The Usual Suspects
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Revlon Signs Oscar-Nominated Actress Julianne Moore
Revlon Signs Oscar-Nominated Actress Julianne Moore November 20, 2001 NEW YORK, Nov. 20 /PRNewswire/ -- Revlon announced today that two time Oscar-nominated actress Julianne Moore has joined the company's exclusive group of spokespeople. Moore, star of the highly acclaimed films ``Hannibal,'' ``Boogie Nights'' and ``The Big Lebowski,'' will appear in advertising campaigns for the company and will participate in philanthropic efforts dedicated towards the fight against women's cancers. Moore will appear in various advertising campaigns for the Revlon brand, with the first television commercial scheduled to break nationally in January 2002. In addition, Revlon and Moore have committed to work together towards a common goal -- the fight against breast and ovarian cancers. Moore will participate in select corporate and philanthropic events for the company. ``Julianne is the perfect example of today's modern woman,'' said Revlon CEO and President Jeff Nugent. ``As a beautiful, respected actress and dedicated mother, Julianne balances her hectic schedule with grace and ease. She knows what's important in life and pursues it with confidence and integrity. We're thrilled to have such a remarkable woman representing the company,'' Nugent said. Moore most recently starred in the blockbuster hit ``Hannibal,'' opposite Anthony Hopkins and Gary Oldham. Her next role will be in the highly anticipated Miramax film, ``The Shipping News'' co-starring Kevin Spacey, Judi Dench and Cate Blanchett. The film is scheduled to be released in December 2001. ``I'm very excited to be working with a well-respected company like Revlon,'' said Julianne Moore. ``I have always admired their dedication to women's health issues and their long-standing position as a truly iconic American beauty company. -
Check out Our Job Listing in the Classifieds Or Go to Careers
Saturday, January 16, 2016 TV TIME SATURDAY East Oregonian Page 5C Television > This week’s movies Television > Today’s highlights Saturday MAX “The Sixth Sense” +++ (‘99, Thril) (‘14, Bio) (2h) 5:40 p.m. The Kitchen (1h50) HBO3 “Titanic” +++ (‘97, Dra) (3h20) 7:15 p.m. FOOD 11:00 a.m. 4:00 p.m. 10:30 p.m. FREEFORM 6:20 p.m. KPTV +++ “Harry Potter and the Half- The cooking experts share tips “The Usual Suspects” (‘95, AMC “U.S. Marshals” +++ (‘98, Act) Blood Prince” +++ (‘09, Adv) (3h45) MAX “Mimic” +++ (‘97, Hor) (1h50) Cri) (2h) on how to save money in the (3h) TCM “The Pride of the Yankees” ++++ 7:00 p.m. 4:55 p.m. 10:55 p.m. (‘42, Bio) (2h15) TCM “Sense and Sensibility” +++ (‘95, kitchen in this new episode. HBO3 “Milk” ++++ (‘08, Bio) (2h10) MPLEX “The Secret of My Success” 7:25 p.m. Rom) (2h30) Learn which foods can be frozen 5:00 p.m. +++ (‘87, Com) (1h55) MPLEX +++ CMT “Only You” (‘94, Com) 7:15 p.m. and which should be used up “Gran Torino” +++ (‘08, Dra) (3h) 11:00 p.m. (1h35) MPLEX “Little Monsters” +++ (‘89, SYFY “Final Destination” +++ (‘00, STARZ “Mars Attacks!” +++ (‘96, Com) Fam) (1h45) quickly. Katie Lee and Marcela Susp) (2h) 8:00 p.m. (1h50) DISN Valladolid show viewers how to TCM “The Ghost and Mrs. Muir” ++++ “High School Musical 2” +++ (‘07, 7:20 p.m. 11:20 p.m. Fam) (1h55) FREEFORM “Back to the Future II” +++ make two affordable weeknight (‘47, Com) (2h) HBO “The Departed” +++ (‘06, Thril) (‘89, Sci-Fi) (2h40) 9:30 p.m. -
Glengarry Glen Ross Free
FREE GLENGARRY GLEN ROSS PDF David Mamet | 144 pages | 26 Aug 2004 | Bloomsbury Publishing PLC | 9780413774187 | English | London, United Kingdom Glengarry Glen Ross movie review () | Roger Ebert When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his Glengarry Glen Ross to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking Glengarry Glen Ross. Joseph M. Caracciolo Jr. Jerry Tokofsky Stanley R. William Barclay Bob Shaw. Five minutes into the picture and there's so much awesomeness on the screen that it's almost overwhelming. Second time through and just as enjoyable as the first. First-rate cast, first-rate dialogue. Feels like a modernized Glengarry Glen Ross of a Salesman, with matching commentary on working class life "we work too hard"on shifting power structures the young managing the oldand on the emotional economics of capitalism subjection vs satisfaction. I didn't remember the characters being so consistently foul-mouthed, and this time through was slightly distracted by the film's heavy reliance on vulgarity. Nonetheless, this is an absolutely captivating film recommended to anyone who loves great actors, great characters, or great dialogue. It's amazing how a film focused exclusively on people talking can be so engrossing. -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
Favorite Movies
Favorites as of June 2011 Favorite Movies - 00s The Boondock Saints Kiss Kiss, Bang Bang Lord of War The Machinist The Prestige The Punisher Harold and Kumar Go to White Castle The Butterfly Effect Confessions of a Dangerous Mind The Ring We Were Soldiers Ghost World Snatch Memento Serendipity Shoot „Em Up Taken Rules of Attraction Resident Evil & (Apocalypse) American Psycho Favorite Movies - 90s Fight Club PI Election The Usual Suspects Reservoir Dogs The Player Gattaca True Romance Freeway Dogfight ----------------------------- Free Enterprise Groundhog Day Goodwill Hunting The Inner Circle Dark City From Dusk till Dawn Reality Bites Sixth Sense Chasing Amy Fear and Loathing in Las Vegas Avalon/Liberty Heights American Beauty Go Something About Mary Office Space Oleanna Forrest Gump Wild Things Pulp Fiction Scream 1 & 2 Lock, Stock, & Two Smoking Barrels Favorites as of June 2011 Favorite Movies - 80s The Sure Thing Valley Girl Real Genius Terminator Baby Its You Breakfast Club 48 Hours Amadeus A Fish Called Wanda Jacob's Ladder -------------------- Repo Man Into the Night Die Hard Insignificance Field of Dreams Sixteen Candles One Crazy Summer Better Off Dead Weird Science The Empire Strikes Back Aliens Raiders of the Lost Ark/Temple of Doom Robocop The Hitcher The Manhattan Project Heartbreak Ridge Peggy Sue Got Married Favorites as of June 2011 Favorite Movies - Previous Citizen Kane (1941) Casablanca (1943) Dead of Night (1945) Its a Wonderful Life (1946) Curse of the Demon (1957) Touch of Evil (1958) Psycho (1960) David and Lisa -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
4 the Usual Suspects: Courage and Curiosity Vs. Professional Smugness – Robvanes.Com
UvA-DARE (Digital Academic Repository) The Usual Suspects: Courage and Curiosity vs. Professional Smugness van Es, R. Publication date 2015 Document Version Final published version Link to publication Citation for published version (APA): van Es, R. (Author). (2015). The Usual Suspects: Courage and Curiosity vs. Professional Smugness. Web publication/site, RobvanEs.com. http://www.robvanes.com/2015/06/09/4-the- usual-suspects-courage-and-curiosity-vs-professional-smugness/ General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 4 The Usual Suspects: courage and curiosity vs. professional smugness – RobvanEs.com RobvanEs.com TRAINING AND ADVICE IN ORGANIZATIONAL PHILOSOPHY Home Consultant Senior Lecturer Publications Biography Blog Contact 4 The Usual Suspects: courage and curiosity vs. -
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 Min)
October 29, 2013 (XXVII:10) Jim Jarmusch, DEAD MAN (1995, 121 min) Directed by Jim Jarmusch Original Music by Neil Young Cinematography by Robby Müller Johnny Depp...William Blake Gary Farmer...Nobody Crispin Glover...Train Fireman John Hurt...John Scholfield Robert Mitchum...John Dickinson Iggy Pop...Salvatore 'Sally' Jenko Gabriel Byrne...Charlie Dickinson Billy Bob Thornton...Big George Drakoulious Alfred Molina...Trading Post Missionary JIM JARMUSCH (Director) (b. James R. Jarmusch, January 22, 1981 Silence of the North, 1978 The Last Waltz, 1978 Coming 1953 in Akron, Ohio) directed 19 films, including 2013 Only Home, 1975 Shampoo, 1972 Memoirs of a Madam, 1970 The Lovers Left Alive, 2009 The Limits of Control, 2005 Broken Strawberry Statement, and 1967 Go!!! (TV Movie). He has also Flowers, 2003 Coffee and Cigarettes, 1999 Ghost Dog: The Way composed original music for 9 films and television shows: 2012 of the Samurai, 1997 Year of the Horse, 1995 Dead Man, 1991 “Interview” (TV Movie), 2011 Neil Young Journeys, 2008 Night on Earth, 1989 Mystery Train, 1986 Down by Law, 1984 CSNY/Déjà Vu, 2006 Neil Young: Heart of Gold, 2003 Stranger Than Paradise, and 1980 Permanent Vacation. He Greendale, 2003 Live at Vicar St., 1997 Year of the Horse, 1995 wrote the screenplays for all his feature films and also had acting Dead Man, and 1980 Where the Buffalo Roam. In addition to his roles in 10 films: 1996 Sling Blade, 1995 Blue in the Face, 1994 musical contributions, Young produced 7 films (some as Bernard Iron Horsemen, 1992 In the Soup, 1990 The Golden Boat, 1989 Shakey): 2011 Neil Young Journeys, 2006 Neil Young: Heart of Leningrad Cowboys Go America, 1988 Candy Mountain, 1987 Gold, 2003 Greendale, 2003 Live at Vicar St., 2000 Neil Young: Helsinki-Naples All Night Long, 1986 Straight to Hell, and 1984 Silver and Gold, 1997 Year of the Horse, and 1984 Solo Trans. -
Scenes from Movies That Showcase Certain Emotions
EMOTIONAL SCENES FROM MOVIES Emotion Movie Scene Character Amazement The Green Mile Melinda’s Bedside various Anger Forrest Gump My Destiny Lieutenant Dan The Breakfast Club Lunchtime John Bender A Few Good Men You Can’t Handle the Truth Colonel Nathan R. Jessep Anguish The Patriot Stay the Course Benjamin Martin Braveheart Freedom William Wallace Anxiety Dead Poets Society Original Poetry Todd Anderson Confidence Top Gun numerous Maverick Confusion Groundhog Day Groundhog Day Phil Connors Contempt A Few Good Men Lunch with Jessep Colonel Nathan R. Jessep Defeat The Great Escape Finding Tom Archibald Ives Depression Forrest Gump Wounded in the Buttocks Lieutenant Dan Hope Floats Vodka Tonic, Extra Lime Birdee Pruitt Desperation It’s a Wonderful Life Show Me the Way George Bailey Gladiator What Difference Can I Make? Lucilla Determination The Untouchables How Far Are You Willing to Go? Elliot Ness Disappointment Gladiator Failure as a Father Marcus Aurelius Elation E.T. He’s Alive Elliott It’s a Wonderful Life I Want to Live Again George Bailey Embarrassment Carrie Shower scene Carrie As Good as it Gets Sad Stories Simon Bishop Fear No Country for Old Men Heads or Tails Storekeeper Cinderella Man I Need You Mae Braddock Frustration Jerry Maguire Help Me Help You Jerry Maguire Gratitude As Good as it Gets Dr. Bettes Carol and Beverly Connelly Guilt Braveheart I Want to Believe Robert the Bruce Happiness The Pursuit of Happyness So Happy various Hatred Glory Our Time Trip Humiliation Cinderella Man Asking for Money James Braddock Hurt Good -
PDF (1.06 Mib)
The Ten Best Movies of the 4. Pulp Fiction '94: Quentin Tarantino's follow-up to Reservoir Dogs was nothing short of spectacular as its unique blend of shocking violence and 1990s: side splitting laughs caused a massive stir at Cannes. Rapid fire style cou- pled with first class writing paved the way for a genre of film still prevalent 10. GOOdfellaS '90: True account of Henry Hill, Jimmy Conway, and Tommy in the industry today. De Vito and their mobster lives in New York during the '60s and '70s. Not The Godfather, but Scorsese's work is explosive, well-acted, and has some- 3. The Ice Storm '97: The best movie you didn't see. As Vietnam approach- thing that many films don't: mass appeal. es its terminus and the Watergate scandal unfolds, life in the real world is in a cocked hat. Beautifully written tale of sexual exploration as well as the 9. Fearless '93: Excellent introspective journey by director Peter Weir into search for meaning and genuine satisfaction outside of socially mandated the psyche of a plane crash survivor and his mental transformation. Deeply boundaries. moving performance from Jeff Bridges. 2. Lost Highway '97: David Lynch's journey into the depths of the mind 8. The Usual Suspects '95: Bryan Singer's taut crime drama features the made for one creepy film. Fred Madison, after being accused of murder, mys- best ensemble cast this side of Glengary Glen Ross. Gabriel Byrne, Stephen teriously morphs into Pete Dayton. Soon the two sides of the alter ego begin Baldwin, Benicio Del Toro, Kevin Pollak, Kevin Spacey and Chazz Palminteri to cross paths in a surreal web of intrigue. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Customerville PRO Resources
Customerville PRO Resources Measuring customer experience is now part of the experience PRO Guide Series WHAT CAN KEVIN SPACEY AND HOUSE OF CARDS TEACH YOU ABOUT SURVEYS Actors call it “breaking the fourth wall.” If you want to break through to your customers and get them to interact with your surveys, then plan on changing the way you talk to them. Kevin Spacey’s character, Frank Underwood, shows us how. Toward the end of the first episode of the hit (the imaginary, invisible wall through which an American TV series, House of Cards, there is audience views the action of a story) for a private this great scene where the President of the United conversation directly with us. States is being sworn into office. Surprisingly, the attention isn’t on the President. It’s on the Then the camera pulls back, and there’s Under- always-maneuvering main character, Repre- wood mischievously waving to us while the rest sentative Francis “Frank” Underwood, played of the crowd — totally oblivious to our secret by Kevin Spacey. conversation — watches the president. While he should be watching the President, Un- The reason we bring this up is that customer derwood glances to his right and starts talking experience surveys — and those of us who to us — right through the television. He’s break- deploy them — have a lot to learn from Con- ing through what actors call the “fourth wall” gressman Underwood. Customerville · PRO Guide Series Page 2 What Kevin Spacey Can Teach You About Surveys Breaking The 4th Wall With Your Surveys At Customerville we speak to great brand mar- keting professionals all over the world about creating engaging surveys.