WOMEN's MELBOURNE Celestina Sagazio
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Agnes Macready and Bella Guerin
Agnes Macready Born in 1855 at Rathfriland, County Down, Agnes Macready was the eldest of five children of Presbyterian minister, Reverend Henry Macready, and his wife Jane. In 1867, when Agnes was 12, the family emigrated to Australia. As an adult, Agnes converted to Catholicism, a move described by the Methodist newspaper in these terms: ‘[S]he wandered from green pastures of truth into the enchanted ground of Popery, and is ardent as perverts usually are’. A manifestation of her alleged perverted ardour for popery was her contribution from 1898 of literary sketches and verse to the Sydney Irish-Catholic newspaper the Catholic Press for whom she wrote under the name ‘Arrah Luen’. In 1880 Agnes had commenced training as a nurse at Sydney’s Prince Alfred Hospital, after which she worked at Melbourne Hospital before being appointed matron of Bowral Hospital in New South Wales. When war broke out in South Africa in 1899 Macready volunteered to serve as a nurse. But her request was denied. Undeterred, she paid her own passage to Durban and was the first nurse from Australia to arrive there. But not only was she the first Australian nurse at the Boer War, she also became Australia’s first-ever female war correspondent. Having been commissioned by the Catholic Press to send back reports on the war, she wrote that she saw the war ‘with a woman’s eyes’. Women war correspondents would later challenge the idea that they should cover war only from the so-called ‘woman’s angle’. But, unlike her male counterparts, Agnes was not permitted to visit the front. -
VCHA 2018 All Entrants Book
Victorian Community History Awards 2018 List of Entries Presented by Public Record Office Victoria & Royal Historical Society of Victoria The Victorian Community History Awards recognise excellence in historical method: the award categories acknowledge that history can be told in a variety of formats with the aim of reaching and enriching all Victorians. the Victorian Community History Awards have been held since 1999, and are organised by the Royal Historical Society of Victoria in cooperation with Public Record Office Victoria. The 2018 Victorian Community History Awards is on the 8th October at the Arts Centre. This is a list of all the entries in the 2018 Victorian Community History Awards. The descriptions of the works are those provided by the entrants and are reproduced with their permission. Every attempt has been made to present these entries correctly and apologies are made for any errors or omissions. Some entrants have their publications for sale through the Royal Historical Society of Victoria Bookshop located at the below street and online addresses. For enquiries about the 2019 Awards contact RHSV on (03) 9326 9288. Entry forms will be available to download from www.historyvictoria.org.au in April 2019. Public Record Office Victoria Royal Historical Society of Victoria 99 Shiel St 239 A’Beckett St North Melbourne Melbourne www.prov.vic.gov.au www.historyvictoria.org.au @PublicRecordOfficeVictoria @historyvictoria @PRO_Vic @historyvictoria @vic_archives @historyvictoria Categories The Victorian Premier’s History Award recognises the most outstanding community history project in any category. The Collaborative Community History Award recognises the best collaborative community work involving significant contributions from individuals, groups, or historical societies. -
ANSWERS to QUESTIONS on NOTICE Prime Minister and Cabinet Portfolio Office of the Official Secretary to the Governor-General
Senate Finance and Public Administration Legislation Committee 2005-06 Supplementary Budget Hearings ANSWERS TO QUESTIONS ON NOTICE Prime Minister and Cabinet Portfolio Office of the Official Secretary to the Governor-General QUESTION: PM1 Senator Crossin asked: “..How many times this year has a government member represented the Governor- General and given a message on his behalf?” QUESTION: PM2 Senator Crossin asked: “… At Uluru—Ayers Rock. It was the 20th anniversary of the hand back. You probably do not have the answer with you but can you take on notice who invited the Governor-General to that?” QUESTION: PM3 Senator Crossin asked: “…Can you also please take on notice for me whom his message was given to and why?” QUESTION: PM4 Senator Crossin asked: “In an instance where the Governor-General cannot attend, is there any protocol that suggests that the message should be given to the House of Representatives member to read out rather than to some other member of parliament? …. Could you have a look at that, please, and answer this question: if the government is the body issuing the invitation and the Governor-General is unable to go, is it custom and practice that the local House of Representatives member reads the Governor-General’s message rather than anybody else?” Response: The response to Senator Crossin’s questions PM1 to PM4 is set out below. There is no written protocol or guideline for how the Governor-General is to be represented at an event or function that he is unable to attend. Messages are not sent to the Governor or Administrator of a State or Territory unless it was they who had invited the Governor-General. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Delayed Critique: on Being Feminist, Time and Time Again
Delayed Critique: On Being Feminist, Time and Time Again In “On Being in Time with Feminism,” Robyn Emma McKenna is a Ph.D. candidate in English and Wiegman (2004) supports my contention that history, Cultural Studies at McMaster University. She is the au- theory, and pedagogy are central to thinking through thor of “‘Freedom to Choose”: Neoliberalism, Femi- the problems internal to feminism when she asks: “… nism, and Childcare in Canada.” what learning will ever be final?” (165) Positioning fem- inism as neither “an antidote to [n]or an ethical stance Abstract toward otherness,” Wiegman argues that “feminism it- In this article, I argue for a systematic critique of trans- self is our most challenging other” (164). I want to take phobia in feminism, advocating for a reconciling of seriously this claim in order to consider how feminism trans and feminist politics in community, pedagogy, is a kind of political intimacy that binds a subject to the and criticism. I claim that this critique is both delayed desire for an “Other-wise” (Thobani 2007). The content and productive. Using the Michigan Womyn’s Music of this “otherwise” is as varied as the projects that femi- Festival as a cultural archive of gender essentialism, I nism is called on to justify. In this paper, I consider the consider how rereading and revising politics might be marginalization of trans-feminism across mainstream, what is “essential” to feminism. lesbian feminist, and academic feminisms. Part of my interest in this analysis is the influence of the temporal Résumé on the way in which certain kinds of feminism are given Dans cet article, je défends l’idée d’une critique systéma- primacy in the representation of feminism. -
Deakin University Gabrielle Ryan Singing from the Shadows
Ryan Singing from the shadows Deakin University Gabrielle Ryan Singing from the shadows: historical fiction as fiction of ‘anti-progress’ Abstract: On the eerie browned-out streets of wartime Melbourne, a young female journalist stands ready to tell the story of a serial killer who killed women to capture their voices. It is May 1942: Melbourne is torn between fearing Japanese invasion, and revelling in the carnivalesque atmosphere its American visitors have brought. This journalist is not someone we would recognise today, but she did exist. This paper discusses how historical fiction accesses the stories history has left behind. It challenges the view, set out by Georg Lukacs in his seminal book, The Historical Novel, that the historical novel, such as those written by Sir Walter Scott, is a novel of progress and of the ‘pre-history of the present’. It argues that historical novels written now, many of them postcolonial and/or feminist, are novels of ‘anti-progress’: while not opposing progress per se, they seek to recapture what progress has forgotten, to hark back to a lost world, or to remind us of how little things have actually changed. These novels seek to reclaim the tag of nostalgia that has been used to dismiss the genre, and to celebrate what it can do. To support this argument, I will use examples from recent Australian historical novels, Skin by Ilka Tampke and Salt Creek by Lucy Treloar. I will also use examples from my own work in progress, a novel that seeks to tell the story of the female journalist in wartime Melbourne. -
Victorian Honour Roll of Women — Inspirational Women from All Walks of Life
+ + — — 2011 Victorian Honour Roll of Women — Inspirational women from all walks of life + — Published by: the Office of Women’s Policy Department of Human Services 1 Spring Street Melbourne Victoria 3000 Telephone. (03) 9208 3129 Online. www.women.vic.gov.au — March 2011. ©Copyright State of Victoria 2011. This publication is copyright. No part may be reproduced by any process except in accordance with provisions of the Copyright Act 1968. — Authorised by the Victorian Government, Melbourne 2011 ISBN 978-0-7311-6346-5 — Designed by Studio Verse www.studioverse.com.au Printed by Gunn & Taylor Printers www.gunntaylor.com.au — Accessibility If you would like to receive this publication in an accessible format, such as large print or audio, please telephone 03 9208 3129. This publication is also published in PDF and Word formats on www.women.vic.gov.au — — 2011 Victorian Honour Roll of Women — — — Contents Inductee profiles — — — 03 05 17 Minister’s Foreword Professor Muriel Bamblett AM Aunty Dot Peters — — — 06 18 Terry Bracks Dr Wendy Poussard — — — 07 19 Cecilia Conroy Brenda Richards — — — 08 20 Sandie de Wolf AM Jane Scarlett AM — — — 09 21 Dale Fisher Carol Schwartz AM — — — 10 22 Dr Paula Gerber Virginia Simmons AO — — — 11 23 Tricia Harper AM Dr Diane Sisely — — — 12 24 Chris Jennings Dame Peggy van Praagh — — OBE, DBE 13 Jill Joslyn — — — 14 Betty Kitchener OAM — — — 15 Professor Jayashri Kulkarni — — — 16 Victorian Honour Roll Marion Lau OAM of Women 2001-2011 — — — Foreword Mary Wooldridge MP 03 Minister for Women’s Affairs — — — Professor Muriel Bamblett AM ‘ Aboriginal people constantly seek to make a difference in the lives of their community. -
Art Monthly 1 L S TR II, I I
--L/ f -~ ..... .I \ I ( I !' I ' \ I .I Denis Freney Memorial Scholarships Up to $10,000 AUSTRALIAN Applicatio ns are in vited from people currentl y engaged BOOK REVIEW in (or about to commence) a research, writing or cultural project whi ch is judged to make a contributio n to the labour and progressive moveme nts in Australi a. MAY: The SEARC H Foundation wi ll award scho larships to assist wi th the costs o f such a project. Priority will be An essay by Terry Collits g iven to pro jects which have good prospects of pu blicati on or othe r public use of th e results, but A double review of Germaine Greer's whi ch do not have access to other funding. The Whole Woman by S EA RC H is an inde pendent, non-pro fit fo undati on Jenna Mead and Peter Craven established to assist acti vities whi ch pro mote social j usti ce and the development of a more democrati c and Dorothy Hewett on Jm·die Albiston's egalitari an society. Deta il s of its aim s and objecti ves are avail able on request. The Hanging ofJean Lee Suitabl y qualified applicants should contact SEA RCH Susan Lever on David Foster's essays for deta il ed applicati o n g uidelines. Applications must be received by July 20, 1999 and his new novel, Social Education and Research In the New Country Concerning Humanity (SEARCH) Foundation Rm 610,3 Smail Street, BROADWAY NSW 2007 Andrew Riemer on Ph : (02) 921 I 4164; Fax: (02) 921 I 1407 James Bradley's The Deep Field SEARCH FOUNDATION New Subscribers $55 for ten issues plus a free book ACN 050 096 976 Ph (03) 9429 6700 or Fax (03) 9429 2288 in the footsteps of Dam Gregory Murray, Joseph Gelineau SJ and Richard Connolly MUSIC FOR SUNG MASS GREGORIAN CHANT New rhythmic edition with organ accompaniment Introduction: 'Looking towards 21st century Gregorian Chant' Short Mass (Advent, Lent), Gloria XV, Mass VIII (de Angelis), Credo III $25 WORKS FOR THE ENGLISH LITURGY (including Mass settings approved by the National Liturgical Commission) 1. -
Tom Roberts's Masterpiece Emerges for Public Sale
Melbourne | +61 (0)3 9508 9900 | Thomas Austin | [email protected] TOM ROBERTS’S MASTERPIECE EMERGES FOR PUBLIC SALE FOR THE FIRST TIME SINCE THE 9 BY 5 IMPRESSION EXHIBITION IN 1889 She-Oak in Sun-Light Makes Auction Debut After Over a Century in the Sir Walter Baldwin Spencer Collection An Enduring Symbol of Roberts’s Vision to Create a Distinct & ‘National’ Visual Vocabulary for Australian Landscape Painting TOM ROBERTS 1856-1931 She-Oak and Sun-Light (1889) oil on wood, 30.5 x 30 cm Estimate $220,000–280,000 MELBOURNE, 30 October 2019 – On 20 November 2019, Tom Roberts’s celebrated Impressionist masterpiece, She-Oak and Sun-Light (1889), will go under the hammer at Sotheby’s Australia’s auction of Important Australian Art. The work was first seen by the public during the iconic The 9 by 5 Impression Exhibition in Melbourne in 1889 before being acquired by one of Australia’s first great art patrons Sir Walter Baldwin Spencer (1860-1929). The panel has been cherished by Spencer’s descendants since that time and will make its auction debut at Sotheby’s Australia this November. Sotheby’s Australia is a trade mark used under licence from Sotheby's. Second East Auction Holdings Pty Ltd is independent of the Sotheby's Group. The Sotheby's Group is not responsible for the acts or omissions of Second East Auction Holdings Pty Ltd Melbourne | +61 (0)3 9508 9900 | Thomas Austin | [email protected] THE MOST CELEBRATED WORK FROM AUSTRALIA’S FIRST IMPRESSIONIST EXHIBITION Over the past century, beginning with Frank Gibson, R.H. -
Agenda Vol.20
NTEU WOMEN’S JOURNAL Www.NTEU.org.au/women bluestocking week revival of a celebration of educaTed women bluestocking weEk evEnts acrosS the country equity in higher Education baRgaining through a gEnder Lens ouR brilLiant carEers ISSN 1839-6186 volume 20 SeptEMber 2012 NATIONAL TERTIARY EDUCATION UNION MEMBERSHIP FORM I want to join NTEU I am currently a member and wish to update my details The information on this form is needed for aspects of NTEU’s work and will be treated as confidential. WoMen’s action commiTtee (WAc) YOUR PERSONAL DETAILS The NTEU Women’s Action Committee (WAC) develops the Union’s TITLE |SURNAME |GIVEN NAMES work concerning women and their professional and employment rights. HOME ADDRESS The WAC meets twice a year. Its role includes: • Act as a representative of women members at the National level. CITY/SUBURB |STATE |POSTCODE • To identify, develop and respond to matters affecting women. HOME PHONE WORK PHONE INCL AREA CODE | INCL AREA CODE | MOBILE • To advise on recruitment policy and resources directed at women. • To advise on strategies and structures to encourage, support and EMAIL |DATE OF BIRTH | MALE FEMALE facilitate the active participation of women members at all levels of the NTEU. HAVE YOU PREVIOUSLY BEEN AN NTEU MEMBER? YES: AT WHICH INSTITUTION? |ARE YOU AUSTRALIAN ABORIGINAL/TORRES STRAIT ISLANDER? YES • To recommend action and advise on issues affecting women. YOUR CURRENT EMPLOYMENT DETAILS PLEASE USE MY HOME ADDRESS FOR ALL MAILING WAc DelegAtes 2011-2012 • To inform members on industrial issues and policies that impact on women. INSTITUTION/EMPLOYER |CAMPUS Aca Academic staff representative • To make recommendations and provide advice to the National Exec- MAIL/ FACULTY DEPT/SCHOOL G/P General/Professional staff representative utive, National Council, Division Executives and Division Councils on | |BLDG CODE industrial, social and political issues affecting women.