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Led Zeppelin Neil Young Sam Smith the Common Linnets Rival Sons Passenger Soundgarden Imelda May American Authors Inhalt
GRATIS | JUNI 2014 Ausgabe 9 ED SHEERAN LED ZEPPELIN NEIL YOUNG SAM SMITH THE COMMON LINNETS RIVAL SONS PASSENGER SOUNDGARDEN IMELDA MAY AMERICAN AUTHORS INHALT INHALT EDITION – IMPressUM 03 ED SHEERAN HERAUSGEBER 04 LED ZEPPELIN AKTIV MUSIK MARKETING GMBH & CO. KG 05 PAUL WELLER | THE WHO | NAT KING COLE Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 06 TINA TURNER | NEIL YOUNG PERSÖNLICH HAFTENDE GESellSCHAFTERIN: 07 AMERICAN AUTHORS | SAM SMITH AKTIV MUSIK MARKETING 08 RIVAL SONS VERWALTUNGS GMBH & CO. KG 09 PASSENGER | INGRID MICHAELSON Steintorweg 8, 20099 Hamburg 10 LANA DEL REY | THE COMMON LINNETS SITZ: Hamburg, HR B 100122 11 MARK FORSTER | MATEO INTERIMSGESCHÄFTSFÜHRER Marcus-Johannes Heinz 12 LINKIN PARK | SOUNDGARDEN Fon: 040/468 99 28-0 Fax: 040/468 99 28-15 14 MICKIE KRAUSE | ELLA ENDLICH E-Mail: [email protected] 15 SANTIANO | THE HORST | LARSITO 16 IMELDA MAY | REBEKKA BAKKEN KASABIAN | MARIAH CAREY | ALLE FARBEN REDAKTIONS- UND ANZEIGENLEITUNG 17 Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 18 GUANO APES | FIRST AID KID 19 KISS | ROB ZOMBIE | POWERMAN 5000 MITARBEITER DIESER AUSGABE 20 HÖRSTOFF Marcel Anders (ma), Kai Florian Becker (kfb), Helmut 23 DAS SCHICKSAL IST EIN MIESER VERRÄTER JULIAN MAESO | I-FIRE Blecher (hb), Dagmar Leischow (dl), Nadine Lischick (nli), Ilka Mamero, Patrick Niemeier (nie), Henning Richter 24 PLATTENLÄDEN (hr), Steffen Rüth (sr) Bleibe auf dem Laufenden und bestelle unseren Newsletter auf WWW.PLATTENLADENTIPPS.DE/NEWSLETTER FOTOGRAFEN DIESER AUSGABE Ben Watts (1,3 Ed Sheeran), Tony Mottram -
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 Mooluriil's MAGAZINE
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 MoOLURIil'S MAGAZINE The Self-Playing Piano is It People who have watched these things closely have noticed that popular favor is toward the self-playing piano. A complete piano which will ornament your drawing-room, which can be played in the ordinary way by human fingers, or which. -'\ can be played by a piano player concealed inside the case, is the most popular musical instrument in the world to-day. The Harmonist Self-Playing Piano is the instrument which best meets these condi tions. The piano itself is perfect in tone and workmanship. The piano player at tachment is inside, is operated by perforated music, adds nothing to the size of the piano. takes up no room whatever, is always ready, is never in the way. We want everyone who is thinking of buying a piano to consider the great advan tage of getting a Harmonist, which combines the piano and the piano player both. It costs but little more than a good piano. but it is ten times as useful and a hundred times as entertaining. Write for particulars. ROTH ~ENGELHARDT Proprietors Peerless Piano Player Co. Windsor Aroade. Fifth Ave.. New York Please mention McClure·s when you write to ad"crtiscrt. 77 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. -
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28 Established 1961 Lifestyle Gossip Wednesday, December 13, 2017 Lily Allen Cabello praises drops first song artists for in three years ‘breaking barriers’ he ‘Smile’ hitmaker hasn’t put out any tunes since her album ‘Sheezus’, but surprised fans on Monday night, by dropping amila Cabello thinks there is a lot of “breaking barriers” in the coming-of-age banger about her wild past. On the track, the music industry right now. The ‘Havana’ hitmaker is thrilled T to see Latin artists getting mainstream recognition now and she sings: “When I was young I was blameless/ Playing with rude C boys and trainers/ I had a foot in the rave ‘cause I was attracted to thinks there has been a big shift in the industry. She said: “I think danger/ I never got home for Neighbors, hey/ When I grew up, noth- that the good thing about social media and the internet is that I feel ing changed much/ Anything went, I was famous /I would wake up like it makes the world smaller and it just kind of breaks down barri- next to strangers/ Everyone knows what cocaine does/ Numbing the ers between languages, between people, between cultures, and I pain when the shame comes, hey (sic)” In October last year, Lily think that might have something to do with that. I’ve been listening debuted a new track at Mark Ronson’s show at The Savoy hotel in to Spanish music forever because that’s just not even Spanish music London. The ‘Alfie’ hitmaker took to the stage to perform three songs to me, it’s just music “But I feel like with everything that’s gone on at the MasterCard Priceless event, including a brand new electronic this year and also with groups like K-pop groups performing on dance track which she created with the superstar DJ. -
Marquetry on Drawer-Model Marionette Duo-Art
Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number -
Hupfeld Helios Orchestrion
TheAMICA News Bulletin of the Automatic Musical Instrument Collectors' Association September/October, 1985 Volume 22 Number 7 AMlCAlnternational JVews Bulletin DOROTHY BROMAGE, PUBLISHER POB275 CCB (207) 767-4446 Cape Elizabeth, ME 04107 Published by the Automatic Musical Instrument Collectors' CHAPTER OffICERS Association, a non-profit club devoted to the restoration, FOUNDING CHAPTER IOWA distribution and enjoyment of musical instruments using per Pres: phil McCoy Pres: George Apland forated paper music rolls, AMICA was founded in San Francisco Vice Pres: Isadora Koff Vice Pres: E.H. Breckenfelder in 1963. Treas: Bob Wilcox SeclTreas: Marjorie Apland Sec/Reporter: lack & Dianne Reporter: Jack Niewoehner Edwards SOUTHERN CALIFORNIA BOSTON AREA 1986 CONVENTION Pres: Warren & Rosemary Pres: Judy Welsh Deasy Vice Pres: Michael Potash PHILADELPHIA, PENN. Vice Pres: Jerry Pell Sec: Bill Koenigsberg Sec: John Candido Treas: Philip Konop Treas: larry Norman Reporter: Donald Brown HOST: Philadelphia Area Chapter Reporter: Jerry Pell TEXAS NORTHERN LIGHTS Pres: Wade Newton Pres: Jerrilyn Boehland Vice Pres: lorane Smith Vice Pres: Tom Wordeman SeclTreas: Carole Beckett Sec: Tracy Tolzmann ADVERTISING Reporter: Janet Tonnesen Treas: Robert & Katheryn Classified: 10¢ per word, $1.50 minimum. Duma • All copy must reach the publisher by the 10th of the preceding Reporter: Ruby Ahneman month. Payment must accompany order. Make checks payable MIDWEST SIERRA-NEVADA Pres: Edwin Ward Pres: Bob Patton to: AMICA INTERNATIONAl.. Vice Pres: liz Barnhart Vice Pres: Vicki Mahr • Checks or money orders from advertisers in foreign countries Sec: lawrence & Margaret SeclTreas: Audrey Winters must be drawn on a U.S. bank. Frazer Reporter: Bob and Sonja leomon Treas: Alvin Wulfekuhl Display Advertising Reporter: Sue Ricca Full Page 7V2"x10" $100.00 PHILADELPHIA AREA CHICAGO AREA Half page 7V2"x43/4" SO.OO Pres: Bob Taylor Pres. -
The Leludion Story
Carousel Organ, Issue No. 8 — July, 2001 The LeLudion Story Eve Crasse The Beginnings have been made by a grandfather for his grandson's enjoyment he story of LeLudion started with the crossing of the or a divining machine by the fairman's hands, following the paths of two people with a passion for mechanical music. movement of a figure's wand - up and down. The Cartesian TThe place was the first district of Paris - a chance meet- diver seems to answer the publics’ question. ing in front of an antique dealer who specialized in organ Cartesian Diver clocks. Both students were interested in the same type of music Best described as a toy for the junior high school laboratory, it is sim- - one was enchanted with fairground music and the merry-go- ply a near-floating object in a closed plastic bottle that dives and rises round and the other was fascinated with the mechanism that according to pressure on the bottle. It involves physical forces of made this wonderful music. weight, pressure, gravity, vacuum and water. Several years passed before realizing the workshop as it is known today but the chance meeting was the start. Being able to teach the craft of mechanical music as well as working with great customers all added to the experience over the last 25 years. The craft of mechanical music? In France there was no formal school, not even for organ building. You had to learn from retired professionals. Today it is different in that there is a unique school near Strasbourg (in the eastern part of France) where the apprentice can find good teachers. -
A Nickel for Music in the Early 1900'S
A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s. -
Bulletin Germany/Holland 2007 July 5Th Ð 20Th
THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection . -
Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No
MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 2 March/April, 2014 October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida Meet The Collectors Open House Collection Visits Elliot and Rhonda Shumann have been collecting for many years and have a delightful collection of fine cylinder music boxes. In this collection you will see a Mermod Long March, a Nicole Grand Format, a Nicole Overture box, a Falconet overture keywind, and a number of chalets. Most outstanding is a double cylinder mechanism oil painting with clock in an ornate frame. Howard and Margery Sanford Bob Smith joined the MBSI in 1975. His , members for over 30 collection includes cylinder boxes, disc years, have a collection that includes a Mortier 101 boxes including a three disc Symphonion a key dance hall organ, a Wurlitzer 146, a carousel Mira console and a Stella, a grandfather organ, an Encore/Ramey banjo, a Capitol cu box type organ clock, an oil painting which contains a C, several pianos, and a one-of-a-kind midi accordion clock and music box, an upright Duo Art with a wooden conductor resembling Mozart, all of piano and an Arburo dance organ. which is housed in a lovely Florida setting. Come and enjoy our southern hospitality as you visit these fascinating collections! Arrive early and luxuriate in the beautiful Check our website www.mbsi2014.org surroundings of the Bonaventure Resort and Spa, for updated information about the 2014 Annual Meeting and be ready for a fun-filled weekend. -
MASCAGNI Overload Distortion
111025 bk CavalleriaEU 28/10/05 13:29 Page 8 Producer’s Note Cavalleria was Callas’s third opera recording for EMI, and only her second with the La Scala forces. It shares a number of sonic shortcomings with her recording of I Puritani which immediately preceded it, particularly MASCAGNI overload distortion. The original engineering (uncredited, but probably by the same Italian staff responsible for Puritani working in the same venue) imparts a harsh, unpleasant tone to the voices, a fault which cannot entirely be mitigated in remastering. Some portions, like the Turiddu/Santuzza duet, were so badly recorded that it is a Cavalleria Rusticana wonder the set was passed for issue. Just a month later, EMI’s British engineering team was able to achieve markedly superior results in Callas’s classic Tosca recording. IA CAL Mark Obert-Thorn AR LA M S Mark Obert-Thorn Mark Obert-Thorn is one of the world’s most respected transfer artist/engineers. He has worked for a number of 195 ing specialist labels, including Pearl, Biddulph, Romophone and Music & Arts. Three of his transfers have been 3 Record nominated for Gramophone Awards. A pianist by training, his passions are music, history and working on projects. He has found a way to combine all three in the transfer of historical recordings. Obert-Thorn describes himself as a ‘moderate interventionist’ rather than a ‘purist’ or ‘re-processor,’ unlike those who apply significant additions and make major changes to the acoustical qualities of old recordings. His philosophy is that a good transfer should not call attention to itself, but rather allow the performances to be heard Maria Callas • Giuseppe Di Stefano with the greatest clarity. -
New Concert Console Organ by Wurlitzer Here Is the Or~An That Offers a Full O Utl~T for Your Talent, Hances One-Finger Melodies with Automatic Chords
SHOWCASEYOURTALENT New Concert Console Organ by Wurlitzer Here is the_or~an that offers a full o_utl~t for your talent, hances one-finger melodies with automatic chords. ~or~ ~.us1c or your money. This console of the Dancing Fingers"' plays in many modes of automatic eighties has pl~y today fea!ur~s that enh_ar:i<?~your arpeggiation on upper or lower keyboard enlarged by performance, with almost limitless poss1b1l1t1es. theatre, orchestral, classic, jazz, rock and disco. You'll variable and independent sustain for all voices. feel proud and in command seated at this console with Vari Voice"' lets you create solo voicings with variable its multitude of beautifully styled controls. sustain and repeating possibilities while a special "wow" The heart of the new 0-170, the Wurlitzer Digital Music attack provides even more versatility. System, brinJJSnew meaning to playability. The Orbit All of these features and more are combined in elegant Synthesizer ' has a multi-note capability. It can be cabinetry of Traditional and Mediterranean designs. coupled with the upper keyboard or through the two- Each one features controls color coordinated with speed Leslie speaker system. today's natural decorating hues. String Ensemble pre-sets produce the orchestral opu- Send for full information on the new Wurlitzer D-170 lence of Violins, Violas and Cellos. An independent Concert Console Organ. Celeste enhances other orchestral voices. There is a full range of Tibia pitches as well as a coupler system for both upper and lower keyboards. Polyphonic pedals for classical works. An extraordinary Solo Piano can be played throughout the upper keyboard. -
Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments
MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 3 May/June, 2014 65th Annual Meeting October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida "Our Backyard Museum" - The Jancko Collection Step back in time as you tour "Our Backyard Museum", the collection of Joel and Pam Jancko. Joel and Pam Jancko started their collection in the early 1990’s with only one building to house a couple of vehicles. This collection has grown through the years with additional buildings to encompass displays of an old town, a war room, a saloon, a soda fountain, a game room, a log cabin, a service station, a bicycle display, a fire station, a cinema, a street scene, a farm scene, a street clock, a steam engine, and even a fort. The Museum complex contains artifacts from the Civil War to WW1 and features many innovations from this time. Of most interest to our MBSI group will be the Music Room with a wide variety of instruments, including an Imhof & Mukle, a Seeburg H, a Wurlitzer CX, a Double Mills Violano, a Cremona K, a Weber Unika, an Encore Banjo, a Model B Harp, a Bruder band organ, a Limonaire band organ, a Bruder monkey organ, an American Photo Player and a classic Mortier, as well as a variety of cylinder and disc music boxes, organettes and phonographs. Making its debut at this meeting will be their newly acquired and installed 3 manual/11 rank Wurlitzer Opus 1616 theatre organ (model 235SP), expanded to 22 ranks.