Misappropriation of Metaphor in War Propaganda By
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Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 27, folder “State Visits - Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 27 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE EMPEROR OF JAPAN ~ . .,1. THE EMPEROR OF JAPAN A Profile On the Occasion of The Visit by The Emperor and Empress to the United States September 30th to October 13th, 1975 by Edwin 0. Reischauer The Emperor and Empress of japan on a quiet stroll in the gardens of the Imperial Palace in Tokyo. Few events in the long history of international relations carry the significance of the first visit to the United States of the Em peror and Empress of Japan. Only once before has the reigning Emperor of Japan ventured forth from his beautiful island realm to travel abroad. On that occasion, his visit to a number of Euro pean countries resulted in an immediate strengthening of the bonds linking Japan and Europe. -
French Journal of Japanese Studies, 4 | 2015, « Japan and Colonization » [En Ligne], Mis En Ligne Le 01 Janvier 2015, Consulté Le 08 Juillet 2021
Cipango - French Journal of Japanese Studies English Selection 4 | 2015 Japan and Colonization Édition électronique URL : https://journals.openedition.org/cjs/949 DOI : 10.4000/cjs.949 ISSN : 2268-1744 Éditeur INALCO Référence électronique Cipango - French Journal of Japanese Studies, 4 | 2015, « Japan and Colonization » [En ligne], mis en ligne le 01 janvier 2015, consulté le 08 juillet 2021. URL : https://journals.openedition.org/cjs/949 ; DOI : https://doi.org/10.4000/cjs.949 Ce document a été généré automatiquement le 8 juillet 2021. Cipango - French Journal of Japanese Studies is licensed under a Creative Commons Attribution 4.0 International License. 1 SOMMAIRE Introduction Arnaud Nanta and Laurent Nespoulous Manchuria and the “Far Eastern Question”, 1880‑1910 Michel Vié The Beginnings of Japan’s Economic Hold over Colonial Korea, 1900-1919 Alexandre Roy Criticising Colonialism in pre‑1945 Japan Pierre‑François Souyri The History Textbook Controversy in Japan and South Korea Samuel Guex Imperialist vs Rogue. Japan, North Korea and the Colonial Issue since 1945 Adrien Carbonnet Cipango - French Journal of Japanese Studies, 4 | 2015 2 Introduction Arnaud Nanta and Laurent Nespoulous 1 Over one hundred years have now passed since the Kingdom of Korea was annexed by Japan in 1910. It was inevitable, then, that 2010 would be an important year for scholarship on the Japanese colonisation of Korea. In response to this momentous anniversary, Cipango – Cahiers d’études japonaises launched a call for papers on the subject of Japan’s colonial past in the spring of 2009. 2 Why colonisation in general and not specifically relating to Korea? Because it seemed logical to the journal’s editors that Korea would be the focus of increased attention from specialists of East Asia, at the risk of potentially forgetting the longer—and more obscure—timeline of the colonisation process. -
A Set of Japanese Word Cohorts Rated for Relative Familiarity
A SET OF JAPANESE WORD COHORTS RATED FOR RELATIVE FAMILIARITY Takashi Otake and Anne Cutler Dokkyo University and Max-Planck Institute for Psycholinguistics ABSTRACT are asked to guess about the identity of a speech signal which is in some way difficult to perceive; in gating the input is fragmentary, A database is presented of relative familiarity ratings for 24 sets of but other methods involve presentation of filtered or noise-masked Japanese words, each set comprising words overlapping in the or faint signals. In most such studies there is a strong familiarity initial portions. These ratings are useful for the generation of effect: listeners guess words which are familiar to them rather than material sets for research in the recognition of spoken words. words which are unfamiliar. The above list suggests that the same was true in this study. However, in order to establish that this was 1. INTRODUCTION so, it was necessary to compare the relative familiarity of the guessed words and the actually presented words. Unfortunately Spoken-language recognition proceeds in time - the beginnings of we found no existing database available for such a comparison. words arrive before the ends. Research on spoken-language recognition thus often makes use of words which begin similarly It was therefore necessary to collect familiarity ratings for the and diverge at a later point. For instance, Marslen-Wilson and words in question. Studies of subjective familiarity rating 1) 2) Zwitserlood and Zwitserlood examined the associates activated (Gernsbacher8), Kreuz9)) have shown very high inter-rater by the presentation of fragments which could be the beginning of reliability and a better correlation with experimental results in more than one word - in Zwitserlood's experiment, for example, language processing than is found for frequency counts based on the fragment kapit- which could begin the Dutch words kapitein written text. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Record of the Istanbul Process 16/18 for Combating Intolerance And
2019 JAPAN SUMMARY REPORT TABLE OF CONTENTS EVENT SUMMARY .................................................................................................................................... 3 PLENARY SESSIONS ................................................................................................................................. 7 LAUNCHING THE 2019 G20 INTERFAITH FORUM.......................................................................... 7 FORMAL FORUM INAUGURATION – WORKING FOR PEACE, PEOPLE, AND PLANET: CHALLENGES TO THE G20 ............................................................................................................... 14 WHY WE CAN HOPE: PEACE, PEOPLE, AND PLANET ................................................................. 14 ACTION AGENDAS: TESTING IDEAS WITH EXPERIENCE FROM FIELD REALITIES ........... 15 IDEAS TO ACTION .............................................................................................................................. 26 TOWARDS 2020 .................................................................................................................................... 35 CLOSING PLENARY ............................................................................................................................ 42 PEACE WORKING SESSIONS ................................................................................................................ 53 FROM VILE TO VIOLENCE: FREEDOM OF RELIGION & BELIEF & PEACEBUILDING ......... 53 THE DIPLOMACY OF RELIGIOUS PEACEBUILDING .................................................................. -
The Rape of Nanking: a Historical Analysis of the Aftershocks of Wartime Sexual Violence in International Relations
FACULTAD DE CIENCIAS HUMANAS Y SOCIALES The Rape of Nanking: a historical analysis of the aftershocks of wartime sexual violence in international relations. Autor: Ester Brito Ruiz Quinto Curso del Doble Grado de ADE y Relaciones Internacionales Director: Jose Manuel Saenz Rotko Madrid Junio 2018 Ester Brito Ruiz international relations. The Rape of Nanking: a historical analysis of the aftershocks of wartime sexual violence in in violence sexual wartime of aftershocks the of analysis historical a Nanking: of Rape The Index 1) Abstract & Key words. 2) Methodology & Research Design. 3) Introduction. 4) Historiography and debates on Nanking. 5) Historical analysis and drivers of the Second Sino-Japanese war and interbellum change in protocols against foreign combatants and civilians. a. Conditioning Japanese political factors. b. Economic drivers. c. The role of the international order. 6) The route to Nanking a. Introduction: planning and intent of Japanese imperial forces when entering Manchuria. b. Road to Nanking: the advance of the imperial army, Loot all, kill all, burn all imperative. c. The entry into the city and mass killings. d. Rape in Nanking and beyond the capital. e. Torture inflicted upon combatants and civilians. f. The weeks following the fall of Nanking. 7) Radicalization of the Japanese imperial army: understanding historical warfare practices and theories of violence. 8) Rape as a weapon of war. 9) Other war crimes and implications of Japanese Imperialism 10) Historical memory of Nanking a. Significance of diverging historical memory in politics b. China: the century of humiliation narrative c. Japan: the historical aggressor-victim dilemma 1 11) Historical impact of Nanking on current international relations. -
Inland Sea of Ja An
Ancient traditions of the Inland Sea of Ja an Kyoto ◆ Hiroshima ◆ Miyajima ◆ Matsue ◆ Himeji ◆ Osaka A voyage aboard the Exclusively Chartered Small Ship Five-Star M.S. L’AUSTRAL April 30 to May 10, 2017 Dear Bryn Mawr Alumnae/i and Friends, Konnichiwa! Experience the timeless splendor of Japan and South Korea by sea and on land, the best way to see the richness of this beautiful region. During this custom-designed nine-night itinerary enjoy two nights on land and seven nights cruising while you explore enthralling ports steeped in the traditions of ancient Buddhist shoguns and Samurai warriors, and admire landscapes dotted with Shinto shrines, imperial castles and meticulous Japanese gardens. Spend two nights in the enchanting city of Kyoto, its serene landscape brimming with fragrant cherry blossom trees. It was the imperial capital of Japan from A.D. 794 until the mid-19th century and has been the cultural capital of this island nation for more than 1000 years. See its historic UNESCO World Heritage-designated monuments, visit the opulent temples of Ry ¯oan-ji and Kinkaku-ji, the imperial Nij ¯o Castle and stroll through the iconic red-orange torii gates and temple grounds of the Fushimi Inari Shrine. On board the exclusively chartered, Five-Star small ship M.S. L’AUSTRAL, featuring only 110 ocean-view Suites and Staterooms, cruise for seven nights from Himeji, Japan, along the coast of the tranquil Inland Sea and South Korea, and visit captivating port calls that showcase fi ve UNESCO World Heritage sites. See the impressive 14th-century Himeji Castle complex, the oldest surviving feudal structure of medieval Japan; walk through the poignant Peace Memorial Park and Museum in Hiroshima following President Obama’s recent historic visit; and tour picturesque Itsukushima Shrine in Miyajima with its awe-inspiring Great Torii Gate. -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
Washi Making Process
Washi Making Process 1. Raw Materials of Washi The typical raw materials are kozo, mitsumata, gampi and hemp. Paper /Parchment can be made from any plant which has fi ber, but these four plants are the best. The idea of using these four raw materials is from the wisdom born in the 1500-year old Japanese parchment, washi, history. 2. Peeling the Bark Kozo is harvested in winter, and the cut ends of Kozo are steamed over boiling water. Then, after cooling the steamed kozo with water, the bark is peeled off and dried. The bark at this stage is rough and called Kurokawa or Black Bark. Machine paper is made of the woody fi ber, the inner part of the plants, while washi is made of the fi ber of the bark. © 2007 Precious Pieces 3. Soaking the Black Bark in Water The black bark is soaked in water for one day. Then the black outer bark and joints will be removed. The remaining inner bark is dried in the sun. Now this bark is called white bark. The white bark is soaked in water again for fi ve or six hours and rinsed in clean cold water. This is to soften the fiber in the bark, making it easy boil, and to wash away sand, dirt or impurifi es in the bark. © 2007 Precious Pieces 5 Tudor City Pl. #102, New York, NY 10017 Aug 20, 2008 Precious Pieces (P) 212-682-8505 (F) 212-682-6004 A r c h i t e c t u r a l Pa r c h m e n t F o r I n t e r i o r s www.precious-piece.com [email protected] *Washi Viewing by appointment 4. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Permalink https://escholarship.org/uc/item/97g9d23n Author Mewhinney, Matthew Stanhope Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki By Matthew Stanhope Mewhinney A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor H. Mack Horton Professor Daniel C. O’Neill Professor Anne-Lise François Summer 2018 © 2018 Matthew Stanhope Mewhinney All Rights Reserved Abstract The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki by Matthew Stanhope Mewhinney Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet- painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867- 1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them. -
Religion and the Secular State in Japan1
KYOKO KIMPARA Religion and the Secular State in Japan1 I. SOCIAL CONTEXT The contemporary society of Japan appears to be comprised of both secular and religious influences. The reality is that the Japanese society reflects an ambivalent feeling towards religion shared by the majority of the Japanese people and is the key to understanding the social, political and legal context in the theme of “Religion and the Secular State.” In this setion of the report, both the current breakdown of religious affiliations in Japan and a brief historical explanation of the major religious traditions in Japan are given. According to the latest reliable statistics available concerning the religious affiliation of the Japanese, 51.2 percent are Shintoists (Shinto is traditional polytheistic religion of Japan), 43.3 percent are Buddhists, 1.0 percent are Christians, and 4.4 percent are other religions. The total number of Shintoists and Buddhists combined make up approximately two hundred million, which is almost twice as many as the total population of the country. How could that be explained? First, as the statistics are based on a questionnaire answered by religious communities, each community may have declared a number slightly more than actual membership. Another explanation could be the possibility that each community counted the number of people who had simply participated in some religious events of the community or worshipped in some way or other, even though there is no such clear-cut sign of one’s religious affiliation in Shinto and Buddhism as baptism is in Christianity. Many Japanese tend to participate in religious events of different religions, such as the New Year’s celebrations at Shinto shrines or Buddhist temples, Saint Valentine’s Day and Christmas Eve, romantic wedding ceremonies at Christian churches, and funeral ceremonies done in a Shintoist or Buddhist style. -
The Rise of Nationalism in Millennial Japan
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2010 Politics Shifts Right: The Rise of Nationalism in Millennial Japan Jordan Dickson College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Asian Studies Commons Recommended Citation Dickson, Jordan, "Politics Shifts Right: The Rise of Nationalism in Millennial Japan" (2010). Undergraduate Honors Theses. Paper 752. https://scholarworks.wm.edu/honorstheses/752 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Politics Shifts Right: The Rise of Nationalism in Millennial Japan A thesis submitted in partial fulfillment of the requirement for the degree of Bachelors of Arts in Global Studies from The College of William and Mary by Jordan Dickson Accepted for High Honors Professor Rachel DiNitto, Director Professor Hiroshi Kitamura Professor Eric Han 1 Introduction In the 1990s, Japan experienced a series of devastating internal political, economic and social problems that changed the landscape irrevocably. A sense of national panic and crisis was ignited in 1995 when Japan experienced the Great Hanshin earthquake and the Aum Shinrikyō attack, the notorious sarin gas attack in the Tokyo subway. These disasters came on the heels of economic collapse, and the nation seemed to be falling into a downward spiral. The Japanese lamented the decline of traditional values, social hegemony, political awareness and engagement.