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Falk Richter Anouk Van Dijk Chunky Move Complexity of Belonging 3 Au 6 Juin 2015 DANSE THÉÂTRE Chunky Move Complexity of Belonging

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Falk Richter Anouk Van Dijk Chunky Move Complexity of Belonging 3 Au 6 Juin 2015 DANSE THÉÂTRE Chunky Move Complexity of Belonging Falk Richter Anouk van Dijk Chunky Move Complexity of Belonging 3 au 6 juin 2015 DANSE THÉÂTRE Chunky Move Complexity of Belonging PREMIÈRE EN FRANCE FOCUS AUSTRALIE Un projet de Falk Richter et Anouk van Dijk Conception, mise en scène et chorégraphie Production Chunky Move / Melbourne Theatre Falk Richter et Anouk van Dijk Company Texte Falk Richter Coproduction Melbourne Festival / Brisbane Décor Robert Cousins Festival / Théâtre National de Chaillot Costumes Mel Page Avec le soutien de la Major Festivals Initiative du Lumières Niklas Pajanti gouvernement fédéral australien, sous l'autorité de l’Australia Council – organe consultatif national Musique originale Malte Beckenbach de financement des arts – et en partenariat avec Dramaturgie Nils Haarmann et Daniel la Confederation of Australian International Arts Schlusser Festivals Inc, Chunky Move, Melbourne Theatre Traduction Daniel Schlusser Company, Melbourne Festival et Brisbane Festival Direction de production Michael Carr Avec le soutien de l’État du Victoria via Creative Régie générale Blair Hart Victoria, du gouvernement du Commonwealth d'Australie via l’Australia Council for the Arts et via Régie son Gideon Cozens l’Australia International Cultural Council, une initiative Régie lumière Remko van Wely du département australien des affaires étrangères et Traduction des surtitres Mike Sens - MWT du commerce (DFAT) Avec le soutien du Goethe-Institut Australia et de la Avec Joel Bray, Lauren Langlois, Schaubühne de Berlin Alya Manzart, Eloise Mignon, Avec le soutien de l’Ambassade d’Australie par le James Vu Anh Pham, Stephen Phillips, biais de l’Australia France Foundation Josh Price, Tara Jade Samaya, Photos © Jeff Busby Karen Sibbing DU 3 AU 6 JUIN 2015 Salle Jean Vilar Durée 1h40 Spectacle en anglais surtitré Comédie humaine Bienvenue dans Complexity of Belonging (De la complexité de Ce projet est donc à la fois le point de vue qu'un étranger peut l'appartenance), nouveau concept d'« installation humaine », avoir sur une terre inconnue et celui que chaque Australien peut nouveau monde dans lequel les histoires individuelles et avoir sur son propre pays. Parfois, c'est une recherche sur les la quête de lien se fondent dans une réaction en chaîne. clichés que véhicule le concept d'identité : parfois c'est une À travers des chorégraphies désarticulées et névrosées, le expérience toute personnelle de la notion de genre, des rituels spectacle questionne les notions de pouvoir, de vulnérabilité contemporains de séduction, de ce que le mot « race » peut et explore les mécanismes fondamentaux de l'humanité. cacher et de la diversité des comportements culturels. Alors que ce siècle bat son plein, la problématique de Véritable Comédie humaine où trivialité et profondeur se l'appartenance n'a jamais été aussi vivace. La recherche du confrontent, Complexity of Belonging est un panorama d'histoires « vrai moi » est extraordinairement fluide. Depuis le choix uniques qui se mêlent. Un panorama qui va de la rencontre de son genre, de sa préférence sexuelle ou de sa nationalité, virtuelle sur internet à la relation à distance en passant par jusqu'aux divisions vicieuses qui attisent les conflits tribaux. l'intimité de corps qui se blotissent les uns contre les autres, Depuis la lutte pour la défense du droit à sa propre identité sous l'immensité du ciel australien. jusqu'à la résistance à une identité imposée. Ce sont les politiques d'exclusion et d'inclusion qui, intimement liées DANIEL SCHLUSSER à leur contexte, nourrissent les idéologies, qu'elles soient DRAMATURGE ET TRADUCTEUR DU SPECTACLE tyranniques ou utopiques. Dans Complexity of Belonging, Anouk van Dijk et Falk Richter ont travaillé à partir de sources théoriques traitant du sentiment d'appartenance – et de ses enjeux d'identification, d'identité et de reconnaissance. Pourtant, comme le dit Falk Richter, « L'appartenance n'est finalement pas tant un concept abstrait qu'une expérience individuelle. » Pour Anouk van Dijk, les questions « Puis-je être moi-même ? » et « Qu'est-ce qui me construit ? » transposent la théorie dans le domaine du physique. Suivant une démarche politique et artistique, les deux créateurs ont fait la part belle aux expériences personnelles de chacun des interprètes pour construire leur spectacle. C'est dans la singularité et l'originalité de ces expériences qu'ils ont trouvé leur inspiration, dans la cohérence et le morcellement de « vraies » biographies. Une fois récolté, ce matériau a été adapté à l'espace poétique de la scène, celui du mélodrame et de la tragédie, de l'imaginaire et de l'épique. Repères Le choix de la libraire Focus Australie À la librairie du théâtre (sous réserve) : 3 au 6 juin 2015 • Falk Richter Trust / Nothing Hurts Falk Richter est l’un des dramaturges • Falk Richter / Anouk van Dijk L’Arche éd. et metteurs en scène allemands les plus Chunky Move • Falk Richter Ivresse / Play Loud importants de sa génération. Ses pièces, Complexity of Belonging L’Arche éd. traduites dans plus de 25 langues, (danse / théâtre) se jouent dans le monde entier. • Australian Dance Theatre Parallèlement à l’écriture et à la mise Multiverse (danse) en scène de ses propres pièces, de Silicon Un mariage créatif lie Anouk Van Dijk • Stephanie Lake Dual (danse) (2006) à Complexity of Belonging, Richter et Falk Richter depuis quinze ans. a mis en scène Shakespeare, Tchekhov, Leur travail s'apparente à un théâtre Schiller, Brecht et les contemporains chorégraphique unique en son genre, Harold Pinter, Martin Crimp, Sarah juxtaposant politique et angoisses Revenez à Chaillot... Kane, Jon Fosse, Lars Noren, ainsi que contemporaines. Après Nothing Hurts des opéras. Il est directeur en résidence (1999), premier prix de l'Académie des • José Montalvo à la Schaubühne de Berlin depuis 2000. Arts à Berlin en 2001, Trust (2009), Protect Y Olé ! (danse / musique) Me (2010) et Rausch, présenté à Avignon Artiste permanent de Chaillot, La Néerlandaise Anouk Van Dijk a en 2013, Complexity of Belonging est leur José Montalvo a convié quinze danseurs pour cette nouvelle création. dansé pendant dix ans pour la Rotterdam premier projet australien. Entrez dans son univers enchanteur Dance Company et la Pretty Ugly Dance qui mêle Le Sacre du printemps de Company avant de se consacrer à la Chunky Move est une compagnie de Stravinski, du flamenco et des tubes chorégraphie et de créer sa propre danse contemporaine basée à Melbourne, de son adolescence. compagnie, anoukvandijkdc, en 1998. dont Anouk Van Dijk est la directrice 12 juin au 3 juillet 2015 Parmi ses spectacles, citons le très artistique depuis 2012 et Falk Richter, remarqué STAU ou encore SHOT, l'un des artistes associés. Créée en 1995, • Saison 2015/2016 Découvrez tous les artistes de notre DESEO, Mensch et enfin, sa première Chunky Move est devenue l’une des prochaine saison : Angelin Preljocaj, création en tant que directrice artistique compagnies australiennes les plus Trisha Brown, Pascal Rambert, Alain de Chunky Move, An Act of Now (2012), innovantes, les plus primées et Platel, Carolyn Carlson, José Montalvo, qui a reçu le prix de la meilleure création internationalement reconnues. Wajdi Mouawad et bien d'autres... australienne au Festival de Melbourne. Véritable vivier de créativité, elle se Elle a par ailleurs mis au point la veut ouverte sur le monde extérieur et, Countertechnique, une méthode fidèle à son modèle de porosité créative, Infos et réservations d’enseignement du mouvement conjugue la pratique de la danse avec 01 53 65 30 00 fichier Illustrator CS3 du logotype PRINT reconnue internationalement. d’autres formes artistiques. www.theatre-chaillot.fr CMJN 00/80/100/00 ton direct Pantone Matching System PMS 165 C PMS 165 U noir seul noir + soutien de bleu CMJN 60/00/00/100 Licence 1/1050/974-975-976-977.
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