Touch Me in the Morning Diana Ross Arr

Home , Touch Me in the Morning

Piccolo 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel. 10 A Little Faster ( = 72)                 leggiero

14 18               20                      26 Powerful ( = 144)                       Opt. 8vb   34 32                                            42 Half Time ( = 72)  38                 3 3   dim.   44            dim. A Little Faster ( = 96) Attacca rit.   50           dim.    Flute

3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18

Gentle ( = 60)                                       legato  poco accel. 5                                             

10 A Little Faster ( = 72)                             leggiero 18                             26 Powerful ( = 144)                        Opt. 8vb    34 32                                          

 42 Half Time ( = 72)  38                3 3   dim.   44          dim.  A Little Faster ( = 96) Attacca rit.  50          dim.    Clarinet 1

3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60) 

                                            legato poco accel. 6                                   

10 A Little Faster ( = 72)                        18                          Powerful ( = 144) 26                                                                                       34 32                                               

38                                   subito cresc.   42 Half Time ( = 72)                dim. dim. 48  rit.                  dim. A Little Faster ( = 96) Attacca  52                 Clarinet 2 3 - Touch Me in the Morning

Diana Ross Gentle ( = 60) Arr. Tanner Cassidy '18 

                                   legato  poco accel. 5                                           

10 A Little Faster ( = 72)                       18                         26 Powerful ( = 144)                                                                                34 32                                                 38                                  subito cresc.   42 Half Time ( = 72)                dim. dim.   rit. 48                dim. A Little Faster ( = 96) Attacca 52               Alto Sax 1 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel.             legato      10 A Little Faster ( = 72) soli                                                     18                                               26 Powerful ( = 144)                                                          34 30                                                                             42 Half Time ( = 72) 38                       subito cresc.  dim.    rit. 46                dim. dim.  A Little Faster ( = 96) Attacca 52              Alto Sax 2 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel.          legato      10 A Little Faster ( = 72) soli                                                     18                                                                   26 Powerful ( = 144)                                                              34 30                                                                         42 Half Time ( = 72) 38                        subito cresc.  dim.    rit. 46                dim. dim.   A Little Faster ( = 96) Attacca 52              Tenor Sax 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18

Gentle ( = 60) poco accel.            legato        10 A Little Faster ( = 72)  soli                               14 18                                      22 26 Powerful ( = 144)                30 34                                         38 42 Half Time ( = 72)                    subito cresc. dim.     46 rit.       dim.   dim.   52 A Little Faster ( = 96) Attacca           Trumpet 1 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  Solo                          poco accel. 5 tutti                                10 A Little Faster ( = 72) 18            

26 Powerful ( = 144)                               30                         34                             38                      subito cresc.  42 Half Time ( = 72) alla Bacharach Flugelhorn                        dim.   46                      dim.   50 rit. A Little Faster ( = 96) Attacca                   dim.          Trumpet 2 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18

Gentle ( = 60) poco accel.                  10 A Little Faster ( = 72) 18             

26 Powerful ( = 144)                               30                         34                             38                     subito cresc.    42 Half Time ( = 72) alla Bacharach Flugelhorn                  dim.         46                      dim.   50 rit. A Little Faster ( = 96) Attacca                   dim.          Mellophone 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel.             legato   10 A Little Faster ( = 72)                 18 soli w/ Trombones                                              legato     26 Powerful ( = 144) 24                             34 30                                             38                                 subito cresc.    42 Half Time ( = 72) alla Bacharach Flugelhorn                          dim.  46                        dim.  50 rit. A Little Faster ( = 96) Attacca                         dim.     Trombone 1 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel. 10 A Little Faster ( = 72)                 14  18 Soli                                     legato     26 Powerful ( = 144) 22                                               34  31                                        42 Half Time ( = 72) 38               dim. subito cresc.   rit. 46             dim. dim.   A Little Faster ( = 96) Attacca 52           Trombone 2 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel. 10 A Little Faster ( = 72)                      18   Soli                                legato     26 Powerful ( = 144) 22                                            34  30                                    42 Half Time ( = 72) 38               subito cresc.  dim.  rit. 46           dim. dim.   52 A Little Faster ( = 96) Attacca           Euphonium 3 - Touch Me in the Morning

Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  A Little Faster ( = 72) poco accel. 10                          15 18 Soli                                      legato     26 Powerful ( = 144) 22                                             34  30                                     38 42 Half Time ( = 72)              subito cresc. dim.   46 rit.           dim. dim.   52 A Little Faster ( = 96) Attacca           Tuba 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60) 

          legato     poco accel. 10 A Little Faster ( = 72) 6                         18  14                           22 26 Powerful ( = 144)                                                           30 34                                                                 38 42 Half Time ( = 72)            subito cresc.   dim.  dim.    48 rit. A Little Faster ( = 96) Attacca                                   dim.  Bass Guitar 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel.                10 A Little Faster ( = 72)                          

14                     18

                    22                        26 Powerful ( = 144)                                   

30                                       34                     

38           subito cresc. 42 Half Time ( = 72)                    dim. 46                   dim.

50 rit. A Little Faster ( = 96) Attacca                               dim.        Snare Drum 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60)  poco accel. 10 A Little Faster ( = 72)                                   18 14                                   20                                     26 Powerful ( = 144)                       34                                                      38  42 Half Time ( = 72)                                                          subito cresc. dim.   44                                      3 3 3 3 dim.  48 rit.                                      3 3 3 3 dim.

 Attacca 52 A Little Faster ( = 96)                         Tenors 3 - Touch Me in the Morning

Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60) 10 A Little Faster ( = 72)  poco accel.                                 3

18 14                                      22                               

26 Powerful ( = 144)                                                                              34 32                                                            38                                            subito cresc.  42 Half Time ( = 72) 3 3                                             3 3  dim. 46 3 3                                      3 3 dim.    rit. A Little Faster ( = 96) Attacca 50                                         dim.     Bass Drums 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60) A Little Faster ( = 72) poco accel. 10                                      

18 15                                              

26 Powerful ( = 144)                                                                           34 32                                                                                   38                                                                 subito cresc.  42 Half Time ( = 72) 3 3                                        3 3   dim.   46 3 3                                      3 3   dim. 

50 rit. A Little Faster ( = 96) Attacca                                                               dim.         Cymbals 3 - Touch Me in the Morning Diana Ross Arr. Tanner Cassidy '18 Gentle ( = 60) A Little Faster ( = 72) poco accel. 10                    

 18  14                                 24 26 Powerful ( = 144)                           34 31                                 38 42 Half Time ( = 72)                                   subito cresc. dim.       46                 dim.      50 rit. A Little Faster ( = 96) Attacca                 dim.    Score 3 - Touch Me in the Morning Diana Ross

Gentle ( = 60)  Arr. Tanner Cassidy '18

Piccolo                               Flute                          legato 

Clarinet in B 1                                              legato Clarinet in B 2                                             legato  Alto Sax 1         legato    Alto Sax 2       legato   

Tenor Sax       legato      Solo Trumpet in B 1                                Trumpet in B 2         

Mellophone            legato Trombone 1         

Trombone 2         

Euphonium         

Tuba           legato     Bass Guitar         

Snare Drum        

Tenors       

Bass Drums       

Cymbals        2 3 - Touch Me in the Morning

poco accel. 6 Picc.         

                                Fl.     

B Cl. 1                                    

B Cl. 2                                    

A. Sx. 1       

A. Sx. 2      

T. Sx.        

6 tutti B Tpt. 1                            

B Tpt. 2                 Mello.        

  Tbn. 1       Tbn. 2         Euph.                Tuba                6  Bass               6  S.Dr.                 Ten.             B. Dr.                     

6  Cym.        3 3 - Touch Me in the Morning

10 A Little Faster ( = 72)     Picc.         leggiero      Fl.          leggiero     B Cl. 1            B Cl. 2              soli  A. Sx. 1                             

soli A. Sx. 2                              soli  T. Sx.                           

10 

B Tpt. 1        

B Tpt. 2        

Mello.             Tbn. 1          Tbn. 2          Euph.           Tuba         10          Bass                10  S.Dr.                                Ten.           3

B. Dr.               10  Cym.                4 3 - Touch Me in the Morning

14    Picc.                 Fl.           B Cl. 1          

B Cl. 2               

A. Sx. 1                              

A. Sx. 2                                T. Sx.                             

B Tpt. 1       

B Tpt. 2       

Mello.         

 Tbn. 1      

 Tbn. 2       

Euph.        

Tuba        14      Bass               14 S.Dr.                                         Ten.  

B. Dr.             

14 Cym.              5 3 - Touch Me in the Morning

18   Picc.             Fl.          

B Cl. 1           

B Cl. 2                       A. Sx. 1                   A. Sx. 2                                   T. Sx.        

18 

B Tpt. 1       

B Tpt. 2       

soli w/ Trombones Mello.                               legato    Soli   Tbn. 1                                legato   

Soli   Tbn. 2                                legato   

Soli   Euph.                                legato     Tuba                     18  Bass                     18  S.Dr.                                    Ten.         B. Dr.              18  Cym.               6 3 - Touch Me in the Morning

22   Picc.                

  Fl.                

B Cl. 1                 

 B Cl. 2                             A. Sx. 1                 

A. Sx. 2                                     

T. Sx.         22  B Tpt. 1        

B Tpt. 2         

Mello.                                      

   Tbn. 1                                  

   Tbn. 2                                  

   Euph.                                  

Tuba                     22   Bass                       22 S.Dr.                               Ten.                        

B. Dr.                      

22 Cym.                 7 3 - Touch Me in the Morning Powerful ( = 144) 26        Picc.             Fl.                                           B Cl. 1                                                     B Cl. 2                                              A. Sx. 1                                                          A. Sx. 2                                                            

T. Sx.          26

B Tpt. 1                                 

B Tpt. 2                                  Mello.                   Tbn. 1         Tbn. 2          Euph.          

Tuba                                          26          Bass                           26  S.Dr.                                         Ten.                                                   B. Dr.                                                 26  Cym.                 8 3 - Touch Me in the Morning

30            Picc.              Opt. 8vb            Fl.              Opt. 8vb                    B Cl. 1                     

                B Cl. 2                                  

A. Sx. 1                                          

A. Sx. 2                                                    T. Sx.               

B Tpt. 1                             

B Tpt. 2                             

Mello.                             Tbn. 1       

       Tbn. 2         

     Euph.           

 Tuba                                          30            Bass                           30 S.Dr.                                   

Ten.                                                  

B. Dr.                                         

30          Cym.                   9 3 - Touch Me in the Morning 34                          Picc.                                    Fl.                       B Cl. 1                          

B Cl. 2                                                      A. Sx. 1                            A. Sx. 2                         T. Sx.                         34   B Tpt. 1                                 B Tpt. 2                              Mello.                                          Tbn. 1                      Tbn. 2               Euph.                     Tuba                       34            Bass                34  S.Dr.                                                       Ten.                                         B. Dr.                                                        34    Cym.                 10 3 - Touch Me in the Morning

38         Picc.       3 3           Fl.       3 3      B Cl. 1                                   subito cresc.       B Cl. 2                               subito cresc.   A. Sx. 1                     subito cresc.    A. Sx. 2                     subito cresc.      T. Sx.                 subito cresc.

38 

B Tpt. 1                      subito cresc. 

B Tpt. 2                      subito cresc.  Mello.                                 subito cresc.    Tbn. 1        subito cresc.  Tbn. 2        subito cresc.  Euph.        subito cresc. 

Tuba      subito  cresc.  38  Bass        subito cresc. 38  S.Dr.                                                 subito cresc.              Ten.                               cresc. subito  B. Dr.                                                               cresc. subito 38  Cym.                   subito cresc.  11 3 - Touch Me in the Morning 42 Half Time ( = 72)     Picc.      dim. 

Fl.        dim.      B Cl. 1          dim.      B Cl. 2          dim. 

A. Sx. 1           dim. 

A. Sx. 2           dim. 

T. Sx.      dim.  

42  alla Bacharach Flugelhorn

B Tpt. 1                        dim.  alla Bacharach Flugelhorn

B Tpt. 2                        dim.  alla Bacharach Flugelhorn Mello.                       dim.   Tbn. 1           dim. 

Tbn. 2          dim. 

Euph.          dim. 

Tuba       dim.   42   Bass                  dim. 42  S.Dr.                                       dim. 3 3 3 3

 3 3   Ten.                                          3 3  dim. 3 3             B. Dr.                           3 3   dim.  42  Cym.                  dim.      12 3 - Touch Me in the Morning

46    Picc.     dim. 

Fl.       dim.    B Cl. 1             dim.    B Cl. 2             dim.   A. Sx. 1              dim.   A. Sx. 2              dim. 

T. Sx.     dim.  

46 

B Tpt. 1                       dim.  

B Tpt. 2                       dim.   Mello.                        dim.   Tbn. 1          dim.  Tbn. 2         dim.  Euph.         dim. 

Tuba      dim.   46   Bass                 dim. 46  S.Dr.                                      dim. 3 3 3 3

 3 3 Ten.                                      3 3  dim.    3 3             B. Dr.                          3 3   dim.  46  Cym.                 dim.      13 3 - Touch Me in the Morning rit. A Little Faster ( = 96) Attacca  50        Picc.      dim.     Fl.        dim.          B Cl. 1            dim.        B Cl. 2             dim.        A. Sx. 1            dim.      A. Sx. 2              dim.    T. Sx.           dim.  50  B Tpt. 1                   dim.         

B Tpt. 2                   dim.         

Mello.                        dim.      Tbn. 1             dim.    Tbn. 2            dim.    Euph.            dim.   

Tuba              dim.               50    Bass                             dim.      50   S.Dr.                                       dim.   Ten.                                        dim.     B. Dr.                                                              dim.       50   Cym.                dim.    Drumline Score 3 - Touch Me in the Morning

Diana Ross Gentle ( = 60) Arr. Tanner Cassidy '18  poco accel. 10 A Little Faster ( = 72)                                                                 3

                                                      18 14                                                                                             14                         21                                                                    

                         

21                     2 3 - Touch Me in the Morning 26 Powerful ( = 144)                                                                                                                                                                         26                  

34 31                                                                                                                                                                         31                                 

37                                                           subito cresc.                                                       subito cresc.                                                                                cresc. subito 37                      subito cresc.  3 3 - Touch Me in the Morning 42 Half Time ( = 72)                                        dim. 3 3 3 3  3 3                                       3 3 dim.    3 3                                       3 3   dim.  42                   dim.     

46 rit.                                                      dim. 3 3 3 3 dim.  3 3                                                        3 3   dim.    dim.  3 3                                                     3 3     dim.   dim.  46                       dim.     dim.  

A Little Faster ( = 96) Attacca  52                                                                                                                    52              