Strange Interlude

Total Page：16

File Type：pdf, Size：1020Kb

Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULOS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way. Schmitz is joined by Wild Duck co-stars Eloise Mignon and Anthony Phelan. Fresh from her touching portrayal of Milova in Neighbourhood Watch, Kris McQuade rounds out this stunningly talented cast. Strange Interlude offers a touching insight into the minutiae of our daily worries, joys and hopes, set against the vast backdrop of life’s irreversible decisions and the fickle hand of fate. For media information contact publicist Elly Michelle Clough [email protected] | + 61 (0)2 8396 6242 .

Copy Link

Recommended publications

Annual Report 2013 Annual Report 2013
Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover
[Show full text]
ELOISE MIGNON P a G E | 2
E LOISE MIGNON THEATRE: 2018 Blasted Cate Malthouse Theatre Dir: Anne-Louise Sarks 2017 Complexity of Belonging Eloise Chunky Move Ltd (Aarhus Tour) Direction & Choreography – Anouk van Dijk and Falk Richter 2017/8 Les Trois Soeurs Irina L’Odeon Theatre de L’Europe Dir: Simon Stone 2016 Je Suis Fassbinder Performer Theatre National de Strasbourg Feb-June Falk Richter 2015 Complexity of Belonging Eloise Chunky Move Ltd (Asia Tour) Direction & Choreography - Anouk van Dijk and Falk Richter 2015 Complexity of Belonging Eloise Chunky Move Ltd (European Tour – Théâtre National Direction & Choreography - de Chaillot, Paris; Schaubühne, Berlin; Anouk van Dijk and Falk Richter and Utrecht) 2014 Complexity of Belonging Eloise Melbourne Theatre Company Direction & Choreography - Anouk van Dijk and Falk Richter 2013 The Cherry Orchard Anya Melbourne Theatre Company Dir: Simon Stone 2013 The Wild Duck Hedvig Ekdal Co B Ltd Tour Vienna & Amsterdam (Weiner Festowochen, Holland Festival) Dir: Simon Stone 2012 Private Lives Sibyl Belvoir Company B Dir: Ralph Myers 2012 The Wild Duck Hedvig Ekdal International Ibsen Festival (Oslo, Norway) Dir: Simon Stone 2012 Strange Interlude Madeline Arnold Belvoir Company B Dir: Simon Stone 2012 Every Breath Olivia Belvoir Company B Dir: Benedict Andrews 2012 The Wild Duck Hedvig Ekdal Malthouse Theatre Dir: Simon Stone 2011 Return To Earth Alice Waster Melbourne Theatre Company Dir: Aidan Fennessy 2011 The Wild Duck** Hedvig Ekdal Belvoir Company B Dir: Simon Stone 2010 The Grenade Lola McTavish MTC/STC Dir: Peter Evans lisa mann creative management pty ltd telephone: +61 2 9387 8207 fax: +61 2 9389 0615 p.o. box 3145, Redfern, nsw 2016 australia email: [email protected] www.lmcm.com.au ELOISE MIGNON P a g e | 2 THEATRE (continued): 2009 In A Dark, Dark House Jennifer Red Stitch Dir: Wayne Pearn 2007 Rubeville* Trixi The Black Lung Dir: Thomas Henning 2004 The Desert Girl Oubykh Theatre Corp.
[Show full text]
Gertrude Studios 2016 Front Cover: Rosie Isaac Slow Roasted Lamb, Wet Blanket, 2016 Installation View, Gertrude Contemporary, Melbourne Photo Credit: Christo Crocker
Gertrude Studios 2016 Front Cover: Rosie Isaac Slow roasted lamb, wet blanket, 2016 installation view, Gertrude Contemporary, Melbourne photo credit: Christo Crocker Back Cover: Noriko Nakamura We weren’t aware that you have been here all this time, 2016 installation view, Gertrude Contemporary, Melbourne photo credit: Christo Crocker Gertrude Studios 2016 Gertrude Contemporary 28 October – 10 December GERTRUDE CONTEMPORARY Gertrude Contemporary is a not-for-profit gallery and studio complex that has been supporting contemporary artists for over thirty years. Our artistic program is unique in its equal emphasis on the production and presentation of contemporary art through the studios and exhibition program. Central to all of Gertrude’s activities is the goal to support the development of Australian artists. We support artists to explore new ideas and present risk-taking work at pivotal points in their careers. Gertrude builds the careers of great artists through subsidised studio space, exhibitions, mentorships, network development, artist residencies and international exchange. Gertrude is an important meeting place where artists, curators, students and the wider public come together to encounter and deepen their understanding of contemporary art. Gertrude gives our audience a unique insight into the creative development of artists. Our audience is a strong community of people from diverse backgrounds, who explore and engage with risk-taking art and ideas at Gertrude. We deepen our audience’s experience of the exhibition program and
[Show full text]
Strange Interlude
Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way.
[Show full text]
ELOISE MIGNON P a G E | 2
E LOISE MIGNON THEATRE: 2021 Almost Human, The Movie Performer Henry and Cecilia Foundation (Reading) Dir: Angelo Salamanca 2021 Homers Iliad: The Siege of Troy Performer Stork Theatre Dir: Helen Madden 2018 Blasted Cate Malthouse Theatre Dir: Anne-Louise Sarks 2017 Complexity of Belonging Eloise Chunky Move Ltd (Aarhus Tour) Direction & Choreography – Anouk van Dijk and Falk Richter 2017/8 Les Trois Soeurs Irina L’Odeon Theatre de L’Europe Dir: Simon Stone 2016 Je Suis Fassbinder Performer Theatre National de Strasbourg Feb-June Falk Richter 2015 Complexity of Belonging Eloise Chunky Move Ltd (Asia Tour) Direction & Choreography - Anouk van Dijk and Falk Richter 2015 Complexity of Belonging Eloise Chunky Move Ltd (European Tour – Théâtre National Direction & Choreography - de Chaillot, Paris; Schaubühne, Berlin; Anouk van Dijk and Falk Richter and Utrecht) 2014 Complexity of Belonging Eloise Melbourne Theatre Company Direction & Choreography - Anouk van Dijk and Falk Richter 2013 The Cherry Orchard Anya Melbourne Theatre Company Dir: Simon Stone 2013 The Wild Duck Hedvig Ekdal Co B Ltd Tour Vienna & Amsterdam (Weiner Festowochen, Holland Festival) Dir: Simon Stone 2012 Private Lives Sibyl Belvoir Company B Dir: Ralph Myers 2012 The Wild Duck Hedvig Ekdal International Ibsen Festival (Oslo, Norway) Dir: Simon Stone 2012 Strange Interlude Madeline Arnold Belvoir Company B Dir: Simon Stone 2012 Every Breath Olivia Belvoir Company B Dir: Benedict Andrews 2012 The Wild Duck Hedvig Ekdal Malthouse Theatre Dir: Simon Stone 2011 Return To Earth Alice Waster Melbourne Theatre Company Dir: Aidan Fennessy 2011 The Wild Duck** Hedvig Ekdal Belvoir Company B lisa mann creative management pty ltd telephone: +61 2 9387 8207 fax: +61 2 9389 0615 p.o.
[Show full text]
Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI
Media Release February 2012 Belvoir presents Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI With JOHN HOWARD SHELLY LAUMAN ELOISE MIGNON ANGIE MILLIKEN DYLAN YOUNG BELVOIR ST THEATRE | UPSTAIRS 24 MARCH – 29 APRIL In 2012, critically acclaimed Australian theatre and opera director Benedict Andrews will add another title to his résumé: playwright. Andrews is making a highly anticipated return to Belvoir to direct his own play, Every Breath, for its world premiere. Andrews has created dozens of thrilling productions in an internationally successful career. He has been the recipient of numerous Best Director awards, both in Sydney and Europe. As well as Every Breath, Andrews‟ The Marriage of Figaro for Opera Australia is now playing at the Sydney Opera House, Gross und Klein (Sydney Theatre Company) is set to tour Europe, and his production of Caligula opens in May at the English National Opera. Despite such an international focus, Andrews relishes the opportunity to return to Belvoir. „I always enjoy returning to Belvoir,‟ he says. „I love the theatre‟s special intimacy… I‟m very pleased that Every Breath will come into the world there…‟ Every Breath features a stellar cast. Popular screen actor John Howard returns to the Sydney stage for the first time in over a decade, alongside Angie Milliken, who also returns to the Sydney theatre scene for the first time in nearly as long. Shelly Lauman (As You Like It) treads the Belvoir boards once again and is joined by Eloise Mignon (The Wild Duck) and Dylan Young (The Seagull).
[Show full text]
Annual Report 2011 Annual Report 2011
Annual Report 2011 Annual Report 2011 6 Mission Statement and Board of Management 7 Chairman’s report 10 Artistic Director’s report The Plays 12 Don Parties On by David Williamson MTC is a deparTMenT of 14 A Behanding in Spokane by Martin McDonagh The UniversiTy of MelboUrne 16 Apologia by Alexi Kaye Campbell 18 In the Next Room or the vibrator play by Sarah Ruhl 20 Next to Normal by Tom Kitt and Brian Yorkey 22 The Gift by Joanna Murray-Smith MTC Headquarters 24 The Joy of Text by Robert Reid 252 Sturt St 26 Hamlet by William Shakespeare Southbank VIC 3006 28 Rising Water by Tim Winton 03 8688 0900 30 Clybourne Park by Bruce Norris 32 Return to Earth by Lally Katz The MTC Theatre 34 The Importance of Being Earnest by Oscar Wilde 5 140 Southbank Blvd 36 Lawler Studio: The Dream Life of Butterflies by Raimondo Cortese Southbank VIC 3006 38 Lawler Studio: The Water Carriers by Ian Wilding Box Office 03 8688 0800 40 Lawler Studio: Circle Mirror Transformation by Annie Baker mtc.com.au 42 MTC presents: Not Quite Out of the Woods by Jonathan Biggins, Drew Forsythe and Phillip Scott Venues 44 MTC on Tour Throughout 2011 MTC performed its 45 Awards and nominations Melbourne season of plays at the MTC 46 Literary Manager’s report Theatre, Sumner and Lawler Studio, and 47 Play Readings the Fairfax Studio and Playhouse at Arts Centre Melbourne. MTC Education 48 Education Manager’s report 50 Workshops and participatory events 52 Random by debbie tucker green 54 Australia! The Show! by Aidan Fennessy, Jon Halpin, Jean-Marc Russ and Hayden Spencer
[Show full text]
High Priest Amanda Lohreyon David Walsh Andtasmania's Museum of Old and New Art
The Monthly January, 2011 Brief: MONA Page: 78 Page 1 of 7 Section: General News Region: National Type: Magazines Business Size: 2,002.40 sq.cms. Frequency: Monthly High Priest Amanda Lohreyon David Walsh andTasmania's Museum of Old and New Art The Moorilla estate is set on a peninsula of sandstone cliffs he discovered that the scope for winning at card games was that juts out into the Derwcnt estuary on Hobart's northern limited he dropped out of his degree and, for most of the fringe. Framed to the south-west by the looming grandeur '8os and early '9os, spent ioo or more hours per week de- of Mt Wellington and to the east by Mt Direction, the slopes veloping a mathematical model that would enable him and of the peninsula are planted with grapevines, and a cluster his partners to win at other forms of gambling, especially of modern buildings perch atop the rise. It is here that horseracing. This he now pursues on a large scale in a num- the visionary project, the Museum of Old and New Art ber of countries. (MONA) is due to open on 21 January 2011, an $8o million There is a network of people involved in Walsh's outfit, wonder that will house a private art collection valued at over most notably his business partner of 30 years, Zeljko Ra- $ioo million. Already it has been hailed as the "Bilbao of nogajec. Walsh met Ranogajec at university where the latter the south" and the "Getty of the Antipodes", expecting an studied law and economics before he too dropped out to estimated 350,000 visitors per annum, contributing a major pursue a career in gambling.
[Show full text]
Belvoir 2012 Donor Report
Belvoir 2012 Donor Report i Dear Friends Many stories were woven together to make In 2012, philanthropic giving contributed to Ralph’s second season as Artistic Director Belvoir’s various patron programs, including the CONTENTS another year of vibrant creativity. We collaborated B Keepers, Chair’s Group and Creative (I’m Your Man, Thyestes); broke barriers between Development Fund. Donors to our patron 1 Dear Friends theatre-dance art forms (Food, Conversation programs gain a unique insight into script and 2 Thank you from Ralph Piece); took classics to new heights (Death of a performance development, as well as life 3 Board of Directors Salesman, Private Lives); told true and compelling backstage. Through our events and activities we 5 The Andrew Cameron Family Foundation Indigenous stories (Beautiful One Day, Don’t Take aim to foster a connection both to the programs 6 Creative Development Your Love to Town); strengthened our audience our donors support, and to like-minded people 9 Indigenous Stories 11 The Balnaves Foundation connection with tours at home and beyond (The who share their passion for theatre. Book of Everything, The Wild Duck, Summer of 13 B Keepers I love stories that inspire, challenge and produce the Seventeenth Doll); and broke new ground 14 Hitting The Road strong emotions whether on stage, in a book or a 15 The Hive with The Balnaves Foundation Indigenous conversation. I have thoroughly enjoyed my first 17 Investing in Youth Playwright’s Award. year at Belvoir to see stories come to life and to 18 My Belvoir Experience 20 Belvoir Donors As a not-for-profit organisation, Belvoir relies on hear your individual stories of what motivates you the support of you, our donors, to supplement the to give and be in our theatre.
[Show full text]
Representing the Baby
Playing with reality: representing the baby Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Christine Ann Hill Swinburne University of Technology Faculty of Life and Social Sciences 2014 ABSTRACT This thesis – by artefact and exegesis – draws attention to the role the infant plays in our society. It suggests that the complexity and depth of the emotional life of infants is seriously underestimated, putting at risk their mental health. The artefact and exegesis work together to demonstrate and explain the infant’s proclivity for communication and to emphasize the role of the infant as subject, not object, in relation to others. The artefact is an imaginative representation of the infant’s emotional world from the infant’s perspective. Entitled ‘There is no such thing as a baby’ the artefact is presented in two formats – a written play text and an online interactive performance text. The written piece reflects the traditional form of text-based drama, whereas the performance text acknowledges the growing influence of multimedia in the theatre and, by incorporating image and sound, offers the reader a more theatrical experience. The method of practice-led research and research-led practice enables creative writing to share the stage with academic discourse, providing a unique perspective on the mental health of infants and their parents. Multiple connections are made, as writer leads reader across discipline boundaries – infant mental health, poetry, psychoanalysis, dance, neuroscience, theatre, and performance – in search of authentic relationships. The development of creativity and thinking in the infant, in the theatre, and in the writer is evident in the parallels drawn between the dynamics of baby and mother, theatre and audience, and artefact and exegesis.
[Show full text]
FALK RICHTER/STANISLAS NORDEY Je Suis Fassbinder DE FALK RICHTER
THÉÂTRE DE VIDY AV. E.-H. JAQUES-DALCROZE 5 CH-1007 LAUSANNE Presse et communication Sarah Turin T +41 (0)21 619 45 21 [email protected] Constance Chaix T +41 (0)21 619 45 67 [email protected] DOSSIER DE PRESSE www.vidy.ch FALK RICHTER/STANISLAS NORDEY Je suis Fassbinder DE FALK RICHTER 26.04-4.05 Salle Charles Apothéloz Je suis Fassbinder © Jean-Louis Fernandez STANISLAS NORDEY/FALK RICHTER JE SUIS FASSBINDER 2 DISTRIBUTION Texte : Falk Richter Traduction de l’allemand : Anne Monfort Mise en scène : Falk Richter Stanislas Nordey 26.4 - 4.5 Collaboration artistique : Claire ingrid Cottanceau Salle Charles Apothéloz Dramaturgie : Nils Haarmann Mardi 26.04 19h00 Scénographie Mercredi 27.04 20h00 <> et costumes : Jeudi 28.04 19h00 Katrin Hoffmann Vendredi 29.04 20h00 Lumière : Samedi 30.04 17h00 <> Stéphanie Daniel Lundi 2.05 20h00 Musique : Mardi 3.05 19h00 Matthias Grübel Mercredi 4.05 20h00 Vidéo: Aliocha der Avoort Dès 16 ans Assistanat aux costumes: Durée : 2h Juliette Gaudel Théâtre Assistanat à la scénographie: Tarif M Fabienne Delude Avec : Vidy + Thomas Gonzalez Judith Henry INTRODUCTION Eloise Mignon Mer. 27.04 Stanislas Nordey une heure avant le début de Laurent Sauvage la représentation Production : Théâtre national de Strasbourg RENCONTRE Coproduction : Jeu. 28.04 Théâtre de Vidy à l‘issue de la représentation Théâtre national de Bretagne, Rennes MC2:Grenoble Entrée libre, sans réservation Avec l’accord de la Rainer Werner Fassbinder Foundation Création le 4 mars 2016 au Théâtre Cinéma national de Strasbourg Cycle « Fassbinder » à la Cinémathèque suisse (Lausanne) en avril. www.cinematheque.ch STANISLAS NORDEY/FALK RICHTER JE SUIS FASSBINDER 3 Je suis Fassbinder PRÉSENTATION EN TOURNÉE 2016 TNS, Strasbourg Au regard de l’analyse de l’Allemagne post-fasciste faite par 4.3 – 19.3 Fassbinder en 1977, Richter évoque les nouveaux courants MC2 : Grenoble d’extrême-droite qui se développent partout en Europe.
[Show full text]
BELVOIR Private Lives Resources for Teachers P1 Belvoir Presents
BELVOIR Private Lives Resources for Teachers p1 Belvoir presents PRIVATE LIVES By NOËL COWARD Director RALPH MYERS Set Designer RALPH MYERS Costume Designer ALICE BABIDGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREFORY Assistant Director KIT BROOKMAN Fight Director SCOTT WITT Stage Manager LUKE McGETTIGAN Assistant Stage Manager MEL DYER Assistant Stage Manager (rehearsal) STEPHEN MOYLAN With Louise MISH GRIGOR Amanda Prynne ZAHRA NEWMAN Sibyl Chase ELOISE MIGNON Elyot Chase TOBY SCHMITZ Victor Prynne TOBY TRUSLOVE Belvoir’s production of Private Lives opened at Belvoir St Theatre on Wednesday 26 September 2012. Zahra Newman, Toby Schmitz Photo: Brett Boardman PRIVATE LIVES © NC Aventales AG 1930 Copyright agent: Alan Brodie Representation Ltd www.alanbrodie.com BELVOIR Private Lives Resources for Teachers p2 CHARACTERS IN PRIVATE LIVES AMANDA PRYNNE VICTOR PRYNNE, her husband LOUISE, a maid SIBYL CHASE ELYOT CHASE, her husband SETTING IN PRIVATE LIVES ACT I. The Terrace of a Hotel in France. Summer evening ACT II. Amanda’s flat in Paris. A few days later. Evening. ACT III. The same. The next morning. Time: The Present. SYNOPSIS ACT 1 Elyot & Amanda used to be married to each other. Now divorced, they are honeymooning at the same French hotel with new partners Sibyl and Victor. Their rooms are right next door to each other and, of course, they meet when on their adjoining balconies to take in the air on the very first night of their honeymoons. Elyot demands that Sibyl leaves with him to Paris immediately, asking her to trust him without any explanation but she refuses – causing a tremendous fight and tears.
[Show full text]