent across-the-board in the form of pay cut. After the meeting, King Vidor and a handful a collective as Clara Bow, Claudette of directors congregated on the sidewalk and knew body, rather Colbert, Katharine something had to be done. They understood, as Vidor than as an Hepburn, and Joan put it, “We must have a guild to speak [for us], and individual. Crawford in films such not the individual, who can be hurt by standing up as Honor Among Lovers “I worked on my for his rights.” That guild was born in late 1935 and ” (1931) and Christopher first project under Strong (1933).
[Show full text]
14. Broken Time, Continued Evolution
AB Pamphlet 14 April 2017 Literary Lab Broken Time, Continued Evolution: Anachronies in Contemporary Films Maria Kanatova Alexandra Milyakina Tatyana Pilipovec Artjom Shelya Oleg Sobchuk Peeter Tinits Pamphlets of the Stanford Literary Lab ISSN 2164-1757 (online version) Maria Kanatova Alexandra Milyakina Tatyana Pilipovec Artjom Shelya Oleg Sobchuk Peeter Tinits Broken Time, Continued Evolution: Anachronies in Contemporary Films1 In 1983, Brian Henderson published an article that examined various types of narrative structure in film, including flashbacks and flashforwards. After analyzing a whole spectrum of techniques capable of effecting a transition between past and present – blurs, fades, dis- solves, and so on – he concluded: “Our discussions indicate that cinema has not (yet) devel- oped the complexity of tense structures found in literary works”.2 His “yet” (in parentheses) was an instance of laudable caution, as very soon – in some ten–fifteen years – the situation would change drastically, and temporal twists would become a trademark of a new genre that has not (yet) acquired a standardized name: “modular narratives”, “puzzle films”, and “complex films” are among the labels used.3 Here is an example: Christopher Nolan’s Me- mento (2000) contains 85 anachronies (i.e. flashbacks or flashforwards) – something that would have been hard to imagine in 1983.4 Memento is probably an extreme case – the most puzzlingly complex of all complex films – but the tendency towards using more anachronies has become widespread, although in less extreme forms. From romantic comedies (500 1 This research was started in Tartu (Estonia) by a small group of graduate students interested in digital humanities and cultural evolution.
[Show full text]